The classical music of India, its history, instruments, musicians, and theory are thoroughly discussed in this copiously illustrated reference.

Take your partner by the hand and get ready to join the hoedown with this guide to square dancing, a fun and traditional way for friends, neighbours and families of all ages to keep fit and relax. First published in 1949, American Square Dances Of The West And Southwest is a simple and clear introduction to square dancing moves and calls. With the help of instructions and diagrams, learn how to dance traditional figures such as Swing Old Adam, Dive For The Oyster and Four Little Sisters With A Do-Si-Do. Or maybe you'd rather find out how to lead dances as a caller? This book will show you how. Plus, to get you started, there's sheet music for seven favourite tunes included.

Ethnomusicological fieldwork has significantly changed since the end of the the 20th century. Ethnomusicology is in a critical moment that requires new perspecitves on fieldwork - perspectives that are not addressed in the standard guides to ethnomusicological or anthropological method. The focus in ethnomusicological writing and teaching has traditionally centered around analyses and ethnographic representations of musical cultures, rather than on the personal world of understanding, experience, knowing, and doing fieldwork. Shadows in the Field deliberately shifts the focus of ethnomusicology and of ethnography in general from representation (text) to experience (fieldwork). The "new fieldwork" moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts.
In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of "the past" fit into these theories? And above all, what do we see when we acknowledge the shadows we cast in the field?
The second edition of Shadows in the Field includes updates of all existing chapters, a new preface by Bruno Nettl, and seven new chapters addressing critical issues and concerns that have become increasingly relevant since the first edition.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

"Calypsonians have long been the voice of the people, delivering the complaints, criticisms and even the solutions to political leaders. In its earliest manifestations, calypso music emerged in response to a cultural climate that demanded creative modes of expression that could both resist and record political and historical changes taking place in Trinidad and Tobago. Since the 1920s and 1930s, calypsonians typically have composed songs that chronicle their observations and opinions on current events focusing on specific occurrences, from local scandals to current affairs while also examining broader trends. Not only has calypso served as an unofficial record of historical events, it emerged as a cultural weapon that yielded tremendous sway within the general audiences of the Caribbean region. This collection includes contributions from calypsonians, critics, novelists and poets alike, all engaged in representing Caribbean culture in its myriad forms. It represents an array of convergences across critical perspectives, political and social agendas, generations and national boundaries. The work of numerous calypsonians and other singers are explored, including Sparrow; Kitchener; Chalkdust; Denise Belfon; and writers such as Samuel Selvon, V.S. Naipaul, Jean Rhys, Errol John, Paul Marshall, Earl Lovelace and Lashkmi Persaud. The comparative analyses provide an interdisciplinary approach to Cultural Studies making the volume essential reading for students, scholars and calypso enthusiasts. "

The study moves from tradition to modernity, explores a range of topics such as: song life in the traditional village; rural-urban tensions; local min'yo 'preservation societies'; the effects of national and local min'yo contests; the 'new folk song' phenomenon; min'yo and tourism; folk song bars; recruitment of professionals; min'yo's interaction with enka popular songs and with Western-derived foku songu; the impact of mass mediation; and min'yo's role in maintaining or creating local identity. The book contains a plate section, musical examples, and a compact disc.

"How Can I Keep from Singing?" is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called "America's Tuning Fork." In the only biography on Seeger, David Dunaway parts the curtains on his life.
Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, "We all owe our careers to him." But Seeger's considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang.
Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world.
"This biography is a beauty. It captures not only the life of the bard but the world of which he sings."
-Studs Terkel
"A fine and meticulous biography . . . Dunaway has taken [Seeger's] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life."
"-American Music"
"An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man's battles and victories."
"-Chicago Sun-Times"

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

(Waltons Irish Music Books). Twenty famous Irish songs and ballads in easy arrangements for piano, voice and guitar are included in this collection. Songs include: A Bunch of Thyme * Carrickfergus * Cockles and Mussels * Connemara Cradle Song * Danny Boy (Londonderry Air) * I'll Take You Home Again, Kathleen * The Last Rose of Summer * Matt Hyland * The Sally Gardens * Slievenamon * Spancil Hill * The Spinning Wheel * The Black Velvet Band * The Jug of Punch * The Lark in the Clear Air * The Mountains of Mourne * The Old Woman from Wexford * The Rising of the Moon * and more.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Corridos are ballads particular to Mexican traditions that are used to analyze or recall a particular political, cultural, and natural event important to the communities where they are performed. As part of the cultural memory, many of the most popular corridos express the immigrant experience: exploitation, surveillance, and dehumanization stemming from racism and classism of the host country. The corrido helps Mexican immigrants in the United States to humanize, dignify, and make sense of their transnational experiences as racial minorities.

"Corridos in Migrant Memory" examines the role of corridos in shaping the cultural memories and identities of transnational Mexican groups. These narrative songs, dating from the earliest colonial times, recount the historical circumstances surrounding a model protagonist whose history embodies the everyday experiences and values of the community.

The everyday experiences and cultural expressions of Mexican-Americans and Mexican immigrants have not found their way into textbooks in Mexico or in the United States. Martha Chew Snchez's study provides a foundation upon which to build an understanding of the corrido.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

"Ragging It" takes the reader on a lively, historical journey back to the days of vaudeville, fancy women, amusement parks, lynch mobs, saloons, and cabarets--a time when the upbeat music of ragtime was a craze that permeated our culture.

Author H. Loring White, a former history professor, focuses on the vastly contrasting biographies of Theodore Roosevelt and Scott Joplin, while showcasing the uniqueness of ragtime--the first popular syncopated music of the masses. In 1900, times began to move more quickly. With citizens no longer isolated on farms, ragtime was eagerly accepted by the world's first generation of popular culture, which also reveled in cakewalks; coon songs; and animal dances, such as the Grizzly Bear, Turkey Trot, and Bunny Hug. White recounts true stories about show business, political events, the repression of African-Americans, the world's fairs, and the triumphs of technology.

Although ragtime disappeared abruptly in just a few years with the emergence of jazz, White never lets you forget the vital role that ragtime played in the Progressive Era of American culture. With its new and vital interpretation of the Roosevelt era, he will take you back to a lively time in history when everyone was "Ragging It"

The rembetika, songs that were sung in the poor quarters of Smyrna, Istanbul and the ports of Greece in the late nineteenth century, and became the popular bouzouki music of the 1930s to 1950s, have many parallels with American blues. Like the blues, the rembetika were the music of outsiders, who developed their own slang and their own forms of expression. Road to Rembetika was the first book in English to attempt a general survey of the world of the 'rembetes' who smoked hashish and danced the passionate introspective zebekiko to release their emotions. The author Gail Holst, an Australian musician and writer who first came to Greece in 1965 and who has continued to perform and write about Greek music ever since, describes her own initiation into the rembetika, outlines its historical and sociological background, its musical characteristics and instrumentation. The second part of the book is a collection of rembetika songs in Greek with the English translation en face. The text is illustrated with photographs of the period, musical examples and original manuscripts of the songs. Although Road to Rembetika was first published many years ago, this revised edition of this now classic book still remains the most vibrant portrayal of this musical genre.

This remarkable book recovers three invaluable perspectives, long thought to have been lost, on the culture and music of the Mississippi Delta.

In 1941 and '42 African American scholars from Fisk University--among them the noted composer and musicologist John W. Work, sociologist Lewis Wade Jones, and graduate student Samuel C. Adams, Jr.--joined folklorist Alan Lomax of the Library of Congress on research trips to Coahoma County, Mississippi. Their mission was to explore the musical habits and history of the black community there and "to document adequately the cultural and social backgrounds for music in the community." Among the fruits of the project were the earliest recordings by the legendary blues singer and guitarist Muddy Waters. The hallmark of the study was to have been a joint publication of its findings by Fisk and the Library of Congress. However, the field notes and manuscripts by the Fisk researchers became lost in Washington. Lomax's own book drawing on the project's findings, "The Land Where the Blues Began," did not appear until 1993, and although it won a National Book Critics Circle Award, it was flawed by a number of historical inaccuracies.

Recently uncovered by author and filmmaker Robert Gordon, the writings, interviews, notes, and musical transcriptions produced by Work, Jones, and Adams in the Coahoma County study now appear in print for the first time. Their work captures, with compelling immediacy, a place, a people, a way of life, and a set of rich musical traditions as they existed sixty years ago. Until the surfacing of these documents, Lomax's perspective was all that was known of the Coahoma County project and its research. Now, at last, the voices of the other contributors can be heard.

Including essays by Bruce Nemerov and Gordon on the careers and contributions of Work, Jones, and Adams, "Lost Delta Found" will become an indispensable historical resource, as marvelously readable as it is enlightening.

Illustrated with photos and more than 160 musical transcriptions.

This definitive story of American folk music focuses on how a minority music genre suddenly became the emergent voice of a generation at the end of the Eisenhower years. The book shows how the social issues of early rural folk music were adapted by young people in the late fifties as college students bought guitars and banjos, attended hootenannies, and marched on the Capital for Civil Rights. From Kingston Trio's "Tom Dooley" in 1958 to Bob Dylan's electric performance at the Newport Folk Festival in 1965, folk influenced American culture and eventually became absorbed into popular music. The author also explores how authentic folk is now experiencing a second revival, taking its place in our contemporary fascination with roots music.The first non-academic text to probe the cultural and musical significance of the folk revival of 1958 to 1965. The only historical text on the American folk revival to examine both traditional and popular performers and to provide a thorough analysis of the era's music.First music history text to present a new reading of the American folk revival's development and provide a reinterpretation of the revival's decline.The only text to offer a compact history that exclusively centres on the music, artists, and social panorama of American folk music between 1958 and 1965.

Choro is a type of Brazilian popular music similar in background to the celebrated Cuban son of Buena Vista Social Club fame. Choro started in Rio de Janeiro as a fusion of African-based rhythms and structures with European instruments and dance forms. In the 20th century, it came to represent social and racial diversity in Brazil and was integrated into mainstream film, radio, and recordings throughout Latin America and Europe. It formed a basis for Brazilian jazz and influenced the music of Heitor Villa Lobos. Today choro is viewed as a type of popular folk/traditional music in its own right. Its history parallels that of race, class, and nationality in Brazil over the last 100 years.

1887. From the Introduction: In the small volume to which these pages are prefixed, an attempt has been made to present such a collection from the lyric wealth of Ireland as would fulfill two distinct important functions-the furnishing to all readers a fairly adequate opportunity of judging Irish character as it is shown in the most self-revealing of all means of expression; and the providing Irish readers with a book that, in its scope and completeness, might take rank on their shelves with Gavan Duffy's Ballad Poetry and the Spirit of the Nation. This twofold aim, ambitious though it be, has been kept steadily in view; every song, ballad, or lyric is by an Irish writer, upon an Irish theme, and clearly Celtic in thought and feeling. Wherever possible it is one, also, that has actually been popular among the peasantry, who have always been the depository of the song, music, and story, that are now finding securer keeping in printed books.

In the summer of 1972, a group of young people in Bloomington, Indiana, began a weekly gathering with the purpose of reviving traditional American old-time music and dance. In time, the group became a kind of accidental utopia, a community bound by celebration and deliberately void of structure and authority. In this joyful and engaging book, John Bealle tells the lively history of the Bloomington Old-Time Music and Dance Group how it was formed, how it evolved its unique culture, and how it grew to shape and influence new waves of traditional music and dance. Broader questions about the folk revival movement, social resistance, counter culture, authenticity, and identity intersect this delightful history. More than a story about the people who forged the group or an extraordinary convergence of talent and creativity, Old-Time Music and Dance follows the threads of American folk culture and the social experience generated by this living tradition of music and dance."

Have you ever wanted to jam with a top class band? If so, this DVD and 2 CD set is for you. Colin Burrido gives you the chance to learn some traditional folk tunes and play along with his great band. Learn about tuning, lead melodies, scales and techniques in the lesson sections and jam along to 7 full length backing tracks with the band. The additional two bonus CDs feature even more tunes with all demonstration tracks and minus one play along versions. Folk Rock is a fantastic look and learn method, a useful practice tool and a great way to unwind, just playing along with your own top class band! Languages: English, French, Italian, German, Spanish. NTSC colour.