Sara Kristoffersson's compelling study provides the first sustained critical history of IKEA. Kristoffersson argues that the company's commercial success has been founded on a neat alignment of the brand with a particular image of Swedish national identity - one that is bound up with ideas of social democracy and egalitarianism - and its material expression in a pared-down, functional design aesthetic. Employing slogans such as "Design for everyone" and "Democratic design", IKEA signals a rejection of the stuffy, the 'chintzy', and the traditional in both design practices and social structures. Drawing on original research in the IKEA company archive and interviews with IKEA personnel, Design by IKEA traces IKEA's symbolic connection to Sweden, through its design output and its promotional materials, to examine how the company both promoted and profited from the concept of Scandinavian Design.

The study of furniture and its production is a window into both the social position of its owner and the techniques and social organization of the craftsmen. This book comprises an examination and analysis of chairs, stools and footstools of the New Kingdom (ca.1550-1069 B.C.) which are preserved in the Cairo Egyptian Museum. The first chapter is dedicated to woodworking processes and techniques of manufacturing chairs and stools. The second chapter analyses the chairs, stools, and fragments that constitute the main corpus of this study (131 pieces in total). The third chapter focuses primarily on two-dimensional scenes and how these can increase our understanding of the study objects. The fourth chapter is devoted to a lexicographical analysis of the terms used to designate different types of chairs, stools and footstools. This is followed by a typological study of chairs and stools in the New Kingdom based on actual pieces of furniture that my corpus includes and those preserved in other collections.

For many centuries, chests were the only items of storage furniture to be found in the Greek home. Highly valued as a functional item, their connection with a wide range of everyday events and the most important stations in a person's life (birth, marriage and death) gave the chest, from a very early date, a profound, symbolic meaning in the imagination of the Greek people. The important functional role of the chest is apparent in its decoration, which generally reflects beliefs and faith. These beliefs differ from place to place, and this can be seen in the different manner of decoration, which may also depend on general historic and social circumstances and events, as well as the artistic tradition of the region. Drawing on rich seams of Greek folklore and the fruits of many years of field research in every corner of Greece, the book offers an in-depth interpretation of the wealth of decoration found on chests. Preface by Angelos Delivorrias, Director of the Benaki Museum; Foreword by Ioanna Papantoniou, President of the Peloponnesian Folklore Foundation. Over 500 colour illustrations.

Featuring 30 designs by leading designer-makers from around the world DIY Furniture shows you how to use simple techniques to make stunning designer furniture from scratch. All the projects can be easily assembled using the step-by-step guides from common materials which can be found at the local hardware store. Along with designs for seating and storage, the book also features projects for making your own bed, wardrobe, lighting and garden furniture. Each project features hand-drawn diagrams with short, easy-to-follow instructions on how to build the piece. Whether building from scratch or customising existing designs, DIY Furniture allows you to create unique designer pieces at a fraction of the normal cost. Brief biographies of all the featured designers are included at the end of the book.

Way More Than A Bed On Stilts is written for the person or family who is living in a crowded living space. It shows them more options to cope with their pressing needs, through creative and practical furnishings. If a strategy of life improvement includes basic needs, plus education, organization and discipline, we must accommodate those continually. Of course we need a bed, but we also need to store our clothes in a ready to wear condition. Yes, we need education, but we also need a place to study and an organized way to store and access our study materials. If we lack a clothes closet, or bureau, or a desk, organized storage, or the space for it, we handicap ourselves Way More Than A Bed On Stilts can help people overcome these types of limitations. This book contains a 21st century loft bed design. When built and used as designed, it is safe; it exceeds all applicable safety standards. Please read those standards and evaluate for yourself. This loft bed design is very durable. It won't become shaky in a year or two. The frame should serve for many years. It can be disassembled and reassembled repeatedly to accommodate moving. This loft bed system is incredibly useful: it features multiple options for built in desks, shelving, drawers and containers. It accommodates clothes storage, books, files, supplies, games and lighting. The design is modular; the accessory options fit together in several combinations. On top of all this, more than one may fit in a room This system is designed for most of the electronic accoutrements of modern life. This is the 21st century. Way More Than A Bed On Stilts is a do-it-yourself project. If you are at all handy, you can build this, while saving money. The sample configuration loft bed with a desk, bureau, and closet rod cost about the same as a comparable size bureau alone (excluding the mattress of course). This is do-able for many people. Just follow the instructions and choose wisely. You can do it

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Frederick Litchfield created an enduring classic study of functional art with his Illustrated History of Furniture. This reprinting is presented out of a deep appreciation for the excellent scholarship and many illuminating insights that he so generously shared. The first chapter, which refers to Ancient Furniture and covers a period of several centuries, is introductory to those that follow, rather than a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information to these times was more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe, from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work. Evidence of this appreciation may be found in the enormous prices realized at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs. Such furniture cannot be cheap certainly, but the real cost is sometimes borne by the artist who produces, rather than by the man who may happen to buy it. It is often forgotten that the price paid is that of the lives and sustenance of the workers and their families.

During the 19th century, New York City's grand mansions on Fifth and Madison Avenues boasted sumptuous interiors, often with each room decorated in a different historic style. Financier, art collector, and philanthropist Henry Gurdon Marquand famously commissioned eminent British painter Sir Lawrence Alma-Tadema (1836-1912) to create the Greco-Pompeian music room for his home. This beautiful publication documents and examines the celebrated design, which included an elaborately decorated Steinway grand piano, a large suite of matching furniture, and an embroidery scheme for the upholstery and coordinated curtains. Alma-Tadema secured Frederic Leighton to create a major painting for the room's ceiling and Sir Edward Poynter to paint the piano's fallboard. One of Alma-Tadema's most famous paintings, A Reading from Homer, was painted for this room. For the first time since Marquand's death in 1902, the contents of this exceptional room have been brought together and considered in light of Marquand's patronage, Alma-Tadema's career, the firm that manufactured the furniture, and the social function of the music room. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute (06/04/17-09/04/17)

A fresh look at the Arts and Crafts Movement, charting its origins in reformist ideals, its engagement with commercial culture, and its ultimate place in everyday households In its spread from Britain to the United States, the Arts and Crafts Movement evolved from its roots in individual craftsmanship to a mainstream trend increasingly adapted for mass production by American retailers. Inspired by John Ruskin in Britain in the 1840s in response to what he saw as the corrosive forces of industrialization, the movement was profoundly transformed as its tenets of simple design, honest use of materials, and social value of handmade goods were widely adopted and commodified by companies like Sears, Roebuck and Co. The movement grew popular in early 20th-century America, where it was stripped of its reformist ideals by large-scale manufacturing and merchandising through department stores and mail-order catalogues. This beautiful book is illustrated with stunning furniture and designs by William Morris, Gustav Stickley, and Elbert Hubbard's Roycroft community, among many others, along with such ephemera as the catalogues, sales brochures, and magazine spreads that generated popular interest. This perspective offers a new understanding of the Arts and Crafts idea, its geographical reach, and its translation into everyday design. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin (02/09/19-07/14/19)

The comprehensive guide to furniture design-- expanded and updated

Furniture designers draw on a range of knowledge and disciplines to create their work. From history to theory to technology, "Furniture Design" offers a comprehensive survey of the essential craft- and practice-related aspects of furniture design.

Generously illustrated with photographs and drawings--including a new color section--this "Second Edition" features updated coverage of material specifications, green design, digital design, and fabrication technologies. It also features twenty-five case studies of furniture design that represent a broad selection of works, designers, and techniques, including recent designs produced within the last decade.

The book explores: Furniture function and social useForm, spatial organization, and typological ordersStructural integrity and compositionAccessibility, universal design, human factors, and ergonomicsThe design process, from schematics through fabricationMaterials, processes, and methods of fabricationProfessional practice and marketingThe history of furniture design, from prehistory to the digital age

Complete with a glossary of terms and a comprehensive bibliography, "Furniture Design, Second Edition" is a one-stop resource that furniture designers will turn to regularly for the advice, guidance, and information needed to perform their craft.

Emille Galle was one of the leading figures of the Art Nouveau movement in France, and founder of the famous Ecole de Nancy. A polymath and committed social activist, he was best known for his glasswork and faience. Furniture became his third discipline after experimenting with the manufacture of wooden bases on which he could mount his glass vases. Galle ardently followed the French tradition of furniture decoration known as marqueterie. His work is characterized by its meticulous decorative veneers, stained with subtle organic dyes; its panels inlaid with stunningly intricate country scenes and flowers. This book outlines all of Galle's major works of furniture, from the unique pieces that were designed for an exclusive clientele, to those displayed between 1889 and 1904 at the annual Paris Salons and two World Expositions. The recent emergence of many of his objets de luxe enables the reader to understand many of his pieces for the first time. Written by Decorative Arts specialist Alastair Duncan, the book documents the history of Galle s furniture production from his favorite motifs to the ways in which he used furniture design to express his social and political ideals. Duncan includes an encyclopedic range of models created in the Galle Workshops both during and after his lifetime. Beautifully illustrated, and containing translations of Galle s Notes to the juries of the World Expositions, this stunning publication will leave the reader captivated by this decadent expression of the new art that changed the European aesthetic forever.

Learn to sew your own stunning lampshades using this comprehensive step-by-step guide from the founder of the Traditional Upholstery School, Joanna Heptinstall. The book contains 18 fully illustrated step-by-step projects, featuring tailored, pleated, faux-pleated and loose-cover designs. Each technique is covered in detail, from measuring your fabric, choosing a frame shape, calculating your seams, creating a shade, adding trims and choosing a stand. The projects require few specialist tools, can be easily customised to suit your home decor, and cover a range of styles, sizes and fabrics. The book is bursting with inspirational images, along with tips and tricks of the trade that Joanna has acquired over her successful career in upholstery.

An exhilarating look at Art Deco design in 1920s America, using jazz as its unifying metaphor Capturing the dynamic pulse of the era's jazz music, this lavishly illustrated publication explores American taste and style during the golden age of the 1920s. Following the destructive years of the First World War, this flourishing decade marked a rebirth of aesthetic innovation that was cultivated to a great extent by American talent and patronage. Due to an influx of European emigres to the United States, as well as American enthusiasm for traveling to Europe's cultural capitals, a reciprocal wave of experimental attitudes began traveling back and forth across the Atlantic, forming a creative vocabulary that mirrored the ecstatic spirit of the times. The Jazz Age showcases developments in design, art, architecture, and technology during the '20s and early '30s, and places new emphasis on the United States as a vital part of the emerging marketplace for Art Deco luxury goods. Featuring hundreds of full-color illustrations and essays by two leading historians of decorative arts, this comprehensive catalogue shows how America and the rest of the world worked to establish a new visual representation of modernity.

Influenced by the currently very popu-lar do-it-yourself movement, the contemporary design scene is increasingly shaped by a creative fusion of production and consumption. When it comes to the development of a self-made furniture culture, this book project combines for the first time design history research and consumerism theory with numerous historical and contemporary construction instructions and interior design recommendations. Across five chapters, design history and everyday culture are vividly and closely examined. What are their ori- gins? Which media and channels are used to pass on experiences and prac-tical instructions? Who exchanges in-formation with whom and under what circumstances? And what has changed since the advent of the era of digital modernity?