In Remarkable Gardens, the beauty of South African gardens is revealed by Craig Fraser and Nini Bairnsfather Cloete.

Featuring sumptuous photographs and engaging text, this book combines history and horticulture to take its reader on a fascinating journey through 20 of the most magical private gardens in the country.

While most of these gardens usually remain hidden from view, in Remarkable Gardens of South Africa their stunning scenery, rich history and intriguing diversity are explored with romantic, inspiring results.

Almost 100 authentic dishes recall in food and drink the true flavours of Ireland. It includes classic recipes such as baked salmon and soda bread stand alongside the Irish specialities of Tyrone roast goose and carrageen jelly. Numerous fish and vegetable recipes are complemented by a diverse range of traditional cakes, puddings and centuries-old folk remedies. This is a charming and practical souvenir of Irish life.

The illustrated biography of a Scottish country house, set beside the River Clyde, and of the people who made it their home over the past 850 years Written by four brothers, their sister and the eldest member of the next generation, Finlaystone offers an insidersa view of the house, its beautiful gardens and the surrounding estate. They tell about the lives of its former owners, many of whom played prominent roles in Scottish military, political, religious and cultural affairs. As Scotland moved forward from centuries of feuds between large feudal landowners to the reformation, the age of enlightenment and the industrial revolution, the building evolved from a fortress to a modest but attractive family home in 1746. Its present form as an imposing late Victorian mansion dates from when it was modernised and extended in 1900 by George Jardine Kidston, the great-grandfather of the older authors, who had grown wealthy from running one of the worlda s earliest steamship companies. In its hey-day, Finlaystone was managed for the comfort and leisure of its owners by a bevy of household servants living in a wing of the house, and by an army of workers, including gardeners, foresters, game-keepers, joiners and a laundry-maid. The prosperity that had made such a lavish life possible, however, soon started to decline, with George Kidstona s death in 1909, followed just 5 years later by war, the economic depression in the 1930s, and then World War II. Unlike many other large country houses, Finlaystone remains a family home, kept afloat largely by the hard work and adaptability of the members of the family who reflect in this book on the joys and travails that this implied.

'Paradise haunts gardens', writes Derek Jarman, 'and it haunts mine.' Jarman's public image is that of a film-maker of genius, whose work, dwelling on themes of sexuality and violence, became a byword for controversy. But the private man was the creator of his own garden-paradise in an environment that many might think was more of a hell than a heaven - in the flat, bleak, often desolate expanse of shingle that faces the Dungeness nuclear power station. Jarman, a passionate gardener from childhood, combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which combined the flints, shells and driftwood of Dungeness; sculptures made from stones, old tools and found objects; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. This book is Derek Jarman's own record of how this garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs taken since 1991 by his friend and photographer Howard Sooley capture the garden at all its different stages and at every season of the year. Photographs from all angles reveal the garden's complex geometrical plan, its magical stone circles and its beautiful and bizarre sculptures. We also catch glimpses of Jarman's life in Dungeness: walking, weeding, watering, or just enjoying life. Derek Jarman's Garden is the last book Jarman ever wrote. Like the garden itself, it remains as a fitting memorial to a brilliant and greatly loved artist who, against all odds, made a breathtakingly beautiful garden in the most inhospitable of places. It will appeal to all those who are themselves practising gardeners, as well as the legions of admirers of this extraordinary man.

Monk's House in Sussex is the former home of Leonard and Virginia Woolf. It was bought by them in 1919 as a country retreat, somewhere they came to read, write and work in the garden. From the overgrown land behind the house they created a brilliant patchwork of garden rooms, linked by brick paths, secluded behind flint walls and yew hedges. The story of this magical garden is the subject of this book and the author has selected quotations from the writings of the Woolfs which reveal how important a role the garden played in their lives, as a source of both pleasure and inspiration. Virginia wrote most of her major novels at Monk's House, at first in a converted tool shed, and later in her purpose-built wooden writing lodge tucked into a corner of the orchard. Caroline Zoob lived with her husband, Jonathan, at Monk's House for over a decade as tenants of the National Trust, and has an intimate knowledge of the garden they tended and planted. The photographer, Caroline Arber, was a frequent visitor to the house during their tenancy and her spectacular photographs, published here for the first time, often reveal the garden as it is never seen by the public: at dawn, in the depths of winter, at dusk. The photographs and text, enriched with rare archive images and embroidered garden plans, take the reader on a journey through the various garden 'rooms', (including the Italian Garden, the Fishpond Garden, the Millstone Terrace and the Walled Garden). Each garden room is presented in the context of the lives of the Woolfs, with fascinating glimpses into their daily routines at Rodmell. This beautiful book is an absorbing account of the creation of a garden which will appeal equally to gardeners and those with an interest in Virginia and Leonard Woolf.

How to Read Gardens is the essential guide for garden lovers and visitors alike. Visiting gardens has never been more popular but not many of us understand what we are looking at when strolling through a beautiful garden - are we looking at an original landscaped site or a recreation? Is the planting matter authentic or made up of modern hybrids? Are the steps and terracing in the Italianate style or are they Arts and Crafts? The truth is that most gardens of any age are like a palimpsest: successive generations have changed and influenced the soft and hard fabric of the place over time. Inevitably many of the gardens we wander through today are an amalgam of changing fashions and circumstance. How to Read Gardens gives you all the knowledge you need to tease out the clues that will tell you the complete story of a garden's past. From the grandest estate to the smallest suburban plot, this book will enliven and inform every visit.

This lavish book highlights a selection of the wonderful illustrations held in the archive of The Florilegium Society at Sheffield Botanical Gardens. Each illustration included in the book is accompanied by a plant profile, stating where the plant was found in the wild and explaining something of its history, uses and botany. The book also gives an introduction to florilegia dating from the early herbals, and a history of the Society's Herbarium and the Gardens themselves. Featuring over 100 colour illustrations and 67 plant profiles, it is a book for everyone to enjoy, whatever the season. The Botanical Gardens are in the heart of the City of Sheffield and are a much-loved venue enjoyed both by the people of Sheffield and visitors to the City. This book has been written by the Society's founding chair Valerie Oxley. Valerie developed the diploma in Botanical Illustration with colleagues at the University of Sheffield.

Oxford Botanic Garden is the oldest surviving botanic garden in Britain and has occupied its site in central Oxford since 1621. Conceived as a place to grow medicinal plants, born in the turmoil of civil war and nurtured during the restoration of the monarchy, the garden has, unsurprisingly, a curious past. By tracing the work and priorities of each of the garden's keepers, this book explores its importance as one of the world's oldest scientific plant collections. It tells the story of the planting of the garden by its first keeper, Jacob Bobart, and his son, together with how they changed the garden to suit their own needs. The story develops during the eighteenth century as the garden grew exotic plants under glass and acquired a fine succulent collection but then experienced a downturn under the stewardship of the eccentric Professor Humphrey Sibthorp (famous for giving just one lecture in thirty-seven years). Finally, the narrative throws light on the partnership of gardener William Baxter and academic Charles Daubeny in the early nineteenth century, which gave the garden its glasshouses and ponds and contributed to its survival to the present day. This generously illustrated book is the first history of the garden and arboretum for more than a century and provides an essential introduction to one of Oxford's much-loved haunts.

This is the fourth of six parts of a facsimile reprint of a compendium of cookery, gardening, animal husbandry and general household medicine which was published in two volumes in about 1760, having first been offered to the public in 41 weekly parts in 1756. The author claimed "upwards of Thirty Years Experience" as housekeeper or cook, possibly in the service of a Lady Hewit, whose manuscript receipt book - cookery and medicinal - is copied into the published work. The work is arranged as a calendar discussing marketing, cooking, preserving, brewing, medicines for men and animals, and tending the orchard, the herb and vegetable garden and the pleasure garden, month by month. Among its features are descriptions of foods bought - spices, sugar, anchovies, olives, soy sauce - as well as foods grown or cooked. Other hints about marketing - buying fish, for instance - are more detailed than in many other manuals of the period, and there are lists of specific varieties of fruits as they are ready for the table.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Business Principles for Landscape Contracting, fully revised and updated in its third edition, is an introduction to the application of business principles of financial management involved in setting up your own landscape contracting business and beginning your professional career. Appealing to students and professionals alike, it will build your knowledge of financial management tools and enable you to relate their applications to real-life business scenarios. Focusing on the importance of proactive financial management, the book serves as a primer for students in landscape architecture, contracting, and management courses and entrepreneurs within the landscape industry preparing to use business principles in practice. Topics covered include: Financial management and accountability Budget development Profitable pricing and estimating Project management Creating a lean culture Personnel management and employee productivity Professional development Economic sustainability.

As I step out of the conservatory facing North, supported by my pusher, the first that catches my eye is the dying Sycamore which escapes death every year by producing a healthy crop of leaves, but it looks so decrepit that surely it can't pull that trick yet again. -1 April, 2020 In his eighty-eighth year, John Boorman uses his time in lockdown to reflect on the splendour of the surrounding nature of County Wicklow. Coccooning with his daughter and son among the hills of Annamoe, Boorman chronicles his daily walks and observations of the trees on his estate, writing with heightened appreciation of the beauties of his eyrie using only one eye and one finger. Poetry flows from his pen as he sits chairbound among his trees and flora: sycamores, limes, beech, oak, redwood, shrubs and flowers, birdsong and shifting skies are luminously recorded as the world falls silent. With illustrations by Susan Morley, this slim but meditative volume is a remarkable narrative by the creator of The Emerald Forest, Excalibur and Deliverance - a swansong like no other.

A tour of some of the UK's most beguiling gardens in the counties of Kent, Sussex and Surrey, the counties that exemplify 'the garden of England'. In these three counties a wealth of history and horticulture has combined with geography in the shape of rolling landscapes, wooded valleys and meandering waterways, to provide an attractive and fascinating collection. They are in villages and towns, as well as in deep countryside, and all are privately owned. Some have been in the possession of the same family for many generations, while others have recently been transformed by new owners. Some open for the National Garden Scheme, while others are open privately and in some cases for just the occasional day for charity. The stunning gardens explored in this visually rich guide include: Arundel Castle, Denmans, Gravetye Manor, Munstead Wood and Sussex Prairie Garden. The book also includes a gazetteer of other important gardens in the area with location advice, to enable readers to plan a more elaborate tour of this fertile garden area. Filled with stunning, specially commissioned photographs by Clive Boursnell, Secret Gardens of the South East is a unique guide that opens the gates to the most intriguing gardens in this part of England.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Experiential Landscape offers new ways of looking at the relationship between people and the outdoor open spaces they use in their everyday lives. The book takes a holistic view of the relationship between humans and their environment, integrating experiential and spatial dimensions of the outdoors, and exploring the theory and application of environmental design disciplines, most notably landscape architecture and urban design. The book explores specific settings in which an experiential approach has been applied, setting out a vocabulary and methods of application, and offers new readings of experiential characteristics in site analysis and design. Offering readers a range of accessible mapping tools and details of what participative approaches mean in practice, this is a new, innovative and practical methodology. The book provides an invaluable resource for students, academics and practitioners and anyone seeking reflective but practical guidance on how to approach outdoor place-making or the analysis and design of everyday outdoor places.

The definitive guide to hundreds of Britain's most outstanding gardens, in the care of the National Trust The National Trust has the finest collection of gardens in the United Kingdom. In this book, Stephen Lacey paints a vivid picture of the individual gardens, and places each one in its context within British horticultural history. All the major periods and styles of garden design are represented, from the formality of early gardens such as Hanbury Hall and Ham House, magnificent 18th-century landscapes like Stowe and Croome Park and the heady Victorian creations of Biddulph Grange and Waddesdon Manor to the famous plantsmen's gardens of the last century, such as Nymans, Hidcote Manor and Sissinghurst Castle. The text and pictures have been fully updated, with new entries including Allan Bank, High Close Arboretum and Wentworth Castle. Several gardens have undergone major redevelopment since the previous edition, while others have colourfully expanded the acreage open to visitors. Extensive tree planting, including reinstating a lost eighteenth-century avenue at Dyrham Park and recreating the pear tree arch at Rudyard Kipling's home, Bateman's, are just a few of the new and exciting additions to this classic guide to Britain's most outstanding gardens.

Outdoor Interiors showcases the most beautiful garden designs in the world. Author Juliet Roberts highlights five styles - 'traditional', 'contemporary', 'playful', 'everyday' and 'minimal' - and gives plenty of tips for achieving the same style in your garden across different categories (dining, sitting, lounge, cooking and swimming). The result is a stylish coffee table book full of inspiration.

Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women's studies and cultural geography.

Biophilic Connections and Environmental Encounters in the Urban Age takes a multi-disciplinary approach, drawing on the authors' wide range of experience, to provide a greater understanding of the different dimensions of environmental engagement. It considers the ways that we interact with our environments, presenting a comprehensive account of how people negotiate and use the urban landscape. Set within current debates concerning urban futures, societal issues, sustainable cities, health and well-being, the book explores our innate need for contact with the natural world through biophilic design thinking to expand our knowledge base and promote a wider understanding of the importance of these interactions on our collective well-being. It responds to questions such as, what are the urban qualities that support our well-being? As an urbanised society what are the environmental determinants that promote healthy and satisfying lifestyles? Beginning with an overview of concepts relating to biophilia and environmental engagement, it moves through current theory and practice, different pathways and their characteristics, before presenting real world examples and applications through illustrated case studies in the UK, USA and across Europe. With a particular focus on the experience of individuals, the book is essential reading for students, researchers, and practitioners of architecture, landscape architecture, urban planning, design and health sciences, interested in the future of our cities and the importance of green spaces.

Tom Hart Dyke has a bit of a thing about plants. You might call it an obsession. You might call him certifiable, in fact. But it's a truth universally acknowledged that a single man in possession of a large ramshackle country estate and an obsession with plant collecting could want for only one thing - in Tom's case it's a walled garden containing examples of plants collected from every corner of the globe. Tom's infectious enthusiasm for anything with chlorophyll in it and the hugely ambitious World Garden project he has undertaken at his family home, Lullingstone Castle, in Kent have been documented in a 12-part television series for BBC 2. The first six parts ("Save Lullingstone Castle") were shown in spring 2006, and the second six episodes ("Return to Lullingstone Castle") in spring 2007 to coincide with hardback publication.Tom's attempts to set up the World Garden aren't exactly straightforward. You might imagine, for example, that the easiest way to start preparing the ground inside the walled Elizabethan garden which he transforms into the main part of the world garden would be to enlist the help of a few people and a lot of hard digging. Well not for Tom, who enlists instead two large pigs, who do indeed do a great job of turning over the earth and fertilising it with great organic manure. But the problem is that they keep escaping into the Hart Dyke family burial plot next door where they start digging up Tom's ancestors..."The World Garden" is created to bring together a truly amazing collection of plants from every continent and so to show the global origins of the plants we all grow in our gardens. It's already establishing itself as a tourist attraction of some note as well as an educational resource. This is a book for all those who bought Tim Smit's "Lost Gardens of Heligan". It's stuffed full of fascinating botanical information as well as the story of Tom's hapless struggle to overcome huge logistical nightmares. It's a riveting, hilarious story of English eccentricity in full bloom.

This is the first full-scale study of the world of eighteenth-century British cookery books, their authors, their readers and their recipes. For many decades, we have treated them as collectables - often fetching thousands at auction and in rare-book catalogues - or as quaint survivors, while ignoring their true history or what they have to tell us about the Georgians.