Taking the reader in the mountains and forests that the Americans called 'Indian country,' Stevens presents the Viet Nam War as an extension of the romantic myth of the American frontier. In seven operations on the Ho Chi Minh Trail, the reader enters an exotic, exhilarating, terrifying world. Documented by military reports, Steven's powerful and poetic prose and his complex examination of the Viet Nam War elevate his Trail journey into the realm of myth.

Harry S. Truman Book Award In The War for Korea, 1945-1950: A House Burning, one of our most distinguished military historians argued that the conflict on the Korean peninsula in the middle of the twentieth century was first and foremost a war between Koreans that began in 1948. In the second volume of a monumental trilogy, Allan R. Millett now shifts his focus to the twelve-month period from North Korea's invasion of South Korea on June 25, 1950, through the end of June 1951-the most active phase of the internationalized "Korean War." Moving deftly between the battlefield and the halls of power, Millett weaves together military operations and tactics without losing sight of Cold War geopolitics, strategy, and civil-military relations. Filled with new insights on the conflict, his book is the first to give combined arms its due, looking at the contributions and challenges of integrating naval and air power with the ground forces of United Nations Command and showing the importance of Korean support services. He also provides the most complete, and sympathetic, account of the role of South Korea's armed forces, drawing heavily on ROK and Korea Military Advisory Group sources. Millett integrates non-American perspectives into the narrative-especially those of Mao Zedong, Chinese military commander Peng Dehuai, Josef Stalin, Kim Il-sung, and Syngman Rhee. And he portrays Walton Walker and Matthew Ridgway as the heroes of Korea, both of whom had a more profound understanding of the situation than Douglas MacArthur, whose greatest flaw was not his politics but his strategic and operational incompetence. Researched in South Korean, Chinese, and Soviet as well as American and UN sources, Millett has exploited previously ignored or neglected oral history collections-including interviews with American and South Korean officers-and has made extensive use of reports based on interrogations of North Korean and Chinese POWs. The end result is masterful work that provides both a gripping narrative and a greater understanding of this key conflict in international and American history.

After 27 years of conflict it seemed that peace would finally settle on the Indochina peninsula on 27January 1973 with the signing of a peace accord in Paris. The North Vietnamese had previously launched their greatest offensive against South Vietnam but fell short of their objectives, the destruction of the Army of the Republic of Vietnam (ARVN) and the destruction of the Saigon regime. They now proposed, in exchange for the release of the US prisoners of war, the withdrawal of the remaining American forces in Vietnam. Far from feeling committed by the agreement, the Hanoi leadership prepared the next round, the ultimate conquest of South Vietnam now that Washington had completely evacuated its last troops from the country. That first volume sets the scene, by making an assessment of the situation on the field, in both tactical and strategic perspectives. It also examines the last episode of the US gradual withdrawal as well as the implementation of part of the Peace Accords with the removal by the US Navy of the mines sown by its aircraft from the North Vietnamese ports and inland waters. It then presents the respective opposing armed forces and will particularly focus on the North Vietnamese rebuilding after the havoc wrought by the American aerial campaign of 1972. Furthermore, the expansion of the famous Ho Chi Minh Trail, vital for the logistical support of the communist troops, is thoroughly detailed. The South Vietnamese on their part placed great emphasis on developing their own air force in order to try to replace the withdrawal of American airpower. Most at all, it also details the initial fighting that not only resumed but soon escalated into divisional-level battles where the South Vietnamese still prevailed.

Following the release of Ridley Scott's Gladiator in 2000 the ancient world epic has experienced a revival in studio and audience interest. Building on existing scholarship on the Cold War epics of the 1950s-60s, including Ben-Hur, Spartacus and The Robe, this original study explores the current cycle of ancient world epics in cinema within the social and political climate created by September 11th 2001. Examining films produced against the backdrop of the War on Terror and subsequent invasions of Iraq and Afghanistan, this book assesses the relationship between mainstream cinema and American society through depictions of the ancient world, conflict and faith. Davies explores how these films evoke depictions of the Second World War, the Vietnam War and the Western in portraying warfare in the ancient world, as well as discussing the influence of genre hybridisation, narration and reception theory. He questions the extent to which ancient world epics utilise allegory, analogy and allusion to parallel past and present in an industry often dictated by market forces. Featuring analysis of Alexander, Troy, 300, Centurion, The Eagle, The Passion of the Christ and more, this book offers new insight on the continued evolution of the ancient world epic in cinema.

Why did the USA become involved in Vietnam? What led US policy makers to become convinced that Vietnam posed a threat to American interests? In The Road to Vietnam, Pablo de Orellana traces the origins of the US-Vietnam War back to 1945-1948 and the diplomatic relations fostered in this period between the US, France and Vietnam, during the First Vietnam War that pitted imperial France against the anti-colonial Vietminh rebel alliance. With specific focus on the representation of the parties involved through the processes of diplomatic production, the book examines how the groundwork was laid for the US-Vietnam War of the 60's and 70's. Examining the France-Vietminh conflict through poststructuralist and postcolonial lenses, de Orellana reveals the processes by which the US and France built up the perception of Vietnam as a communist threat. Drawing on archival diplomatic texts, the representation of political identity between diplomatic actors is examined as a cause leading up to American involvement in the First Vietnam War, and will be sure to interest scholars in the fields of fields of diplomatic studies, international relations, diplomatic history and Cold War history.