There's a restlessness amongst Scotland's indie-folk artists of late. The Pictish Trail (aka Johnny Lynch) has shacked up with London alt-folkster Adem for the 80s-referencing dance dynamics of Silver Columns; Lynch's Fence Collective co-founder, King Creosote, recently collaborated with Edinburgh's Meursault and Brighton's Animal Magic Tricks on the Cold Seeds album. And now Creosote, real name Kenny Anderson, has emerged again as a member of The Burns Unit, a supergroup of sorts also featuring ex-Delgado Emma Pollock, Karine Polwart, Sushil Dade/Future Pilot A.K.A. and more. But while these relationships may seem rather incestuous, there's no doubt that the system's getting results.

The Burns Unit is a more complete, slick-sounding offering than KC's Cold Seeds. Whereas that record, released in July, was a largely improvised affair, Side Show will slip nicely beside those old Delgados records you don't play nearly enough. It's supremely polished of first impression, but also offers a far deeper experience than collaborative albums of its kind typically do. This stems from the detail in the songs containedthough several players appear throughout, half of these tracks are written by just a pair of musicians, really opening up each piece's heart. The exceptions are usually more rambunctious and loose of feel, all eight members lending input to the toe-tapping Send Them Kids to Warthe track is one of three to feature MC Soom T, who's previously worked with The Orb and Asian Dub Foundation.

While Side Show's tracks are varied of style, the boisterous often bookended by arrangements of tender emoting, drummer Mattie Foulds' production keeps every potentially distracting diversion in check with a mix (done at Chem 19, alongside celebrated producer Paul Savage) that allows highlights to shine but never detract from the enjoyment of this album as a whole. Consistency, it seems, is paramount, and while The Burns Unit's members don't quite chip in evenly, everybody's contributions are given the space they need to sing out from these never-cluttered compositions. Worthy of singling out, though, are a couple of real show-stoppers: Future Pilot A.K.C., which sees Anderson and Dade weave a tapestry of engrossing melancholy, and the Pollock-fronted You Need Me to Need This (written with Skydiggers' Michael Johnson), perhaps the most perplexingly beautiful-yet-bombastic number she's sung on since the days of The Great Eastern.

Excellently conceived, brilliantly executed and splendidly presented, Side Show is a little wonder that's considerably more than the sum of its admittedly excellent parts. Fingers crossed that its makers turn their occasional live performances into a proper tour, soon. --Mike Diver

Track Listings
1 : Handsome Billy
2 : Isis and Osiris
3 : Scapegoat
4 : Templehof
5 : Crow Jane
6 : Memento
7 : Wonder Blunts the Knife
8 : Exquisite Corpse
9 : Satellite

JASMINE PENDER (aka solo artist Rotten Bliss) and highly regarded post-punk legend JOWE HEAD (Swell Maps, Television Personalities). Their collaboration is one of equal but balancing elemental forces, like hot engine oil poured into freezing water. Their debut is intoxicating, brewed from their diseased imaginations into a strange synthesis of psych-folk, punk sleaze and ambient drone.

Ontario folk band Tanglefoot was formed in 1980 by three schoolteachers on a mission to bring Canadian history to life for their students. Dressing up in period costumes, the band acted out historical dramas while performing traditional Canadian folk music and eventually went on to write material of their own. WAY MORE LIVE captures Tanglefoot in a trio of concerts recorded live at Toronto's Flying Cloud Folk Club in May 2003, performing a selection of songs that includes "Radioman," "Closer to the Ocean," "McCurdy's Boy," "Traighli Bay," and many more. These concerts marked the departure of founding member Joe Grant and introduced new fiddler Terry Snider.

Track Listings:
Disc: 1
Side: A
1 : Bach Goes To Limerick (Live At The Rainbow Theatre, London, 1974) - Steeleye Span
2 : Ups & Downs (Live At The Rainbow Theatre, London, 1974) - Steeleye Span
3 : Demon Lover (Live At The Rainbow Theatre, London, 1974) - Steeleye Span
4 : Two Magicians (Live At The Rainbow Theatre, London, 1974) - Steeleye Span
Side: B
1 : The Wife Of Usher's Well (Live At The Rainbow Theatre, London, 1974)
2 : One Misty Moisty Morning (Live At The Rainbow Theatre, London, 1974)
3 : Long Lankin (Live At The Rainbow Theatre, London, 1974)
4 : Jig Jam (Live At The Rainbow Theatre, London, 1974)
Disc: 2
Side: A
1 : The Musical Priest/ The Silver Spear (Live At The Rainbow Theatre, London, 1974)
2 : Little Sir Hugh (Live At The Rainbow Theatre, London, 1974)
3 : Thomas The Rhymer (Live At The Rainbow Theatre, London, 1974)
4 : Cam Ye Oe'r Frae France (Live At The Rainbow Theatre, London, 1974)
Side: B
1 : Oh You Beautiful Doll (Live At The Rainbow Theatre, London, 1974)
2 : Gaudete (Live At The Rainbow Theatre, London, 1974)
3 : Irish Jigs (Including Paddy Clancy's) (Live At The Rainbow Theatre, London, 1974)
4 : The Mason's Apron (Live At The Rainbow Theatre, London, 1974)

Steeleye Span are amongst the biggest and most commercially successful folk-rock bands. Their career, spanning over 50 years, has seen them achieve 4 Top 40 albums and 2 Top 20 singles as well as countless sold out live shows. Through an everchanging line up, their popularity has continued to this day. This 2LP release is the first time this album has appeared on vinyl and is released on red vinyl. The concert is taken from the 12CD box set covering the band's Chrysalis albums from 1972 to 1983 and marks the first time that this concert was released. It features the band at the height of their powers playing to a sold out audience at London’s Rainbow Theatre in November 1974 in support of the “Now We Are Six” album release. Included are many Steeleye classics such as the top 20 single Gaudete and Thomas the Rhymer. The band undertake a 7 date UK tour starting October 4th.

Collection of live performances from the iconic singer-songwriter, recorded at the Newport Folk Festival in 1963, '64 and '65. The footage includes songs such as 'Blowin' in the Wind' and 'Like a Rolling Stone' and features his first-ever, controversial, purist-baiting appearance with an electric band.