By the mid-1920s, the Harlem Renaissance was underway. As an effort to secure economic, social, and cultural equality with white citizens, the Renaissance years were a proving period for black composers and performers. Black Music in the Harlem Renaissance explores black music in the United States and England during the 1920s and its relationship to other arts of the time. The first collection on the subject, Black Music in the Harlem Renaissance seeks to revise previous assumptions about music during this era. The book features essays on various subjects including musical theatre, Duke Ellington, black music and musicians in England, concert singers and the interrelationships between black painters and music. In addition, the book includes a music bibliography of works composed during the period.

***AS READ ON BBC RADIO 4*** A beautifully written exploration of the world of Edwardian folk music, and its influence on the composer Ralph Vaughan Williams In January 1905 the young Vaughan Williams, not yet one of England's most famous composers, visited King's Lynn, Norfolk, to find folk songs 'from the mouths of the singers'. He had started collecting in earnest little more than a year before but was now obsessed with saving these indigenous tunes before they were lost forever. An old fisherman, James 'Duggie' Carter, performed 'The Captain's Apprentice', a brutal tale of torture sung to the most beautiful tune the young composer had ever heard. The Captain's Apprentice is the story of how this mysterious song 'opened the door to an entirely new world of melody, harmony and feeling' for Vaughan Williams. With this transformational moment at its heart, the book traces the contrasting lives of the well-to-do composer and a forgotten King's Lynn cabin boy who died at sea, and brings fresh perspectives on Edwardian folk-song collectors, the singers and their songs. While exploring her own connections to folk song, via a Hebridean ancestor, a Scottish ballad learnt as a child and memories of family sing-songs, the author makes the unexpected discovery that Vaughan Williams has been a hidden influence on her musical life from the beginning - an experience she shares with generations of twentieth-century British schoolchildren. Published for Vaughan Williams's 150th birthday in August, this evocative, sensitive look at the great composer will also be read on BBC Radio 4. 'Her gift is a work of love and infinite care' KEGGIE CAREW, author of Dadland 'I thoroughly enjoyed this book, and its weaving of biography, social history and folk song' STEVE ROUD, author of Folk Song in England

This new study of British popular music shows how it engages with class in mythical ways that allow audiences to perform class-based identities. Case studies on folk rock, punk and indie rock show how this performance works and explore the implications for listeners and audiences.

Reissuing works originally published between 1968 and 1995, this fascinating collection of books on song and culture and folk music more widely is a superb resource in cultural studies, history and music in one place. Some works look at the contribution of an individual to the understanding of folk singing, or the songs and stories from one region, while others take a wider look at the spread within the Anglo-American folk music sphere. Nearly all books contain tunes and lyrics related to their topics and between them present a great display of the scholarship in this deeply interesting area.

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental Jewry; Music of Mysticism and Piety; The Yiddish Musical World of Eastern Europe; The Holocaust Era; America; The Music of Zion and Israel; Composers and Compositions; and Women.

The sensational content of folk ballads makes them especially attractive to young adults. In this fascinating study of folk ballads and their evolution, you'll explore various renditions of such popular songs as Frankie and Johnny, Stagolee, Pretty Polly, and Barbara Allen, as well as lesser known ballads (e.g., Lord Thomas and Fair Annet, Twa Sisters, and King Orfeo). You'll learn about the origins of the stories, how they have developed and changed over time, traveled throughout countries and across oceans, and ultimately evolved into literary forms, such as poetry, novels, and graphic novels, many of which are directed at young adults. Citing numerous critical interpretations and commentary, this book offers great insight into this genre of popular folk literature.

After an introduction to the form and its place in history, the author explores various types of ballads (e.g., child ballads, border ballads, broadside ballads). An examination of modern and contemporary re-workings of ballads, organized by themes, comprises the heart of the book. Ballad types covered include: tragic love stories, murder ballads, otherworld beings, tricks and disguises, and ballads from other cultures. Oral origins and history, critical interpretations, re-workings, and current recordings are included for each ballad; along with a list of resources.

Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce's short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.

The last decade has witnessed the rise of the cell phone from a mode of communication to an indispensable multimedia device, and this phenomenon has led to the burgeoning of mobile communication studies in media, cultural studies, and communication departments across the academy. The Routledge Companion to Mobile Media seeks to be the definitive publication for scholars and students interested in comprehending all the various aspects of mobile media. This collection, which gathers together original articles by a global roster of contributors from a variety of disciplines, sets out to contextualize the increasingly convergent areas surrounding social, geosocial, and mobile media discourses. Features include: comprehensive and interdisciplinary models and approaches for analyzing mobile media; wide-ranging case studies that draw from this truly global field, including China, Africa, Southeast Asia, the Middle East, and Latin America, as well as Europe, the UK, and the US; a consideration of mobile media as part of broader media ecologies and histories; chapters setting out the economic and policy underpinnings of mobile media; explorations of the artistic and creative dimensions of mobile media; studies of emerging issues such as ecological sustainability; up-to-date overviews on social and locative media by pioneers in the field. Drawn from a range of theoretical, artistic, and cultural approaches, The Routledge Companion to Mobile Media will serve as a crucial reference text to inform and orient those interested in this quickly expanding and far-reaching field.

First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

This book is the first full-length analysis of the theory and practice of Persian singing, demonstrating the centrality of Persian elements in the music of the Islamic Middle Ages, their relevance to both contemporary and traditional Iranian music and their interaction with classical Persian poetry and metrics.

First published in 1932, Cecil Sharp's English Folk-Songs from the Southern Appalachians contains 274 songs -- ballads, songs, hymns, nursery songs, jigs, and play-party games -- with 968 tunes, collected between 1916 and 1918 from traditional singers in the mountains of Virginia, North Carolina, Kentucky, and Tennessee. It remains one of the foundational collections of American folk music.

for solo viola Conceived as a set, these eight songs are drawn from several Chinese regions (Shaanbei, Shaanxi, Yunnan, Jiangsu, Sichuan, Hunan, and Shanxi) and represent the three main genres of mountain song, work song, and the more structured performance song aimed at professional singers. In this new arrangement for solo viola the music has been carefully refashioned for Western instruments, with writing that includes stylistic bowing and fingering to match the original style. Suitable for students at early to intermediate level, these compelling short pieces are accompanied by illuminating programme notes with a synoposis of each song.

for solo violin Conceived as a set, these eight songs are drawn from several Chinese regions (Shaanbei, Shaanxi, Yunnan, Jiangsu, Sichuan, Hunan, and Shanxi) and represent the three main genres of mountain song, work song, and the more structured performance song aimed at professional singers. In this new arrangement for solo violin the music has been carefully refashioned for Western instruments, with writing that includes stylistic bowing and fingering to match the original style. Suitable for students at early to intermediate level, these compelling short pieces are accompanied by illuminating programme notes with a synoposis of each song.

Tempo: A Scarecrow Press Music Series of Rock, Pop, and Culture offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting the technological advances, psychological concerns, religious feelings, and artistic trends of their times. Whether you are a professional musician or regular listener, diehard fan or music student, titles in the Tempo series are the ideal introduction to major pop and rock artists and the music they produced and their cultural and musical impact on society. With each year, new books appear on Bob Dylan, attesting to his continuing importance as a major figure in American music and culture. Bob Dylan: American Troubadour is the first book on Dylan to look at his entire career, from his first album to his most recent, Tempest, released 50 years later in 2012.In a brief compass, Brown provides insightful critical commentary on Dylan's entire corpus, placing full scope of Dylan's career in the context of its times in order to assess the relationship of Dylan's music to contemporary American culture. Each chapter addresses a particular phase of Dylan's career, taking its cue from events in Dylan's life and from the collective experiences that shaped the times. As the artist who famously proclaimed the times, they are a-changin', Dylan was never static as an artist, his music altering as the times changed. In Bob Dylan: American Troubadour, Donald Brown follows the shifting versions of Dylan, from his songs of conscientious social involvement to more personal exploratory songs; from his influential rock albums of the mid-'60s to his adaptations of Country music; from his three very different tours in the 1970s to his born again period as a proselytizer for Christ, to his frustrations as a recording and performing artist in the 1980s; from his retrospective importance in the Nineties to the refreshingly vital albums he has been producing in the 21st century.Bob Dylan: American Troubadour will engage not only Dylan fans and students of his work but those interested American popular music, history, and culture. Anyone who has been touched, challenged or surprised by a Dylan song, who would like to know more about this long and fascinating career, who wants to discover Dylan within his context will find in Bob Dylan: American Troubadour a concise and informed critical overview of Dylan's music and his place in the American musical landscape.

This comprehensive guidebook features both traditional and genre-stretching Celtic music, and features information on the music's wide-ranging instrumentation, including drums, fiddles, harps, and more. Color photos.

Almost 20 years ago Michael Brocken created from his doctoral research, what became both a seminal and contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944-2002. In this long-overdue second edition he revisits not only his own research, but also that of others from the 1990s and early 21st century. He then considers how a discourse of folkloric authenticity emerged in the closing years of the 19th century and how a worrying nationalistic immanence came to surround folk music and dance during the inter-war years. Brocken also proposes that the media: records, radio and TV in post-WWII folk revivalism can offer us important insights into how self-directed learning of the folk guitar emerged. Brocken moves on to consider the business structures of the contemporary folk scene and how relationships are formed between contemporary folk business and the digital and social media spheres. In his penultimate chapter he discusses the masculinisation of folk traditions and asks important questions about how our folk traditions are carried and are authorised. In the final chapter he also considers the rise of an exciting new folk live music built environment.

A poet of rare skill, Abdur Rahim Khan-i- Khanan wrote poems in Persian, Sanskrit and Hindavi, with metaphors ranging from Giridhar to Ganga, and with humanist ideals expounded in precise and concise matras of dohas and barvais. This book catalogues the festival of the same name, to capture the manifold attributes and genius of Abdur Rahim Khan-i-Khanan. Both the festival and the book were borne of the conservation work undertaken on Abdur Rahim Khan-i-Khanan's tomb to protect and promote his legacy, a key objective of the Nizamuddin Urban Renewal Initiative, with support from InterGlobe Foundation. This volume also includes a remarkable selection of his verses, set to music with ragas and vernacular symphonies based on his poetry and his life.

Provides biographical details on some of the most talented, influential and up-and-coming artists and individuals from the world of popular music.
Now in its fully-updated and revised fifth edition, this title includes over 5,000 biographies charting the achievements and careers of pop, rock, folk, jazz, dance, world and country artists throughout the world.
Features include:
* Over 5,000 alphabetically arranged entries containing full biographical information: major career details, concerts, recordings and compositions, honours and contact address
* Full contact details for companies and organizations throughout the popular music industry - including record companies, management agencies, agents and promoters
* Lists of key festivals and musical events worldwide, with relevant contact details.

This book challenges the monolithic portrayals of folk music and social change under commission by making a case for 'people's music' and shows how new folk music embodies an inherently pluralistic concept of Yugoslavia's culture.
The book provides an introduction to one of the most vital forms of popular culture to emerge in east-central Europe. Based on extensive fieldwork, it engages the polemical perspectives of Yugoslav commentators and draws extensively on interpretive insights by musicians, media and music industry insiders.

for solo cello Conceived as a set, these eight songs are drawn from several Chinese regions (Shaanbei, Shaanxi, Yunnan, Jiangsu, Sichuan, Hunan, and Shanxi) and represent the three main genres of mountain song, work song, and the more structured performance song aimed at professional singers. In this new arrangement for solo cello the music has been carefully refashioned for Western instruments, with writing that includes stylistic bowing and fingering to match the original style. Suitable for students at early to intermediate level, these compelling short pieces are accompanied by illuminating programme notes with a synoposis of each song.

This unique study of Turkmen women and their folk songs looks at religion, ritual and family as seen through the eyes of the women and their songs.