According to the Dinka people of the Southern Sudan, man and his creator were originally close together. They became separated, like the earth and sky, when the first man and woman acted with human independence. Dinka religious practice follows from that separation. Divinity and Experience, now reissued for the first time in paperback, has, since its first publication in 1961, acquired the status of a minor classic of social anthropology. In the first section, the various divinities of the Dinka are described with their complex range of meaning and imagery, and related to the Dinka's own experience of the conditions of life and death. They may be interpreted, it is suggested, as images arising out of that experience. The second part discusses the role of the priests, the `masters of the fishing spear', who interested Fraser in his study of divine worship. Sacrifices are described and their meaning analysed, and finally their rites at the death of priests, some of whom may enter the grave alive, are examined. Translations of hymns, prayers, and myths are also provided, which serve as a good introduction to the thought and beliefs of the Dinka for those interested in religion and its interpretation.

Indigenous and African Diaspora Religions in the Americas explores spirit-based religious traditions across vast geographical and cultural expanses, including Canada, the United States, Haiti, the Dominican Republic, Cuba, Trinidad and Tobago, Mexico, Brazil, and Chile. Using interdisciplinary research methods, this collection of original perspectives breaks new ground by examining these traditions as typologically and historically related. This curated selection of the traditions allows readers to compare and highlight convergences, while the description and comparison of the traditions challenges colonial erasures and expands knowledge about endangered cultures. The inclusion of spirit-based traditions from a broad geographical area emphasizes the typology of religion over ethnic compartmentalization. The individuals and communities studied in this collection serve spirits through ritual, singing, instruments, initiation, embodiment via possession or trance, veneration of nature, and, among some indigenous people, the consumption of ritual psychoactive entheogens. Indigenous and African diaspora practices focused on service to ancestors and spirits reflect ancient substrates of religiosity. The rationale to separate them on disciplinary, ethnic, linguistic, geographical, or historical grounds evaporates in our interconnected world. Shared cultural, historical, and structural features of American indigenous and African diaspora spirit-based traditions mutually deserve our attention since the analyses and dialogues give way to discoveries about deep commonalities and divergences among religions and philosophies. Still struggling against the effects of colonialism, enslavement, and extinction, the practitioners of these spirit-based religious traditions hold on to important but vulnerable parts of humanity's cultural heritage. These readings make possible journeys of recognition as well as discovery.

Indigenous and African Diaspora Religions in the Americas explores spirit-based religious traditions across vast geographical and cultural expanses, including Canada, the United States, Haiti, the Dominican Republic, Cuba, Trinidad and Tobago, Mexico, Brazil, and Chile. Using interdisciplinary research methods, this collection of original perspectives breaks new ground by examining these traditions as typologically and historically related. This curated selection of the traditions allows readers to compare and highlight convergences, while the description and comparison of the traditions challenges colonial erasures and expands knowledge about endangered cultures. The inclusion of spirit-based traditions from a broad geographical area emphasizes the typology of religion over ethnic compartmentalization. The individuals and communities studied in this collection serve spirits through ritual, singing, instruments, initiation, embodiment via possession or trance, veneration of nature, and, among some indigenous people, the consumption of ritual psychoactive entheogens. Indigenous and African diaspora practices focused on service to ancestors and spirits reflect ancient substrates of religiosity. The rationale to separate them on disciplinary, ethnic, linguistic, geographical, or historical grounds evaporates in our interconnected world. Shared cultural, historical, and structural features of American indigenous and African diaspora spirit-based traditions mutually deserve our attention since the analyses and dialogues give way to discoveries about deep commonalities and divergences among religions and philosophies. Still struggling against the effects of colonialism, enslavement, and extinction, the practitioners of these spirit-based religious traditions hold on to important but vulnerable parts of humanity's cultural heritage. These readings make possible journeys of recognition as well as discovery.

A definitive compendium of African myth and folktale, retold in rich, vibrant prose, Indaba, My Children is a stunning literary and ethnographic achievement. As a young man, Vusamazulu Credo Mutwa, a Zulu from the South African province of Natal, was determined to follow in the footsteps of his grandfather and become a tribal historian in order to keep the rich oral tradition of his culture alive. In this book, begun in response to the injustices against Africans and their culture, he sets these legends down in writing. He begins with the creation myth, when Ninavanhu-Ma, the Great Mother, created the human race. From there, an epic unfolds, an intricate and vivid cultural tapestry populated by gods and mortals, cattle herders and supreme kings, witch doctors, lovers, grave diggers, warriors, and handmaidens. The story continues all the way up to the colonial era, when a Portuguese Kapitanoh and his crew arrive on the African shore. Indaba, My Children is a classic and indispensable resource for anyone interested in the cultural life of Africa and the human experience as it is filtered into myth.