Our Way of life and our very existence are under threat. Get educated and resist.

In Aldous Huxley's Brave New World, published in 1932, we are provided with a view into a possible future that shows humanity under total control. It's a world in which babies are created in the laboratory to fit specific job functions and a small number of savages live in the restricted wild lands. "Journey to a Brave New World" uses examples of news reports and the real history- not always the version taught in the classroom -to show how we are being managed and manipulated to allow for a total tyrannical takeover and massive depopulation that could lead us to Huxley's vision.

For over six years, author David Watts has undertaken deep research into the real history of the world and the ways in which it is being manipulated toward a future that only benefits an elite few. He provides many news reports, official documents and quotes from the so called 'elites' to piece the puzzle together. He presents a cohesive exploration of what to expect in the future if we don't become involved in determining our own fate.

"Journey to a Brave New World" seeks to help everyone to put the pieces together, deprogram, and understand both how we are being manipulated and how we can change direction now.

No Accident, Comrade argues that chance became a complex yet conflicted cultural signifier during the Cold War, when a range of thinkers--politicians, novelists, historians, biologists, sociologists, and others--contended that totalitarianism denied the very existence and operation of chance in the world. They claimed that the USSR perpetrated a vast fiction on its population, a fiction amplified by the Soviet view that there is no such thing as chance or accident, only manifestations of historical law (hence the popular American refrain used to refer to Marxism: "It was no accident, Comrade").
By reading an expansive range of American novels published between 1947-2005, alongside nonfiction texts by the likes of Jerzy Kosinski, Daniel Bell, Ian Hacking, and mid-century game theorists, No Accident, Comrade explains how associations of chance with democratic freedom and the denial of chance with totalitarianism circulated in Cold War America. Chance became tied to the liberties of U.S. democracy, whereas its eradication or denial became symptomatic of Soviet tyranny. With works by Nabokov, Ellison, Pynchon, Didion, DeLillo, Colson Whitehead, and many others, Steven Belletto shows how writers developed innovative strategies for dealing with and incorporating these ever-present beliefs about chance and its role in their culture. These newly developed narrative techniques allowed them to theorize, satirize, and make sense of the constantly changing relationship between the individual and the state during a largely rhetorical conflict.

Controlling Sex in Captivity is the first book to examine the nature, extent and impact of the sexual activities of Axis prisoners of war in the United States during the Second World War. Historians have so far interpreted the interactions between captors and captives in America as the beginning of the post-war friendship between the United States, Germany and Italy. Matthias Reiss argues that this paradigm is too simplistic. Widespread fraternisation also led to sexual relationships which created significant negative publicity, and some Axis POWs got caught up in the U.S. Army's new campaign against homosexuals. By focusing on the fight against fraternisation and same-sex activities, this study treads new ground. It stresses that contact between captors and captives was often loaded with conflict and influenced by perceptions of gender and race. It highlights the transnational impact of fraternisation and argues that the prisoners' sojourn in the United States also influenced American society by fuelling a growing concern about social disintegration and sexual deviancy, which eventually triggered a conservative backlash after the war.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.

Charles De Gaulle's leadership of the French while in exile during World War II cemented his place in history. In contemporary France, he is the stuff of legend, consistently acclaimed as the nation's pre-eminent historical figure. But paradoxes abound. For one thing, his personal popularity sits oddly with his social origins and professional background. Neither the Army nor the Catholic Church is particularly well-regarded in France today, as they are seen to represent antiquated traditions and values. So why, then, do the French nonetheless identify with, celebrate, and even revere this austere and devout Catholic, who remained closely wedded to military values throughout his life? In The Shadow of the General resolves this mystery and explains how de Gaulle has come to occupy such a privileged position in the French imagination. Sudhir Hazareesingh's story of how an individual life was transformed into national myth also tells a great deal about the French collective self in the twenty-first century: its fractured memory, its aspirations to greatness, and its manifold anxieties. Indeed, alongside the tale of de Gaulle's legacy, the author unfolds a much broader narrative: the story of modern France.

In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma. Drawing on more than 250 interviews with survivors across the United States as well as in France and Cambodia, Khatharya Um places these accounts in conversation with studies of comparative revolutions, totalitarianism, transnationalism, and memory works to illuminate the pathology of power as well as the impact of auto-genocide on individual and collective healing. Exploring the interstices of home and exile, forgetting and remembering, From the Land of Shadows follows the ways in which Cambodian individuals and communities seek to rebuild connections frayed by time, distance, and politics in the face of this injurious history.

In the summer of 1980, the eyes of the world turned to the Gdansk shipyard in Poland which suddenly became the nexus of a strike wave that paralyzed the entire country. The Gdansk strike was orchestrated by the members of an underground free trade union that came to be known as Solidarnosc [Solidarity]. Despite fears of a violent response from the communist authorities, the strikes spread to more than 800 sites around the country and involved over a million workers, mobilizing its working population. Faced with crippling strikes and with the eyes of the world on them, the communist regime signed landmark accords formally recognizing Solidarity as the first free trade union in a communist country. The union registered nearly ten million members, making it the world's largest union to date. In a widespread and inspiring demonstration of nonviolent protest, Solidarity managed to bring about real and powerful changes that contributed to the end of the Cold War. Solidarity:The Great Workers Strike of 1980 tells the story of this pivotal period in Poland's history from the perspective of those who lived it. Through unique personal interviews with the individuals who helped breathe life into the Solidarity movement, Michael Szporer brings home the momentous impact these events had on the people involved and subsequent history that changed the face of Europe. This movement, which began as a strike, had major consequences that no one could have foreseen at the start. In this book, the individuals who shaped history speak with their own voices about the strike that changed the course of history.

Alla Osipenko is the gripping story of one of history's greatest ballerinas, a courageous rebel who paid the price for speaking truth to the Soviet state. The daughter of a distinguished Russian aristocratic and artistic family, Osipenko was born in 1932, but raised almost in a cocoon of pre-Revolutionary decorum and protocol. In Leningrad she studied directly under Agrippina Vaganova, the most revered and influential of all Russian ballet instructors. In 1950, she joined the Mariinsky (then-Kirov) Ballet, where her lines, shapes, movement both exemplified the venerable traditions of Russian ballet and projected those traditions into uncharted and experimental realms. She was the first of her generation of Kirov stars to enchant the West when she danced in Paris in 1956. Five years later, she was a key figure in the sensational success of the Kirov in its European debut. But Osipenko's sharp tongue and candid independence, as well as her almost-reckless flouting of Soviet rules for personal and political conduct, soon found her all but quarantined in Russia. An internationally acclaimed ballerina at the height of her career, she found that she would now have to prevail in the face of every attempt by the Soviet state and the Kirov administration to humble her. Throughout the book, Osipenko talks frankly and freely in a way that few Russians of her generation have allowed themselves to. She discusses her traumatic relationship to the Soviet state, her close but often-fraught relationship with her family, her four husbands, her lovers, her colleagues, her son's arrest for selling dollars in Leningrad and subsequent death. This biography features a cast of characters drawn from all sectors of Soviet and post-Perestroika society.

The history of travel has long been constructed and described almost exclusively as a history of "European", male mobility, without, however, explicitly making the gender and whiteness of the travellers a topic. The anthology takes this as an occasion to focus on journeys to Europe that gave "non-Europeans" the opportunity to glance at "Europe" and to draw a picture of it by themselves. So far, little attention has been paid to the questions with which attributes these travellers endowed "Europe" and its people, which similarities and differences they observed and which idea(s) of "Europe" they produced. The focus is once again on "Europe", but not as the starting point for conquests or journeys. From a postcolonial and gender historical view, the anthology's contributions rather juxtapose (self-)representations of "Europe" with perspectives that move in a field of tension between agreement, contradiction and oscillation.

In 1870, the Orthodox Bulgarian Exarchate was established by the Sultan's decree without the consent of the Patriarchate of Constantinople. The inability to reach a compromise led to a schism within Orthodoxy and divided Ottoman Christian communities into traditionalists versus nationalists, Greeks versus Slavs and Arabs. Those conflicts were exacerbated by the Russo-Turkish war of 1877-1878, refugee movements, and the increasingly deadly rivalry of irredentist Balkan states. Containing Balkan Nationalism focuses on the implications of the Bulgarian national movement that developed in the context of Ottoman modernization and of European imperialism in the Near East. The movement aimed to achieve the status of an independent church, separating ethnic Bulgarians from the jurisdiction of the Patriarchate of Constantinople. Independent church status meant cultural and legal autonomy in the Islamic structure of the Ottoman Empire. Denis Vovchenko highlights the efforts put forth by ecclesiastics, publicists, and diplomats in Russia, the Ottoman Empire, Greece, and Bulgaria in developing and implementing various plans to reconcile ethnic differences within existing religious and dynastic frameworks. The arrangements were often inspired by modern visions of a political and cultural union of Orthodox Slavs and Greeks. Whether put into effect or simply discussed, they demonstrate the strength and flexibility of supranational identities and institutions on the eve of the First World War. The book should encourage contemporary analysts and policymakers to explore the potential of such traditional loyalties to defuse ethnic tensions today and to serve as organic alternatives to generic mechanical models of power-sharing and federation.

While in the last twenty years perceptions of Europe have been subjected to detailed historical scrutiny, American images of the Old World have been almost wantonly neglected. As a response to this scholarly desideratum, this pioneering study analyzes neoconservative images of Europe since the 1970s on the basis of an extensive collection of sources. With fresh insight into the evolution of American images of Europe as well as into the history of U.S. neoconservatism, the book appeals to readers familiar and new to the subject matters alike. The study explores how, beginning in the early 1970s, ideas of the United States as an anti-Europe have permeated neoconservative writing and shaped their self-images and political agitation. The choice of periodization and investigated personnel enables the author to refute popular claims that widespread Euro-critical sentiment in the United Studies during the early 21st century - considerably ignited by neoconservatives - was a distinct post-Cold War phenomenon. Instead, the analysis reveals that the fiery rhetoric in the context of the Iraq War debates was merely the climax of a decade-old development.

The 1970s marked the end of the years in which the United States was the guarantor of a free world trade order, while Western Europe made efforts to catch up with the economic superpower. In this book, Dr La Barca explains how the trade environment and trade policies in the United States and in the European Community during the 1970s were more complex than frequently acknowledged. In particular, he examines the promotion of greater governmental protection of national industries and the relationship between such tendencies and the negotiations aimed at reducing trade barriers. This analysis shows how the United States and the European Community agreed to pursue their protectionist practices, thereby creating a barrier to serious efforts to enable free trade.

The extraordinary story of Captain Llewellyn Wynne Jones' 1918 service in East Africa told through his personal military campaign diary and photograph albums. Llewellyn's granddaughter, born some 36 years after his death, researches his military life and family history to uncover the fascinating, courageous and ultimately tragic story of his life. The book is beautifully illustrated with original photographs from Llewellyn's campaign albums and from a rich family photographic archive. It includes family artefacts, letters, newspaper reports and interviews which combine to bring this exceptional young man's few years to life once more 100 years on.

"Contemporary Japan: History, Politics and Social Change since the 1980s" presents a comprehensive examination of the causes of the Japanese economic bubble in the late 1980s and the socio-political consequences of the recent financial collapse. Represents the only book to examine in depth the turmoil of Japan since Emperor Hirohito died in 1989, the Cold War ended, and the economy collapsed Provides an assessment of Japan's dramatic political revolution of 2009 Analyzes how risk has increased in Japan, undermining the sense of security and causing greater disparities in society Assesses Japan's record on the environment, the consequences of neo-liberal reforms, immigration policies, the aging society, the US alliance, the Imperial family, and the 'yakuza' criminal gangs Selected as a 2011 Outstanding Academic Title by CHOICE