Our Way of life and our very existence are under threat. Get educated and resist.

In Aldous Huxley's Brave New World, published in 1932, we are provided with a view into a possible future that shows humanity under total control. It's a world in which babies are created in the laboratory to fit specific job functions and a small number of savages live in the restricted wild lands. "Journey to a Brave New World" uses examples of news reports and the real history- not always the version taught in the classroom -to show how we are being managed and manipulated to allow for a total tyrannical takeover and massive depopulation that could lead us to Huxley's vision.

For over six years, author David Watts has undertaken deep research into the real history of the world and the ways in which it is being manipulated toward a future that only benefits an elite few. He provides many news reports, official documents and quotes from the so called 'elites' to piece the puzzle together. He presents a cohesive exploration of what to expect in the future if we don't become involved in determining our own fate.

"Journey to a Brave New World" seeks to help everyone to put the pieces together, deprogram, and understand both how we are being manipulated and how we can change direction now.

When a devastated Belgium emerged from World War I, some of its leaders had high hopes that the upcoming negotiations would enable achievement of a long-cherished goal; annexing parts of the Netherlands lost in the final 1839 settlement which had established the country. Belgium's strong historical and military arguments were bolstered by its courageous Great War image. Yet the Dutch proved ready and able to launch an energetic counterattack which ultimately stymied the Belgian campaign. This book explains why and how this happened, and demonstrates that small states are active participants in their own destinies, not just spectators or victims.

Controlling Sex in Captivity is the first book to examine the nature, extent and impact of the sexual activities of Axis prisoners of war in the United States during the Second World War. Historians have so far interpreted the interactions between captors and captives in America as the beginning of the post-war friendship between the United States, Germany and Italy. Matthias Reiss argues that this paradigm is too simplistic. Widespread fraternisation also led to sexual relationships which created significant negative publicity, and some Axis POWs got caught up in the U.S. Army's new campaign against homosexuals. By focusing on the fight against fraternisation and same-sex activities, this study treads new ground. It stresses that contact between captors and captives was often loaded with conflict and influenced by perceptions of gender and race. It highlights the transnational impact of fraternisation and argues that the prisoners' sojourn in the United States also influenced American society by fuelling a growing concern about social disintegration and sexual deviancy, which eventually triggered a conservative backlash after the war.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.

The 'Cockney Jocks' at war in Flanders and France
The wide distribution of Scots throughout Britain and the Empire led to the formation new 'Scottish' regiments and the London Scottish, formed in 1859 as a volunteer rifle corps and originally commanded by Lord Elcho, was a primary example. Elcho, anxious to embrace all the fighting men of Scotland into one brotherhood irrespective of their clan origins, uniquely clad the regiment in kilts of 'Hodden Grey, ' a traditional hard wearing Scottish homespun cloth devoid of the tartan check and, as he perceived, being a drab colour suited for life on military campaign in the most practical way. Pinkerton, the author of this book was a soldier among the ranks of the regiment who answered the nation's call to arms during the First World War. The regiment was mobilised at the outbreak of hostilities and the 1st battalion had the distinction of being the first Territorials to go into action during operations at Messines in October 1914. Pinkerton takes his readers to war with the London Scottish on the western front where it took part in all the major offensives of the conflict. Predictably this vital account is filled with immediate first hand account action and anecdotes and is essential reading for anyone interested in the war in the trenches the kilted infantry knew.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Explores the ways television documents, satirizes, and critiques the political era of the Trump presidency. In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors-an international group of scholars from a variety of academic disciplines-illuminate the indelible links that exist between television, American politics, and the nation's broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television's complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.

In the summer of 1980, the eyes of the world turned to the Gdansk shipyard in Poland which suddenly became the nexus of a strike wave that paralyzed the entire country. The Gdansk strike was orchestrated by the members of an underground free trade union that came to be known as Solidarnosc [Solidarity]. Despite fears of a violent response from the communist authorities, the strikes spread to more than 800 sites around the country and involved over a million workers, mobilizing its working population. Faced with crippling strikes and with the eyes of the world on them, the communist regime signed landmark accords formally recognizing Solidarity as the first free trade union in a communist country. The union registered nearly ten million members, making it the world's largest union to date. In a widespread and inspiring demonstration of nonviolent protest, Solidarity managed to bring about real and powerful changes that contributed to the end of the Cold War. Solidarity:The Great Workers Strike of 1980 tells the story of this pivotal period in Poland's history from the perspective of those who lived it. Through unique personal interviews with the individuals who helped breathe life into the Solidarity movement, Michael Szporer brings home the momentous impact these events had on the people involved and subsequent history that changed the face of Europe. This movement, which began as a strike, had major consequences that no one could have foreseen at the start. In this book, the individuals who shaped history speak with their own voices about the strike that changed the course of history.

Alla Osipenko is the gripping story of one of history's greatest ballerinas, a courageous rebel who paid the price for speaking truth to the Soviet state. The daughter of a distinguished Russian aristocratic and artistic family, Osipenko was born in 1932, but raised almost in a cocoon of pre-Revolutionary decorum and protocol. In Leningrad she studied directly under Agrippina Vaganova, the most revered and influential of all Russian ballet instructors. In 1950, she joined the Mariinsky (then-Kirov) Ballet, where her lines, shapes, movement both exemplified the venerable traditions of Russian ballet and projected those traditions into uncharted and experimental realms. She was the first of her generation of Kirov stars to enchant the West when she danced in Paris in 1956. Five years later, she was a key figure in the sensational success of the Kirov in its European debut. But Osipenko's sharp tongue and candid independence, as well as her almost-reckless flouting of Soviet rules for personal and political conduct, soon found her all but quarantined in Russia. An internationally acclaimed ballerina at the height of her career, she found that she would now have to prevail in the face of every attempt by the Soviet state and the Kirov administration to humble her. Throughout the book, Osipenko talks frankly and freely in a way that few Russians of her generation have allowed themselves to. She discusses her traumatic relationship to the Soviet state, her close but often-fraught relationship with her family, her four husbands, her lovers, her colleagues, her son's arrest for selling dollars in Leningrad and subsequent death. This biography features a cast of characters drawn from all sectors of Soviet and post-Perestroika society.

This ground-breaking comparative perspective on the subject of World War II war crimes and war justice focuses on American and German atrocities. Almost every war involves loss of life of both military personnel and civilians, but World War II involved an unprecedented example of state-directed and ideologically motivated genocide-the Holocaust. Beyond this horrific, premeditated war crime perpetrated on a massive scale, there were also isolated and spontaneous war crimes committed by both German and U.S. forces. The book is focused upon on two World War II atrocities-one committed by Germans and the other by Americans. The author carefully examines how the U.S. Army treated each crime, and gives accounts of the atrocities from both German and American perspectives. The two events are contextualized within multiple frameworks: the international law of war, the phenomenon of war criminality in World War II, and the German and American collective memories of World War II. Americans, Germans and War Crimes Justice: Law, Memory, and "The Good War" provides a fresh and comprehensive perspective on the complex and sensitive subject of World War II war crimes and justice. . Provides historic photographs related to war crimes and trials . An extensive bibliography of primary sources and secondary literature in English and German related to World War II war crimes and trials

The name...oft heard and heralded during and after World War II PAPPY GUNN ordinarily speaks for itself..............however in this book, the unforgettable, untold to this day, human story of the legendary "Pappy Gunn," hero of the Pacific Air War and to his family who knew and loved him ....this story is told with the understanding of one who had the foreknowledge and burning determination to sort out the facts and myths about him, Nathaniel Gunn, the author, fellow lover of flying, and his youngest son, who was with him until his untimely crash in Civilian life doing what he loved to do - flying, flying, flying You'll find the story intriguing in its discoveries, packed with Pappy's own personal original files, long forgotten letters, documents and photographs spanning Pappy's youth into the U.S. Navy, marriage, retirement in Hawaii and move to the Philippine Islands. Then, the untimely entrance of the United States in the WWII bombing and capture of Manila. Most of all, this story draws a perceptive focus on ..the man..as the person and courageous patriot he truly was, joining the U. S.Air Force he was at this time.. Fighting 3 wars at once .His family imprisoned by the Japanese.. .The brass who needed him to accomplish the impossible .And, the enemy who had the upperhand, but not for long Thank God - his was a triumphant battle in all three

In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma. Drawing on more than 250 interviews with survivors across the United States as well as in France and Cambodia, Khatharya Um places these accounts in conversation with studies of comparative revolutions, totalitarianism, transnationalism, and memory works to illuminate the pathology of power as well as the impact of auto-genocide on individual and collective healing. Exploring the interstices of home and exile, forgetting and remembering, From the Land of Shadows follows the ways in which Cambodian individuals and communities seek to rebuild connections frayed by time, distance, and politics in the face of this injurious history.

The 1970s marked the end of the years in which the United States was the guarantor of a free world trade order, while Western Europe made efforts to catch up with the economic superpower. In this book, Dr La Barca explains how the trade environment and trade policies in the United States and in the European Community during the 1970s were more complex than frequently acknowledged. In particular, he examines the promotion of greater governmental protection of national industries and the relationship between such tendencies and the negotiations aimed at reducing trade barriers. This analysis shows how the United States and the European Community agreed to pursue their protectionist practices, thereby creating a barrier to serious efforts to enable free trade.

The extraordinary story of Captain Llewellyn Wynne Jones' 1918 service in East Africa told through his personal military campaign diary and photograph albums. Llewellyn's granddaughter, born some 36 years after his death, researches his military life and family history to uncover the fascinating, courageous and ultimately tragic story of his life. The book is beautifully illustrated with original photographs from Llewellyn's campaign albums and from a rich family photographic archive. It includes family artefacts, letters, newspaper reports and interviews which combine to bring this exceptional young man's few years to life once more 100 years on.

World War II has left an indelible mark on the fabric of human history. The exploits of men like Hitler and Mussolini, Roosevelt and Churchill are chronicled in countless books and movies. Their names and their actions will never be forgotten-and for good reason. To gain a deeper understanding of the war's impact, however, we must look beyond the names that grace the pages of textbooks and recognize the sacrifices of the anonymous soldiers who risked life and limb to serve the country they loved.

With each passing year, their stories-which persist only through the oral history passed from generation to generation-fade into the ether of time. As a boy, author William S. Murray listened to his grandfather's stories about training as a pilot during World War II with rapt attention. In an effort to preserve these memories, Murray sat down with his grandfather, Thomas Stewart, to record these stories for posterity. Stewart shares memories both happy and bittersweet, from his beginnings in Byhalia, Mississippi, through his experiences as a pilot during the war years.

"Journey to War" is not the story of familiar heroes like Eisenhower, Patton, and MacArthur. This is the story of one ordinary man doing his part to serve his country during extraordinary times. This is the story of Second Lieutenant Thomas Stewart and the men with whom he served.

This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.

"Contemporary Japan: History, Politics and Social Change since the 1980s" presents a comprehensive examination of the causes of the Japanese economic bubble in the late 1980s and the socio-political consequences of the recent financial collapse. Represents the only book to examine in depth the turmoil of Japan since Emperor Hirohito died in 1989, the Cold War ended, and the economy collapsed Provides an assessment of Japan's dramatic political revolution of 2009 Analyzes how risk has increased in Japan, undermining the sense of security and causing greater disparities in society Assesses Japan's record on the environment, the consequences of neo-liberal reforms, immigration policies, the aging society, the US alliance, the Imperial family, and the 'yakuza' criminal gangs Selected as a 2011 Outstanding Academic Title by CHOICE