A revised and updated version of this pioneering study covers the
extraordinary revival of Irish drama in the second half of the
twentieth century. By comparing the theatre of Samuel Beckett to
more culturally specific Irish plays, the book establishes a
greater international and theatrically experimental context for the
field than has been recognised. Its three central chapters offer
close and contextualised readings of the careers of Brian Friel,
Tom Murphy and Thomas Kilroy across a span of more than four
decades. The drama of Northern Ireland and its theatrical response
to political violence receives sustained attention through a wide
range of playwrights, including Frank McGuinness, Gary Mitchell,
Christina Reid and Anne Devlin. A new chapter considers the work of
such younger playwrights as Martin McDonagh and Marina Carr who
emerged in the 1990s to probe the shortcomings of the 'Celtic
Tiger' phenomenon. The book draws on significant productions of the
period and will prove invaluable for students and theatregoers
alike.
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