Focusing on migration and mobility, this edited collection examines the religious landscape of Brazil as populated and shaped by transnational flows and domestic migratory movements. Bringing together interdisciplinary perspectives on migration and religion, this book argues that Brazil's diverse religious landscape must be understood within a dynamic global context. From southern to northern Europe, through Africa, Japan and the Middle East, to a host of Latin American countries, Brazilian society has been influenced by immigrant communities accompanied by a range of beliefs and rituals drawn from established 'world' religions as well as alternative religio-spiritual movements. Consequently, the formation and profile of 'homegrown' religious communities such as Santo Daime, the Dawn Valley and Umbanda can only be fully understood against the broader backdrop of migration. Contributors draw on the case of Brazil to develop frameworks for understanding the interface of religion and migration, asking questions that include: How do the processes and forces of re-territorialization play out among post-migratory communities? In what ways are the post-transitional dynamics of migration enacted and reframed by different generations of migrants? How are the religious symbols and ritual practices of particular worldviews and traditions appropriated and re-interpreted by migrant communities? What role does religion play in facilitating or impeding post-migratory settlement? Religion, Migration and Mobility engages these questions by drawing on a range of different traditions and research methods. As such, this book will be of keen interest to scholars working across the fields of religious studies, anthropology, cultural studies and sociology.

The ancient heartland of shamanism is no longer forbidden territory - to travelers or to the spirits. But the spirits never left the vastnesses of Siberia and Central Asia, as these writings reveal. Russian and native experts, and an American cultural anthropologist who has done fieldwork in the region, introduce us to shamans as the poets, therapists, healers, and even leaders of their communities. Among the special features of this collection are remarkable transcriptions of shamanic exhortations and a pathbreaking study of shamanic tales and rituals.

Ayahuasca is a psychoactive substance that has long been associated with indigenous Amazonian shamanic practices. The recent rise of the drink's visibility in the media and popular culture, and its rapidly advancing inroads into international awareness, mean that the field of ayahuasca is quickly expanding. This expansion brings with it legal problems, economic inequalities, new forms of ritual and belief, cultural misunderstandings, and other controversies and reinventions. In The World Ayahuasca Diaspora, leading scholars, including established academics and new voices in anthropology, religious studies, and law fuse case-study ethnographies with evaluations of relevant legal and anthropological knowledge. They explore how the substance has impacted indigenous communities, new urban religiosities, ritual healing, international drug policy, religious persecution, and recreational drug milieus. This unique book presents classic and contemporary issues in social science and the humanities, providing rich material on the bourgeoning expansion of ayahuasca use around the globe.

First published in 1902, this book investigates the history and development of early religion from an anthropological perspective. Rather than dealing with religions that grew from the teachings of their original founders, such as Christianity, Islam, and Buddhism, Jevons considers those religions that were practised as a matter of custom and tradition. The title considers such subjects as the supernatural, life and death, animal sacrifice, and the worship of nature. It provides an introduction to the history of religion for students of religion, anthropology and folklore.

The beliefs and practices surrounding the meanings and symbols of the spirit world in Vietnam are explored in detail in this innovative study on popular religion in the country. The author shows an abiding interest in the 'subconscious life' at a grassroots level alongside rational formations of cosmological understanding which effect politics and economics on a national scale.
By bringing together oral histories, reports and fiction writing alongside more conventional documented sources, this book reveals an area of history which has been largely neglected.

eBook available with sample pages: 0203489071

This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.

J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, excavates meaning from the complex mythological stories of the San-Bushmen to create a larger theory of how myth is used in culture. He extracts their "nuggets," the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book -draws from the unique 19th century Bleek/Lloyd archives, more recent ethnographic work, and San rock art;-includes well-known San stories such as The Broken String, Mantis Dreams, and Creation of the Eland;-extrapolates from our understanding of San mythology into a larger model of how people create meaning from myth.

This book examines alleged "superhuman" powers predominantly associated with smith/artisans in five African societies. It discusses their ritual and social roles, mythico-histories, symbols surrounding their art, and changing relationships between these specialists and their patrons. Needed but also feared, these smith/artisans work in traditionally hereditary occupations and in stratified but negotiable relationships with their rural patron families. Many of them now also work for new customers in an expanding market economy, which is still characterized by personal, face-to-face interactions. Rasmussen maintains that a framework integrating anthropological theories of witchcraft, alterity, symbolism, and power is fundamental to understanding local accusations and tensions in these relationships. She also argues that it is critical to deconstruct and disentangle guilt, blame, and envy-concepts that are often conflated in anthropology at the expense of falsely accused "witch" figures. The first portion of this book is an ethnographic analysis of smith/artisans in Tuareg society, and draws on primary source data from this author's long-term social/cultural anthropological field research in Tuareg (Kel Tamajaq) communities of northern Niger and Mali. The latter portion of the book is a cross-cultural comparison, and it re-analyzes the Tuareg case, drawing on secondary data on ritual powers and smith/artisans in four other African societies: the Amhara of Ethiopia, the Bidan (Moors) of Mauritania, the Kapsiki of Cameroon, and the Mande of southern Mali. In the concluding analysis, there is discussion of similarities and differences between these cases, the social consequences of ritual knowledge and power in each community, and their wider implications for anthropology of religion, human rights, and African studies.

The Djanggawul religious cult is the focus for this study because it is more important to the Aborigines themselves than other religious cults in the north-eastern region of Arnhem land. The book includes chapters on the following: * Significance of the Djanggawul * The Djanggawul Myth and Content of the Myth * The Djanggawul Songs * The Djanggawul Song Cycle: Parts 1 The book includes an extensive glossary and index. First published in 1952.

The beliefs and practices surrounding the meanings and symbols of the spirit world in Vietnam are explored in detail in this innovative study on popular religion in the country. The author shows an abiding interest in the 'subconscious life' at a grassroots level alongside rational formations of cosmological understanding which effect politics and economics on a national scale. By bringing together oral histories, reports and fiction writing alongside more conventional documented sources, this book reveals an area of history which has been largely neglected.

Provides a clear and comprehensive introduction ideal for students approaching World Religions for the first time. The newly revised textbook introduces the reader to the world's religions in historical context, illustrating the complex dynamic of each religion over time, while also presenting current beliefs, practices and group formations. Written by experts in the field this book is an engaging introduction that covers all of the important topics required and covered on World Religions courses. It has been updated to include a new chapter on religion and violence. With pedagogical features such as four-colour images, further reading, chapter overviews, chapter summaries and a glossary this is an ideal introductory textbook.

First published in 1902, this book investigates the history and development of early religion from an anthropological perspective. Rather than dealing with religions that grew from the teachings of their original founders, such as Christianity, Islam, and Buddhism, Jevons considers those religions that were practised as a matter of custom and tradition. The title considers such subjects as the supernatural, life and death, animal sacrifice, and the worship of nature. It provides an introduction to the history of religion for students of religion, anthropology and folklore.

Popol Vuh, the Quiché Mayan book of creation, is not only the most important text in the native languages of the Americas, it is also an extraordinary document of the human imagination. It begins with the deeds of Mayan gods in the darkness of a primeval sea and ends with the radiant splendor of the Mayan lords who founded the Quiché kingdom in the Guatemalan highlands. Originally written in Mayan hieroglyphs, it was transcribed into the Roman alphabet in the sixteenth century.

This new edition of Dennis Tedlock's unabridged, widely praised translation includes new notes and commentary, newly translated passages, newly deciphered hieroglyphs, and over forty new illustrations.

The study of indigenous religions has become an important academic field, particularly since the religious practices of indigenous peoples are being transformed by forces of globalization and transcontinental migration. This book will further our understanding of indigenous religions by first considering key methodological issues related to defining and contextualizing the religious practices of indigenous societies, both historically and in socio-cultural situations. Two further sections of the book analyse cases derived from European contexts, which are often overlooked in discussion of indigenous religions, and in two traditional areas of study: South America and Africa.

Longlisted for the Women's Prize for Fiction 2019, a powerful, well-researched, fictional account exploring the trokosi tradition for the curious and the open-minded. Abeo Kata lives a comfortable, happy life in West Africa as the privileged nine-year-old daughter of a government employee and stay-at-home mother. But when the Katas' idyllic lifestyle takes a turn for the worse, Abeo's father, following his mother's advice, places the girl in a religious shrine, hoping that the sacrifice of his daughter will serve as atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is enslaved within the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again. In the tradition of Chris Cleave's Little Bee, Praise Song for the Butterflies is a contemporary story that offers an educational, eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies is an unflinching tale of the devastation that children are subject to when adults are ruled by fear and someone must pay the consequences. "Abeo is unrelenting - a fiery protagonist who sparks in every scene. Bernice L. McFadden has created yet another compelling story, this time about hope and freedom." Nicole Dennis-Benn, author of Here Comes the Sun

The Ifugao of Northern Luzon, the Philippines, are famous for their extensive system of irrigated rice terraces, and previous anthropological accounts of the Ifugao have stressed their immense importance for social life. This book attempts to "go against the grain" and approach Ifugao society through an often overlooked element, namely their pigs. By a detailed ethnographic description of Ifugao cultural practices related to kinship, animism, prestige, and death, Pigs and Persons in the Philippines shows how pigs are involved in the constitution and re-constitution of relations between humans and between humans and spirits. Remme draws upon theories of relationality, performativity, and assemblages to argue that the exchange and consumption of pig meat have the ontological effect of enacting persons. He also shows how pigs are the prime means of engaging in relations with spirits and argues further that prestige can be understood as a heterogeneous assemblage of relations of which pigs play a central role. While pigs are thus constitutively involved in the enactment of persons, Remme also shows how they are operative in the re-constitution of relations that occurs at death. In documenting these practices, Remme argues for a relational understanding of personhood that goes beyond inter-human relations and includes relations with nonhuman beings, including spirits, and animals.

Bringing together cutting-edge research from a range of disciplines, this handbook argues that despite often being overlooked or treated as marginal, the study of Islam from an African context is integral to the broader Muslim world. Challenging the portrayal of African Muslims as passive recipients of religious impetuses arriving from the outside, this book shows how the continent has been a site for the development of rich Islamic scholarship and religious discourses. Over the course of the book, the contributors reflect on: The history and infrastructure of Islam in Africa Politics and Islamic reform Gender, youth, and everyday life for African Muslims New technologies, media, and popular culture. Written by leading scholars in the field, the contributions examine the connections between Islam and broader sociopolitical developments across the continent, demonstrating the important role of religion in the everyday lives of Africans. This book is an important and timely contribution to a subject that is often diffusely studied, and will be of interest to researchers across religious studies, African studies, politics, and sociology.

This book explores the exchange of Blackfoot "medicine bundles" within contemporary Blackfoot culture and between the Blackfoot Peoples and Euro-Americans. These ceremonial bundles, which are circulated as gifts in their native context, are robbed of their statuses as living beings or persons, when they are treated as symbolic objects or commodities by cultural outsiders. Much of the original, ethnographic data presented in this book deals with the attempts of some Blackfeet to repatriate ceremonial materials from Euro-American hands. This book represents a valuable study of contemporary Blackfoot religion as well as the repatriation movement. Kenneth Lokensgard also contributes to the studies of material culture and exchange; central to his investigation is the critical examination and reapplication of the interpretative terms "gift" and "commodity." Careful use of these terms, Lokensgard argues, can better help scholars appreciate how different peoples perceive the worlds they inhabit.

Throughout Haitian history-from 17th century colonial Saint-Domingue to 21st century postcolonial Haiti-arguably, the Afro-Haitian religion of Vodou has been represented as an "unsettling faith" and a "cultural paradox," as expressed in various forms and modes of Haitian thought and life including literature, history, law, politics, painting, music, and art. Competing voices and conflicting ideas of Vodou have emerged from each of these cultural symbols and intellectual expressions. The Vodouist discourse has not only pervaded every aspect of the Haitian life and experience, it has defined the Haitian cosmology and worldview. Further, the Vodou faith has had a momentous impact on the evolution of Haitian intellectual, aesthetic, and literary imagination; comparatively, Vodou has shaped Haitian social ethics, sexual and gender identity, and theological discourse such as in the intellectual works and poetic imagination of Jean Price-Mars, Dantes Bellegarde, Jacques Roumain, Jacques Stephen Alexis, etc. Similarly, Vodou has shaped the discourse on the intersections of memory, trauma, history, collective redemption, and Haitian diasporic identity in Haitian women's writings such as in the fiction of Edwidge Danticat, Myriam Chancy, etc. The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche. The contributors of this book examine this constructed narrative from a multicultural voice that engages critically the discipline of ethnomusicology, drama, performance, art, anthropology, ethnography, economics, literature, intellectual history, philosophy, psychology, sociology, religion, and theology. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.

One glaring lacuna in studies of Haitian Vodou is the scarcity of works exploring the connection between the religion and its main roots, traditional Yoruba religion. Discussions of Vodou very often seem to present the religion in vacuo, as a sui generis phenomenon that arose in Saint-Domingue and evolved in Haiti, with no antecedents. What is sorely needed then is more comparative studies of Haitian Vodou that would examine its connections to traditional Yoruba religion and thus illuminate certain aspects of its mythology, belief system, practices, and rituals. This book seeks to bridge these gaps. Vodou in the Haitian Experience studies comparatively the connections and relationships between Vodou and African traditional religions such as Yoruba religion and Egyptian religion. Such studies might enhance our understanding of the religion, and the connections between Africa and its Diaspora through shared religious patterns and practices. The general reader should be mindful of the transnational and transcultural perspectives of Vodou, as well as the cultural, socio-economic, and political context which gave birth to different visions and ideas of Vodou. The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche. The contributors of this book examine this constructed narrative from a multicultural voice that engages critically the discipline of ethnomusicology, drama, performance, art, anthropology, ethnography, economics, literature, intellectual history, philosophy, psychology, sociology, religion, and theology. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.

Employing anthropology, field research, and humanities methodologies as well as digital cartography, and foregrounding the voices of Indigenous scholars, this text examines digital projects currently underway, and includes alternative modes of "mapping" Native American, Alaskan Native, Indigenous Hawaiian and First Nations land. The work of both established and emerging scholars addressing a range of geographic regions and cultural issues is also represented. Issues addressed include the history of maps made by Native Americans; healing and reconciliation projects related to boarding schools; language and land reclamation; Western cartographic maps created in collaboration with Indigenous nations; and digital resources that combine maps with narrative, art, and film, along with chapters on archaeology, place naming, and the digital presence of elders. This text is of interest to scholars working in history, cultural studies, anthropology, Native American studies, and digital cartography.

This book explores human-animal relations amongst the Bebelibe of West Africa, with a focus on the establishment of totemic relationships with animals, what these relationships entail and the consequences of abusing them. Employing and developing the concepts of "presencing" and "the ontological penumbra" to shed light on the manner in which people make present and engage in the world around them, including the shadowy spaces that have to be negotiated in order to make sense of the world, the author shows how these concepts account for empathetic and intersubjective encounters with non-human animals. Grounded in rich ethnographic work, Totemism and Human-Animal Relations in West Africa offers a reappraisal of totemism and considers the implications of the ontological turn in understanding human-animal relations. As such, it will appeal to anthropologists, sociologists and anthrozoologists concerned with human-animal interaction.

'What is this about colours in theology? Surely there is only one true theology - that revealed by God in the Bible And why on earth would you want a Black theology anyway?' - Emmanuel Lartey, Senior Lecturer in Pastoral Theology, University of Birmingham. Black theology as a self-named discipline and a radical form of Christian practice emerged in its present form in 1960s, in the USA. It has grown out of the experiences of Black people of the African Diaspora as they have sought to re-interpret the central ideas of Christianity in light of their experiences. But Black theology is not simply a North American affair. If Black theology can be defined as the radical re-interpretation of the revelation of God in Christ, in light of the struggles and suffering of Black existence in order that de-humanised and oppressed Black people might see in God the basis for their liberation; then there has been a form of Black theology in operation in Britain since the epoch of slavery. It is therefore, most timely that this seminal volume should come to fruition in 2007. 2007 marks the 200th anniversary of the abolition of the slave trade in Britain. Although there has been a Black presence in Britain since Roman times, the often troubled existence of Black people in Britain can be traced to the Elizabethan era and the influx of Black slaves from Africa and the Americas. This text seeks to outline the development of Black theology in Britain from 18th century through to our contemporary era. By means of re-investigating popular texts and previously unpublished groundbreaking material, the editors offer a comprehensive and challenging interpretation of the development of an eclectic and distinctive voice that is Black theology in Britain.