Latin American Fiction and the Narratives of the Perverse contains analysis of sexual perversion and narrative creativity in fictions from the Latin American boom and post-boom. O'Connor's main argument is that orthodox criticism of Latin American literature has neglected the eccentric singularities of other fictive trends in the corpus (especially in the second half of the twentieth-century). At the same time, by examining these eccentric singularities in their relationship to mainstream trends in the Latin American corpus, O'Connor forces his readers to view these master narratives and major trends (such as modernismo or magical realism) from surprisingly new angles. Five of the authors discussed (Puig, Lezama, Lima, Cortazar and Sarduy) have an established place in the Latin American literary canon. A fifth one, Rosario Ferre, may have come close to achieving that status with her earlier fictions. Others (Felisberto Hernandez, Alicia Borinsky, Cristina Peri Rossi and Silvia Molloy) are less well known, but they are certainly highly significant authors for scholars and students of contemporary Latin American fiction.

An in-depth and comprehensive account of the complex history of Japanese modernism from the mid-19th century "opening to the West" until the 21st century globalized world of "postmodernism." Its concept of modernism encompasses not just the aesthetic avant-garde but a wide spectrum of social, political and cultural phenomena.

During a career that spanned sixty years, Cleanth Brooks was involved in most of the major controversies facing the humanities from the 1930s until his death in 1994. He was arguably the most important American literary critic of the mid-twentieth century. Because it is impossible to understand modern literary criticism apart from Cleanth Brooks, or Cleanth Brooks apart from modern literary criticism, Mark Royden Winchell gives us not only an account of one man's influence but also a survey of literary criticism in twentieth-century America. More than any other individual, Brooks helped steer literary study away from historical and philological scholarship by emphasizing the autonomy of the text. He applied the methods of what came to be called the New Criticism, not only to the modernist works for which these methods were created, but to the entire canon of English poetry, from John Donne to William Butler Yeats. In his many critical books, especially The Well Wrought Urn and the textbooks he edited with Robert Penn Warren and others, Brooks taught several generations of students how to read literature without prejudice or preconception.

A study of London suburban-set writing, exploring the links between place and fiction. This book charts a picture of evolving themes and concerns around the legibility and meaning of habitat and home for the individual, and the serious challenges that suburbia sets for literature.

In Modernism and Market Fantasy, Carey Mickalites explores British modernist fiction's critical designs on the changing economic culture in which it took shape. Examining work that ranges from pre-war impressionism through the late modernism of the 1930s, he shows how modernist innovation engages directly with the transitions that mark early twentieth-century capitalism. Mickalites places modernist texts in relationship to particular economic structures: an investment and finance economy that imagines endlessly inflated returns through speculative trading; the anxieties of selfhood produced by capitalist exchange and private property; advertising and fashion culture's dream worlds of perpetual self-renewal; and commercial spectacle's capacity to generate new public affects. Demonstrating that prominent modernists viewed the market as an abstract space organized around irrational fantasies and anxieties, Mickalites argues that modernism reconfigures capitalist mythologies along the fault lines of their internal contradictions in an effort to blast an increasingly reified economic culture into a new historical consciousness of itself.

Jennifer Haytock imagines modernism as a series of conversations & locates Edith Wharton's voice in those debates.

This collection of recent essays on Hemingway and For Whom the Bell Tolls demonstrates the centrality of this Spanish Civil war novel in the author's life and canon and reestablishes the book's status as an American masterpiece. It provides a long overdue reassessment of the novel, which was an overwhelming critical and popular success in 1940. Following Rena Sanderson's introduction, the volume begins with a reconsideration of Hemingway's career by novelist Kurt Vonnegut. Ten literary essays by both well-known specialists and new voices follow. Employing a diversity of critical methods, including the biographical, historical, political, textual, ethical, feminist, religious, mythic, generic, and post-structuralist, these essays reveal the literary and historical richness of Hemingway's novel. Informed by recent developments in Hemingway scholarship, the chapters add up to a valuable Hemingway resource. The book is an important contribution to Hemingway studies, American literary scholarship, and American studies. It is essential reading for anyone working on For Whom the Bell Tolls.

This book intervenes in debates over the significance of Diana, Princess of Wales, by offering a critical account of her status as a media icon from 1981 to the present. It outlines the historical development of representations of Diana, analyzing the ways in which she has been understood via discourses of gender, sexuality, race, economic class, the royal, national identity, and the human. The book goes on to assess the issues at stake in debates over the "meaning" of Diana, such as the gender politics of cultural icon-making and deconstruction, and conflicting notions of cultural value.

This collection of comparative critical and theoretical essays examines James Baldwin and Toni Morrison's reciprocal literary relationship. By reading these authors side-by-side, this collection forges new avenues of discovery and interpretation related to their representations of African American and American literature and cultural experience.

In 1959, Walter M. Miller, Jr., culminated a brief publishing career of eight years with his only novel, " A Canticle for Leibowitz." Since that time he has not published another new piece of fiction, although it has been announced that the long anticipated second novel, a parallel work to Canticle, will soon be finished. That one book, however, along with a handful of short stories and novellas, has secured for him a position among the best and most original contemporary science fiction writers. More than thirty years after its publication, "Canticle" continues to be hailed as one of the greatest science fiction novels ever written and an important work of modern literature.

This reference guide presents a complete record of Miller's work and of the resulting criticism. The primary bibliography is divided into books, both English and foreign-language editions; short fiction in periodicals; anthologized works; nonfiction; and adaptations. In the books section, a physical description of English-language first editions is given. Annotations and content notes are provided as appropriate for the other sections, and characters in the short fiction are listed and identified. The secondary material, organized chronologically, contains annotated entries for articles and parts of books, reviews, and dissertations. Also included are a biographical and critical essay on Miller, glossaries of characters and terms and of allusions and other representations in "A Canticle for Leibowitz," and individual indexes for both the primary and secondary materials. Title pages, book covers, and jackets of the major works are reproduced.

With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field's methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music.

It is well known that much of our modern vocabulary of sex emerged within nineteenth-century German sexology. But how were the 'German ideas' translated and transmitted into English culture? This study provides an examination of the formation of sexual theory between the 1860s and 1930s and its migration across national and disciplinary boundaries.

In the past decade, Raymond Chandler has come to be recognized as a major mid-century American novelist. Though an immensely popular writer of mysteries, Chandler is now receiving the serious attention of scholars. He is seen as a writer with a deliberate approach toward the creation of fictions that present a significant criticism of American life. The essays and reviews in this volume trace the response to Chandler's work from 1944 to the present.

This volume traces the changing reception of Chandler's works. It includes essays and reviews from 1944 to the present. These pieces treat various aspects of Chandler's art, such as his writing style, the nature of the hard-boiled detective hero, the relation of Chandler to his contemporaries, Los Angeles as the setting for his fiction, studies of individual novels, and analyses of films of Chandler's works. An introductory chapter provides a context for understanding Chandler as a writer, and the bibliography at the end of the volume demonstrates the growing amount of attention his novels are receiving.

Still Modernism offers a critique of the modernist imperative to embrace motion, speed, and mobility. In the context of the rise of kinetic technologies and the invention of motion pictures, it claims that stillness is nonetheless an essential tactic of modernist innovation. More specifically, the book looks at the ways in which photographic stillness emerges as a counterpoint to motion and to film, asserting its own clear visibility against the blur of kinesis. Photographic stillness becomes a means to resist the ephemerality of motion and to get at and articulate something real or essential by way of its fixed limits. Combining art history, film studies and literary studies, Louise Hornby reveals how photographers, filmmakers, and writers, even at their most kinetic, did not surrender attention to points of stillness. Rather, the still image, understood through photography, establishes itself as a mode of resistance and provides a formal response to various modernist efforts to see better, to attend more closely, and to remove the fetters of subjectivity and experience. Still Modernism brings together a series of canonical texts, films and photographs, the selection of which reinforces the central claim that stillness does not lurk at the margins of modernism, but was constitutive of its very foundations. In a series of comparisons drawing from literary and visual objects, Hornby argues that still photography allows film to access its own diffuse images of motion; photography's duplicative form provides a serial structure for modernist efforts to represent the face; its iterative structure articulates the jerky rhythms of experimental narrative as perambulation; and its processes of development allow for the world to emerge independent of the human observer. Casting new light on the relationship between photography and film, Hornby situates the struggle between the still and the kinetic at the center of modernist culture.

From 'open field' to the internet, and via concrete and experimental poetry, this book draws out connections between the turn towards ideas of space in cultural and social theory and developments in contemporary poetry. Readings of a range of poets from the UK and the USA explore the relationship between their work, the processes and politics of globalization and issues of nationality, identity, language and geography.

Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce's deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms. Michelle Witen examines Joyce's claim of having structured the "Sirens" episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man. Informed by a deep understanding of music theory and history, the book goes on to consider the "pure music" of Joyce's final work, Finnegans Wake. Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.

Taking as its focus the erotic child in decadent aesthetics, this book explores the sexual and political stakes of an aestheticistexperience of rapture. Ohi examines the power of the work of art to transport, to disorient, to move, to extort the equivocal pleasuresof self-loss. He also explores how the beautiful child offers partisans of 'art for art's sake' an emblem for the ecstatic and erotic, even the queer possibilities of art. Aestheticism's erotic child is thus in stark contrast to the innocent child of today's ideology, who secures the claims of identity against the very disorientations celebrated by aestheticism. Articulating aesthetic transport through the desiring and desired child, aestheticism interrogates the ideology underpinning sexual oppression.

British Literature of the Blitz interrogates the patriotic, utopian ideal of the People's War by analyzing conflicted representations of class and gender in literature and film. Its subtitle - Fighting the People's War - describes how British citizens both united to fight Nazi Germany and questioned the nationalist ideology binding them together.

The essays in this volume examine elements of the fantastic in a variety of media. From the fiction of Toni Morrison, Stephen King, and Chinua Achebe, to the rock songs of David Bowie, the fantastic is seen as adaptable to any art form. In an accessible manner, the contributors present fresh approaches to examining the elements of the fantastic in literature, film, music, and popular culture. The collection features an essay by Ursula K. Le Guin.

This Literary Life draws extensively from the playwright's correspondences, notebooks, and archival papers to offer an original angle to the discussion of Williams's life and work, and the times and circumstances that helped produce it.

"An important part of the Irish national imaginary, Yeat's poems and plays have helped to invent the nation of Ireland, while critiquing the modern Irish state that emerged from the nation's revolutionary period. This study offers a chronological account of Yeat's volumes of poetry, contextualizing and analyzing them in light of Irish cultural and political history."--

Far from being a conservative writer endorsing women's domestic role, Agatha Christie's book depicts women as adventurous, independent women who renegotiate sexual relationships along more equal lines. Women are also allowed the dangerous competency to disrupt society and yet the texts refuse to see them as double deviant because of their femininity. This detailed textual analysis of her oeuvre demonstrates exactly how quietly innovatory Christie was in relation to gender, beginning in nineteen twenty and concluding in the early seventies.

"Random Destinations" examines how novels and short stories portray those who managed to escape from Central Europe in the 1930s following the rise of Nazism. They faced many concrete and psychological problems at their random destinations: language acquisition, adjustment to different mores, fitting into the community, coming to terms with having been rejected by their homeland, the conflict between the desire to remember and/or forget their past, and, above all, the need to reshape their identities. Their personal struggles are contextualized within their historical situation, both global and specific to their new locale. The book argues that fiction, by taking ordinary escapees' difficulties into account, paradoxically offers a subtler and more truer picture that sociological studies that have tended to foreground the successes of a few outstanding individuals.