As the third generation of specialized wood craftsmen in cabinetmaking and restoration, Romeo Sozzi made his debut in interior decoration in the 1970s. Since 1988, he and his three sons have run his company, Promemoria, which has become not just a producer of internationally high-profile furnishings but also a laboratory of innovative design. This volume is a discovery of Sozzi's world and work, the epitome of the refined Italian lifestyle. The journey begins with the historical family home on the banks of Lake Como, furnished throughout with a mixture of one-off pieces, antique items, and fascinating collections that include vintage automobiles, cameras, and objets d'art. The reader will peruse the spaces where Sozzi works and explore his designs, enter the space where he holds his legendary dinners, and admire his collections. The book also surveys the company's impressive production range, which has gained global recognition.

Maximizing reader insights into the principles of designing furniture as wooden structures, this book discusses issues related to the history of furniture structures, their classification and characteristics, ergonomic approaches to anthropometric requirements and safety of use. It presents key methods and highlights common errors in designing the characteristics of the materials, components, joints and structures, as well as looking at the challenges regarding developing associated design documentation. Including analysis of how designers may go about calculating the stiffness and endurance of parts, joints and whole structures, the book analyzes questions regarding the loss of furniture stability and the resulting threats to health of the user, putting forward a concept of furniture design as an engineering processes. Creating an attractive, functional, ergonomic and safe piece of furniture is not only the fruit of the work of individual architects and artists, but requires an effort of many people working in interdisciplinary teams, this book is designed to add important knowledge to the literature for engineer approaches in furniture design.

In Furniture with Soul, author David Savage explores the philosophies, careers, and pivotal moments of struggle and inspiration for today's most talented and influential woodworkers. He traveled throughout the U.S. and Britain to interview these renowned artists, including John Makepeace, John Cederquist, Jack Larimore, Judy Kensley McKie, Michael Hurwitz, Tom Hucker, Rupert Williamson, Gary Knox Bennett, and Peter Danko. With a telling eye and refreshing intimacy, he reveals their thinking, creative processes, and rise to prominence. He takes the reader into their workshops and their hearts. Savage seeks to illuminate the soul of the artists' work, and the influences and experiences that shaped them.

Sara Kristoffersson's compelling study provides the first sustained critical history of IKEA. Kristoffersson argues that the company's commercial success has been founded on a neat alignment of the brand with a particular image of Swedish national identity - one that is bound up with ideas of social democracy and egalitarianism - and its material expression in a pared-down, functional design aesthetic. Employing slogans such as "Design for everyone" and "Democratic design", IKEA signals a rejection of the stuffy, the 'chintzy', and the traditional in both design practices and social structures. Drawing on original research in the IKEA company archive and interviews with IKEA personnel, Design by IKEA traces IKEA's symbolic connection to Sweden, through its design output and its promotional materials, to examine how the company both promoted and profited from the concept of Scandinavian Design.

taken specially for Conran Octopus by Si mon lee: 28 below, 29 below, 37 above, 44 I: TElEPHONES above, 45, 46 below, 53 below, 65 below. AND PENS 23 We would like to thank the following for their cooperation: The Conran Shop Cousins Design, New York Design Museum Environment Bridget Kinally Lisa Krohn and Tucker 2: DESK Veimeister, Smart Design, New York ACCESSORIES 3S Lefax Plus Corporatlon, Tokyo SCP Seccose, Milanfldeas for Llving, London Every effort has been made to trace the copyright holders and we apologize in advance for any 3:0FFICE unintentional omission and would be pleased to insert the MACHINES 49 appropriate acknowledgment in any subsequent edition of this publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers who answered queries and 4: FURNITURE AND searched through their archives, the supportive and professional lIGHTING 61 staff at Conran Octopus and Sir Terence Conran for his personal mterest and guidance. NOTE TO READER Names of objects and designers printed in roman or bold type BIOGRAPHIES 72 denote that a photograph of the object or a biography of the designer can be found elsewhere In the book. INDEX 80 6 HOME OFFICE WORK/NG FROM HOMf Working from home is on the increase in Europe and North Americo. A convergence of new technologies, economic changes and social demands is dramaticolly reshaping the living patterns which have dominated much of the twentieth centu

The study of furniture and its production is a window into both the social position of its owner and the techniques and social organization of the craftsmen. This book comprises an examination and analysis of chairs, stools and footstools of the New Kingdom (ca.1550-1069 B.C.) which are preserved in the Cairo Egyptian Museum. The first chapter is dedicated to woodworking processes and techniques of manufacturing chairs and stools. The second chapter analyses the chairs, stools, and fragments that constitute the main corpus of this study (131 pieces in total). The third chapter focuses primarily on two-dimensional scenes and how these can increase our understanding of the study objects. The fourth chapter is devoted to a lexicographical analysis of the terms used to designate different types of chairs, stools and footstools. This is followed by a typological study of chairs and stools in the New Kingdom based on actual pieces of furniture that my corpus includes and those preserved in other collections.

The focus of this book is on functional seating, and the key argument presented is that functional seating needs to assist the person using it for the performance of seated tasks, enhance rather than detract from the person's posture and health, and it needs to provide aesthetic features that do not limit task or health. The book spans the period 3000BC to 2000AD and presents largely Western seating. This book is unique in its approach to seating because it draws together evidence that relates to seating that facilitates health and task while also addressing aesthetic factors. This evidence creates an understanding of how seats may be designed to not only promote bodily health but also allow functional optimisation of sitting and seating. This book is important to furniture and industrial designers, interior decorators, architects, those teaching seat design, health professionals attending and educating those who relax or work in the seated position, furniture historians, and members of the general public interested in the history of seating.

Way More Than A Bed On Stilts is written for the person or family who is living in a crowded living space. It shows them more options to cope with their pressing needs, through creative and practical furnishings. If a strategy of life improvement includes basic needs, plus education, organization and discipline, we must accommodate those continually. Of course we need a bed, but we also need to store our clothes in a ready to wear condition. Yes, we need education, but we also need a place to study and an organized way to store and access our study materials. If we lack a clothes closet, or bureau, or a desk, organized storage, or the space for it, we handicap ourselves Way More Than A Bed On Stilts can help people overcome these types of limitations. This book contains a 21st century loft bed design. When built and used as designed, it is safe; it exceeds all applicable safety standards. Please read those standards and evaluate for yourself. This loft bed design is very durable. It won't become shaky in a year or two. The frame should serve for many years. It can be disassembled and reassembled repeatedly to accommodate moving. This loft bed system is incredibly useful: it features multiple options for built in desks, shelving, drawers and containers. It accommodates clothes storage, books, files, supplies, games and lighting. The design is modular; the accessory options fit together in several combinations. On top of all this, more than one may fit in a room This system is designed for most of the electronic accoutrements of modern life. This is the 21st century. Way More Than A Bed On Stilts is a do-it-yourself project. If you are at all handy, you can build this, while saving money. The sample configuration loft bed with a desk, bureau, and closet rod cost about the same as a comparable size bureau alone (excluding the mattress of course). This is do-able for many people. Just follow the instructions and choose wisely. You can do it

Brings together a superb collection of over 650 detailed examples English furniture and needlework from 1600 to 1760 These volumes are dedicated to one of the finest collections of early English furniture and needlework, formed by Percival D. Griffiths (1861-1937). Together with the noted authority, Robert W. Symonds, Griffiths assembled a pioneering collection of early English decorative arts: furniture, domestic needlework and related objects all dating to the seventeenth and first half of the eighteenth centuries. The book illustrates nearly 700 pieces owned by Griffiths and includes images of his interiors, and biographical data on Griffiths. Catalogue entries provide color images, exhibition histories, references, and provenance. These volumes present a wealth of new information that will aid both the amateur and connoisseur alike.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.