Rattan evokes the glamour and exoticism of the Riviera, grand yachts, and tropical verandas. It appeared in Impressionist paintings, and dazzling celebrities like Marilyn Monroe and Gina Lollobrigida were photographed lounging on it. Now, rattan is regaining its allure and becoming increasingly fashionable in interior design and fashion spreads a reflection of beauty, craftsmanship, and sustainability. Heywood-Wakefield furniture from the nineteenth century is highly collectible, as are pieces created by giants of modern design such as Josef Hoffmann for Thonet, Josef Frank for Svenskt Tenn, Jean-Michel Frank for Ecart, Renzo Mongiardino for Bonacina, and Arne Jacobsen for Sika. Paul Frankl and Donald Deskey designed sleek Art Deco rattan furniture. Rattan pieces have become iconic and highly prized, including Hiroomi Tahara s Wrap Sofa, Franca Helg s Primavera Chair, and the many iterations of the Peacock Chair. The glamour of rattan shines through in seductive and beautiful interiors Madeleine Castaing s house in Chartres, Michael Taylor s California beach houses, the Titanic s Cafe Parisien. The book also showcases tastemakers who have embraced rattan, from Marella Agnelli and Cecil Beaton to design leaders of today, including Jeffrey Bilhuber, Veere Grenney, Axel Vervoordt, and Bunny Williams.

For at least 150 years, Thomas Chippendale has been synonymous with beautifully made eighteenth-century furniture in a variety of styles - Rococo, Chinese, Gothic and Neoclassical. Born in Otley, Yorkshire, in 1718, Chippendale rose to fame because of his revolutionary design book, The Gentleman and Cabinet Maker's Director, published in 1754. That same year he set up his famous workshops in St Martin's Lane, creating some of the most magnificent furniture ever made in Britain. This beautifully illustrated history focuses on Britain's most famous furniture maker and designer, including the worldwide phenomenon 'Chippendale style' that became popular in Europe, North America and Asia after his death in 1779. Today, his influence lives on with the ongoing production of 'Chippendale' furniture, while the eighteenth-century originals are selling for millions at auction.

Maximizing reader insights into the principles of designing furniture as wooden structures, this book discusses issues related to the history of furniture structures, their classification and characteristics, ergonomic approaches to anthropometric requirements and safety of use. It presents key methods and highlights common errors in designing the characteristics of the materials, components, joints and structures, as well as looking at the challenges regarding developing associated design documentation. Including analysis of how designers may go about calculating the stiffness and endurance of parts, joints and whole structures, the book analyzes questions regarding the loss of furniture stability and the resulting threats to health of the user, putting forward a concept of furniture design as an engineering processes. Creating an attractive, functional, ergonomic and safe piece of furniture is not only the fruit of the work of individual architects and artists, but requires an effort of many people working in interdisciplinary teams, this book is designed to add important knowledge to the literature for engineer approaches in furniture design.

Later recognised for his work in interior and furniture design, Charles Locke Eastlake (1833 1906) had shown early promise in making architectural drawings, and he was awarded a silver medal in 1854 by the Royal Academy. His passion for Gothic style developed during a tour of Europe in the late 1850s, and his History of the Gothic Revival (1872) is also reissued in this series. Focusing on interior design, the present work was published in 1868 and influenced the style of later nineteenth-century 'Modern Gothic' furniture. It contains many illustrations of Eastlake's own designs for furniture, tiles and wallpaper, including colour plates which can be viewed online at www.cambridge.org/9781108075343. The book moves from the street into the home and then from room to room, finishing with chapters on crockery, cutlery, glassware, and dress and jewellery. It gives a fascinating insight into the late Victorian taste for the medieval, also fostered by the Arts and Crafts movement."

After the success of his richly illustrated Encyclopaedia of Cottage, Farm, and Villa Architecture and Furniture (1833), which is also reissued in this series, the landscape gardener John Claudius Loudon (1783 1843) received a great deal of correspondence from interested readers. This prompted him and the Encyclopaedia's contributors to publish this supplement in 1842. Loudon and his colleagues had continued to study a range of rural buildings - from homes to farms and schools - in England and Scotland, while at the same time receiving architectural designs and detailed letters from North America and Australia. The supplement draws on this wealth of material to discuss developments in the use of building materials as well as innovations in design. The focus is on cottages, farms, pubs, schools and almshouses. Construction methods and furnishings are also discussed. As with the volume it supplements, this work contains a plethora of detailed illustrations."

Svelte and seductive, the Spine chair, shown on the cover of this book, is one of the most renowned objects in contemporary design. Its creator, Andre Dubreuil, after initially pursuing a career of antique dealer and a painter-decorator, became one of the leading figures of new English design in the mid-1980s, with Mark Brazier-Jones and Tom Dixon. After first working his magic on the rebar, Dubreuil tackled traditional forms, breathing new life into them. This return to citation, ornament, and to "craftsmanship" was carried out without qualms. For him, invention is what counts above all. The history of styles has never caught hold of him because he does not know where his craft will lead tomorrow. It is a craft which, through random experimentation, has been the catalyst for 400 enigmatic furniture objects from 1985 to today: chairs, chests of drawers, mirrors, cabinets, clocks, lanterns, etc. in which dreams, invention and mystery prevail over function.

taken specially for Conran Octopus by Si mon lee: 28 below, 29 below, 37 above, 44 I: TElEPHONES above, 45, 46 below, 53 below, 65 below. AND PENS 23 We would like to thank the following for their cooperation: The Conran Shop Cousins Design, New York Design Museum Environment Bridget Kinally Lisa Krohn and Tucker 2: DESK Veimeister, Smart Design, New York ACCESSORIES 3S Lefax Plus Corporatlon, Tokyo SCP Seccose, Milanfldeas for Llving, London Every effort has been made to trace the copyright holders and we apologize in advance for any 3:0FFICE unintentional omission and would be pleased to insert the MACHINES 49 appropriate acknowledgment in any subsequent edition of this publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers who answered queries and 4: FURNITURE AND searched through their archives, the supportive and professional lIGHTING 61 staff at Conran Octopus and Sir Terence Conran for his personal mterest and guidance. NOTE TO READER Names of objects and designers printed in roman or bold type BIOGRAPHIES 72 denote that a photograph of the object or a biography of the designer can be found elsewhere In the book. INDEX 80 6 HOME OFFICE WORK/NG FROM HOMf Working from home is on the increase in Europe and North Americo. A convergence of new technologies, economic changes and social demands is dramaticolly reshaping the living patterns which have dominated much of the twentieth centu

More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designer. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact; each element reflects the stylistic consciousness of an era. From Gerrit Rietveld and Alvar Aalto to Verner Panton and Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the history of the chair is so complex that it requires a comprehensive encyclopedic work to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. Early designers and pioneers of the modern chair are presented alongside the most recent innovations in seating. This dedicated compendium displays each chair as pure form, along with biographical and historical information about the pieces and their designers. An illuminating tome for design aficionados and an essential reference for collectors! About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

If you like the natural, rustic look in your home and want to make furniture and home accessories to suit, then look no further: this comprehensive, step-by-step guide tells you all you need to know to make a range of stunning pieces for inside and out using wood sourced from pallets. 20 step-by-step projects for both indoor and outdoor projects suitable for DIY novices, using simple tools and techniques environmentally friendly, inexpensive and trendy! projects include corner sofa, boot rack, coffee table, headboard, mirror, dog bed and more! Pallet Craft contains concise step-by-step instructions and clear photographs to guide you from start to finish. There's advice on sourcing pallet wood, instructions on how to dismantle pallets safely and easily, plus a tools and other materials section to make sure you have everything you need.

Luke Hughes & Company's enduring and meticulously engineered furniture, an eloquent response both to the architecture it inhabits and to the true Arts and Crafts spirit, has been placed at the forefront of the 'craft-led renaissance in British manufacturing.' Flexible in use, commercially viable and environmentally sustainable, the work furnishes many of the world's most distinguished buildings, from Westminster Abbey, the Tower of London and most of the Oxford and Cambridge University colleges to the Keystone Academy in Beijing and one of New York City's most vibrant synagogues. Through an introduction to the studio and 25 case studies, Furniture in Architecture explores the company's place in the Arts and Crafts tradition and examines the philosophy and work of founder Luke Hughes. Aidan Walker sheds light on how the studio balances modern manufacturing technologies with abiding craft values, rendering the small furniture workshop a relevant and profitable proposition even when fulfilling large-scale commissions. This fascinating survey defines the elements of successful design and addresses the meaning of craft and craftsmanship in the digital age.

Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1000 lights. Presented chronologically by decade are the 20th century's most interesting electric lights, from Tiffany's beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here-Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and Contemporary-in 640 pages of truly illuminated works. This definitive reference work is a must-have for collectors and design fans. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

When you step into the headquarters of the Republic of Fritz Hansen in Allerod, northwest of Copenhagen, you are breathing in the spirit of a company that has made design history. The showroom, which is a mecca for design and architecture students, displays pieces that have become icons: the Series 7 chair, the Swan lounge chair, the Lissoni sofa. Again and again, the Danish furniture maker has teamed up with big-name visionary designers including Arne Jacobsen, Poul Kjaerholm and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to the core values of Fritz Hansen-creativity, the finest craftsmanship, and careful attention to even the smallest details-the company has succeeded in placing its product into humanity's collective consciousness as well as the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford's venerable St. Catherine's College, New York's Museum of Modern Art, and in private homes all over the world. With over 150 breathtaking photos, this thoughtfully-designed coffee table book tells you about the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building and spur the imagination of the people who live there. After closing this book, you'll have a wealthy of new creative ideas and realise that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto: "Crafting Timeless Design."

As featured in Bookforum, ELLE Decor, and Interior Design Magazine The first and only monograph on the life and work of the iconic Danish-American mid-century furniture designer Jens Risom - an unsung hero of Mid-Century Modern design Jens Risom, a key figure in mid-century modern design, was one of the first designers to introduce Scandinavian design to the United States and his highly collectible original work is currently selling for large sums at auction. In 1942, Risom's designs formed the majority of the inaugural collection of original furniture for the iconic Hans Knoll Furniture Company and many of his key pieces are still in production today, by leading manufacturers including Knoll, Design Within Reach, De Padova, Camira, and Ralph Pucci. This, the first authoritative biography of Risom, spans his education in Denmark, early collaborations with Georg Jensen and Hans Knoll, the creation of his own company - Jen Risom Design - his celebrated prefab house on Block Island, RI, as well as his legacy and presence in the 21st century. With unique access to a plethora of never-before-seen sketches, photographs and ephemera, this book proves, as the immortal slogan in his iconic ad campaign shot by Richard Avedon tells us, 'The answer is Risom'.

This stylish publication celebrates the impact of contemporary Nordic style on interiors, furnishings and product design. Its attractiveness lies in the simplicity, attention to detail and high quality of materials that have long been associated with Scandinavian design. This book features fifty notable interior and product designers from Sweden, Norway, Denmark, Iceland and Finland. Whether they are well established or up and coming, the designers all share a passionate commitment to an elegant design style with widespread international appeal. New Nordic Design builds on the success of the author's earlier Fashion Scandinavia, in the same format, while also being completely new with great potential to reach a wide, global audience for whom Scandinavian living is a dream and an aspiration.

Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just 20 years of work, an absolutely innovative world view, placing man and his life at the centre of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalogue raisonne of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology. Text in English and Italian.

Green Wood Chairs is both an inspirational and practical book featuring the author's naturally graceful work and projects. The book projects, inspired by Shaker design and the magic of the West Cork landscape, range from stools and small tables to a full size rocking chair, using natural branch wood and stems, which can be gathered oneself and made using basic tools. Includes a gallery showcasing the stylish work of an array of Irish chairmakers. The author, Alison Ospina, has been making furniture from unseasoned wood for more than ten years. She has taught a vast number of students to make attractive, robust chairs, stools and tables using tools and techniques she has evolved and developed in her workshop over the years.

In recent years, there has been a real revival and appraisal of the works of the mid-century modern movement among architects and interior designers: the furniture, lighting and objects designed by Alvar Aalto, Charles & Ray Eames, Eileen Gray, Poul Henningsen, Arne Jacobsen, Pierre Jeanneret, Finn Juhl, Vladimir Kagan, Poul Kjaerholm, Florence Knoll, Le Corbusier, Ludwig Mies van der Rohe, Borge Mogensen, Serge Mouille, George Nakashima, George Nelson, Verner Panton, Ico Parisi, Charlotte Perriand, Gio Ponti, Jean Prouve, Sergio Rodrigues, Jean Royere, Eero Saarinen, Arne Vodder, Jules Wabbes, Ole Wanscher, Hans J. Wegner, Jorge Zalszupin and many others is integrated in their most exclusive projects and their best pieces are sold at record prices at Christies, Philipps, Sotheby's... In the U.S., the mid-century modern movement in interiors, product and graphic design and architecture was a reflection of the International and Bauhaus movements including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe. Brazilian and Scandinavian architects were very influential, with a style characterised by clean simplicity and integration with nature. In Europe, the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by the Scandinavian Moderns and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects and the movement known as New Brutalism. This chic, over-sized coffee table book is an essential object for all mid-century design aficionados, interior designers with a passion for the modernist 1950s and for refined readers seeking inspiration for their own interiors. In 20 reports, interior designers and passionate collectors of mid-century furniture, lighting, objects and artworks show how carefully selected touches of high-end mid-century modernism can contribute to a unique living environment.

Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.

The ultimate collector's resource, including hundreds of pieces by both well- and lesser-known designers from around the world. From armchairs and chaises longues to cabinets and nightstands, the period between the late 1930s and early 1970s was one of the most productive, inventive and exciting eras for objects and furniture in the home. Post-war optimism combined with new manufacturing methods and material techniques to create an explosion of new design and objects of desire. The appetite for mid-century modern remains as strong as ever, both for classic designs - many still in production since they were launched - and for rare, hard-to- find or out-of-production pieces from lesser-known designers. While numerous books surveying mid-century modern style have appeared over the years, no publication has been specifically conceived for the increasing collector's market in mid-century modern design, focusing on each piece of furniture as an object of formal invention, manufacturing intelligence and material innovation. This definitive book profiles hundreds of pieces in a substantial format perfect for reference in design libraries, studios and the homes of private collectors - or as an object of design in its own right. Each item of furniture is presented in detail, illustrated in colour and profiled via in-depth descriptive texts by Dominic Bradbury. The book's substantial reference section includes essays on materials (eg, plywood) and designer profiles. Work by a host of influential talents is profiled throughout, alongside lesser-known pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander Girard.