The Mi'kmaq of eastern Canada were among the first indigenous North Americans to encounter colonial Europeans. As early as the mid-sixteenth century, they were trading with French fishers, and by the mid-seventeenth century, large numbers of Mi'kmaq had converted to Catholicism. Mi'kmaw Catholicism is perhaps best exemplified by the community's regard for the figure of Saint Anne, the grandmother of Jesus. Every year for a week, coinciding with the saint's feast day of July 26, Mi'kmaw peoples from communities throughout Quebec and eastern Canada gather on the small island of Potlotek, off the coast of Nova Scotia. It is, however, far from a conventional Catholic celebration. In fact, it expresses a complex relationship between the Mi'kmaq, Saint Anne, a series of eighteenth-century treaties, and a cultural hero named Kluskap.

Finding Kluskap brings together years of historical research and learning among Mi'kmaw peoples on Cape Breton Island, Nova Scotia. The author's long-term relationship with Mi'kmaw friends and colleagues provides a unique vantage point for scholarship, one shaped by not only personal relationships but also by the cultural, intellectual, and historical situations that inform postcolonial peoples. The picture that emerges when Saint Anne, Kluskap, and the mission are considered in concert with one another is one of the sacred life as a site of adjudication for both the meaning and efficacy of religion--and the impact of modern history on contemporary indigenous religion.

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu--the Yoruba sacred scriptures--along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love's work explores the ways in which an ancient worldview survives in modern times.

Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.

La religion yoruba tiene sus origenes en la tribu del mismo nombre, que duro aproximadamente doce siglos. El trafico de esclavos permitio que sus habitantes fueran transportados a America, a donde llevaron su religion, que se fundio con el catolicismo para dar lugar a otro de sus nombres: santeria.. Actualmente es un credo con un gran numero de devotos, por lo cual surge este libro, que presenta un glosario de terminos yoruba, con cientos de palabras y frases religiosas y folcloricas.

A classic question in studies of ritual is how ritual performances achieve-or fail to achieve-their effects. In this pathbreaking book, Matt Tomlinson argues that participants condition their own expectations of ritual success by interactively creating distinct textual patterns of sequence, conjunction, contrast, and substitution. Drawing on long-term research in Fiji, the book presents in-depth studies of each of these patterns, taken from a wide range of settings: a fiery, soul-saving Pentecostal crusade; relaxed gatherings at which people drink the narcotic beverage kava; deathbeds at which missionaries eagerly await the signs of good Christians' "happy deaths"; and the monologic pronouncements of a military-led government determined to make the nation speak in a single voice. In each of these cases, Tomlinson also examines the broad ideologies of motion which frame participants' ritual actions, such as Pentecostals' beliefs that effective worship requires ecstatic movement like jumping, dancing, and clapping, and nineteenth-century missionaries' insistence that the journeys of the soul in the afterlife should follow a new path. By approaching ritual as an act of "entextualization"-in which the flow of discourse is turned into object-like texts-while analyzing the ways people expect words, things, and selves to move in performance, this book presents a new and compelling way to understand the efficacy of ritual action.

En esta obra Lydia Cabrera, transcribe y colecciona por puro deleite el conjunto de leyendas negras de La Habana. Se trata de Cuentos afrocubanos, que aunque estan cundidos'de fantasia y ofrecen entre sus protagonistas algunos personajes del panteon yoruba, como Obaogo, Oshun, Ochosi, etc., no son unicamente religiosos. La mayoria entran en la categoria de fabulas de animales. Otros son de personajes humanos en los cuales la mitologia entra secundariamente. En varios de ellos se descubren supervivencias totemicas, como cuando se cita el Hombre-tigre, el Hombre-Toro. Papa-Jicotea, etc. Otro nos ofrece unas fabulas muy curiosas, de como se originaron el primer hombre, el primer negro y el primer blanco, muestra de como abundan en el folklore negro los mitos de la etnogenia. Si bien la mayor parte de los cuentos negros coleccionados por Lydia Cabrera son de origen yoruba, en varios aparece evidente la huella de la civilizacion de los blancos.

In this Native American allegory, a young Lakota boy named David is despondent over the death of his sister and fears that he will never know happiness again. His father gives him a gift, a scroll with seven pictures, which properly understood, holds the keys to self understanding. In a deeply moving way, Lessons of a Lakota blends traditional Native American beliefs, with more modern principles such as positive thinking and self awareness. This book will teach you about yourself, show you what it means to be happy, and lead you on your own personal journey to inner peace.

Indigenous religions are the majority of the world's religions. This Companion shows how much they can contribute to a richer understanding of human identity, action and relationships. It also challenges their marginalization in the study of religions. An international team of contributors discuss representative indigenous religions from all continents in relation to significant themes. In the process they illustrate a variety of approaches to the study of religions. The Companion therefore provides a valuable resource and a provocation to a full consideration both of some of the most dynamic religions of the world and of ways in which they might be approached. The 17 chapters are divided among three parts labelled "People", "Power" and "Gifts" which encapsulate much of what is significant about a diversity of religions which are often pragmatic, multi-stranded, layered, non-dogmatic but unanalytical. They are frequently concerned with reciprocal rather than hierarchical relationships. Some challenge the obesssion with deities, showing that religions are concerned with a far broader range of relationships, many initiated and furthered by humanity not by putative "spiritual" beings. Others challenge obsessions about the afterlife or next world, showing that religions can be concerned with the pursuit of health, wealth and happiness in this world now. The possibility that this is true of all religions makes this Companion relevant to everyone interested in human religiosity today.

Notions of the person and of the foundations of bodily and moral experience lie at the heart of this second ethnographic volume devoted to the Uduk-speaking people of Sudan.

In a new introduction Wendy James explains how the Sudan-Ethiopian borderlands were overrun by war in 1987, and how all the villages described in the original edition were destroyed. Having revisited the Uduk for various UN agencies she is able to provide an indication of the way in which they have since been embroiled in the war, and how the survivors have increasingly embraced Christianity in the course of their exile. She draws on her own reports and publications written since 1988 and to the TV documentary on the Uduk and other refugees which she made with Granada in 1993. Reference is also made to other recently published work on the region and to relevant new emphases in anthropology which focus on displacement, violence, and memory.

This ethnographic study shows how the Ngaju Dyaks, rain forest dwellers of Central Kalimantan (Indonesian Borneo) are responding to modernity. It depicts how they are attempting to fashion a modern identity for themselves, especially by remodelling their indigenous religion.

"'I love the Lord, He heard my cry, ' Deacon cries out as the newly gathered congregation, now seated in their pews, echoes his words in a plaintive tune". Thus begins the Devotional at St. John Progressive Baptist Church, one of many Afro-Baptist services that Walter Pitts observed in the dual role of anthropologist and church pianist. Based on extensive fieldwork in black Baptist churches in rural Texas, this is a major new study of the African origins of African-American forms of worship. Over a period of five years, Pitts, a scholar of anthropology and linguistics, played the piano at and recorded numerous worship services. Offering an extensive history of Afro-Baptist religion in the American South, he compares the ritual structures he observed with those of traditional African worship and other religious rituals of African origin in the New World. Through these historical comparisons, coupled with sociolinguistic analysis, Pitts uncovers striking parallels between Afro-Baptist services and the rituals of Western and Central Africa, as well as African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Pitts demonstrates that African and African-American worship share an underlying binary structure: the somber melancholy of the first ritual frame and the joyful, ecstatic trance of the second frame, both essential to the fulfillment of that structure. Of particular interest is his discovery of the way in which the deliberate heightening and strategic suppression of "black English" contribute to this binary structure of worship. This highly original study, with a foreword by Vincent Wimbush, creates a memorable portrait of this vital, yet misunderstood aspectof African-American culture. A model for the investigation of African retentions in the diaspora, Old Ship of Zion will be of keen interest to students and scholars of cultural anthropology, religious studies, and African-American studies, as well as those concerned with the culture of the diaspora, the investigation of syncretism, folklore, and ethnomusicology.

"A marvelous example of African Diaspora Studies . . . challenges our usual scholarly and everyday articulations of religion, even as it clearly articulates the possibilities and limits of Caribbean African retentions in Vodou, Santeria, and Obeah." --Barbara Christian, University of California, Berkeley Sacred Possessions is an unprecedented collection of thirteen comparative and interdisciplinary essays exploring the cross-cultural dynamics of African-based religious systems in the Caribbean. The contributors analyze the nature and liturgies of Vodou, Santeria, Obeah, Quimbois, and Gaga as they form one central cultural matrix in the region. They ask how these belief systems were affected by differing colonial histories and landscapes, how they affected other cultural expressions (from the oral tradition to popular art and literature), and how they have been perceived and (mis)represented by the West. The book is a unique contribution to the study of the Caribbean as a site of mutliculturalism, demonstrating the linkages between anthropology, religion, literature, and popular culture. Also included are a stunning photoessay on Cuban Santeria, a glossary of terms, and an insightful introduction by the editors. Margarite Fernandez Olmos is a professor of Spanish at Brooklyn College. She is coeditor and translator with Lizabeth Paravisini-Gebert of Pleasure in the Word: Erotic Writing by Latin American Women and Remaking a Lost Harmony: Stories from the Hispanic Caribbean. Lizabeth Paravisini-Gebert is a professor of Caribbean and Latin American literature in the department of Hispanic studies at Vassar College. She is the coeditor of Green Cane and Juicy Flotsam: Short Stories by Caribbean Women and author of Phyllis Shand Allfrey: A Caribbean Life.

Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion.

Walking in the Sacred Manner is an exploration of the myths and culture of the Plains Indians, for whom the everyday and the spiritual are intertwined and women play a strong and important role in the spiritual and religious life of the community.

Based on extensive first-person interviews by an established expert on Plains Indian women, Walking in the Sacred Manner is a singular and authentic record of the participation of women in the sacred traditions of Northern Plains tribes, including Lakota, Cheyenne, Crow, and Assiniboine.

Through interviews with holy women and the families of women healers, Mark St. Pierre and Tilda Long Soldier paint a rich and varied portrait of a society and its traditions. Stereotypical images of the Native American drop away as the voices, dreams, and experiences of these women (both healers and healed) present insight into a culture about which little is known. It is a journey into the past, an exploration of the present, and a view full of hope for the future.

Rivers in India are commonly associated with certain worldly religious values: wealth, beauty, long life, good health, food, love, and the birth of children. However, these "domestic" values have been relatively neglected by Indologists, who have tended to view India and Hinduism through the prism of poverty, misery, asceticism, and themes of purity or pollution. Following recent scholarship by arguing that the earthly pursuits are equally vital to an understanding of popular Hinduism, Feldhaus examines the role of these ideals in the religious meanings of rivers in Maharashtra, a large region of western India. Drawing both on written religious texts and on a wide range of oral, iconographic, and ritual materials gathered in the course of field work in India, she shows that these values, which are usually associated with women or represented by goddesses, are an important motif in popular religious practices and oral traditions associated with the rivers of Maharashtra, and she presents the many different ways in which rivers are imagined, enshrined, worshipped, and feared.

A nationally known psychic shows readers how to get in touch with the angels specially appointed to enlighten, guide, and defend them. Linda Georgian takes readers to that magical place where heaven and earth meet in this delightful introduction to the power of angels.

A Study of the Disputation between Bartlome de Las Casas and Juan Gines de Sepulveda on the religious and iltellectual capacity of the American Indians.

"This book is a marvelous counterpoint to the rich scholarship that has developed on the 'center' in Southeast Asian societies, providing for the first time an in-depth study of the play of personhood and power--and their historical transformations--on the Indonesian 'periphery.'"--Toby Alice Volkman, Social Science Research Council

"A very important work, not only for the specialists of island Southeast Asia, but also for the general anthropologist. Atkinson accomplishes a number of tasks in fresh and innovative ways."--George E. Marcus, Rice University

"Impressively informed by major theoretical issues, Atkinson's work at the same time brings her readers into the everyday world of the Wana in Sulawesi, Indonesia."--Renato Rosaldo, Stanford University

In the West we are accustomed to think of religion as centered in the personal quest for salvation or the longing for unchanging Being. Perhaps this is why we have found it so difficult to understand the religions of Africa. These religions are oriented to very different goals: fecundity, prosperity, health, social harmony. These seemingly trivial and specific goals are not the expressions of inauthentic or undeveloped religion, as we tend to think, but of a distinctive and profound spiritual perspective from which, in fact, we may have much to learn. African religions, as this study concludes from its close examination of a number of specific African universes, are religions devoted to the sanctification and constant renewal of life. They are dedicated to Becoming rather than to Being, and seek to sustain a flourishing divine order rather than save the isolated self from it. But these religions do not comfortably express themselves in metaphysical abstractions; instead, they use a ritual idiom more effective than any philosophical disquisition. Ritual Cosmos analyzes the logic and inner meaning of such ritual structures as sacrifice and taboo, harvest festivals and rites of divine kingship, millenary movements, witchcraft, and much else. In the course of the discussion, many of the basic assumptions of the scientists and theologians who have concerned themselves with the role of religion in human society are reexamined; the distinctions often made between the sacred and the secular, or religion and magic, for example, are questioned.

'Hultkrantz treads where other angels fear to with this audacious and clear overall survey. He leaves the room for specialists to debate and generalists to quicken curiosity.'--Christian Century

Among the topics considered in this classic study are world origins and supernatural powers, attitudes toward the dead, the medicine man and shaman, hunting and gathering rituals, war and planting ceremonies, and newer religions, such as the Ghost Dance and the Peyote Religion.
"The distinctive contribution of ["Red Man's Religion"] is the treatment of topics, the insight and the perspective of the author, and her ability to transmit these to the reader. . . . Trais and aspects of religion are not treated as abstract entitites, to be enumerated and summated, assigned a geographic distribution, and then abandoned. No page is a dry recital; each is an illumination. Insight and wisdom are framed in poetic prose. An offering of information in such a medium merits gratitude."--"American Anthropologist"