Get out in your garden and discover the history hidden in the hedges. Did the Romans have rakes? Did the monks get muddy? Did potatoes seem really, really weird when they arrived on our shores? Drawn from Jenny Uglow's own love for plants, this lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for ornamental grasses and 'outdoor rooms' today. Tracking down the ordinary folk who worked the earth - from weeding women to florists - as well as aristocrats and grand designers and famous plant-hunters, A Little History of British Gardening is brought to life by gorgeously vivid illustrations and Uglow's insightful wisdom. Not only dealing with flowery meads, grottoes and vistas, landscapes and ha-has, parks and allotments, Uglow explains, for example, how the Tudors made their curious knots; how housewives used herbs to stop freckles; how the suburbs dug for victory in World War II. With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a crisp, winter's day out - but also to read in your armchair with a well-earned glass of red, after a hard day's graft in your own garden. 'Enchanting, stirringly evocative and fascinating' Daily Mail 'This book will be a joy for any gardener' Independent

The earliest record of an enclosed space around a homestead come from 10,000 BC and since then gardens of varying types and ambition have been popular throughout the ages. Whether ornamental patches surrounding wild cottages, container gardens blooming over unforgiving concrete or those turned over for growing produce, gardens exist in all shapes and sizes, in all manner of styles. Today we benefit from centuries of development, be it in the cultivation of desirable blossom or larger fruits, in the technology to keep weeds and lawn at bay or even in the visionaries who tore up rulebooks and cultivated pure creativity in their green spaces. George Drower takes fifty objects that have helped create the gardening scene we know today and explores the history outside spaces in a truly unique fashion. With stunning botanical and archive images, this lavish volume is essential for garden lovers.

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

In the past two years Frederik Meijer and his curator Joe Becherer have assembled a significant private collection of large outdoor sculpture, which is available for public viewing at the Frederik Meijer Gardens in Grand Rapids. This beautiful book presents more than 100 color illustrations, with details of many of the sculptures within the collection.

Recognized by both the art world and the general public, this garden has a diverse landscape of artwork from sculptors such as Rodin, Fredericks, Haring, di Suvero, Moore, Maillol, Hepworth, Dine, Haring, and others. Using more well known materials such as bronze and stainless steel as well as unusual materials like industrial porcelain, the artists provide the garden with many exciting visuals that the book will allow readers to bring home.

A brief history describes the development of the sculpture park. Biographies of the artists whose art grace this private collection are included, which serves to broaden the viewer's understanding of the pieces. Attention is given both to the artists' development of their craft and to the part each sculpture plays in the garden as a whole.

A captivating journey to uncover the essence of wilderness, by one of this country's most original nature writers. In The Wildest Place on Earth Mitchell sets out on a journey to uncover the essence of wilderness. Instead of traveling to remote, untamed parts of the world, Mitchell ends up exploring the green realms of his childhood and the gardens of Italy. He is pulled inward and toward home, back to what Thoreau called "contact"--an abiding, enduring, and daily connection with the world. He comes to realize that the wildest place may be right in his own backyard.A Merloyd Lawrence Book

Oft quoted but seldom credited,Charles Dudley Warner’s My Summer in a Garden is a classic of American garden writing and was a seminal early work in the then fledgling genre of American nature writing. Warner—prominent in his day as a writer and newspaper editor—was a dedicated amateur gardener who shared with Mark Twain, his close friend and neighbor, a sense of humor that remains deliciously fresh today.

In monthly dispatches, Warner chronicles his travails in the garden, where he and his cat, Calvin, seek to ward off a stream of interlopers, from the neighbors’ huge-hoofed cows and thieving children, to the reviled, though “propagatious,” pusley weed. To read Warner is to join him on his rounds of his beloved vegetable patch, to feel the sun on his sore back, the hoe in his blistered hands, and yet, like him, never to lose sight of “the philosophical implications of contact with the earth, and companionship with gently growing things.”

This Modern Library edition is published with an extensive new Introduction by Allan Gurganus, author of Oldest Living Confederate Widow Tells All and The Practical Heart.

From the internationally acclaimed Czech writer Karel Capek comes this beautifully written and marvelously apt account of the trials and tribulations of the gardener’s life. First published in Prague in 1929, The Gardener’s Year combines a richly comic portrait of life in the garden, narrated month by month, with a series of delightful illustrations by the author’s older brother and collaborator, Josef. Capek’s gardeners—all too human, despite their lofty aspirations—often look the fool, whether they be found sopping wet, victims of the cobralike water hose, or hunched over, hands immersed in the soil, “presenting their rumps to the splendid azure sky.” In their repeated folly, Capek gives us not only cause for laughter but also, in the end, “testimony of the imperishable and miraculous optimism of the human race.”

This Modern Library edition is published with a new Introduction by Verlyn Klinkenborg, a New York Times editorialist and the author of Making Hay and The Last Fine Time.

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&t publishing.

The Emma Bridgewater factory in Stoke-on-Trent is a mecca for lovers of its iconic pottery; but tucked within is a walled garden bursting with nectar-rich, jazzy-toned flowers and rare-breed chickens. This is where Arthur Parkinson - gardener, florist and poultry keeper - used to work his magic. Inspired by his friend, gardener and florist Sarah Raven, and childhood hen-keeping pen pal the late Dowager Duchess of Devonshire, Parkinson's domain was one of resplendent flowers, platoon feather-legged hens, handwritten blackboards, flower arranging and wasteland foliage foraging - all carried out in one of the most unlikely places a garden could happen to exist: a working pottery.

Humans have long turned to gardens--both real and imaginary--for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.
With "Gardens," Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt--all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.
Alive with the echoes and arguments of Western thought, "Gardens" is a fitting continuation of the intellectual journeys of Harrison's earlier classics, "Forests" and "The Dominion of the Dead," Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of thatresponsibility--and its enduring importance to humanity. "I find myself completely besotted by a new book titled "Gardens: An Essay on the Human Condition," by Robert Pogue Harrison. The author . . . is one of the very best cultural critics at work today. He is a man of deep learning, immense generosity of spirit, passionate curiosity and manifold rhetorical gifts."--Julia Keller, "Chicago"" Tribune""" "This book is about gardens as a metaphor for the human condition. . . . Harrison draws freely and with brilliance from 5,000 years of Western literature and criticism, including works on philosophy and garden history. . . . He is a careful as well as an inspiring scholar."--Tom Turner, "Times Higher Education""" "When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight. Having spent the subsequent 30 years in the febrile world of academic Lit. Crit. . . . I'm not sure that I'd sell my shirt for any living critic. But if there had to be one, it would unquestionably be Robert Pogue Harrison, whose study "Forests: The Shadow of Civilization," published in 1992, has the true quality of literature, not of criticism--it stays with you, like an amiable ghost, long after you read it. "Though more modest in scope, this new book is similarly destined to become a classic. It has two principal heroes: the ancient philosopher Epicurus . . . and the wonderfully witty Czech writer Karel Capek, apropos of whom it is remarked that, whereas most people believe gardening to be a subset of life, 'gardeners, including Capek, understand that life is asubset of gardening.'"--Jonathan Bate, "The Spectator""" ""

Almost 100 authentic dishes recall in food and drink the true flavours of Ireland. It includes classic recipes such as baked salmon and soda bread stand alongside the Irish specialities of Tyrone roast goose and carrageen jelly. Numerous fish and vegetable recipes are complemented by a diverse range of traditional cakes, puddings and centuries-old folk remedies. This is a charming and practical souvenir of Irish life.

From the sacred groves of Ancient Greece, to the secluded outside rooms of Sissinghurst, this work is a history of secret gardens. A wide variety of secret gardens is explored, from intimate retreats to treehouses, caves and grottoes. Five case studies demonstrate how design principles can be turned into reality. Practical advice, from planting to the skilful use of water and ornaments, aim to help the reader realize the potential of their own garden. A comprehensive plant directory is included.

This text contains papers presented at a conference organized by the RCME and the Garden History Society. The book examines the vanished parks of various periods, and explores a broad range of themes. These include the merits of different fieldwork techniques, the preservation of pre-emparkment features, the use and re-use of garden and parkland landscapes, and the changes wrought in different chronological periods at both regional and national level.

'Delightful... The Hidden Horticulturists pulsates with the extraordinary energy and excitement of the time.' Daily Mail Chosen as one of the Sunday Telegraph's 'Top Ten Gardening Books of the Year' _____________________ The untold story of the remarkable young men who played a central role in the history of British horticulture and helped to shape the way we garden today. In 2012, whilst working at the Royal Horticultural Society's library, Fiona Davison unearthed a book of handwritten notes that dated back to 1822. The notes, each carefully set out in neat copperplate writing, had been written by young gardeners in support of their application to be received into the Society's Garden. Amongst them was an entry from the young Joseph Paxton, who would go on to become one of Britain's best-known gardeners and architects. But he was far from alone in shaping the way we garden today and now, for the first time, the stories of the young, working-class men who also played a central role in the history of British horticulture can be told. Using their notes, Fiona Davison traces the stories of a selection of these forgotten gardeners whose lives would take divergent paths to create a unique history of gardening. The trail took her from Chiswick to Bolivia and uncovered tales of fraud, scandal and madness - and, of course, a large number of fabulous plants and gardens. This is a celebration of the unsung heroes of horticulture whose achievements reflect a golden moment in British gardening, and continue to influence how we garden today.

One January morning in 1734, cloth merchant Peter Collinson hurried down to the docks at London's Custom House to collect cargo just arrived from John Bartram, his new contact in the American colonies. But it was not reels of wool or bales of cotton that awaited him, but plants and seeds...
Over the next forty years, Bartram would send hundreds of American species to England, where Collinson was one of a handful of men who would foster a national obsession and change the gardens of Britain forever, introducing lustrous evergreens, fiery autumn foliage and colourful shrubs. They were men of wealth and taste but also of knowledge and experience like Philip Miller, author of the bestselling Gardeners Dictionary," "and the""Swede Carl Linnaeus, whose standardised botanical nomenclature popularised botany as a genteel pastime for the middle-classes; and the botanist-adventurer Joseph Banks and his colleague Daniel Solander who both explored the strange flora of Tahiti and Australia on the greatest voyage of discovery of modern times, Captain Cook's "Endeavou"r.
This""is the story of these men - friends, rivals, enemies, united by a passion for plants - whose correspondence, collaborations and squabbles make for a riveting human tale which is set against the backdrop of the emerging empire, the uncharted world beyond and London as the capital of science. From the scent of the exotic blooms in Tahiti and Botany Bay to the gardens at Chelsea and Kew, and from the sounds and colours of the streets of the City to the staggering vistas of the Appalachian mountains, The Brother Gardeners""tells the story how Britain became a nation of gardeners.

"From the Hardcover edition."

To some, trees are green monuments; emerald cathedrals that augment our landscape and bewitch us with their folklore; to others they are vital for survival, providing shade, food, fuel and medicine. Indeed, Britain's own history is entangled with the oak, yew, ash, and other trees that clothe our countryside and it was not so long ago that we used them for everything from weapons to water carriers. The world of trees is an immensely diverse and vitally important one. Kew holds over 14,000 trees in its 132 hectares: a unique mix of the rare, ancient, useful and beautiful. In Kew's Big Trees you can discover how one of the world's best tree collections came to be; learn the stories behind 20 of its most intriguing trees and find out just why trees are so important to us all.

Tassonomica faces how the need for understanding nature has historically shaped our conception of garden. From their very origin, gardens have always beared an ideal tension between knowledge and pleasure, resulting in the archetypes of the botanical garden and the garden of pleasure. Botanical Garden was born, specifically, as an actual euristic instrument to order, classify and preserve living beings by means of spatial separation. Even if humanity have underwent a journey of dematerialisation of knowledge, still space is the most powerful instrument for the comprehension of reality.

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts. New evidence derived from archaeology and fresh analysis of literary and visual sources revises our perspective, reminding us that these garden cultures were varied and diverse, yet connected through ritual, trade, conquest, and cultural practices in ways we are only beginning to define. A Cultural History of Gardens in Antiquity presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issue of meaning, verbal and visual representations of gardens, and the relationship of gardens to the larger landscape.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialization and urbanization, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for survival. Gardens were therapeutic environments regarded as civilizing, socializing and assimilating institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considered works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities. A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Foreword by Alan Titchmarsh For more than 45 years Hugh Johnson has written Trad's Diary, delighting in recording his observations of his own garden, as well as many others, and of the wider natural world. Free to turn his attention to whatever is happening in that season, or simply something that piques his interest, his subjects are as diverse as the sounds of water, forest walks, the names of roses, the taste for shade he shares with Handel, the colours of autumn, the smell of rain, the private garden discovered within Beijing's Forbidden City or the first crocuses of spring. Month by month, Hugh shares with the reader through his easy, evocative writing an eclectic mix of thoughtful, topical and whimsical insights that will delight not only gardeners but anyone with an interest in nature in all its costumes.

Fifty-two of Maryland's public gardens and natural parks are showcased in this book, with descriptions of their horticultural highlights and histories and nearly 240 color photos illustrating their magnificence. Included are 13 historic sites with extraordinary gardens, such as early settlements, plantations, and Gilded Age homes. Maryland is the state that has been given the name "America in Miniature," since almost all types of natural features can be found in its coastal, piedmont, and mountainous terrains. The diverse topography produces an abundance of beautiful gardens and many natural or untamed parks. This book is a must-have for anyone who loves gardens or historical homes, as well as those looking for a keepsake of the great state of Maryland.

The Hive was the centrepiece of the gold medal winning UK Pavilion at the 2015 Milan Expo, and from June 2016 takes up its new home within Kew Gardens. Soaring 17 metres in the air, designed by Wolfgang Buttress and created by BDP, Simmonds Studio and Stage One, The Hive is an immersive, multi-sensory experience inspired by ground-breaking UK scientific research into the health of bees. Showcasing British creativity, innovation and leadership in overcoming global challenges, this magnificent aluminium structure draws visitors into the space via a wildflower meadow, as though they are worker bees returning to the hive. Hundreds of glowing LED lights bring this 40 tonne lattice structure to life, while a beautiful symphony of orchestral sounds fills the air, with an atmospheric undercurrent of buzzes and pulses. Triggered by vibration sensors within a real beehive, the sound and light intensity within the pavilion increases as the energy levels in the living hive surge, giving visitors an incredible insight into the ever-moving life of a bee colony.The Hive at Kew is a beautifully illustrated celebration of this fascinating project. The book is divided into three sections, with James Haldane, Design Editor for The Architectural Review focusing first on the origins and the architecture of the Hive and its creation led by artist Wolfgang Buttress. The central body of the book focusses on the immersion of the Hive at Kew and the surrounding wildflower meadow designed to attract a variety of bees. This section includes features on the team behind the Hive, as well as Kew's horticultural experts. Finally, Martin Bencsik of Nottingham Trent University and Kew's Phil Stephenson explain the pioneering research into bee health and communication that inspired the Hive, and how Kew is working to help bees in their vital role as pollinators. Beautifully illustrated throughout with photographs of the Hive itself, its construction, and the wildflower meadow surrounding it, as well as architectural plans of the structure.