American Indian tribes have long been recognized as "domestic, dependent nations" within the United States, with powers of self-government that operate within the tribes' sovereign territories. Yet over the years, Congress and the Supreme Court have steadily eroded these tribal powers. In some respects, the erosion of tribal powers reflects the legacy of an imperialist impulse to constrain or eliminate any political power that may compete with the state. These developments have moved the nation away from its early commitments to a legally plural society-in other words, the idea that multiple nations and their legal systems could co-exist peacefully in shared territories. Shadow Nations argues for redirecting the trajectory of tribal-federal relations to better reflect the formative ethos of legal pluralism that operated in the nation's earliest years. From an ideological standpoint, this means that we must reexamine several long-held commitments. One is to legal centralism, the view that the nation-state and its institutions are the only legitimate sources of law. Another is to liberalism, the dominant political philosophy that undergirds our democratic structures and situates the individual, not the group or a collective, as the bedrock moral unit of society. From a constitutional standpoint, establishing more robust expressions of tribal sovereignty will require that we take seriously the concerns of citizens, tribal and non-tribal alike, who demand that tribal governments operate consistently with basic constitutional values. From an institutional standpoint, these efforts will require a new, flexible and adaptable institutional architecture that is better suited to accommodating these competing interests. Argued with grace, humanity, and a peerless scholarly eye, Shadow Nations is a clarion call for a true and consequential rethinking of the legal and political relationship between Indigenous tribes and the United States government.

A classic question in studies of ritual is how ritual performances achieve-or fail to achieve-their effects. In this pathbreaking book, Matt Tomlinson argues that participants condition their own expectations of ritual success by interactively creating distinct textual patterns of sequence, conjunction, contrast, and substitution. Drawing on long-term research in Fiji, the book presents in-depth studies of each of these patterns, taken from a wide range of settings: a fiery, soul-saving Pentecostal crusade; relaxed gatherings at which people drink the narcotic beverage kava; deathbeds at which missionaries eagerly await the signs of good Christians' "happy deaths"; and the monologic pronouncements of a military-led government determined to make the nation speak in a single voice. In each of these cases, Tomlinson also examines the broad ideologies of motion which frame participants' ritual actions, such as Pentecostals' beliefs that effective worship requires ecstatic movement like jumping, dancing, and clapping, and nineteenth-century missionaries' insistence that the journeys of the soul in the afterlife should follow a new path. By approaching ritual as an act of "entextualization"-in which the flow of discourse is turned into object-like texts-while analyzing the ways people expect words, things, and selves to move in performance, this book presents a new and compelling way to understand the efficacy of ritual action.

Longlisted for the Women's Prize for Fiction 2019, a powerful, well-researched, fictional account exploring the trokosi tradition for the curious and the open-minded. Abeo Kata lives a comfortable, happy life in West Africa as the privileged nine-year-old daughter of a government employee and stay-at-home mother. But when the Katas' idyllic lifestyle takes a turn for the worse, Abeo's father, following his mother's advice, places the girl in a religious shrine, hoping that the sacrifice of his daughter will serve as atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is enslaved within the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again. In the tradition of Chris Cleave's Little Bee, Praise Song for the Butterflies is a contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies is an unflinching tale of the devastation that children are subject to when adults are ruled by fear and someone must pay the consequences. "Abeo is unrelenting - a fiery protagonist who sparks in every scene. Bernice L. McFadden has created yet another compelling story, this time about hope and freedom." Nicole Dennis-Benn, author of Here Comes the Sun

Uncovers the influence of Yoruba culture on women's religious lives and leadership in religions practiced by Yoruba people Women in Yoruba Religions examines the profound influence of Yoruba culture in Yoruba religion, Christianity, Islam, and Afro-Diasporic religions such as Santeria and Candomble, placing gender relations in historical and social contexts. While the coming of Christianity and Islam to Yorubaland has posed significant challenges to Yoruba gender relations by propagating patriarchal gender roles, the resources within Yoruba culture have enabled women to contest the full acceptance of those new norms. Oyeronke Olademo asserts that Yoruba women attain and wield agency in family and society through their economic and religious roles, and Yoruba operate within a system of gender balance, so that neither of the sexes can be subsumed in the other. Olademo utilizes historical and phenomenological methods, incorporating impressive data from interviews and participant-observation, showing how religion is at the core of Yoruba lived experiences and is intricately bound up in all sectors of daily life in Yorubaland and abroad in the diaspora.

African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of Ile-Ife, which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of Ile-Ife, which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

A fascinating and important volume which brings together new perspectives on the objections to, and appropriation of Native American Spirituality. Native Americans and Canadians are largely romanticised or sidelined figures in modern society. Their spirituality has been appropriated on a relatively large scale by Europeans and non-Native Americans, with little concern for the diversity of Native American opinions. Suzanne Owen offers an insight into appropriation that will bring a new understanding and perspective to these debates.This important volume collects together these key debates from the last few years and sets them in context, analyses Native American objections to appropriations of their spirituality and examines 'New Age' practices based on Native American spirituality." The Appropriation of Native American Spirituality" includes the findings of fieldwork among the Mi'Kmaq of Newfoundland on the sharing of ceremonies between Native Americans and First Nations, which highlights an aspect of the debate that has been under-researched in both anthropology and religious studies: that Native American discourses about the breaking of 'protocols', rules on the participation and performance of ceremonies, is at the heart of objections to the appropriation of Native American spirituality.This groundbreaking new series offers original reflections on theory and method in the study of religions, and demonstrates new approaches to the way religious traditions are studied and presented.Studies published under its auspices look to clarify the role and place of Religious Studies in the academy, but not in a purely theoretical manner. Each study will demonstrate its theoretical aspects by applying them to the actual study of religions, often in the form of frontier research.

The Liberatory Philosophy of Martin Luther King, Jr. is a philosophical anthology which explores Dr. King's legacy as a philosopher and his contemporary relevance as a thinker-activist. It consists of sixteen chapters organized into four sections: Part I, King within Philosophical Traditions, Part II, King as Engaged Social and Political Philosopher, Part III, King's Ethics of Nonviolence, and Part IV, Hope Resurgent or Dream Deferred: Perplexities of King's Philosophical Optimism. Most chapters are written by philosophers, but two are by philosophically informed social scientists. The contributors examine King's relationships to canonical Western philosophical traditions, and to African-American thought. King's contribution to traditional branches of philosophy such as ethics, social philosophy and philosophy of religion is explored, as well as his relevance to contemporary movements for social justice. As is evident from the title, the book considers the importance of King's thought as liberatory discourse. Some chapters focus on "topical" issues like the relevance of King's moral critique of the Vietnam War to our present involvement in Middle Eastern wars. Others focus on more densely theoretical issues such as Personalism, existential philosophy or Hegelian dialectics in King's thought. The significance of King's reflections on racism, economic justice, democracy and the quest for community are abiding themes. But the volume closes, quite fittingly, on the importance of the theme of hope. The text is a kind of philosophical dialogue on the enduring value of the legacy of the philosopher, King.

Shamanism is part of the spiritual life of nearly all Native North Americans. This bibliography gives the reader access to a wealth of information on shamanism from the Bering Strait to the Mexican border and from Maine to Florida. It includes articles and books focusing on the spiritual connections of Native Americans to the world through shamans. The books covered compare practices from tribe to tribe, make distinctions between witchcraft or sorcery and shamanism, and discuss the artifacts and tools of the trade. Many are well illustrated, including collections from the nineteenth century.