A fresh look at the Arts and Crafts Movement, charting its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households In its spread from Britain to the United States, the Arts and Crafts Movement evolved from its roots in individual craftsmanship to a mainstream trend increasingly adapted for mass production by American retailers. Inspired by John Ruskin in Britain in the 1840s in response to what he saw as the corrosive forces of industrialization, the movement was profoundly transformed as its tenets of simple design, honest use of materials, and social value of handmade goods were widely adopted and commodified by companies like Sears, Roebuck and Co. The movement grew popular in early 20th-century America, where it was stripped of its reformist ideals by large-scale manufacturing and merchandising through department stores and mail-order catalogues. This beautiful book is illustrated with stunning furniture and designs by William Morris, Gustav Stickley, and Elbert Hubbard's Roycroft community, among many others, along with such ephemera as the catalogues, sales brochures, and magazine spreads that generated popular interest. This perspective offers a new understanding of the Arts and Crafts idea, its geographical reach, and its translation into everyday design. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin (02/09/19-07/14/19)

"Abandoned, forgotten form is reborn in the arms of an all-embracing nature, an envelope within which the origin of the human being, of a society gives us a sensibility, a presence of a fertility." - Vincent Dubourg A graduate of the Ecole nationale superieure des Arts Decoratifs in Paris, Vincent Dubourg is a designer and a plastic artist. In 2004, he caught the eye of Julien Lombrail, founder of the Carpenters Workshop Gallery, where he has been exhibiting since 2006. Present at major salons and shows - the Pavillon des Arts et du Design, Paris; Design Miami Basel - he has received many public commissions from institutions such as Galeries Lafayette, Swarovski, Vienna, the musee de la chasse et de la nature, Paris, and the Sketch restaurant in London, among others. Vincent says that he feeds himself on the capitals like Paris and New York, which he regularly visits, and digests them in his isolated studio in the Creuse department in France. There, he questions contemporary furniture through the prism of nature and the five elements, like a perfect control of metal. With him, buffet, table and chairs become hallucinatory objects shifting between sculpture and functional furniture. A major exhibit will be devoted to him at the Carpenters Workshop Gallery in New York in late 2017. Solo Show, Carpenters Workshop Gallery, New York, November 2017.

For centuries Boston has been one of the most important furniture-making centres in America. Soon after the town's founding in 1630, Boston's joiners and turners were the first craftsmen to make furniture in British North America, and the city's cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition. Distributed for the Massachusetts Historical Society.

"How"" ""to"" ""Design"" ""a"" ""Light" tells you everything you need to know and looks at the principles and processes of designing a light.
In a working case study Arnold Chan, one of the world's best-known lighting designers, traces the design and development of one of his installation at the London restaurant Hakkasan, and reveals exactly what is involved in creating a successful design.

The comprehensive guide to furniture design-- expanded and updated

Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, "Furniture Design" offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design.

Generously illustrated with photographs and drawings--including a new color section--this "Second Edition" features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade.

The book explores: Furniture function and social useForm, spatial organization, and typological ordersStructural integrity and compositionAccessibility, universal design, human factors, and ergonomicsThe design process, from schematics through fabricationMaterials, processes, and methods of fabricationProfessional practice and marketingThe history of furniture design, from prehistory to the digital age

Complete with a glossary of terms and a comprehensive bibliography, "Furniture Design, Second Edition" is a one-stop resource that furniture designers will turn to regularly for the advice, guidance, and information needed to perform their craft.

Olivier Gagnere appeared on the French design scene in the 1980s. Through his contact with the Memphis group of Ettore Sottsass in Milan, he developed his spirit of fantasy, great formal liberty, all with a touch of humour. In Japan, on the island of Kyushu, he immersed himself in the ancestral craftsmanship of the porcelain makers in the studios of Arita. He designed his earliest pieces of furniture for Artelano and Pierre Staudenmeyer's Galerie Neotu. He went on to collaborate with the Galerie Maeght to create works in Murano glass and with the Galerie Edition Limitee for works in earthenware. In 1994, his designs for the interior of the cafe Marly, in the Louvre, brought him great renown and have led to many collaborations with crystal works Saint-Louis, porcelain manufacturer Bernardaud, En attendant les Barbares... With Olivier Gagnere's artful mastery of every material, he is just as at ease working with porcelain as with iron, crystal, wood, leather or bronze. He blends simple and timeless forms with carefully sized volumes, in a range of bright contrasting colours. Steeped in the most classical traditions, he marks every one of his creations with a gesture, a demeanor that is a signature of his times. Text in English and French.

Industrial-style furniture is in fashion - bistro tables and chairs, lockers, mail sorting racks and jointed lamps are all common elements in today's interior design. In this book, Brigitte Durieux, an authority on the style, tells us the story behind fifty European and American objects that have made the surprising transition from factories to our livings rooms and become cult furniture. Featuring more than 250 images, Industrial Chic is a beautifully illustrated showcase that reveals the incredible reach, versatility and long-lasting appeal of industrial design. The remarkable histories of these distinguished objects - including the Gras lamp, the Singer stool, the Holophane reflector, the Brillie clock and more - accompany brilliant photographs by Laziz Hamani.