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Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900 > Film & television screenplays
The director, producer and screenwriter Joss Whedon is acclaimed as
a major creative force in television, movies, comic books, and a
host of other media. His output has been so vast and diverse that
tracking everything he has created has become an ongoing challenge.
This inventory and bibliographic guide provides a complete,
accurate, and authoritative survey of Whedon's work. The book
covers over 20 Whedon projects, ranging from his earliest script
writing work on Roseanne, through his many movie and television
undertakings (including Toy Story, Buffy the Vampire Slayer, Angel,
Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents
of S.H.I.E.L.D.), up to his latest ventures into blockbuster
superhero movies with Marvel's The Avengers. This is the first book
to organize and describe all of Whedon's work. It covers both the
original texts of the Whedonverse (TV episodes, DVDs, scripts,
music, novels, comic books, games, and more) and the secondary
materials created about Whedon's projects, including 2,000 books,
essays, articles, documentaries, and dissertations.
This book investigates how identities for West African women are
created and recreated through the broad interplay of Nollywood film
viewing on social and individual levels. Since many Nollywood films
are freely accessible online, the role of online communities
repurposes Nollywood films. Female Narratives in Nollywood
Melodramas addresses if this is a good or bad promoter of critical
consciousness, as many of the films depict the stifling of women.
The authors examine nine Nollywood melodramas through Black
feminist, cultivation, audience reception, and social identity
theories. Readers will gain an understanding of how Nollywood is a
product and contributor to evolving processes of globalization.
Recommended for scholars of film studies, communication, African
studies, and women studies.
What is it that makes humans engage with a dramatic narrative? Is
it linked to our primitive selves, contained within our instinctive
experience? This innovative text argues that understanding how and
why our human instincts are brought into play as we watch screen
drama is the key to writing it. Analysing four powerful instincts -
willpower, logic, morality and emotion - Sam North explores how
they determine our level of involvement in their drama, and how
screenwriters can use them to develop their craft. Including a
variety of both well-known and less famous examples, from The
Shawshank Redemption to Samira Makhmalbaf's The Apple, this book
offers a fresh new approach to thinking about, discussing and
writing screenplays.
Cornwall, 1783. The American Revolutionary War is over. Cornishman
Ross Poldark returns to his father's lands a battle-weary soul. Met
by a homeland gripped in recession and the revelation of his
father's death, Ross must contend with the disrepair of his
property and the challenge of keeping his family tin mine in
business as his sweetheart prepares to marry his cousin. Amidst the
stark beauty of the Cornish landscape, Ross must fight for his
livelihood, making allies, and enemies, along the way. Delve deeper
into the hit BBC drama starring Aidan Turner as Ross Poldark and
Eleanor Tomlinson as Demelza. Collecting together Debbie
Horsfield's original scripts, Poldark: The Complete Scripts -
Series 1 allows you to relive the greatest moments from the first
series, from Poldark's initial homecoming to the series' dramatic
close. This is the perfect accompaniment for fans of the series and
gives a unique insight into how the show was visualized.
This collection brings together three of Coward's most important
screenplays - In Which We Serve (1942), Brief Encounter (1945) and
The Astonished Heart (1950). The collection features the shooting
scripts for each film alongside contextual notes for each play, and
a general introduction, by Barry Day. In Which We Serve earned
Coward an Academy Honorary Award in 1943 as well as the New York
Film Critics Circle Award for Best Film. The film remains a classic
of wartime British cinema. Brief Encounter, the most famous
screenplay in this collection, is based on Coward's 1936 one-act
play Still Life. It remains one of the greatest love stories of all
time, coming second in a British Film Institute poll of the top 100
British films. The Astonished Heart tells the story of a
psychiatrist's growing obsession for a good-time girl and the
resulting tragedy this leads to. This collection features a
foreword by Laurence Kardish, Senior Curator Emeritus, Film, at New
York's MoMA, and an eight-page black and white plate section of
production stills.
Oxi (Gr. Determiner, lit. 'No', fig. 'Resistance', pronounced
'ochi') retells Sophocles' Antigone through the contemporary Greek
crisis and modern European philosophy. A collaboration between the
renowned British auteur Ken McMullen and the literary theorist
Martin McQuillan, the film draws upon and responds to the
importance of the Antigone of modern thought (Hegel, Arendt, Lacan,
Derrida, Butler), while coming up close to the politics of the
street and the malign effects of the austerity experiment in Greece
today. The screenplay weaves together a range of idioms, including
performance, fiction, documentary, interview and literary collage.
The result is an intensely moving reflection on the tragedy of
austerity today, with contributions from Helene Cixous, Etienne
Balibar and Antonio Negri, as well as several significant figures
in Greek cultural life. The volume includes full transcripts of the
interviews with Cixous, Balibar and Negri, and a previously
unpublished interview with Jacques Derrida on the question of
Oedipus, as well as critical commentary from the filmmakers.
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