Divining the Self weaves elements of personal narrative, myth,
history, and interpretive analysis into a vibrant tapestry that
reflects the textured, embodied, and performative nature of
scripture and scripturalizing practices. Velma Love examines the
Odu--the Yoruba sacred scriptures--along with the accompanying
mythology, philosophy, and ritual technologies engaged by African
Americans. Drawing from the personal narratives of African American
Ifa practitioners along with additional ethnographic fieldwork
conducted in Oyotunji African Village, South Carolina, and New York
City, Love's work explores the ways in which an ancient worldview
survives in modern times.
Divining the Self also takes up the challenge of determining
what it means for the scholar of religion to study scripture as
both text and performance. This work provides an excellent case
study of the sociocultural phenomenon of scripturalizing
practices.
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