While all but gone today, Jamestown's furniture industry was once the second-largest producer of furniture in the United States. Manufacturing boomed from 1816, when William Breed and Royal Keyes opened their shops, to the 1920s, when Jamestown was still one of the top wood furniture producers in the country. In the nineteenth century, the thriving railroad industry allowed Jamestown's quality creations to be distributed nationwide. After the Civil War, an influx of Swedish immigrants brought their craftsmanship and skills to Jamestown, forming Morgan Manufacturing, Empire Furniture Company and many others. Then, their pieces were valued for quality and durability; today, they're coveted by collectors as beautiful antiques. Local expert Clarence Carlson uncovers the fascinating story of Jamestown furniture.

Providing a complete review of cottonwood, the most commonly used form of bark, this guide addresses the unique challenges and benefits of carving tree bark and offers information on what to expect from this atypical wood source, including the best places to find it. An important section on troubleshooting teaches carvers what to do when they encounter rot or insect damage in their bark. One complete project, the Whimsical House, is outlined from start to finish. Close-up photography and instructional captions are included for added guidance. A full-color photography review offers a glimpse at the range of projects possible for this unusual material.

A visual analysis of the colours used in furnishing fabrics and wallpapers from the 15th century to now, providing inspiration for designers. This simply structured and highly original book analyses the palettes that have been used by designers in the creation of furnishing fabrics and wallpapers from the 15th century to the present. The colours used in each pattern are presented in a simple proportional grid, giving a clear understanding of hues that have been expertly combined at different periods to create the designs we continue to admire and emulate. Spectrum opens with a brief introduction by interior design expert Ros Byam Shaw, exploring the history of colour as used in interiors. The fabrics and wallpapers that follow are arranged chronologically. Each is reproduced on its own double-page spread, and is accompanied by a brief narrative-style caption that provides information about each fabric or wallpaper and its significance in the context of interior design. Unique in such a book are the colour grids shown beside each pattern, in which the colours in the original piece are shown in proportion to their use, and with their CMYK references to enable designers to replicate these colours in their own work.

Charlotte Perriand was one of great designers of the twentieth century. A pioneer of modernism, her work was often overshadowed by her more famous male collaborators, who included Le Corbusier, Pierre Jeanneret and Jean Prouve. However, in recent years her reputation as a furniture designer and architect has matched the stature of her peers - her furniture in particular has become highly prized by collectors. From the 1920s onwards, Perriand was instrumental in bringing the modernist aesthetic to interiors. But she also believed in the synthesis of the arts, and was friends with visual artists such as Pablo Picasso and Fernand Leger. This book will explore Perriand's journey from the machine aesthetic to her adoption of natural forms, and from modular furniture systems to major architectural projects such as Les Arcs ski resort. Featuring some of her most famous interiors, as well as her original furniture, her photography and her personal notebooks, this book sheds new light on Perriand's creative process and her place in design history. It will accompany the forthcoming Design Museum exhibition of the same title, which will coincide with the twenty-fifth anniversary of Perriand's last significant presentation in London, held at the Design Museum in 1996.

The ultimate collector's resource, including hundreds of pieces by both well- and lesser-known designers from around the world. From armchairs and chaises longues to cabinets and nightstands, the period between the late 1930s and early 1970s was one of the most productive, inventive and exciting eras for objects and furniture in the home. Post-war optimism combined with new manufacturing methods and material techniques to create an explosion of new design and objects of desire. The appetite for mid-century modern remains as strong as ever, both for classic designs - many still in production since they were launched - and for rare, hard-to- find or out-of-production pieces from lesser-known designers. While numerous books surveying mid-century modern style have appeared over the years, no publication has been specifically conceived for the increasing collector's market in mid-century modern design, focusing on each piece of furniture as an object of formal invention, manufacturing intelligence and material innovation. This definitive book profiles hundreds of pieces in a substantial format perfect for reference in design libraries, studios and the homes of private collectors - or as an object of design in its own right. Each item of furniture is presented in detail, illustrated in colour and profiled via in-depth descriptive texts by Dominic Bradbury. The book's substantial reference section includes essays on materials (eg, plywood) and designer profiles. Work by a host of influential talents is profiled throughout, alongside lesser-known pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander Girard.

For more than 40 years, Martin Waller and his company Andrew Martin have continued to demonstrate that furniture is more than just a functional object, and that a living space always finds new stories to tell. His Interior Design Review, the definitive standard work, unmatched in its variety and broad range of topics, is now being published in its 26th edition. One hundred designers, 500+ pages, 1,000 photographs - such is the opulent presentation of the latest interior trends in this magnificent coffee table book. With its special arrangement, the latest edition is once again a feast for the eyes of design lovers who want to unleash their creativity.

"Eames: Beautiful Details celebrates the seamlessness and fluidity in which Charles and Ray Eames operated as both a husband and wife team and as designers unrestricted by traditionally professional boundaries. Select details of their life and work, from their refined designs to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually create the Eameses' life and work by taking the viewer through a delightful journey, focusing on their ""beautiful details."" The packaging design of the Eames: Beautiful Details slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser known, designs for children, simply called, ""the toy."" It also pays homage to the patterns they used on their well loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre fab construction, using off the shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense. In exhibition design as well, ""Mathematica: A World of Numbers ... and Beyond, 1961,"" for IBM is considered groundbreaking as an interactive, educational, and experiential way to communicate the wonder and magic of math. Similarly, their seminal film, Powers of Ten, 1977, expresses the mathematical concept of multiplying to the tenth power, in a very direct, simple, and powerful way. Unlike any other book previously published on Charles and Ray Eames, this unique monograph is a visual celebration of their work and life, and was created in true collaboration with Charles s grandson, Eames Demetrios, and other members of the Eames family."

Today's American, hand-crafted furniture is bristling with originality. Blending art and functionality, David Ebner creates unique benches, tables, and chairs. This designer-craftsman's work subtly surpasses the limits of the furniture world and often crosses over into the realm of sculpture. Fine woods with interesting patterns are featured in his practical designs, which reflect natural elements of the places where he has worked in New York state. He fuses traditional and modern techniques and is well known for his scallion coat rack, Renwick benches, and Bellport chairs. See more than 340 color photos and sketches of Ebner's designs for diverse forms created with "twisted sticks," tubular metal, iron sections, and bamboo laminates. In his lifetime, he's made more than 1,400 pieces. Especially interesting are projects he continues to design today in his ever-evolving style.

Over 500 drawings scaled to 1/16" of pieces selected from leading museums: chairs, settees, chests, highboys, sideboards by Chippendale, Sheraton, Hepplewhite, Duncan Phyfe, etc. Colonial, American, Windsor, Louis XIV, 18th-century Dutch, etc. Accompanying text. 102 photographs.

Wallpaper's spread across trades, class and gender is charted in this first full-length study of the material's use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper's evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper's growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mache and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

With expert analysis, great photography, and a huge selection of familiar and unusual objects, this book explains what truly makes a design great and reveals the hidden stories behind the everyday things that surround us. The author, a writer and journalist specialising in design, has chosen 101 objects that have had a major influence on the world of design history, delving into the makers, the designers, and developments in production and style that made these pieces into design classics. The text incorporates design sketches, portraits of many well-known and some unknown designers, as well as numerous exciting anecdotes from the sewing box of design history. The selection of designers includes, but is not limited to, legends such as Charles & Ray Eames, Verner Panton, Alexander Girard and other protagonists of classical modernism. Also here are post-war designers such as Finn Juhl, Gilbert Rohde, Pierre Paulin, and Gae Aulenti, and postmodern and contemporary designers such as Philippe Starck, Marcel Wanders, and Konstantin Grcic. This book provides an in-depth and informative overview of 20th-century design - and a glimpse of the first true classic objects of the 21st century.

Meet more than 50 master wood craftsmen who reveal new designs in this book dedicated exclusively to the emerging studio furniture movement. Furniture ranges from footstools to elaborate entertainment and office centers, each exquisite and unique in its execution. Featured are craftsmen who work in local lumber they mill on their private lots alongside artists who inlay precious, exotic woods from far corners of the earth. Some celebrate the natural art in the edges and grain of wood while others contort wood into seemingly impossible balances and configurations. The vast range of imagination and craftsmanship will delight as you peruse this collection of over 400 lush images, most of them never before seen in print. You'll revisit each page time and again.