The Copic Ciao Marker is a twin-tipped marker which at one end has a medium broad nib for thick strokes and the other a super brush nib for variable width strokes. The super brush nib feels similar to a paintbrush when applying colour to a surface. The vast range of colours can be mixed together or layered on top of each other. As the markers are alcohol-based they are fast drying and will not smear, great if you are colouring or writing on photocopies. The coloured caps allow you to quickly identify which marker you need. Perfect for beginners, students and hobby artists.  This set includes 5 colours, plus a Copic Multiliner 0.3mm fineliner pen for outlining and detailing. Suitable for Manga, illustration and fine art. Non-toxic with safety caps. Colours included: C1 Cool Grey, C3 Cool Grey, C5 Cool Grey, C7 Cool Grey, 100 Black pdf=copic_colour_chart.pdf Copic Colour Chart

This pack contains 12 pieces of 120mm lead for 2mm Diameter Mechanical Pencil (8B in hardness) Koh-I-Noor produce 0.3mm, 0.5mm, 0.7mm, 2mm, and 5.6mm mechanical clutch pencils and leads. Koh-I-Noor is the only company that produces mechanical pencils for pencil leads thicker than 5.6 mm. Perfect with the Koh-I-Noor: Mechanical Clutch Pencil Leadholder for 2mm leads

From Almond to Burnt Sienna, the BrushMarker Skin Tone set allows you to explore a plethora of skin tones. Also included are Dusky Pink, Blush, Praline and Saddle Brown. Each colour can also be used in conjunction with the colourless Blender for varying shades, or with other shades in the wider BrushMarker spectrum.  Adding versatility to your drawing and illustration practice, the Winsor & Newton BrushMarker provides the ultimate in precise and flexible line control, The 72-colour rich range is offers print quality and  highly blendable, streak-free coverage. High quality nibs for print-quality, streak-free coverage 72 colour ranging from subtle pastels to bold, vibrant hues Blend-friendly, with malleable, alcohol-based, translucent ink Twin-tipped, with a broad chisel nib and brush nib Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

An artists´ watercolour marker is the modern definition of watercolour painting: a high-quality drawing instrument that supports both spontaneous sketching and artistic watercolour painting. The water-based ink is always ready for use and can also be completely washed out with water. The versatility of this marker is especially convincing when traveling. Those who like to hold onto impressions while on the go will be delighted to be able to turn to this pen.

Faber-Castell offers the finest studio quality graphite sketch pencils. These pencils are made with finely ground graphite & clay for a smooth, consistent mark. Leads are SV-bonded securely to the entire length of the pencil to resist lead breakage.

Blisterpack with four drawing board clips for holding paper firmly onto drawing board.

Colour number/code: 346

Series number: 1

Chemical Description: Benzimidazolone yellow H6G

Colour index name: PY175

Colour index number: 11784

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Dala Standard Fabric Paint is soft and flexible and will not crack. Standard colours include classic shades as well trendy colours.  

For best results use on light coloured fabrics. For printing and painting on dark fabrics see Dala Opaque Fabric paints, or Dala Opaque Medium.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Faber-Castell offers the finest studio quality graphite sketch pencils. These pencils are made with finely ground graphite & clay for a smooth, consistent mark. Leads are SV-bonded securely to the entire length of the pencil to resist lead breakage.

Made from tiny particles of mica, mica powders provide a pearly, metallic look without metal. Mica powders are non-toxic and color fast, with a neutral pH, and though you wouldn't want to purposefully inhale them, they are less dangerous than metal pulvers. Available in a wide array of colors, mica powders have numerous uses for polymer clay artists as well as those who work in other media. They can be applied dry to the surface of raw clay, mixed into raw clay, painted onto raw or cured clay (though most will have to be mixed into a moist medium, first), and so on. Most surface applications will need a coat of polymer clay-friendly finish to prevent the powders from gradually rubbing off.

Hog bristle is unlike any other natural hair in that it forms a V-shaped split or "flag" at the tip and tends to have a natural curve. Dala Series 5 brushes feature springy, natural bristles fitted to a long handle and are great for kids, and general craft applications.

Dala Sun Colour is a concentrated, liquid fabric paint product that lends itself to sun dye and tie dye techniques. Specifically formulated for batik, salt drying and tie dyeing techniques.

Colours mix well - create your own shades.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Ampersand Museum Series Scratchbord is a clay and India ink coated hardboard panel for scratchboard artwork. Comparable to traditional paper scratchboard, except better – Ampersand Scratchbord is more durable and easier to scratch into for cleaner and crisper details and lines. For added dimension, coloured inks can be added to the white areas and then scratched again for additional highlights and volume. Artwork can be sprayed with spray fixative allowing the finished scratchboard to be framed without glass.

Pitt artists' pastel pencils, with their oil-free pastel leads, are used by artists not only as the perfect complement to pastel crayons for elaborating fine details, but also on their own. Many artists who enjoy pastel techniques and their versatility, but not the dirty hands and coloured dust that accompany them, have opted to use these special pencils. Pitt pastel pencils have a very compact lead which is economical to use. The lead contains a high level of pigment, making the pencils ideally suited both to drawing lines and shading, as well as blending and merging into delicate colour transitions. The colour selection in this range places a particular emphasis on the muted shades and earth tones that are especially important for pastel drawing.

Turner Acryl Gouache is a highly-pigmented opaque paint which can be thinned with water but which dries quickly to a water-resistant, matte finish.

Soft, flexible, smooth surface, grey linoleum sheets. Without compromising on the qualities of traditional linoleum, these breeze cut lino sheets offer a sharp and clear print.