The Florilegium Society at The Royal Botanic Gardens Sydney was formed in 2005 to create a unique collection of contemporary botanical paintings of significant plants that represent the history of the living collections of the Royal Botanic Gardens and Domain Trust. This beautifully produced book is a celebration of 200 years of the Royal Botanic Gardens, Sydney, showcasing the botanical richness of these Gardens through the eyes of 64 exceptional Australian and international botanical artists. The stunning botanical paintings are presented chronologically according to the date of each species' introduction to the Royal Botanic Garden, Sydney and its Blue Mountains Garden, Mt Tomah and the Australian Garden, Mt Annan. With paintings of indigenous Australian plants as well as more exotic species from Asia, the Americas, Africa and Europe, The Florilegium truly reflects the diversity of the three Gardens. Each painting is accompanied by a botanical description written by Louisa Murray and a historic overview by Colleen Morris detailing the discovery of the featured species, its historic and cultural significance and introduction to the Gardens. With a foreword by Dr Shirley Sherwood OBE, preface by Dr Brett Summerell, RBG Sydney Director of Science and Conservation, and an introductory essay by Beverly Allen. The accompanying exhibition of the same name runs from February - August 2018 in the Shirley Sherwood Gallery of Botanical Art, Royal Botanic Gardens, Kew. 'The standard of the plant portraits is so high and the text so illuminating that this will make a memorable book.' Dr Shirley Sherwood OBE

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts. New evidence derived from archaeology and fresh analysis of literary and visual sources revises our perspective, reminding us that these garden cultures were varied and diverse, yet connected through ritual, trade, conquest, and cultural practices in ways we are only beginning to define. A Cultural History of Gardens in Antiquity presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issue of meaning, verbal and visual representations of gardens, and the relationship of gardens to the larger landscape.

Treasures of Botanical Art reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre. 'Two of the best botanical minds come together in this beautifully illustrated book...the illustrations, from the Kew Collection, are breath-taking and the text wonderfully informative'. Oxford Times 'This book is a tribute both to Shirley Sherwood and to Kew, and should be bought by everyone with an interest in botanical illustration'. Curtis's Botanical Magazine

Hybrid Drawing Techniques: Design Process and Presentation reaffirms the value of traditional hand drawing in the design process by demonstrating how to integrate it with digital techniques; enhancing and streamlining the investigative process while at the same time yielding superior presentation images. This book is a foundations guide to both approaches: sketching, hardline drawing, perspective drawing, digital applications, and Adobe Photoshop; providing step-by-step demonstrations and examples from a variety of professional and student work for using and combining traditional and digital tools. Also included are sections addressing strategies for using color, composition and light to further enhance one's drawings. An eResource offers copyright free images for download that includes: tonal patterns, watercolor fields, people, trees, and skies.

Tucked inside venerable museums, perched on rooftops, concealed behind sleek midtown facades, and waiting beyond unassuming gates you may have passed a hundred times, if you know where to look, remarkable gardens welcome visitors in almost every corner of New York City. From the windy bluffs of The Heather Garden in Fort Tryon Park to the bold, contemporary Gantry Plaza State Park in Hunters Point, Queens, to the innovative, recently-opened High Line, this pocket-sized guide tells the stories of more than 100 gardens in New York City's boroughs. In addition to presenting the flora and fauna of New York's urban fabric, it also chronicles the history, events, and personalities behind the green spaces visited by generations of New Yorkers. More than 50 color photos showcase the gardens, with each garden entry offering complete visitor information, clearly-labeled maps of each borough or region, and lively anecdotes sprinkled throughout. Praise for the First Edition: "[A] beautiful and instructive guide to 100 gardens (the number du jour) in the five boroughs, as delightful as it is petite." -Verlyn Klinkenborg "Find a green oasis near you in the new Garden Guide: New York City . . . The beautifully photographed, pocket-sized book covers more than 100 public gardens . . . these horticultural escapes . . . will make you breathe a little easier." -Time Out New York "[This] guide can be used to find a refuge from the concrete . . . [and] help New Yorkers find the riches that are theirs in this great city." -Urban Outdoors

Parametric Design for Landscape Architects provides a sequence of tutorial-based workflows for the creation and utilization of algorithmic tools calibrated toward the field of landscape architecture. Contemporary practice and projective theory in landscape architecture require the processing and design of data associated with complex systems to adequately represent composite, emergent scenarios. Aligning to both traditional and nascent processes of analysis and digital modeling, this book unpacks and decodes the characterization of algorithmic-based automation, leveraging software that is widely accessible in both academia and professional practice. Curated throughout are workflows that apply to a multiplex of computation programs that widely support the design, analysis, and production of landscapes, primarily concentrated on digital modeling tools Grasshopper and Rhinoceros. It is a much-needed, visually accessible resource to aid in more efficient understanding and creation of tools that automate and re-examine traditional calculations, analyses, drawing standards, form-finding strategies, fabrication preparations, and speculative assessments/simulation. This primer provides professionals and students with multifaceted skill-sets that, when applied in practice, expand and expedite conventional and speculative design workflows applicable to spatial design, and more specifically landscape architecture. The book includes over 200 full-colour drawings, images, and tables to illustrate and support examples throughout.

--fully illustrated in color addressing parks in 30 major international cites including St. Petersburg, Dublin, New York City, Gothenburg, Rio de Janeiro, Mexico City, London, Mumbai, Brisbane, Toronto, Amsterdam, Tokyo, and Barcelona, to name a few

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turner's books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits http://www.gardenvisit.com/history_theory/british_gardens_companion

Cassiobury Park has an incredible history. Not only is it one of the remnants of the greatest lost estates in the country, it is now one of the most popular parks in the country and locally is the largest park in Hertfordshire, and the principal park of its primary town, Watford. It covers an impressive area which is twice the size of Hyde Park in London. Arthur Capel was made the Earl of Essex and in time moved to Cassiobury. The Capels had a major impact on Cassiobury. By 1800, the 5th Earl of Essex employed noted and respected architect James Wyatt to rebuild his house. Successive landscape gardeners were employed here, from Moses Cook to Humphry Repton, with the landscape captured by J. M. W. Turner on visits to Cassiobury. By 1881, the parkland was already well established with fine trees, woodland walks, with many deer in the park, often traded with the royal deer parks at Richmond, Bushy and Windsor Great Park. By the beginning of the twentieth century, decline had set in and large areas of the park had been sold off to Watford Borough Council for public parkland - the beginnings of the public park we know today. Cassiobury Park: The Postcard Collection takes the reader on an evocative journey into the park's rich past through a selection of old postcards that offer a fascinating window into its history and continuing development.

An unprecedented in-depth look at the English garden by one of Britain s foremost garden writers and authorities, this book showcases the enduring appeal of the English garden whose verdant lawns and borders of colorful plants are the inspiration for garden lovers worldwide. Kathryn Bradley-Hole the longtime garden columnist for Country Life takes a fresh look at more than seventy gardens from across England and distills the essence of what makes the English garden style so sought after. Seasonal photographs capture the gardens some grand, some personal, some celebrated, some rarely photographed at their finest moments, accompanied by sparkling, insightful text. Featuring photographs from the unparalleled archives of Country Life, the full story of the English garden is here, from medieval monastery gardens to the Victorians and the Arts and Crafts movement to the twenty-first century. Designs by many of the horticultural world s greats are amply featured, including Gertrude Jekyll, Capability Brown, Piet Oudolf, and Arne Maynard, as well as gardens famous the world over Sissinghurst, Hidcote, and Great Dixter alongside new and less-well-known ones, many open to the public.

The Hive was the centrepiece of the gold medal winning UK Pavilion at the 2015 Milan Expo, and from June 2016 takes up its new home within Kew Gardens. Soaring 17 metres in the air, designed by Wolfgang Buttress and created by BDP, Simmonds Studio and Stage One, The Hive is an immersive, multi-sensory experience inspired by ground-breaking UK scientific research into the health of bees. Showcasing British creativity, innovation and leadership in overcoming global challenges, this magnificent aluminium structure draws visitors into the space via a wildflower meadow, as though they are worker bees returning to the hive. Hundreds of glowing LED lights bring this 40 tonne lattice structure to life, while a beautiful symphony of orchestral sounds fills the air, with an atmospheric undercurrent of buzzes and pulses. Triggered by vibration sensors within a real beehive, the sound and light intensity within the pavilion increases as the energy levels in the living hive surge, giving visitors an incredible insight into the ever-moving life of a bee colony.The Hive at Kew is a beautifully illustrated celebration of this fascinating project. The book is divided into three sections, with James Haldane, Design Editor for The Architectural Review focusing first on the origins and the architecture of the Hive and its creation led by artist Wolfgang Buttress. The central body of the book focusses on the immersion of the Hive at Kew and the surrounding wildflower meadow designed to attract a variety of bees. This section includes features on the team behind the Hive, as well as Kew's horticultural experts. Finally, Martin Bencsik of Nottingham Trent University and Kew's Phil Stephenson explain the pioneering research into bee health and communication that inspired the Hive, and how Kew is working to help bees in their vital role as pollinators. Beautifully illustrated throughout with photographs of the Hive itself, its construction, and the wildflower meadow surrounding it, as well as architectural plans of the structure.

2018 marks the bicentenary of the death of Humphry Repton, one of the most important and prolific of English landscape designers. Repton made a particularly significant contribution to the landscape of Hertfordshire, working at no less than eighteen places in the county, ranging in size from great mansions like Cashiobury and Panshanger to more modest 'villas' owned by wealthy businessmen and industrialists, such as Woodhill in Essendon. This book - the fruits of many years of research by members of the Hertfordshire Gardens Trust Research Group - describes in detail all of these commissions, assessing in each case the extent to which Repton's ideas were actually implemented and how much survives of them on the ground today. Particular attention is given to those places for which Repton prepared one of his famous 'Red Books', such as Tewin Water, Lamer House, New Barnes and Wall Hall. But sites where Repton's contribution is less well documented are also discussed, including Organ Hall and Hilfield House in Aldenham, Cashiobury Park and The Grove in Watford, Brookmans Park, Bedwell Park, Wyddial Hall, and Marchmont House in Hemel Hempstead. In all cases, the book presents complete transcriptions of all the key documents relating to Repton's activities, including the full text of seven Red Books. The introductory essay by Tom Williamson sets Repton's activities in Hertfordshire within the wider context of his career, and also shows how his work in the county can cast important new light on his style, and on its economic, aesthetic and ideological implications. Profusely illustrated in colour with reproductions of all the Red Book watercolours, together with extracts from contemporary estate maps, sketches and other material, this scholarly yet readable volume will be of considerable interest to garden historians, landscape historians, and all those interested in Hertfordshire's rich historic heritage.

The Enlightenment raised fundamental questions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature. A Cultural History of Gardens in the Age of Enlightenment presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out. A Cultural History of Gardens in the Renaissance presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first. New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the center of both designers and users. A Cultural History of Gardens in the Modern Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

A Japanese garden is immediately distinct to the eye from the traditional gardens of an English manor house, just as the manicured topiaries of Versailles contrast with the sharp cacti of the American Southwest. Though gardening is beloved the world over, the style of gardens themselves varies from region to region, determined as much by culture as climate. In this series of illustrated essays, John Dixon Hunt takes us on a world tour of different periods in the making of gardens. Hunt shows here how cultural assumptions and local geography have shaped gardens and their meaning. He explores our continuing responses to land and reworkings of the natural world, encompassing a broad range of gardens, from ancient Roman times to early Islamic and Mughal gardens, from Venetian gardens to Chinese and Japanese gardens, as well as the invention of the public park and modern landscape architecture. A World of Gardens looks at key chapters in garden history, reviewing their significance in past and present and tracing the recurrence of different themes and motifs in the design and reception of gardens throughout the world. A World of Gardens celebrates the idea that similar experiences of gardens can be found in many different times and places, including sacred landscapes, scientific gardens, urban gardens, secluded gardens and symbolic gardens. Well illustrated and wide-ranging, this book is a treasure trove of ideas and inspiration.

This is the third in a series of books celebrating the finest gardens in Britain and follows on from the best-selling 'The Cotswold's Finest Gardens' and 'The Finest Gardens in Wales'. The Finest Gardens of the South West is an inspirational celebration of the very best gardens in the West Country of England, covering an area from Cornwall to the Wiltshire and Hampshire borders. Using informative, evocative text and stunning imagery, garden writer and broadcaster Tony Russell captures the very essence of the fifty finest gardens within this region and explores their history, design, plants and personalities. The diversity of gardens to be found in the South West and within this book is truly astonishing. Within these pages you will find gardens full of subtropical plants, such as Tresco on the Isles of Scilly and Overbeck's in Devon, modern-day creations at The Eden Project and University of Bristol Botanic Garden, historical restorations at The Lost Gardens of Heligan and Hestercombe in Somerset and botanically important gardens such as the Royal Horticultural Society's garden at Rosemoor and Trewithen in Cornwall. All the gardens featured within this book allow public access at some time during each year. The Finest Gardens of the South West is quite simply one of the finest books on the subject and essential reading for anyone interested in visiting and understanding gardens. Just like its predecessors, it will undoubtedly become a best-selling classic, a book that works equally as well on the coffee table or as a faithful companion in the car.

Over the course of the nineteenth century, gardening came to be considered a respectable profession, providing a means to an education, a good chance of advancement and decent working conditions. The hierarchy of the garden staff became just as regimented as that of domestic servants, and progression was attained by hard work, self-improvement and ambition. Training courses and apprenticeships prepared young gardeners for their trade and horticulture became recognised as a skilled profession, with the head gardener commanding a position of influence and respect and women overcoming social barriers to join their peers on equal terms. This book explores the gardening profession within the complexities of Victorian society and the advances in science and technology that pushed the gardener further into the limelight.

A year in the life of a garden. From the stillness of winter, unfurling through spring and summer to the contentment of autumn, this imaginative interpretation of a specific space - a twelve-acre garden within an urban university campus - exposes a secret oasis, full of surprises. This book presents the personal vision of the Artist in Residence at the Harris Garden in the University of Reading. Jenny Halstead captures the seasonal changes, portrays the stages of its renovation, and celebrates its enthusiastic workforce, especially the many volunteers. Accompanied by a history of the garden and an account of its restoration, these paintings and sketches memorialise a place in time.

Gardening became a popular pastime in Victorian Britain with the rise of suburban gardens and a passion for the outdoors. New plant introductions from abroad brought a greater variety of plants, while improvements in technology made gardening more accessible. Gardening books and magazines spread the appeal and debate raged over the merits of colour and order versus wild and natural. The large and impressive gardens of country houses were emulated in suburban settings as the appeal of gardens and gardening spread to the masses, while the creation of public parks introduced green spaces to grey cities.
As with architecture, Victorian gardens underwent a 'battle of the styles', and an exploration of the period reveals contrasting fashions for garish bedding, ornate Italian terracing, naturalistic planting, cool ferneries, colourful parterres, tranquil Japanese water features, and the occasional eccentric embellishment. The characters involved include such Victorian luminaries as John Loudon, Joseph Paxton and Charles Darwin, alongside the garden designers William Nesfield, Charles Barry and William Robinson, plant hunters Joseph Hooker, Robert Fortune and William Lobb, and the influential women Marianne North, Alicia Amherst and Jane Loudon. The pace of change makes the Victorian era of gardens an exciting time of exotic new plants, fiercely competitive head gardeners, impressive glasshouse engineering, strong personalities and contrasting ideals.

Francis Halle examines the human---and even scientific---bias toward animals at the expense of our understanding of plants. Readers will find their ideas about plants fundamentally altered and their appreciation immeasurably enhanced. This is a black-and-white edition.

Finally, for every resident and visitor to the region, a comprehensive guide to the gardens of eastern Pennsylvania, southern New Jersey, and northern Delaware. Magnificently illustrated with nearly 200 full color photographs, A GUIDE TO THE GREAT GARDENS OF THE PHILADELPHIA REGION provides essential information on how to locate and enjoy the finest gardens the area has to offer. As the horticultural epicenter of the United States, Philadelphia and the surrounding towns, suburbs, and countryside are blessed with more public gardens in a concentrated area than almost any other region in the world. Stretching from Trenton, New Jersey through Philadelphia and down to Newark, Delaware, this area (often called the Delaware Valley) offers more horticultural riches than a visitor can possibly see even in a coupl of weeks of hectic garden-hopping. In A GUIDE TO THE GREAT GARDENS OF THE PHILADELPHIA REGION you will find: Detailed coverage of almost 100 gardens Maps to indicate where area gardens are in relation to each other to plan day trip itineraries Key information about each major garden, including hours, fees, time needed for a tour, history, acreage, and special features Over a dozen gardens that have never before been featured in any garden guidebook Arranged by interest, to help guide readers to gardens that will most meet their needs Notations about historical houses, cafes/restaurants, gift shops, and chidren's features at each major garden

This is a time of renewed originality in garden design. The last twenty years have seen a lucky confluence of money and talent lavished on gardening, and the results are surprising, enchanting, sometimes even controversial. The range of possibilities suggested by these thirty-five gardens is extraordinary: from Jacques Wirtz's undulating beech hedges that recede mysteriously into the mist to Penelope Hobhouse's latest interpretation of the traditional English garden, to Martha Schwartz's Texas creation of red, yellow, and pink painted garden rooms. These hidden masterworks of modern gardening are unlocked for us by the authority, experience, and resources of House & Garden magazine. Every page is an invitation to explore landscapes that have never before been seen by the public--and may never be seen again. International in scope and lavish in its production, this book is the last word on the state of design in the garden world.

For readers who like gardening (and love the English language), this posthumous collection of Henry Mitchell's Washington Post "Earthman" columns is "equal parts entertainment and shrewd horticultural advice" (Science News). Henry Mitchell is "beloved for his witty, smart, informed, philosophical, wide-ranging and often wickedly humorous columns" (Detroit Free Press).