Illustrated with lush reproductions of Grant and Nixie's art and photographs of their amazing garden, "The Romance Continues" is a love story, an art-appreciation adventure and a garden tour, all wrapped up in one gorgeous volume. Nationally known artists Grant Leier and Nixie Barton are also husband and wife, parents and the creators of an astonishing and whimsical garden on Vancouver Island. Their paintings differ greatly, though both artists make extensive use of rich, luminous and vibrant colours, and both are widely admired and collected. Over their long careers, Grant and Nixie have experimented with subjects and styles, and observing the growth and change in their work is fascinating. When they moved to a rural, seven-acre property, they turned their love of colour and sense of fun onto the land, and the rambling, witty garden they created is a visual spectacle that draws thousands of delighted visitors every year.

Chinese folk arts originate in the rural areas of China's vast territory. As forms of communal art, folk arts are evident in everyday food, clothing and shelter, in traditional festivals, ceremonies and rituals, and in beliefs and taboos. As a living example of cultural heritage, folk art demonstrates the continuity of Chinese culture from ancient to modern times, a culture with distinctive national and regional characteristics and a history of some 8,000 years. Chinese Folk Arts provides an illustrated introduction to the history and development of this colourful part of China's unique artistic culture.

Based on extensive research in West Africa, Christopher Steiner's book presents a richly detailed description of the economic networks that transfer art objects from their site of use and production in Africa to their point of consumption in art galleries and shops throughout Europe and America. In the course of this fascinating transcultural journey, African art acquires different meanings. It means one thing to the rural villagers who create and still use it in ritual and performance, another to the Muslim traders who barter and resell it, and something else to the buyers and collectors in the West who purchase it for investment and display it in their homes.