The last 30 years have seen a surge in temporary gardens. The flexibility and new challenges invested in non-permanent landscapes has made them a creative and stimulating testing ground for professionals and impromptu designers. Raffaella Sini examines the historical evolution of the genre, exploring theory, narratives, and strategies informing 80 temporary gardens built in France, Germany, Spain, Portugal, Italy, the United Kingdom, Belgium, Switzerland, Sweden, New Zealand, Canada, Singapore, and the United States. Key topics include: * temporary gardens in 1970s avant-garde art and 1980s public art; * temporary gardens as opportunities to work with live processes, practice inclusion, and explore concepts of social justice and ecology; * temporary gardens to redefine the vocabulary of garden design; and * temporary gardens in tactical urbanism. The book comprehensively decodifies the full range of ephemeral gardens: uprooted, mobile, itinerant, movable, postmodern, installation, exhibited, conceptual, theme, pop-up, guerrilla, grassroots, meanwhile, interim, provisional, activist, community, and parklet. Beyond physical duration, time-focused design in gardens affects the entire process of conceiving, building, experiencing, and managing green spaces; using short-term formats, anyone can invent, trial, and experiment in a condensed experience of landscape. The temporary garden emerges as critical cultural ground for the discourse in landscape architecture, art, ephemeral urbanism, and in urban, landscape, and garden design. It is inspirational reading for designers and students alike.

Memory is seldom explored through the experience of geographically mobile, racialized populations. Whilst the relationships between the political value of landscape and national memory have previously been written through, there has been little mention of postcolonial, 'diasporic' racialized citizens. Using both visual and material culture, this book examines the value of 'landscape and memory' for postcolonial migrants living in Britain. It uses memory to examine how postcolonial citizenship in Britain is experienced - through remembered citizenships of 'other' geographies abroad. By reflecting on the cultural landscapes of British Asian women, the book reveals social-historical narratives about migration, citizenship and belonging. New spaces of memory are presented as mobile and as politically charged with meaning as the more formal spaces of memorialization. The book offers a refiguring of race memory as being critical to English heritage and postcolonial politics and makes an important contribution to the writings on memory, race and landscape.

Most landscape architectural designs now include some form of digital representation - but there is much more scope for creativity beyond the standard Photoshop montages. In this new book on representing landscapes, Nadia Amoroso brings together contributions from some of the leading landscape departments in the world to explore the variety in digital illustration methods. In each chapter, leading lecturers, professors and practitioners in the field of landscape architecture explain a specific digital approach with the use of images from their department to show how each technique can be used in inspirational examples. Throughout the book over 200 colour images cover the spectrum of digital representation to help discuss the various drawing types which are invaluable when communicating ideas in the field of landscape architecture. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

Isabel and Julian Bannerman have been described as 'mavericks in the grand manner, touched by genius' (Min Hogg, World of Interiors) and 'the Bonnie and Clyde of garden design' (Ruth Guilding, The Bible of British Taste). Their approach to design, while rooted in history and the classical tradition, is fresh, eclectic and surprising. Designers to the highest in the land, they have made gardens for the Prince of Wales at Highgrove, Lord Rothschild at Waddesdon Manor, the Duke and Duchess of Norfolk at Arundel Castle in Sussex, John Paul Getty II at Wormsley in Buckinghamshire, the great walled garden at Houghton, home of the Marquess of Cholmondeley, and they designed the British 9/11 Memorial Garden in New York. 'Their work of grand architectural gestures, of mock ruins and oaken temples has made them famous. But it is the houses and gardens they have made for themselves that ... eclipse any of these aristocratic delights' (Mary Keen, Daily Telegraph). Their garden at Hanham Court near Bath was acclaimed by Gardens Illustrated as the top garden of 2009, ahead of Sissinghurst. When they moved from Hanham it was to the fairytale castle of Trematon overlooking Plymouth Sound, where they have created yet another magical garden. Landscape of Dreams celebrates, in the Bannerman's inimitable, evocative, humorous and highly personal style, the imaginative and practical process of designing, making and planting all of these gardens, and many more.

*Gold Medal winner in the 2014 IBPA Benjamin Franklin Award for Home & Garden* "Just flipping through the pages of Quiet Beauty: The Japanese Gardens of North America will instantly lower your blood pressure."--The New York Times Book Review Quiet Beauty: Japanese Gardens of North America is an extraordinary look at the most beautiful and serene gardens of the United States and Canada. Most Japanese garden books look to the gardens of Japan. Quiet Beauty explores the treasure trove of Japanese gardens located in North America. Featuring an intimate look at twenty-six gardens, with numerous stunning color photographs of each, that detail their style, history, and special functions, this book explores the ingenuity and range of Japanese landscaping. Japanese gardens have been part of North American culture for almost 150 years. Quiet Beauty is a thought-provoking look at the history of their introduction to the world of North American gardening and how this aspect of Japanese culture has taken root and flourished. Japanese gardens include: Japanese Tea Garden in Golden Gate Park, San Francisco, California Nitobe Memorial Garden, University of British Columbia, Vancouver, British Columbia Japanese Garden, Fort Worth Botanic Garden, Texas Garden of the Pine Winds, Denver Botanic Gardena, Colorado Japanese Garden, Montreal Botanical Garden, Quebec Tenshin'en (The Garden of the Heart of Heaven), Museum of Fine Arts, Boston, Massachusetts Roji'en (Garden of Drops of Dew), The George D. and Harriet W. Cornell Japanese Gardens, The Morikami Museum and Japanese Gardens, Delray Beach, Florida Japanese Friendship Garden of Phoenix, Margaret T. Hance Park, Arizona Garden of the Pine Wind, Garvan Woodland Garden, Hot Springs, Arkansas

Exploration of the New World offered far reaching possibilities for the acquisition of new plants and for trees, but the impact that the introduction of plants from the New World had, and still has, on the English garden is frequently forgotten. Gardens and landscapes were transformed by an influx of American roots and through the past three centuries gardens have displayed important links with the United States of America. The ancestral homes of George Washington, the residence of the American Ambassador in London, the American Museum in Britain and Bletchley Park are of cultural and political importance. Many Dollar Princesses - American heiresses - took an active part in the aristocratic role of garden creation and ex-patriots too, continue to leave a legacy of beautiful gardens. Finally, the book includes memorial gardens of honored Americans: Princess Pocahontas; Mohamet Weyonoman; John F. Kennedy; the Magna Carta Memorial built by the American Bar Association, and at Cambridge, the American Military Cemetery, dedicated to the American Armed Services. American Ancestry in the English Garden is unique in bringing together the story of the first influx of American plant species and an important collection of gardens influenced and/or created by Americans, reflecting social history and often overlooked links between Britain and the United States of America.

This book provides a detailed historical and design analysis of the development of parks and modern landscape architecture in late 20th century China. It questions whether the fusion of international influences with the local Chinese design vocabulary in late 20th century China has created a distinctive and novel approach to the design of public parks. Hybrid Modernity proposes a new theory for examining the design of public parks built in post-Mao China since the reforms and sets the various processes for China's late 20th century socio-cultural context. Drawing on modernization theory, research on China's modernity, local and global cultural trends, it illustrates through a range of case studies ways hybrid modernity defines a new design genre and language for the spatial forms of parks that emerged in China's secondary cities. Featured case studies include the Living Water Park in Chengdu, Sichuan province, Zhongshan Shipyard Park in Guangdong Province, Jinji Lake Landscape Master Plan in Suzhou, Jiangsu province, and the West Lake Southern Scenic Area Master Plan in Hangzhou, Zhejiang province. This book argues that these forms represent a new stage in China's history of landscape architecture. The work reveals that as a new profession, landscape architecture has greatly contributed to China's massive urban experiment. This book is an ideal read for students enrolled in landscape architecture, architecture, fine arts and urban planning programs who are engaged in learning the arts and international design education.

An intriguing and richly illustrated analysis of the symbolic imagery found in gardens throughout history, this work features dedicated mailing to targeted art and gardening related media and organisations. This superbly illustrated volume presents readers with an intelligent and engaging analysis of the constituent elements of gardens - both real and imagined - that uncovers their often-hidden symbolic meanings. It uses over 380 paintings to provide a continuous visual record of the myriad and ephemeral form of the garden, with salient details being drawn to the reader's attention for closer examination. The first half of "Gardens in Art" examines the main types of garden throughout history, from the humble medieval enclosure for devotions, through the magnificent gardens celebrating the power of popes and kings, to the great public parks of the 19th century. The second half focuses on the decorative elements - including topiaries, statues, grottoes, and labyrinths - and discusses how they provide clues to their importance in particular cultures.

The Tropical Hothouse describes over 50 tropical plants, telling the intriguing stories of their origins and compelling features. Sourced exclusively from the archives at the Royal Botanic Gardens, Kew, each accompanying illustration presses out of the page, transforming your book into a work of art. The Tropical Hothouse contains a botanical paradise, where tropical trees are festooned with vines, orchids and bromeliads, lurid blossoms perfume the air, and leafy ferns and palms jostle for the light. From exotic-looking potted orchids and motley assortments of succulents, to luxuriant, leafy greenery, house plants and terraria are more popular than ever as additions to stylish interiors. This beautifully presented and fascinating collection includes perennial favourites and unusual specimens, transporting this world of extraordinary plants into your hands and home.

This second volume of Hertfordshire Garden History considers how Hertfordshire's historic parks and gardens have been influenced by, and reflect, the social and economic history of their time. Beginning with the hunting parks and Renaissance gardens of the Bacons, Cecils, and Capels in the 16th and 17th centuries-and their gradual replacement by designed landscapes-this book shows how, in Hertfordshire, individuals have long sought greater space and comfort within easy reach of the capital, London. With examples from both well-known and less-visible or vanished gardens from the past 500 years, it is sure to delight garden enthusiasts.

For centuries the garden has served as a central element in Muslim culture. In that tradition, the Aga Khan Trust for Culture has been rehabilitating existing parks and creating new spaces for more than 20 years. The results, seen in this fascinating book, show how these urban oases are catalysts for positive economic, social and cultural change--as well as encourage ethical ideals of stewardship, ecology, and beauty in the built environment. Philip Jodidio first traces the history of Islamic gardens and helps clarify the environmental and design ethos in the Islamic religion. He also discusses the beneficial sociological and economic impacts of urban gardens and parks. Succeeding chapters identify thirteen specific projects that illustrate these principles. There are historic sites, such as Humayun's Tomb Garden in Delhi and Timur Shah Mausoleum in Kabul; contemporary locations, including the National Park of Mali, and Al Azhar Park in Cairo; and settings that celebrate cultural and multi-cultural identities, such as Aga Khan Garden in Alberta and a city park Khorog, Tajikistan. Each chapter offers color photographs, plans, and brief texts about the site and its environment, and each site demonstrates how green spaces bring people of different backgrounds together to provide space for reflection, spirituality, education and leisure. Together these achievements demonstrate how parks and gardens can enhance the economic, cultural, and general wellbeing of their neighboring populations.

Elizabeth Jane Howard, acclaimed author of the Cazalet Chronicles, once said that she would certainly have been a gardener had she not become a writer first. In Green Shades: An Anthology of Plants, Gardens and Gardeners, she brings together a diverse and fascinating selection of garden writing that spans the centuries, the seasons and the species.

Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

The contents are delightfully eclectic and wide-ranging, practical as well as lyrical – she pays homage to the great English landscape artists of the eighteenth century and to the great women gardeners such as Vita Sackville-West. There’s advice from Pliny on how walnuts can be used to dye hair and Joseph Addison encourages blackbirds to gorge on his cherry trees. Linking the numerous extracts is Elizabeth Jane Howard’s perceptive and highly personal commentary, which skilfully leads the reader from one subject to the next.

The Times Best Gardening Books of 2022 Ornamental plants are the cornerstone of our gardens and we are spoiled for choice with literally tens of thousands of hardy beauties from which to select. But we take them absolutely for granted, not for a moment realising that every plant has a fascinating tale to tell. Wild Edens sets the record straight. With global coverage, each of the nine richly illustrated chapters explores a plant biodiversity hotspot. The reader is transported on a visually stunning and fascinating voyage of discovery which reveals our garden favourites - as well as some species that should be more widely cultivated - in their natural habitats, from daffodils from Andalusia and tulips from the Tien Shan, to monkey puzzles from Chile and rhododendrons from the Himalayas, lilies from Japan and proteas from South Africa. Because the authors have been to the hotspots, each chapter opens with their personal reflections on the landscape and spirit of place, and closes with their selection of prime locations. In between, the informative yet approachable text tells of the plants' 'forgotten stories'. Of the landscapes which are their home, the adventures of how and when they were discovered and by whom, the reasons why they were collected, their impact on garden fashions and trends, etc. Wild Edens brings another dimension of interest and understanding to plants and gardens, as well as being a premium armchair traveller's guide to the natural world of garden plants.

Garden visitation has been a tourism motivator for many years and can now be enjoyed in many different forms. Private garden visiting, historical garden tourism, urban gardens, and a myriad of festivals, shows and events all allow the green-fingered enthusiast to appreciate the natural world. This book traces the history of garden visitation and examines tourist motivations to visit gardens. Useful for garden managers and tourism students as well as casual readers, it also examines management and marketing of gardens for tourism purposes, before concluding with a detailed look at the form and tourism-based role of gardens in the future.

Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.

Parametric Design for Landscape Architects provides a sequence of tutorial-based workflows for the creation and utilization of algorithmic tools calibrated toward the field of landscape architecture. Contemporary practice and projective theory in landscape architecture require the processing and design of data associated with complex systems to adequately represent composite, emergent scenarios. Aligning to both traditional and nascent processes of analysis and digital modeling, this book unpacks and decodes the characterization of algorithmic-based automation, leveraging software that is widely accessible in both academia and professional practice. Curated throughout are workflows that apply to a multiplex of computation programs that widely support the design, analysis, and production of landscapes, primarily concentrated on digital modeling tools Grasshopper and Rhinoceros. It is a much-needed, visually accessible resource to aid in more efficient understanding and creation of tools that automate and re-examine traditional calculations, analyses, drawing standards, form-finding strategies, fabrication preparations, and speculative assessments/simulation. This primer provides professionals and students with multifaceted skill-sets that, when applied in practice, expand and expedite conventional and speculative design workflows applicable to spatial design, and more specifically landscape architecture. The book includes over 200 full-colour drawings, images, and tables to illustrate and support examples throughout.

The fourth book in Nadia Amoroso's Representing Landscapes series, this text focuses on traditional methods of visual representation in landscape architectural education. Building on from the previous titles in the series, which look at digital and hybrid techniques, Representing Landscapes: Analogue is a return to the basic foundations of landscape architecture's original medium of visual communication. Each of the 20 chapters includes contributions from leading professors teaching studio and visual communication courses from landscape architecture programs across the globe, showcasing the best student examples of analog techniques. It demonstrates the process from graphics as a form of research, design development, and analysis, to the final presentation through drawings, models and descriptive captions of the methods, styles and techniques used. It features critical and descriptive essays from expert professors and lecturers in the field, who emphasise the importance of the traditional medium as an intrinsic part of the research, design and presentation process. Over 220 full colour images explore the range of visual approaches students and practitioners of landscape architecture can implement in their designs. With worked examples in the chapters and downloadable images suitable for class use, this is an essential book for visual communication and design studios.

With a foreword by Alan Titchmarsh, this beautifully illustrated book tells the story of the Royal Horticultural Society, the perhaps the foremost gardening institution in the world. The RHS is the world's largest gardening charity but what it does and why is little understood and rarely celebrated. From defining new gardening trends at the Chelsea Flower Show, to ranking the best dahlias to grow at the Wisley trial grounds, to inspiring communities with Britain in Bloom, educating children to grow and eat their veg through the Campaign for School Gardening, the RHS works tirelessly to improve the gardener's lot. With the use of evocative archive images and contemporary photos by award-winning Jason Ingram, this beautiful book explores the past, present and future of this most influential organisation by listening to the voices of those working today. Gardening expert and regular Gardener's Question Time panellist Matthew Biggs tells this story in rich and intimate detail, from the society's origins at the start of the 19th Century right through to the present day, with fascinating insight into the evolution and operations of the RHS throughout the years. From the thousands of volunteers in the society's five unique gardens (Wisley in Surrey, Rosemoor in Devon, Hyde Hall in Essex, Harlow Carr in Yorkshire and new addition Bridgewater in Salford), to the one million visitors to its inspirational flower shows (including Chelsea, Hampton Court, Tatton Park, Cardiff, Wisley and Chatsworth); the society gives meaning to more than 475,000 members, millions of television viewers and visitors from around the world. The RHS is the best of gardening, and this book presents the best of the RHS. Behind the scenes, access all areas, this book will give lasting pleasure to anyone who enjoys their garden.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

What makes a visually appealing landscape? How can the design and use of a landscape be harmonized? In this significantly revised and updated third edition of Simon Bell's seminal text, he further explores the answers to these questions by interrogating a range of design principles, applications and ideas. Written for students, instructors and professionals, the book unveils a visual design vocabulary for anyone involved with landscape aesthetics including landscape architects, architects, planners, urban designers, landscape managers, foresters, geographers and ecologists. Structured around key design terms, which are explained and illustrated using an extensive range of examples from around the world, including North America, Europe and Asia, this book enables you to describe, debate and design the visual landscape. It starts with basic elements, before moving onto variable design components, and then the ways these elements are organized into compositions, in order to demonstrate how landscapes are created and how meanings and patterns are perceived within them. This new full colour edition contains over 240 images; an updated introduction; examples from China, Vietnam and central Asia; a chapter on how to read and understand visual design elements in the landscape; a teaching model for instructors; and expanded appendix materials including a glossary, references and further reading.

A delightful journey through the glamorous story of the English country house party by the bestselling historian. Croquet. Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend: 'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

Design thinking is a powerful process that facilitates understanding and framing of problems, enables creative solutions, and may provide fresh perspectives on our physical and social landscapes. Not just for architects or product developers, design thinking can be applied across many disciplines to solve real-world problems and reconcile dilemmas. It is a tool that may trigger inspiration and the imagination, and lead to innovative ideas that are responsive to the needs and issues of stakeholders. Design Thinking: A Guide to Creative Problem Solving for Everyone will assist in addressing a full spectrum of challenges from the most vexing to the everyday. It renders accessible the creative problem-solving abilities that we all possess by providing a dynamic framework and practical tools for thinking imaginatively and critically. Every aspect of design thinking is explained and analyzed together with insights on navigating through the process. Application of design thinking to help solve myriad problems that are not typically associated with design is illuminated through vignettes drawn from such diverse realms as politics and society, business, health and science, law, and writing. A combination of theory and application makes this volume immediately useful and personally relevant.

Features current design and application of garden spaces for the promotion of human health and well-being. The top names in horticultural therapy, landscape architecture, and landscape design address universal design of outdoor spaces and their therapeutic applications in this contributed volume. Interaction by Design speaks to readers in many disciplines, including AHTA, PPC, and ASLA members; academics and students in horticulture, horticulture therapy, environmental psychology, landscape architecture, social science, and urban planning; and professionals in landscape design, landscape architecture, horticultural therapy, and recreational therapy.

The rich legacy of the Arts and Crafts Movement has been enthusiastically hailed by historians, architects, and designers. Most known for its influence on architecture and art, the movement also played an important role in the garden world by defining the garden as a harmonious component of the home. In Gardens of the Arts and Crafts Movement, Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during the Arts and Crafts Movement. Tankard presents a selection of houses and gardens from the era, with an emphasis on the diversity of designers who helped forge a special approach to garden design. Illustrated with nearly 300 illustrations and photographs and packed with examples from Europe and North America, this is an essential resource for designers and gardeners interested in the era.

This edited volume defines and compares central aspects of governance and management related to urban open spaces (UOSs) such as long-term management, combined governance and management and strategic management of UOSs. Perspectives such as ethical considerations, user participation and changes in local governmental structures frame the governance and management of UOSs. Jansson and Randrup create a comprehensive resource detailing global trends from framing and understanding to finally practising UOS governance and management. They conclude by promoting positive changes, such as proactive management and strategic maintenance plans to encourage the creation of more sustainable cities. Illustrated in full colour throughout, this book is an essential read for students and academics of landscape architecture, planning and urban design, as well as those with a particular interest in governance and management of UOSs.