"Hassig's position is daring and potentially controversial and will be mandatory reading for those who deal with calendrical systems." -- Dr. Barbara J. Price, Columbia University

Based on their enormously complex calendars that recorded cycles of many kinds, the Aztecs and other ancient Mesoamerican civilizations are generally believed to have had a cyclical, rather than linear, conception of time and history. This boldly revisionist book challenges that understanding. Ross Hassig offers convincing evidence that for the Aztecs time was predominantly linear, that it was manipulated by the state as a means of controlling a dispersed tribute empire, and that the Conquest cut off state control and severed the unity of the calendar, leaving only the lesser cycles. From these, he asserts, we have inadequately reconstructed the pre-Columbian calendar and so misunderstood the Aztec conception of time and history.

Hassig first presents the traditional explanation of the Aztec calendrical system and its ideological functions and then marshals contrary evidence to argue that the Aztec elite deliberately used calendars and timekeeping to achieve practical political ends. He further traces how the Conquest played out in the temporal realm as Spanish conceptions of time partially displaced the Aztec ones. His findings promise to revolutionize our understanding of how the Aztecs and other Mesoamerican societies conceived of time and history.

In the celebrated Buffalo Woman Comes Singing, Brooke Medicine Eagle revealed her extraordinary spiritual odyssey from her first guided steps on the medicine path to her ongoing work as one of the most respected Native American teachers of the modern era. Now she shares a groundbreaking approach to spiritual transformation--by revitalizing the powerful ancient ritual The Ghost Dance.

Four centuries ago, when European invaders were ruthlessly plundering indigenous cultures, a Paiute tribesman received a vision of hope and resurrection, given by Father Spirit, to help survivors of the onslaught create a beautiful new life in the face of defeat, broken dreams, and death. That vision was celebrated in an ecstatic ghost dance honoring those who had perished.

Brooke Medicine Eagle explains how and why we are profoundly connected to The Ghost Dance. As she herself becomes initiated into the "illusion of death" and the wisdom of "heart-centered ascension," she teaches us how to confront our deepest fears, overcome our resistance to change, and renew our lives. Through prayer, music, and dance, Medicine Eagle provides us with the tools to bring about the final fulfillment of this profound ritual--by living in harmony with earth's rhythms, practicing sustainable living, honoring and sharing with all our relations, and freeing ourselves from the burden of possessions and possessiveness.

Perceptive, practical, and luminous, The Last Ghost Dance is a call to action, a challenge to raise up from the ashes of our desecrated planet a world that welcomes the full flowering of the spirit--and a new age of abundance, love, and peace.

Though Malawi and Central Africa are now predominantly Christian countries, African tradition relgion remains important everywhere. Now a classic, this study was first published in 1979 against the background of neglect in publishing texts on economic and social history and other aspects of cultural development. It provides important information on Central African territorial cults, and it one of a series recording the history of African religious systems. Ten scholars report on detailed case studies conducted in Zambia, Malawi and Zimbabwe.

Researched under difficult and sometimes dangerous circumstances during the Banda era, this book is a unique contribution to anthropological research in Malawi. Orginally published in 1976 this new edition has been throughly reworked and edited at a time when many of the domains described by Van Breugel were in a process of decline, transformation or even disappearance. The book offers precious descriptions of rain rituals at Bunda and Tsang'oma, explications of witchcraft phenomena and of the mdulu-complex, a convincing theory of the religious significance of Nyau and extensive deliberations of concepts of God and ancestors. In addition the book serves as a comprehensive overview on all the domains of Chewa Traditional Religion.

EACH YEAR IN THE HIGHLAND Guatemala town of Santiago Momostenango, Maya religious societies, dance teams, and cofradias perform the annual cycle of rituals and festivals prescribed by Costumbre (syncretized Maya Christian religion), which serves to renew the cosmic order. In this richly detailed ethnography, Garrett Cook explores how these festivals of Jesucristo and the saints derive from and reenact three major ancient Maya creation myths, thus revealing patterns of continuity between contemporary expressive culture and the myths, rituals, and iconography of the Classic and Postclassic Maya.

Drawing on fieldwork conducted in the 1970s and renewed in the 1990s, Cook describes the expressive culture tradition performed in and by the cofradias and their dance teams. He listens as dancers and cofrades explain the meaning of service and of the major ritual symbols in the cults of the saints and Jesucristo. Comparing these symbols to iconographic evidence from Palenque and myths from the Popol Vub, Cook persuasively argues that the expressive culture of Momostenango enacts major Maya creation myths -- the transformative sunrise, the representation of the year as the life cycle of anthropomorphized nature, and the erection of an axis mundi.

This research documents specific patterns of continuity and discontinuity in the communal expression of Maya religious and cosmogonic themes. Along with other recent research, it demonstrates the survival of a basic Maya pattern -- the world-creating vegetative renewal cycle -- in the highland Maya cults of the saints and Jesucristo.

Garrett W. Cook is Associate Professor and Chair of Anthropology at Baylor University.

"The Oneida Creation Story" is the oldest tradition of the "Onyota'aka" (People of the Standing Stone) and is one of the greatest pieces of oral literature of Native North America. Ancient elements of Iroquoian cosmology are the heart of the saga: Sky-world, the fall of Sky-woman, the creation of Earth upon Turtle's back, and the creation of mankind and early society by the twins. Various versions have been passed down from generation to generation, but the story has never before been published in the Oneida language. "The Oneida Creation Story" makes this majestic and beautiful story available in both Oneida and English for the first time. This special bilingual edition also features earlier translated versions of the Creation Story, a discussion of its cultural and historical contexts by Oneida Indian historian Anthony Wonderley, and lexicons cross-referenced to the story.

The Sons of the Wind presents the mythology and sacred spirits of the Lakota. Based on information given to Dr. James Walker a century ago by Lakota Holy Men, this compilation includes the cycle of creation, the appearance of spirits and animals, the making of the four directions, and the coming of the Real People.

This book reinterprets Wifredo Lam's work with particular attention to its political implications, focusing on how these implications emerge from the artist's critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.

About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation's with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget's description includes photographs and diagrams of the Sun Dance.

Spiritual Encounters is a comparative and theoretically informed look at the religious interactions between Native and colonial European cultures throughout the Americas. Religion was one of the most contentious, dramatic, and complex arenas of confrontation between Natives and Europeans during the colonial era. This volume fully explores the significance of colonial religious encounters. Case studies, organized by theme, showcase previously unexamined sources and offer interpretations that shed new light on Native-European religious encounters in the New World. One group of studies examines the extent to which Native peoples internalized Christianity and the cultural mechanisms that enabled them to do so. Other chapters assess in detail the often uneasy relationship between Christianity and coexisting indigenous religious practices involving sorcery and healing. A third set of essays looks at the broader political and economic forces underlying Native-colonial religious encounters. An introduction and epilogue by the editors provide valuable summaries of the broad patterns characterizing the religious interactions between the West and the Other in the colonial Americas. Nicholas Griffiths is the deputy department head of Hispanic studies at the University of Birmingham. He is the author of The Cross and the Serpent: Religious Repression and Resurgence in Colonial Peru. Fernando Cervantes is a lecturer in the department of Hispanic, Portuguese, and Latin American studies at the University of Bristol. He is the author of The Devil in the New World: The Impact of Diabolism in New Spain.

This introduction to the imaginative world of the Mexica (or Aztec) explores sacrifice in the richly textured life of 16th-century Mexico. Kay Almere Read describes a universe in which every object was timed by a given lifespan and in which sacrifice was the mechanism by which time functioned. This book makes a convincing case for what sacrifice meant religiously and for how it came to be that human sacrifice of staggering proportions could be accepted, matter-of-factly, by the Mexica people.

The Mixe of Oaxaca was the first extensive ethnography of the Mixe, with a special focus on Mixe religious beliefs and rituals and the curing practices associated with them. It records the procedures, design-plan, corresponding prayers, and symbolic context of well over one hundred rituals. Frank Lipp has written a new preface for this edition, in which he comments on the relationship of Mixe religion to current theoretical understandings of present-day Middle American folk religions.

Since the early-modern encounter between African and European merchants on the Guinea Coast, European social critics have invoked African gods as metaphors for misplaced value and agency, using the term "fetishism" chiefly to assert the irrationality of their fellow Europeans. Yet, as J. Lorand Matory demonstrates in The Fetish Revisited, Afro-Atlantic gods have a materially embodied social logic of their own, which is no less rational than the social theories of Marx and Freud. Drawing on thirty-six years of fieldwork in Africa, Europe, and the Americas, Matory casts an Afro-Atlantic eye on European theory to show how Marx's and Freud's conceptions of the fetish both illuminate and misrepresent Africa's human-made gods. Through this analysis, the priests, practices, and spirited things of four major Afro-Atlantic religions simultaneously call attention to the culture-specific, materially conditioned, physically embodied, and indeed fetishistic nature of Marx's and Freud's theories themselves. Challenging long-held assumptions about the nature of gods and theories, Matory offers a novel perspective on the social roots of these tandem African and European understandings of collective action, while illuminating the relationship of European social theory to the racism suffered by Africans and assimilated Jews alike.

Though Malawi in general, and the areas described in this book, are predominantly Christian, traditional religion is still an important reality, beside and within Christianity in Malawi. Matthew Schoffeleers, a Montfortian missionary priest and social anthropologist, addresses here aspects of African tradition religion, with a particular focus on spirit possesion. Both in its individual importance and in its territorial importance. Of the six papers collected in the book two deal with rain cults, which for centuries have played a central role in the political and religious life of Malawi, two with territorial spirit mediumship and two with cults of affliction.

The Montana Cree is a study of religion as a sustaining force in American Indian life. On the small Rocky Boy reservation in northern Montana, the Cree Indians provide an example of how a people transplanted and persecuted throughout their history can maintain and develop a tribal identity and unity through the continuance of their religious values.

As the adopted son of Mose Michelle, a hereditary Pend O'Reille chief, Verne Dusenberry moved easily within Indian circles as an accepted participant-observer in many religious ceremonies. His ethnographic study provides detailed descriptions of ceremonies - the Shaking Tent, Ghost Dance, and Sun Dance - which are seldom accurately described elsewhere.

Most North Americans experience mythology by way of translations of classical texts, and surprisingly few of us are familiar with Coyote, Spider Woman, Water Jar boy, Falling Sky Woman, or the epic of the Blessingway - to name just a few of the stories retold in this collection of significant myths of Native North America. David Leeming and Jake Page, building on the success of their Goddess: Myths of the Female Divine and God: Myths of the Male Divine, have provided an introduction and commentary on seventy-two myths drawn from a variety of cultures and language groups. They honor the Native pantheons, cosmologies, heroes, and heroines first as cultural expressions, then as variations on other mythic narratives to which they may be related, and ultimately as expressions of the larger human experience of mythmaking. David Leeming is Professor Emeritus of English and Comparative Literature at the University of Connecticut, Storrs. Jake Page is the coauthor of Wild Justice: The People of Geronimo V. the United States, also published by University of Oklahoma Press.

This innovative work takes a narrative technique (known as "storytracking") practised by Australian aboriginal peoples and applies it to the academic study of their culture. Gill's purpose is to get as close as possible to the perceptions and beliefs of these indigenous peoples by stripping away the layers of European interpretation and construction. His technique involves comparing the versions of aboriginal texts presented in academic reports with the text versions as they appear in each report's cited sources. The comparison helps reveal the extent to which the text is transformed through its presentation. Gill follows the chain of citations along, uncovering the story, or as he calls it the "storytrack," that interconnects scholar with scholar-independent subject. The storytrack reveals the various academic operations-translations, editing, conflation, interpretation-that serve to build a bridge connecting subject and scholarly report. Gill begins by examining Mircea Eliade's influential analysis of an Australian myth, "Numbakulla and the Sacred Pole". He goes back to the field notes of the anthropologists who originally collected the story and by following the trail of publications, revisions, and retellings of this tale is able to show that Eliade's version bears almost no relation to the original and that the interpretations Eliade built around it is thus entirely a European construct, motivated largely by preconceptions about the nature of religion. By applying this method to other received texts of aboriginal religion, Gill is able to bring us closer than ever before to the worldview of this vanishing culture. At the same time, his work constitutes an important statement on and critique of the academic study of religion as it has traditionally been practised.

This innovative work takes a narrative technique (known as "storytracking") practiced by Australian aboriginal peoples and applies it to the academic study of their culture. Gill's purpose is to get as close as possible to the perceptions and beliefs of these indigenous peoples by stripping away the layers of European interpretation and construction. His technique involves comparing the versions of aboriginal texts presented in academic reports with the text versions as they appear in each report's cited sources. The comparison helps reveal the extent to which the text is transformed through its presentation. Gill follows the chain of citations along, uncovering the story, or as he calls it the "storytrack," that interconnects scholar with scholar-independent subject. The storytrack reveals the various academic operations--translations, editing, conflation, interpretation--that serve to build a bridge connecting subject and scholarly report.
Gill begins by examining Mircea Eliade's influential analysis of an Australian myth, "Numbakulla and the Sacred Pole." He goes back to the field notes of the anthropologists who originally collected the story and by following the trail of publications, revisions, and retellings of this tale is able to show that Eliade's version bears almost no relation to the original and that the interpretations Eliade built around it is thus entirely a European construct, motivated largely by preconceptions about the nature of religion. By applying this method to other received texts of aboriginal religion, Gill is able to bring us closer than ever before to the worldview of this vanishing culture. At the same time, his work constitutes an important statement on and critique of the academic study of religion as it has traditionally been practiced.

Founded by free people of color in Philadelphia in the aftermath of the American Revolution, the African Methodist Episcopal (AME) Church emerged in the nineteenth century as the preeminent black institution in the United States. In 1896, the church opened mission work in South Africa, absorbing an independent ""Ethiopian"" church founded by dissident African Christians a few years earlier. In the process, the church helped ignite one of the most influential popular movements in South African history. Songs of Zion examines this remarkable historical convergence from both sides of the Atlantic. James Campbell charts the origins and evolution of black American independent churches, arguing that the very act of becoming Christian forced African Americans to reflect on their relationship to their ancestral continent. He then turns to South Africa, exploring the AME Church's entrance and evolution in a series of specific South African contexts. Throughout the book, Campbell focuses on the comparisons that Africans and African Americans themselves drew between their situations. Their transatlantic encounter, he argues, enabled both groups to understand and act upon their worlds in new ways. |Discusses the interaction between the African Methodist Episcopal Church in the United States and in South Africa, arguing that each group influenced the other to understand and act on their worlds in new ways.

This fascinating, richly illustrated book explores basic Precolumbian beliefs about the soul among ancient Mesoamerican peoples. It focuses on the Central Mexican Aztecs-called the Mexica-who believed in multiple souls that animated the body, gave humans their shared and individual characteristics, and survived the body after death. Drawing on a wide range of sources, including visual representations on Precolumbian monuments, colonial Spanish chronicles, early medical and travel accounts, and modern ethnography, Jill McKeever Furst argues that the Mexica turned not to mental or linguistic constructions for verifying ideas about the soul but to what they experienced through the senses. According to McKeever Furst, Mexica definitions and characterizations of the souls were influenced by their observations of human physiology-including birth, temperature changes in the body, normal aging, and the processes of death and dying-and by their experiences with their environment, specifically the lands near lakes that provided them with unusual visual and olfactory sensations (one of the souls is based on the odor of marshes). Providing as supporting evidence native beliefs about the soul in the ideologies of other Uto-Aztecan speakers ranging from the United States to Central America, McKeever Furst challenges deconstructionist theories that cultural phenomena are purely mental constructs.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

To many Westerners, the disappearance of African traditions of witchcraft might seem inevitable with continued modernization. In The Modernity, of Witchcraft, Peter Geschiere uses his own experiences among the Maka and in other parts of eastern and southern Cameroon, as well as other anthropological research, to argue that contemporary ideas and practices of witchcraft are more a response to modern exigencies than a lingering cultural custom. The prevalence of witchcraft, especially in African politics and entrepreneurship, demonstrates the unlikely balance it has achieved with the forces of modernity. Geschiere explores why modern techniques and commodities, usually of Western provenance, have become central in rumors of the occult.

Witchcraft is viewed as both a leveling and an oppressive force: a weapon of the weak to attack the powerful but also a tool of the powerful to maintain their position. Modern witchdoctors play a pivotal role not only in local cultures but also in stories of success and failure of state politicians, businessmen, and local football teams. Since the early 1980s they have been used as expert witnesses in state trials, helping to condemn defendants by their supposed expertise, rather than by hard evidence. The belief in witchcraft pervades all political levels: President Soglo of Benin, one of the few democratically elected on the continent, nearly missed his own inauguration because of an alleged witchcraft attack. Geschiere suggests that the African state is a true breeding ground for modern transformations of witchcraft because the ambiguity of this discourse can contain both the obsession of power and the increasing feelings of powerlessness among thepeople in the face of modern developments. There are unexpected parallels here with certain aspects of politics in Western democracies.

The ease with which witchcraft has incorporated the money economy, new power relations, and modern consumer goods is a striking example of its resilience in the face of Western influences. Geschiere uses the evolving relationship of witchcraft and modernity to demonstrate that democracy in Africa can succeed only if it is related to local cultures and their discourse on power.

This study is one that anthropologists, political scientists, and others concerned with contemporary Africa cannot afford to ignore.