Adnan Menderes' election to power in 1950 signalled a new epoch in the history of modern Turkey. For the first time a democratic government ruled the country, taking over Kemal Ataturk's political heirs, the People's Republican Party (CHP), and challenging the Kemalist elite's monopoly on the control of state institutions and society itself. However, this period was short-lived. In 1960, Turkey's army staged a coup d'etat and Menderes was hanged the following year. Here, Mogens Pelt beings by examining the era of the rule of the Democratic Party, and what led to its downfall. Among the chief accusations raised against Menderes by the army was that he had undermined the principles of the founder of modern Turkey, Ataturk, and that he had exploited religion for political purposes. Military Intervention and a Crisis Democracy in Turkey furthermore, and crucially, examines the legacy of the military intervention that brought this era of democratic rule to an end. Although the armed forces officially returned power to the civilians in 1961, this intervention - indeed, this crisis of democracy - allowed the military to become a major player in Turkey's political process, weakening the role of elected politicians. The officer corps claimed that the army was the legal guardian of Kemalism, and that it had the right and duty to intervene again, if the circumstances proscribed it and when it deemed that the values of Ataturk were threatened. Indeed, these were precisely that ground on which the armed forces justified its coup d'etats of 1971 and 1980. This unique exploration of the Menderes period sheds new light on the shaping of post-war Turkey and will be vital for those researching the Turkish Republic, and the influence of the military in its destiny.

Cook explores the development of clinical tropical medicine from the 19th century onwards by following the pioneering doctors in this discipline, their personalities, achievements and scientific breakthroughs.

The Spanish Civil War left a legacy of destruction, resentment and deep ideological divisions in a country that was attempting to recover from economic stagnation and social inequality. After Franco's victory, the repression and purge that ensued immersed Spain in a spiral of fear and silence which continued long after the dictator's death, through 'the pact of oblivion' that was observed during the transition to democracy. Memories of the Spanish Civil War: Conflict and Community in Rural Spain attempts to break this silence by recovering the local memories of survivors of the Civil War and the early years of Franco's dictatorship. Combining oral testimony gathered in one Andalusian village, with archival research, this ethnographic study approaches the expression of memory as an important site of socio-political struggle.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars from a variety of disciplines explore here the wide canvas upon which American Jewish women made their mark after the Second World War.

On May 17th, 1968, a group of Catholic antiwar activists burst into a draft board in suburban Baltimore, stole hundreds of Selective Service records (which they called "death certificates"), and burned the documents in a fire fueled by homemade napalm. The bold actions of the ''Catonsville Nine'' quickly became international news and captured headlines throughout the summer and fall of 1968 when the activists, defended by radical attorney William Kunstler, were tried in federal court. In The Catonsville Nine, Shawn Francis Peters, a Catonsville native, offers the first comprehensive account of this key event in the history of 1960's protest. While thousands of supporters thronged the streets outside the courthouse, the Catonsville Nine-whose ranks included activist priests Philip and Daniel Berrigan-delivered passionate indictments of the war in Vietnam and the brutality of American foreign policy. The proceedings reached a stirring climax, as the nine activists led the entire courtroom (the judge and federal prosecutors included) in the Lord's Prayer. Peters gives readers vivid, blow-by-blow accounts of the draft raid, the trial, and the ensuing manhunt for the Berrigans, George Mische, and Mary Moylan, who went underground rather than report to prison. He also examines the impact of Daniel Berrigan's play, The Trial of the Catonsville Nine, and the larger influence of this remarkable act of civil disobedience. More than 40 years after they stormed the draft board, the Catonsville Nine are still invoked by both secular and religious opponents of militarism. Based on a wealth of sources, including archival documents, the activists' previously unreleased FBI files, and a variety of eyewitness accounts, The Catonsville Nine tells a story as relevant and instructive today as it was in 1968.

Northeast Africa has one of the richest histories in the world, and yet also one of the most violent. Richard Reid offers an historical analysis of violent conflict in northeast Africa through the nineteenth and twentieth centuries, incorporating the Ethiopian and Eritrean highlands and their escarpment and lowland peripheries, stretching between the modern Eritrean Red Sea coast and the southern and eastern borderlands of present day Ethiopia. Sudanese and Somali frontiers are also examined insofar as they can be related to ethnic, political, and religious conflict, and the violent state- and empire-building processes which have defined the region since c.1800.
Reid argues that this modern warfare is not solely the product of modern political 'failure', but rather has its roots in a network of frontier zones which are both violent and creative. Such borderlands have given rise to markedly militarised political cultures which are rooted in the violence of the nineteenth century, and which in recent decades are manifest in authoritarian systems of government. Reid thus traces the history of Amhara and Tigrayan imperialisms to the nationalist and ethnic revolutions which represented the march of volatile borderlands on the hegemonic centre. He suggests a new interpretation of Ethiopian and Eritrean history, arguing that the key to understanding the region's turbulent present lies in an appreciation of the role of the armed, and politically fertile, frontier in its deeper past.

First published in 2002. From the foreword: "This insightful work by David N. Spires holds many lessons in tactical air-ground operations. Despite peacetime rivalries in the drafting of service doctrine, in World War II the immense pressures of wartime drove army and air commanders to cooperate in the effective prosecution of battlefield operations. In northwest Europe during the war, the combination of the U.S. Third Army commanded by Lt. Gen. George S. Patton and the XIX Tactical Air Command led by Brig. Gen. Otto P. Weyland proved to be the most effective allied air-ground team of World War II. The great success of Patton's drive across France, ultimately crossing the Rhine, and then racing across southern Germany, owed a great deal to Weyland's airmen of the XIX Tactical Air Command. This deft cooperation paved the way for allied victory in Westren Europe and today remains a classic example of air-ground effectiveness. It forever highlighted the importance of air-ground commanders working closely together on the battlefield. The Air Force is indebted to David N. Spires for chronicling this landmark story of air-ground cooperation."

Exiled Emissary is a biography of the colorful life of George H. Earle, III - a Main Line Philadelphia millionaire, war hero awarded the Navy Cross, Pennsylvania Governor, Ambassador to Austria and Bulgaria, friend and supporter of Franklin Roosevelt, humanitarian, playboy, and spy. Rich in Casablanca-style espionage and intrigue, Farrell's deeply personal study presents FDR and his White House in a new light, especially when they learned in 1943 that high-ranking German officials approached Earle in Istanbul to convey their plot to kidnap Hitler and seek an armistice. When FDR rejected their offer, thereby prolonging World War II, his close relationship with Earle became most inconvenient, resulting in Earle's exile to American Samoa. Earle eventually returned to the United States, renewing his warnings about communism to President Truman, who underestimated the threat as a "bugaboo." Now, over four decades following Earle's death, Farrell has uncovered newly declassified records that give voice to his warnings about a threat we now know should have never been dismissed.

Classes, Culture, and Politics investigates those fields in British history that have been illustrated by the works of Ross McKibbin, one of the foremost historians of twentieth century Britain. Written by a distinguished team of scholars, it examines McKibbin's life and thought, and explores the implications of his arguments. One of his most important achievements has been to break down the artificial barriers that existed between 'social' and 'political' history, in order to enrich the writing of both; that legacy is reflected throughout this volume.
From international football to Liberal internationalism, from the hedonism of the early Labour party to the relationship between London cabbies and Thatcherism, this volume is an ambitious attempt to explore contemporary Britain, endeavouring to be as original, unsycophantic, rebarbative, and diverting as the historian whose work has inspired it.

It is 1890 when three young women head toward a meadow hidden in the woods outside the village of Shipkovtsi, Bulgaria. As Trina, Vella, and Dobrinka meet in front of an old monastery, a family treasure held secret for generations is revealed. In the end, there are three piles of gold-one in front of each sister-but one pile is bigger than the others. An inheritance has been unfairly divided, leaving two sisters feeling cheated.

In "ASHES of WARS," Radka Yakimov narrates the story of the descendents of two of those Bulgarian sisters. Reconstructed historically on the basis of recorded facts, stories handed down from generation to generation, and her own personal recollections, Yakimov chronicles the main events that impacted the lives of four generations of Bulgarians throughout the twentieth century. As she relays a saga about the twenty-three men, women, and children who escaped in search of a safer place, Yakimov takes her readers beyond the confines of Bulgaria into Yugoslavia, to a refugee camp in Trieste, and finally to new lives in Canada and America.

"ASHES of WARS" profiles the courage, grit, and determination of the people of a beautiful Balkan country torn by wars and oppression, but sustained by hopes for a brighter future.

This book brings together in a comparative analysis the results of studies of the various cultural, social, economic and historical aspects that are formative in African societies' experiences of how people negotiated the spaces and times of being in transit on the road to prosperity. The book analyses the various outcomes of the process of mobility and the experience of spaces and times of transit across gender, generational, and class-differences. These experiences are explored and give insight into the socio-cultural and economics transformations that have taken place in African societies in the past century. Contributors are: Akinyinka Akinyoade, Walter van Beek, Marleen Dekker, Ton Dietz, Rijk van Dijk, Isaie Dougnon, Jan-Bart Gewald, Meike de Goede, Benjamin Kofi Nyarko, Samuel Ntewusu Aniegye, Taiwo Olabisi Oluwatoyin, Shehu Tijjani Yusuf, Augustine Tanle and Amisah Zenabu Bakuri.

This epic story opens at the hour the Greatest Generation went to war on December 7, 1941, and follows four U.S. Navy ships and their crews in the Pacific until their day of reckoning three years later with a far different enemy: a deadly typhoon. In December 1944, while supporting General MacArthur's invasion of the Philippines, Admiral William "Bull" Halsey neglected the Law of Storms, placing the mighty U.S. Third Fleet in harm's way. Drawing on extensive interviews with nearly every living survivor and rescuer, as well as many families of lost sailors, transcripts and other records from naval courts of inquiry, ships' logs, personal letters, and diaries, Bruce Henderson finds some of the story's truest heroes exhibiting selflessness, courage, and even defiance.

J. A. Hobson's critical treatise on the practice of imperialism - whereby countries acquire territories for economic gain - is a classic in its field. This edition includes all of the author's original charts and illustrations. Published at the opening of the 20th century, while colonial imperialism still held decisive sway as a political and social practice, Hobson's treatise caused shockwaves in economics for its condemnation of a procedure long considered irreproachable. While Hobson acknowledges that imperialism is often supported by a sense of nationalistic pride and achievement - as with the British Empire's colonial imperialism - he identifies capitalist oligarchy as the true motivation behind imperialistic ventures. Owners of productive capital, such as factories, generate a large surplus which they desire to reinvest in further factories; this prompts imperialist expansion into foreign lands.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume VII focuses on Russia during the war years, from her early victories and defeats through the Revolution of 1919. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The last great war of the horse
The role of the 'war horse' particularly during its twilight years during the First World War has recently become the focus of much interest. All armies have used horses in wartime as cavalry and mounted infantry, as officers chargers, for artillery or for transport and supply. Some large nations, because the horse formed a central role in its domestic life, became more associated with horses and horsemanship in the period when mechanised transport was making its first halting appearance onto the field of conflict. Russia was famous for its Cossacks and among the countries of the British Empire and Commonwealth the accomplished riders of Australia, New Zealand and, especially noteworthy, Canada-the home of the author of this book. Naturally, the author is concerned with the activities of the Canadian Cavalry Brigade, but his book examines in detail the role of horses in every aspect of the Great War. He was not oblivious to the suffering of horses in war though, he clearly demonstrates a great affection for them in their military role. The book concludes with pictures and vignettes of individual horses of renown in the Canadian Army and a short piece on the service of dogs.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

In this book, author Enrique Dick takes us into a whirlwind of family history as Samuel and Annie Andrew arrive from England, to the vast Pampas of Argentina. There the Andrew family prospers and grows. Silvano "Alfredo", Isabel, Wilfred, Ethel, Hilda, William and Edgar are born and raised and eventually all of them will have their share of love, adventure and tragedy. Told by Enrique Dick, this book is based entirely on his family's real life events; from the trials and tribulations that living in Argentina brings, to the journeys that the Andrew children have around the world. This book centres mainly around the tragedy of losing his relative Edgar Andrew on the Titanic. Armed with the extraordinary occurrence of retrieving Edgar's small suitcase and its contents from the Titanic, Enrique Dick embarked on a journey of discovery into his maternal family history. The result is a book that not only uncovers family secrets and historical facts, but also opens a window into lives that impacted history as it was being created.

The Zoot Suit Riots in 1943 and the infamous Sleepy Lagoon murder trial of the preceding year represent a turning point in the cultural identity and historical experience of Mexican Americans in the United States. This engaging study of these regrettable events provides context for understanding the continuing battles in the 21st century over immigration policy and race relations. Although the "zoot suit" had earlier been a black youth fashion trend identified with jazz culture, by the 1940s, the zoot suit was adopted by Mexican American teenagers in wartime Los Angeles, who wore it as their unofficial "uniform" as an act of rebellion and to establish their cultural identity. For a week in June of 1943, the Zoot Suit Riots, instigated by Anglo-American servicemen and condoned by the Los Angeles police, terrorized the Mexican American community. The events were an ugly testament to the climate of racial tension and resentment in Los Angeles-and after similar riots began across the nation, it became apparent how endemic the problem was. This book traces these important historic events and their subsequent cultural and political influences on the Mexican American experience, especially the activist and reform efforts designed to prevent similar future injustices. General readers will gain an understanding of the challenges facing the Mexican American community in wartime Los Angeles, grasp the racial and cultural resistance of the larger Anglo-American society of the time, and see how the blatant injustices of the Sleepy Lagoon trial and the Zoot Suit Riots served to galvanize Latinos and others to fight back. Those conducting in-depth research will appreciate having access to original materials sourced from Federal and state archives as well as newspapers and other repositories of information provided in the book. Connects the racially and socioeconomically motivated events of the World War II-era 1940s to the Chicano movement of the 1970s and the current battles over immigration legislation, allowing readers to see the recurring theme in American history Exposes the distortions of a yellow journalistic press in its coverage and treatment of the Sleepy Lagoon trial and Zoot Suit Riots, providing documentation of how white America's perception of Mexican Americans has been fashioned over many years by the mainstream media Documents how the zoot-suit and Pachuco cultures of Mexican American youths of the 1940s-an expression of their identity and an attempt to establish their place in the larger American culture-were a key reason behind the violent culture clashes Includes previously unpublished primary documents from the National Archives and Records Administration and the Franklin Roosevelt Library

A pathbreaking study of the Parisian press's attempts to claim Richard Wagner's place in French history and imagination during the unstable and conflict-ridden years of the Third Reich. Richard Wagner was a polarizing figure in France from the time that he first entered French musical life in the mid nineteenth century. Critics employed him to symbolize everything from democratic revolution to authoritarian antisemitism. During periods of Franco-German conflict, such as the Franco-Prussian War and World War I, Wagner was associated in France with German nationalism and chauvinism. This association has led to the assumption that, with the advent of the Third Reich, the French once again rejected Wagner. Drawing on hundreds of press sources and employing close readings, this book seeks to explain a paradox: as the German threat grew more tangible from 1933, the Parisian press insisted on seeing in Wagner a universality that transcended his Germanness. Repudiating the notion that Wagner stood for Germany, French critics attempted to reclaim his role in their own national history and imagination. Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944 reveals how the concept of a universal Wagner, which was used to challenge the Nazis in the 1930s, was gradually transformed into the infamous collaborationist rhetoric promoted by the Vichy government and exploited by the Nazis between 1940 and 1944. Rachel Orzech's study offers a close examination of Wagner's place in France's cultural landscape at this time, contributing to our understanding of how the French grappled with one of the most challenging periods in their history.

Colonial agents worked for fifty years to make a Japanese Taiwan, using technology, culture, statistics, trade, and modern ideologies to remake their new territory according to evolving ideas of Japanese empire. Since the end of the Pacific War, this project has been remembered, imagined, nostalgized, erased, commodified, manipulated, idealized and condemned by different sectors of Taiwan's population. ""The volume covers a range of topics, ""including colonial-era photography, exploration, postwar deportation, sport, film, media, economic planning, contemporary Japanese influences on Taiwanese popular culture, and recent nostalgia for and misunderstandings about the colonial era. "Japanese Taiwan" provides an inter-disciplinary perspective on these related processes of colonization and decolonization, explaining how the memories, scars and traumas of the colonial era have been utilized during the postwar period. It provides a unique critique of the 'Japaneseness' of the erstwhile Chinese Taiwan, thus bringing new scholarship to bear on problems in contemporary East Asian politics.