74 of the most popular items from Carols for Choirs 1, 2 and 3 in one volume, plus 26 pieces new to the series. The volume contains both accompanied and unaccompanied items, and the Order of Service for a Festival of Nine Lessons and Carols. Orchestral and brass ensemble accompaniments for many of the items are available on hire.

Scandinavian art songs are a unique expression of the cultures of Sweden, Norway, and Denmark. Although these three countries are distinct from one another, their languages and cultures share many similarities. Common themes found in art and literature include a love of nature, especially of the sea, feelings of longing and melancholy, the contrast between light and dark, the extremes of the northern climate, and lively folk traditions. These shared sensibilities are reflected and expressed in a tangible way through music. Scandinavian art song has faced several challenges over the years in North America (even in the American Midwest, where descendants of Scandinavian immigrants are concentrated). But matters have changed recently with the recent expansion of diction curricula to cover languages other than English, French, German, and Italian. The primary obstacle remains practical resources for the study of art songs and lyric diction of Sweden, Norway, and Denmark. This guide remedies this problem. Scandinavian Song is a practical guide to the art songs of Sweden, Norway, and Denmark. Unlike other sources that give at best a cursory overview of lyric diction in the Scandinavian languages, this guide provides practical information, enabling teachers and students to render transcriptions of Swedish, Norwegian, and Danish texts into the International Phonetic Alphabet (IPA)-an absolute necessity for any study of repertoire. An extensive survey of available music, sample IPA transcriptions and translations, as well as a website link with native speakers reciting selected song texts, make this book an invaluable resource for students and professors in North American college, university, and conservatory voice programs.

Cultural Crofter is a very apt description for Nancy Nicolson - she is a Sottish folk singer and a tradition bearer, a songwriter and a storyteller and a melodeon player. Brought up on a croft in Caithness, the former Edinburgh teacher has worked with the BBC, Celtic Connections, and the New Makars Trust. It was high time that her songs were collected and published, and Grace Note Publications has done just that, to coincide with her 75th birthday in 2016. They sent a Wumman: The Collected Songs of Nancy Nicolson contains an autobiographical piece by Nancy herself, as well as contributions by her fellow-Caithnessian writer George Gunn, by singer, songwriter, actor and director Gerda Stevenson and the folk singer, songwriter and publisher Ewan McVicar. But the focus is, as editor Paddy Bort writes in his introduction, firmly on the songs, in all their glorious diversity. Like few others, Nancy Nicolson has the gift - as writer, singer and storyteller - to communicate the life and culture of Scotland, with rare warmth and energy and her very own brand of wit and wisdom. As can be seen in this volume, Nancy Nicolson covers (nearly) every subject under the sun - from bootleg whisky to the Miners' Strike, from bairns' play to the grim and cruel games of war, and from 'hauf-hinget' Maggie to 'Maggie's Pit Ponies'. Some of her songs have assumed almost 'traditional' status by now - among them Nancy's greatest hits: "Listen tae the Teacher', 'The Moon in the Morning', 'The Brickie's Ballad' and, of course, 'They Sent a Wumman'. Among others, Gerda Stevenson, The McCalmans and Ed Miller have recorded her songs.