"'I love the Lord, He heard my cry, ' Deacon cries out as the newly gathered congregation, now seated in their pews, echoes his words in a plaintive tune". Thus begins the Devotional at St. John Progressive Baptist Church, one of many Afro-Baptist services that Walter Pitts observed in the dual role of anthropologist and church pianist. Based on extensive fieldwork in black Baptist churches in rural Texas, this is a major new study of the African origins of African-American forms of worship. Over a period of five years, Pitts, a scholar of anthropology and linguistics, played the piano at and recorded numerous worship services. Offering an extensive history of Afro-Baptist religion in the American South, he compares the ritual structures he observed with those of traditional African worship and other religious rituals of African origin in the New World. Through these historical comparisons, coupled with sociolinguistic analysis, Pitts uncovers striking parallels between Afro-Baptist services and the rituals of Western and Central Africa, as well as African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Pitts demonstrates that African and African-American worship share an underlying binary structure: the somber melancholy of the first ritual frame and the joyful, ecstatic trance of the second frame, both essential to the fulfillment of that structure. Of particular interest is his discovery of the way in which the deliberate heightening and strategic suppression of "black English" contribute to this binary structure of worship. This highly original study, with a foreword by Vincent Wimbush, creates a memorable portrait of this vital, yet misunderstood aspectof African-American culture. A model for the investigation of African retentions in the diaspora, Old Ship of Zion will be of keen interest to students and scholars of cultural anthropology, religious studies, and African-American studies, as well as those concerned with the culture of the diaspora, the investigation of syncretism, folklore, and ethnomusicology.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Dread Jesus explores the black, dreadlocked Jesus in the teachings of Rastafari.Is Rastafari simply a bizarre Christian cult, destined to fade if the Emporer Haile Selassie never reappears? Or could it become a vibrant Two-Thirds World reform movement, recalling Christianity to its original non-oppressing gospel for all people?Rigorously researched, William David Spencer 's unique and compelling study - which includes exclusive inteviews with major Rastafarian thinkers and close analysis of the lyrics of many reggae songs - will prove genuinely accessible to anyone who wishes to learn more about Rastafari and its significance for global Christianity.

As a sangoma (traditional healer), Nkunzi is able to explore dimensions of her sexual identity because of her relationship with both male and female ancestors.

‘In Zulu culture a man must be a man and do male things and a woman must be a woman and do female things but with sangomas it is more flexible. I can dance like a woman and wear a woman’s clothes and dance like a man and wear a man’s clothes. I can do the work of a man, like slaughtering a goat or a cow although in traditional Zulu culture a woman cannot slaughter …’

Conscious of her constitutional rights as an urban young lesbian in a time of a relentless spate of hate crimes against township lesbians, Nkunzi is simultaneously sensitive to the demands of the guiding ancestral voice of the traditional, rural Zulu patriarch whose name she bears. Her quest is for a middle path of balance and integration between the living and the dead, the traditional and the modern.

Enter the fascinating world of the Condomble regions of Brazil, where interaction between spirits and human is considered an everyday occurrence. Jim Wafer uncovers the social life, rituals, folklore, and engaging personalities of the villagers of Jacari, among whom trances, sorcery, and spirit possession demonstrate the coexistence of different kinds of reality. This ethnography is intriguing not only because of the originality of its approach to the more enigmatic aspects of another culture but also because it uses insights gained from participation in that culture to reflect on the paradoxes inherent in the writer's own culture, and in the human condition in general.

Traditional indigenous cultures in many parts of the world have displayed a profound appreciation of the relationship between human and ecosystem health, something global culture is trying to rediscover under the label of sustainability. A spiritual resource for sustainable living, this poem records the creation story of the Sami, a nomadic people of Northern Europe, and then retells several Scandinavian folk-tales derived from their playfully animistic world view. Their deep kinship with the wild is shown in their awe for bears: The bear is more like people are Than any other thinking creature: He stands up on two legs to strike, With eyes that skewer like a spike, And when we cut away his skin He looks like a great bloody man.

According to the Dinka people of the Southern Sudan, man and his creator were originally close together. They became separated, like the earth and sky, when the first man and woman acted with human independence. Dinka religious practice follows from that separation. Divinity and Experience, now reissued for the first time in paperback, has, since its first publication in 1961, acquired the status of a minor classic of social anthropology. In the first section, the various divinities of the Dinka are described with their complex range of meaning and imagery, and related to the Dinka's own experience of the conditions of life and death. They may be interpreted, it is suggested, as images arising out of that experience. The second part discusses the role of the priests, the `masters of the fishing spear', who interested Fraser in his study of divine worship. Sacrifices are described and their meaning analysed, and finally their rites at the death of priests, some of whom may enter the grave alive, are examined. Translations of hymns, prayers, and myths are also provided, which serve as a good introduction to the thought and beliefs of the Dinka for those interested in religion and its interpretation.

Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually."

Black Elk was the only qualified priest of the older Oglala Sioux still living when "The Sacred Pipe "was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.

The "wakan "Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. "The Sacred Pipe, "published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.

In this Native American allegory, a young Lakota boy named David is despondent over the death of his sister and fears that he will never know happiness again. His father gives him a gift, a scroll with seven pictures, which properly understood, holds the keys to self understanding. In a deeply moving way, Lessons of a Lakota blends traditional Native American beliefs, with more modern principles such as positive thinking and self awareness. This book will teach you about yourself, show you what it means to be happy, and lead you on your own personal journey to inner peace.

"In Quest of the Hero" makes available for a new generation of readers two key works on hero myths: Otto Rank's "Myth of the Birth of the Hero" and the central section of Lord Raglan's "The Hero." Amplifying these is Alan Dundes's fascinating contemporary inquiry, "The Hero Pattern and the Life of Jesus." Examined here are the patterns found in the lore surrounding historical or legendary figures like Gilgamesh, Moses, David, Oedipus, Odysseus, Perseus, Heracles, Aeneas, Romulus, Siegfried, Lohengrin, Arthur, and Buddha.

Rank's monograph remains the classic application of Freudian theory to hero myths. In "The Hero" the noted English ethnologist Raglan singles out the myth-ritualist pattern in James Frazer's many-sided "Golden Bough" and applies that pattern to hero myths. Dundes, the eminent folklorist at the University of California at Berkeley, applies the theories of Rank, Raglan, and others to the case of Jesus. In his introduction to this selection from Rank, Raglan, and Dundes, Robert Segal, author of the major study of Joseph Campbell, charts the history of theorizing about hero myths and compares the approaches of Rank, Raglan, Dundes, and Campbell.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Mixe of Oaxaca was the first extensive ethnography of the Mixe, with a special focus on Mixe religious beliefs and rituals and the curing practices associated with them. It records the procedures, design-plan, corresponding prayers, and symbolic context of well over one hundred rituals. Frank Lipp has written a new preface for this edition, in which he comments on the relationship of Mixe religion to current theoretical understandings of present-day Middle American folk religions.

"Santeria "represents the first in-depth, scholarly account of a profound way of wisdom that is growing in importance in America today. A professional academic and himself a participant in the Santeria" "community of the Bronx for several years, Joseph Murphy offers a powerful description and insightful analysis of this African/Cuban religion. He traces the survival of an ancient spiritual path from its West African Yoruba origins, through nearly two centuries of slavery in the New World, to its presence in the urban centers of the United States, where it continues to inspire seekers with its compelling vision.

Make a pilgrimage into your soul...

"365 Days of Walking the Red Road" captures the priceless ancient knowledge Native American elders have passed on from generation to generation for centuries, and shows you how to move positively down your personal road without fear or doubt.

Special highlights:

• Inspiring quotations from Native Americans, such as Tecumseh, Black Hawk, Geronimo, and Chief Joseph
• A monthly Red Road spiritual lesson
• The proper uses of dreamcatchers and other symbols and crafts
• Important dates in Native American history

Quest for Harmony provides a basic understanding of the cultures and spiritual teachings of four Native American nations--Lenape (Delaware), Ani'-Yun'-wiya (Cherokee), Lakota (Sioux), and Dine (Navajo). The text is always sympathetic, respectful, and, when possible, presented in the voices of Native Americans. Each nation is described in terms of its name, traditional location(s), present population, language, and traditional social organization. At least one story of origin is provided for each nation, followed by a survey of its history from earliest documented times until recent times. At the heart of each chapter, the spiritual worldview and rituals of the nation being discussed are introduced, with sections on cosmology, gods and spirits, rituals, and other issues particular to that nation. Critical issues common to Native Americans such as the pannational spiritual movements and the environment are also covered. Quest for Harmony makes clear that not only are Native American spiritual traditions very much alive, they are also in the midst of a dramatic revival.

In this unique collection, some thirty Hopi elders reveal for the first time in written form the Hopi world-view.

Addressing problems of objectivity and authenticity, Sabine MacCormack reconstructs how Andean religion was understood by the Spanish in light of seventeenth-century European theological and philosophical movements, and by Andean writers trying to find in it antecedents to their new Christian faith.

Concentrating on the Caribbean Basin and the coastal area of northeast South America, Yvonne Daniel considers three African-derived religious systems that rely heavily on dance behavior--Haitian Vodou, Cuban Yoruba, and Bahamian Candomble. Combining her background in dance and anthropology to parallel the participant/scholar dichotomy inherent to dancing's "embodied knowledge," Daniel examines these misunderstood and oppressed performative dances in terms of physiology, psychology, philosophy, mathematics, ethics, and aesthetics.

"Nelson spent a year among the Koyukon people of western Alaska, studying
their intimate relationship with animals and the land. His chronicle of
that visit represents a thorough and elegant account of the mystical
connection between Native Americans and the natural world."--"Outside"
"This admirable reflection on the natural history of the Koyukon River
drainage in Alaska is founded on knowledge the author gained as a student
of the Koyukon culture, indigenous to that region. He presents these
Athapascan views of the land--principally of its animals and Koyukon
relationships with those creatures--together with a measured account of his
own experiences and doubts. . . . For someone in search of a native
American expression of 'ecology' and natural history, I can think of no
better place to begin than with this work."--Barry Lopez, "Orion Nature "
"Quarterly"
"Far from being a romantic attempt to pass on the spiritual lore of Native
Americans for a quick fix by others, this is a very serious ethnographic
study of some Alaskan Indians in the Northern Forest area. . . . He has
painstakingly regarded their views of earth, sky, water, mammals and every
creeping thing that creepeth upon the earth. He does admire their love of
nature and spirit. Those who see the world through his eyes using their
eyes will likely come away with new respect for the boreal forest and those
who live with it and in it, not against it."--"The Christian Century"
"In "Make Prayers to the Raven" Nelson reveals to us the Koyukon
beliefs and attitudes toward the fauna that surround them in their forested
habitat close to thelower Yukon. . . . Nelson's presentation also gives
rich insights into the Koyukon subsistence cycle through the year and into
the hardships of life in this northern region. The book is written with
both brain and heart. . . . This book represents a landmark: never before
has the integration of American Indians with their environment been so well
spelled out."--Ake Hultkrantz, "Journal of Forest History"

This book provides an introduction Native American religious traditions, placing them within their historical, social, and political contexts. The book focuses on three diverse indigenous traditions: the Lakota of the Northern Plains, the Dine (Navajo) of the Southwest, and Coast Salish of the Pacific Northwest. This book highlights their distinct oral traditions, ceremonial practices, the impact of colonialism on Native religious life, and the ways in which indigenous communities of North America have responded, and continue to respond, to colonialism and Euroamerican cultural hegemony. For people interested in the study of Native American Religious Traditions.

Joel Martin draws his narrative from folk stories, rituals, and even landscapes to trace the development of Native American religion from ancient burial mounds, through interactions with European conquerors and missionaries, and on to the modern-day rebirth of ancient rites and beliefs.

"Spirit Wars" is an exploration of the ways in which the destruction of spiritual practices and beliefs of native peoples in North America has led to conditions of collective suffering--a process sometimes referred to as cultural genocide. Ronald Niezen approaches this topic through wide-ranging case studies involving different colonial powers and state governments: the seventeenth-century Spanish occupation of the Southwest, the colonization of the Northeast by the French and British, nineteenth-century westward expansion and nationalism in the swelling United States and Canada, and twentieth-century struggles for native people's spiritual integrity and freedom. Each chapter deals with a specific dimension of the relationship between native peoples and non-native institutions, and together these topics yield a new understanding of the forces directed against the underpinnings of native cultures.