"This is the first sustained study of Samuel Beckett and testimony. It offers new readings of the problem of unspeakability in Beckett in relation to testimonial expression and the problems of knowledge which arise in recent theoretical conceptions of testimony and the archive"--

Since its publication in 1985, Annie John has become one of the most widely taught novels in American high schools. Part of its appeal lies in its unique setting, the island of Antigua. This interdisciplinary collection of 30 primary documents and commentary will enrich the reader's understanding of the historical, social, and cultural contexts of the novel. Among the topics examined are slavery in the Caribbean, the various religions in the Caribbean islands, the controversy over Christopher Columbus, family life in Antigua, and emigrations from the West Indies to the United States. Sources include newspaper and magazine articles, editorials, first-person narratives and memoirs of life in the Caribbean, letters, and position papers. Most of the documents are not readily available in any other printed form. A literary analysis of Annie John examines the novel in light of its historical, social, and cultural contexts and as a coming-of-age novel. Each chapter concludes with study questions and topics for research papers and class discussion based on the documents in the chapter, and lists of further reading for examining the themes and issues raised by the novel. This casebook is valuable to students and teachers to help them understand the setting of the novel, its themes, and its young heroine.

"Manipulating Masculinity" uses literature from World War I, World War II, the Vietnam War, and the Iraq wars to argue that when a society labels broadly human traits "feminine," that society can more easily manipulate men to war. All men are bound to detect some of those traits in themselves--and then fear that they have strayed into a feminine, inferior realm. If a society convinces men that fighting is essentially manly, it entices men to war simply to prove that they are not their sisters (sissy, wimp, wuss). Western cultural attitudes toward sex also fuel wars by encouraging the displacement of sexuality into violence, by fostering titillation in combination with guilt and its accompanying need for self-punishment (which war abundantly supplies), and by defining sexual orientations so as to provoke self-doubt in everyone.

A study of Mann's novel tetralogy of the 1930s that stresses its relationship to three key essays by Mann. McDonald's study offers fresh insights into Mann's Joseph tetralogy in two ways. Beginning with Mann's well documented love for public performance, he rereads the Joseph novels as a script, showing how performance figures prominently in the form as well as the substance of the narrative. Then he interprets several of the essay-lectures composed during the Joseph years (1926-1943), emphasizing their performative qualities and their conscious (and subliminal) interweavings with the novel. Mann's passionate re-enactment of Kleist's play "Amphitryon" in his 1927 lecture provided a model of identity that he developed fully in Joseph. The model also helped him contain the more pessimistic account of identity he encountered in Freud. The Freud lectures of 1929 and 1936 develop psychoanalysis as an Enlightenment project useful in combating the irrationalism of the Nazis, and carefully control its darker aspects.

Imagine reading a classic novel like James Joyce's "Ulysses" as though for the first time. Such an exercise, especially when informed by contemporary narrative theory, makes possible a different reading experience of the work, one with a renewed focus on plot and a surprising amount of suspense. Veteran Joyce scholar Margot Norris offers an innovative study of the processes of reading "Ulysses" as narrative and focuses on the unexplored implications, subplots, subtexts, hidden narratives, and narratology in one of the twentieth century's most influential novels. It is a striking and essential contribution to literary criticism that will change the readings and understandings of Joyce's most important work.

After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. Suchoff shows how "The Judgment" evokes Yiddish as a language of comic curse and examines how Yiddish, African American, and culturally Zionist voices appear in the unfinished novel, Amerika. In his reading of The Trial, Suchoff highlights the black humor Kafka learned from the Yiddish theater, and he interprets The Castle in light of Kafka's involvement with the renewal of the Hebrew language. Finally, he uncovers the Yiddish and Hebrew meanings behind Kafka's "Josephine the Singer, or the Mouse-Folk" and considers the recent legal case in Tel Aviv over the possession of Kafka's missing manuscripts as a parable of the transnational meanings of his writing.

Examining a wide range of genres, including novels, memoirs, travel writing and journalism, this book explores representations of Muslims and Islam in modern English literature. The relationship between Islam and the West is one of the most urgent and hotly debated issues of our time. This book is the first to offer a comprehensive overview of the way in which Muslims are represented within modern English writing, ranging from the novel, through memoir and travel writing to journalism. Covering a wide range of texts and authors, it scrutinises the identity 'Muslim' by looking at its inscription in recent and contemporary literary writing within the context of significant events like the Rushdie Affair, the Gulf War and 9/11. Examining the wide range of writing internationally that takes Islam or Islamic cultures as its focus, the authors discuss the representation of Muslim identity in writing by non-Muslim writers, former Muslim 'native informants', and practising Muslims.

This volume undertakes a fundamental reassessment of utopianism during the modernist period. It charts the rich spectrum of literary utopian projects between 1885 and 1945, and reconstructs their cultural work by locating them in the material 'spaces' in which they originated. The book brings together work by leading academics and younger scholars.

This book reveals a "female sexual economy" in the marketplace of contemporary short fiction which locates a struggle for sexual power between mothers and daughters within a larger struggle to pursue that to pursue that object of the American dream: "whiteness."

Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yade Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Gunter Grass, Elfriede Jelinek and Herta Muller demonstrate the energy and quality of contemporary writing in German.

Pointing to an early instance in Hebrew literary history, And Rachel Stole the Idols takes its title from a biblical episode in which a daughter seizes control of a paternal spiritual legacy and makes it her own. This episode is the thematic key to Wendy Zierler's in-depth research of the ways modern Hebrew women writers - after centuries of silence - took control of the language of Hebrew literary culture, laying claim to icons of femininity and recasting them for their own purposes. Zierler picks up where other Hebrew scholars have left off, offering original analysis that brings feminist theory to bear on the study of modern Hebrew women writers. In recognition that there is no single feminist approach, nor a universally accepted definition of gender, this book incorporates a broad range of feminist reading strategies including Anglo-American gynocriticism, French feminist theory, and feminist critical methods in anthropology, biblical studies, and geography. The chapters within examine the translated work of women who made early and significant contributions to nineteenth- and early-twentieth-century Hebrew literature. These range from prose writers Sarah Feige Meinkin Foner, H

Listening to poets read their work focuses critical attention on the craft of the poem, while raising questions about the relationship between social history, technology, and the poet's "voice." "Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell" offers an analysis of a wide range of recordings, from commercial and amateur, to official studio sessions, to ephemeral events captured on reel-to-reel tape. Through the mid-century performances of poets such as Elizabeth Bishop, Dylan Thomas and Anne Sexton, Derek Furr draws penetrating new conclusions about how and why poetry was recorded in the U.S. from the 1930s to the 1970s.

This study argues that the private homes in transnational women's fiction reflect public legacies of colonialism. Published in Australia, Canada, India, Nigeria, Puerto Rico and the United States between 1995 and 2005, the novels use fictional houses to criticize and unsettle home and homeland, depicting their linked oppressions and exclusions.

While scholars have begun to study popular women's novels of the 19th century, there has been relatively little attention paid to popular women's fiction of the early 20th century. This is the first study to focus on popular fiction written by, for, and about women in the period between the two world wars. The author examines such well-known best sellers as Margaret Mitchell's "Gone With the Wind," Daphne du Maurier's "Rebecca" and Pearl S. Buck's "The Good Earth," as well as dozens of other popular novels that have been all but forgotten today, and seeks to uncover the values and attitudes widely held by middle-class women of the era by examining the basic beliefs affirmed in the books they read.

Centering on the British kitchen sink realism movement of the late 1950s and early 1960s, specifically its documentation of the built environment's influence on class consciousness, this book highlights the settings of a variety of novels, plays, and films, turning to archival research to offer new ways of thinking about how spatial representation in cultural production sustains or intervenes in the process of social stratification. As a movement that used gritty, documentary-style depictions of space to highlight the complexities of working-class life, the period's texts chronicled shifts in the social and topographic landscape while advancing new articulations of citizenship in response to the failures of post-war reconstruction. By exploring the impact of space on class, this book addresses the contention that critical discourse has overlooked the way the built environment informs class identity.

In this book, Dr. Ekman examines Strindberg's four plays of 1907: Thunder in the Air, The Burned Site, The Ghost Sonata, and The Pelican, the works which have gained most resonance internationally. For the first time, these works are studied in relation to Strindberg's lifelong obsession with the five senses and their function in stage plays, both symbolic and dramatic. The fact that impressions from a stage can only be seen and heard led Strindberg to disregard the senses in favour of the insights of wisdom and inner vision; and it is from this position that the Chamber Plays were written. Examined from this perspective, much that seems obscure in these plays and their new style of drama is revealed in an original and clarifying light.

In the run-up to, during and after the invasion of Iraq a large number of literary texts addressing that context were produced, circulated and viewed as taking a position for or against the invasion, or contributing political insights. This book provides an in-depth survey of such texts to examine what they reveal about the condition of literature.

Muriel Spark's works often consider the seductive and destructive power of social structures, such as religion and education. These structures lure Spark's characters with their promise of power. But after entering the structure's domain to exploit the mastery it offers, the characters are imprisoned by rules and codes. Through a postmodern reading of Spark's works, such as "The Comforters" (1957), DEGREESThe Public Image" (1968), "The Driver's Seat" (1970), "Reality and Dreams" (1996), and "Aiding and Abetting" (2000), this book analyzes the role of certain social structures in her fiction.

The volume argues that these attractions and destructions are very much like postmodern critical games with structures that are open to any experimentation, but at the same time seem fixed and unchanging. Within this postmodern context, one is free to play games with signs and systems of rules. Spark's characters enter these games in a playful mood and test their limits. The texts, images, and spectacles haunt their victims, who are unable to escape the process of attraction and destruction. The characters are eventually led to their death-literal or metaphoric-which will inevitably introduce them to a new beginning.

This account of Orwell's life is chiefly concerned with what influenced Orwell, his relations with publishers and editors, and the analysis of certain key experiences. These include the deposition that during the Spanish Civil War he was guilty of espionage and high treason; his work at the BBC; his interest in pamphlet literature; and his time as a war correspondent. The work offers an assessment of his earnings from 1922 to 1945, and a look at his attitudes of class, women and religious belief. Special attention is paid to his essays.

Breadfruit or Chestnut? examines gender construction comparatively across the fiction of contemporary writers of Guadeloupe and Martinique. In particular, it explores the construction of gender identity by six authors-three male and three female-who have never been brought together in a study of this issue. Rather than following the trend of studying theory and cultural identity in the central male writers and of studying "women's writing" in the works of the female writers, Thomas expertly blurs these traditional boundaries in order to present an unexplored aspect of identity. In addition to illuminating women's conception of gender, this work examines the male equivalent and how each gender observes and perceives the other. Breadfruit or Chestnut? not only contextualizes the primary literature, but also draws on contemporary theoretical debates surrounding feminism, subjectivity, and postcolonialism. The combination of literary and historical tools of analysis allows for a deeper probing into gender relations in the French Caribbean.

In this critical collection, well-known Atwood scholars offer original readings and critical re-evaluations of three Atwood masterpiecesGCo The Robber Bride, The Blind Assassin, and Oryx and Crake. Providing new critical assessments of Atwood's novels in language that is both lively and accessible, Margaret Atwood reveals not only Atwood's ongoing and evolving engagement with the issues that have long preoccupied herGCoranging from the power politics of human relationships to a concern with human rights and the global environmentGCobut also her increasing formal complexity as a novelist. If Atwood is a novelist who is part trickster, illusionist and con-artist, as she has often described herself, she is also, as the essays in this critical collection show, an author-ethicist with a finely honed sense of moral responsibility.

VictorianStudies on theWebCritics Choice!Rudyard Kipling: Hell and Heroism is an exploration of two fundamental yet greatly neglected aspects of the author's life and writings: his deep-seated pessimism and his complex creed of heroism. The method of the book is both biographical and critical. Biographically, it traces the roots of Kipling's dark worldview and his search for something to believe in, a way of thinking and acting in defiance of life's hellishness. There matters were more basic to him than any of his social or political opinions, but this the first full-length study devoted to them. Critically, the book takes a fresh and close look at some of Kipling's most important works. The result challenges long established assumptions and amounts to a major reconsideration of novels like Kim and stories like "Mary Postgate" and "The Gardener." Central in these discussions of individual writings is Kipling's concern with the heroic life, but of equal importance is the analysis and evaluation of them as works of art. Avoiding the tangled and special language of some recent literary theory, this will appeal to a wide audience of those interested in Kipling's mind and art.

"Philip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers"--Provided by publisher.

This is one of the first books to comprehensively explore representations of madness in postwar British and American Fiction. The five authors come from diverse backgrounds - literary studies, social psychology, medical psychiatry and psychiatric nursing - and as such the book's perspectives are informed through several discourses, making it a unique co-authored text in the discipline of Health Humanities. The book looks at representations of madness in a range of texts by postwar writers (such as Ken Kesey, Marge Piercy, Patrick McGrath, Leslie Marmon Silko, William Golding, Patrick Gale, William Burroughs and J.G. Ballard, to name a few), and explores the ways in which these representations help to shape public perceptions and experiences of mental disorder.
This book is relevant to both those with interests in literary studies and a vital read for psychiatric clinicians and professionals who are interested in how literature can inform and enhance clinical practices.

Today's Latino poetry scene is bursting at the seams. While Latino poetry has played an important role in establishing Latino letters, surprisingly only a few scholars have spent time analyzing its form. The first of its kind, Formal Matters in Contemporary Latino Poetry pulls back the curtain on how the poets Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use formal structures such as meter, rhyme, and line break to affect our perceptions, thoughts, and feelings about the world we inhabit. With original interviews, this imaginative book explores how these poets add something to reality with their creations.