In the era of the Anthropocene, site matters are more pressing than ever. Building on the concepts, theories, and multi-disciplinary approaches raised in the first edition, this publication strives to address the changes that have taken place over the last 15 years with new material to complement and re-position the initial volume. Reaching across design disciplines, this highly illustrated anthology assembles essays from architects, landscape architects, urban designers, planners, historians, and artists to explore ways to physically and conceptually engage site. Thoughtful discourse and empirically grounded pieces combine to provide the language and theory to contextualize the meanings of site in the built environment. The increasingly complex hybridity of constructed environments today demands new tools for thinking about and working with site. Drawing contributions from outside and within the traditional design disciplines, this edition will trace important developments in site thinking with new essays on topics such as climate change, landscape as infrastructure, shifts from global to planetary urbanization debates, and the proliferation of participatory site transformation practices. Edited by two leading practitioners and academics, Site Matters juxtaposes timeless contributions from individuals including Elizabeth Meyer, Robert Beauregard, and Robin Dripps with original new writings from Peter Marcuse, Jane Wolff, Neil Brenner, and Thaisa Way, amongst others, to recontextualize and reignite the debate around site. An ideal text for students, academics, and researchers interested in site and design theory.

Through cross-disciplinary explorations of and engagements with nature as a forming part of architecture, this volume sheds light on the concepts of both nature and architecture. Nature is examined in a raw intermediary state, where it is noticeable as nature, despite, but at the same time through, man's effort at creating form. This is done by approaching nature from the perspective of architecture, understood, not only as concrete buildings, but as a fundamental human way both of being in, and relating to, the world. Man finds and forms places where life may take place. Consequently, architecture may be understood as ranging from the simple mark on the ground and primitive enclosure, to the contemporary megalopolis. Nature inheres in many aesthetic forms of expression. In architecture, however, nature emerges with a particular power and clarity, which makes architecture a raw kind of art. Even though other forms of art, as well as aesthetic phenomena outside the arts, are addressed, the analogy to architecture will be evident and important. Thus, by using the concept of 'raw' as a focal point, this book provides new approaches to architecture in a broad sense, as well as other aesthetic and artistic practices, and will be of interest to readers from different fields of the arts and humanities, spanning from philosophy and theology to history of art, architecture and music.

For centuries the garden has served as a central element in Muslim culture. In that tradition, the Aga Khan Trust for Culture has been rehabilitating existing parks and creating new spaces for more than 20 years. The results, seen in this fascinating book, show how these urban oases are catalysts for positive economic, social and cultural change--as well as encourage ethical ideals of stewardship, ecology, and beauty in the built environment. Philip Jodidio first traces the history of Islamic gardens and helps clarify the environmental and design ethos in the Islamic religion. He also discusses the beneficial sociological and economic impacts of urban gardens and parks. Succeeding chapters identify thirteen specific projects that illustrate these principles. There are historic sites, such as Humayun's Tomb Garden in Delhi and Timur Shah Mausoleum in Kabul; contemporary locations, including the National Park of Mali, and Al Azhar Park in Cairo; and settings that celebrate cultural and multi-cultural identities, such as Aga Khan Garden in Alberta and a city park Khorog, Tajikistan. Each chapter offers color photographs, plans, and brief texts about the site and its environment, and each site demonstrates how green spaces bring people of different backgrounds together to provide space for reflection, spirituality, education and leisure. Together these achievements demonstrate how parks and gardens can enhance the economic, cultural, and general wellbeing of their neighboring populations.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialisation and urbanisation, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for surv ival. Gardens were therapeutic environments regarded as civilising, socialising and assimialting institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considerd works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities. A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

This edited volume defines and compares central aspects of governance and management related to urban open spaces (UOSs) such as long-term management, combined governance and management and strategic management of UOSs. Perspectives such as ethical considerations, user participation and changes in local governmental structures frame the governance and management of UOSs. Jansson and Randrup create a comprehensive resource detailing global trends from framing and understanding to finally practising UOS governance and management. They conclude by promoting positive changes, such as proactive management and strategic maintenance plans to encourage the creation of more sustainable cities. Illustrated in full colour throughout, this book is an essential read for students and academics of landscape architecture, planning and urban design, as well as those with a particular interest in governance and management of UOSs.

For every element that we design in the landscape, there is a corresponding grading concept, and how these concepts are drawn together is what creates a site grading plan. This study guide explores these concepts in detail to help you learn how to grade with confidence in preparation for the Grading, Drainage and Construction Documentation section of the Landscape Architecture Registration Examination (LARE). This updated second edition is designed as a textbook for the landscape architecture student, a study guide for the professional studying for the LARE, and a refresher for licensed landscape architects. New to this edition: * Additional illustrations and explanations for grading plane surfaces and warped planes, swales, berms, retention ponds, and drain inlets; * Additional illustrations and explanations for grading paths, ramp landings, ramp/stair combinations and retaining walls; * A section on landscape and built element combinations, highlighting grading techniques for parking lots, culverts and sloping berms; * A section on landscape grading standards, recognizing soil cut and fill, determining pipe cover, finding FFE, and horizontal and vertical curves; * Updated information about the computer-based LARE test; * All sections updated to comply with current ADA guidelines; * An appendix highlighting metric standards and guidelines for accessibility design in Canada and the UK. With 223 original illustrations to aid the reader in understanding the grading concepts, including 32 end-of-chapter exercises and solutions to practice the concepts introduced in each chapter, and 10 grading vignettes that combine different concepts into more robust exercises, mimicking the difficulty level of questions on the LARE, this book is your comprehensive guide to landscape grading.

The Enlightenment raised fundamental quetions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature.

The first book to look at this particular subject, The Roman Book of Gardening brings together an extraordinarily varied selection of texts on Roman horticulture, celebrating herb and vegetable gardening in verse and prose spanning five centuries.

In vivid new translations by John Henderson, Virgil's Georgics stand alongside neglected works by Columella, Pliny and Palladius, bringing to life the techniques and obstacles, delights and exasperations of the Roman gardener. We also hear of the digging, hoeing, planting and weeding which then, as now, went into creating the perfect garden.

This is a timely and valuable contribution to our understanding of gardening history, Roman culture and Latin literature.

"The Roman Book of Gardening "brings together an extraordinarily vivid selection of texts on Roman Horticulture, celebrating herb and vegetable gardening in verse and prose spanning five centuries. In an anthology of vivid new translations by John Henderson, Virgil's Georgics stand alongside neglected works by Columella, Pliny and Palladius, bringing to life the techniques and obstacles, delights and exasperations of the Roman gardener. For all the cultural differences, modern gardening enthusiasts will recognize much of the familiar heaving and chopping that the writers describe but may be surprised at other aspects of horticulture that have changed significantly over the centuries.
This is a timely and valuable contribution to our understanding of gardening history, Roman culture and Latin literature. "The Roman Book of" "Gardening" is the first book on the practice of Roman gardening and includes a full Index of Plants listing names in both English and Latin, the language of botany.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out.

Photographs play a hugely influential but largely unexamined role in the practice of landscape architecture and design. Through a diverse set of essays and case studies, this seminal text unpacks the complex relationship between landscape architecture and photography. It explores the influence of photographic seeing on the design process by presenting theoretical concepts from photography and cultural theory through the lens of landscape architecture practice to create a rigorous, open discussion. Beautifully illustrated in full color throughout, with over 200 images, subjects covered include the diversity of everyday photographic practices for design decision making, the perception of landscape architecture through photography, transcending the objective and subjective with photography, and deploying multiplicity in photographic representation as a means to better represent the complexity of the discipline. Rather than solving problems and providing tidy solutions to the ubiquitous relationship between photography and landscape architecture, this book aims to invigorate a wider dialogue about photography's influence on how landscapes are understood, valued and designed. Active photographic practices are presented throughout for professionals, academics, students and researchers.

Within the spatial design disciplines, research through design as a tool and practice has often been neglected. This book provides a much-needed companion to the theories, methods and processes involved in using design-based research in landscape, architecture and urban design. Aimed specifically at researchers completing PhD projects, supervisors and designers working in practice, it covers applied approaches to help you to use design research in your work. With fully illustrated examples of original international design research PhDs from a variety of programme types, such as individual, structured and practice-based, Design Research for Urban Landscapes offers PhD candidates and supervisors a clear foundational pathway.

Explore the magical green world of Lambeth Palace Garden, a hidden jewel of London for more than 1,000 years. In this book, Head Gardener Nick Stewart Smith takes the reader on a series of rambles through the changing seasons, introducing some extraordinary trees and plants along the way. Revealing some of the untold stories of the ten-acre secret garden, this is a unique insight into a special place. Nick explains how nature is at the heart of everything here, the gardening approach allowing the green world inside the high stone walls to be a haven for many kinds of wildlife, all flourishing right in the midst of one of the world's busiest cities.

The Tropical Hothouse describes over 50 tropical plants, telling the intriguing stories of their origins and compelling features. Sourced exclusively from the archives at the Royal Botanic Gardens, Kew, each accompanying illustration presses out of the page, transforming your book into a work of art. The Tropical Hothouse contains a botanical paradise, where tropical trees are festooned with vines, orchids and bromeliads, lurid blossoms perfume the air, and leafy ferns and palms jostle for the light. From exotic-looking potted orchids and motley assortments of succulents, to luxuriant, leafy greenery, house plants and terraria are more popular than ever as additions to stylish interiors. This beautifully presented and fascinating collection includes perennial favourites and unusual specimens, transporting this world of extraordinary plants into your hands and home.

Ian McHarg's ecological planning approach has been influential since the 20th century. However, few empirical studies have been conducted to evaluate the performance of his projects. Using the framework of landscape performance assessment, this book demonstrates the long-term benefits of a renowned McHargarian project (The Woodlands town development) through quantitative and qualitative methods. Including 44 black and white illustrations, Landscape Performance systematically documents the performance benefits of the environmental, social, and economic aspects of The Woodlands project. It delves into McHarg's planning success in The Woodlands in comparison with adjacent Houston developments, which demonstrated urban resilience after Hurricane Harvey in 2017. Lastly, it identifies the ingredients of McHarg's ability to do real and permanent good. Yang also includes a number of appendices which provide valuable information on the methods of assessing performance in landscape development. This book would be beneficial to academics and students of landscape architecture and planning with a particular interest in Ian McHarg.

The forgotten garden that inspired Charles Darwin becomes the modern-day setting for an exploration of memory, family, and the legacy of genius. Darwin's childhood garden at The Mount in Shrewsbury was the site of some of the great scientist's earliest experiments. It was where, under the tutelage of his green-fingered mother and sisters, and the house's knowledgeable gardeners, he first examined the reproductive life of flowers, collected birds' eggs, and began to note down the ideas that would lead to his groundbreaking theory of evolution. In The Ghost in the Garden, Jude Piesse uncovers the lost histories that inspired Darwin's work and how his legacy, and the legacies of those around him, live on today.

This seminal study, from one of Britain's most eminent landscape historians, takes a chronological tour through British parks and gardens since Roman times. Each chapter introduces the characteristic features of parks and gardens in each period and explores the social and economic context for their construction. Chris Taylor then provides a detailed explanation of specific sites and draws on 100 aerial photographs to illustrate a new and different perspective of Britain's cherished parks and gardens. * Written by Britain's best known landscape historian * An ideal guide for visitors to Britain's wonderful spectrum of parks and gardens

Christopher Lloyd, icon and iconoclast of the gardening world, was born at Great Dixter, in East Sussex, in 1921 and died there in 2006. In the years between he developed the garden at Dixter into a mecca for plantsmen and a hub of ideas and connections that spread throughout the world. And from the 1930s almost until his death he was also photographing the garden, recording it in intimate detail as it changed and developed. A carefully chosen selection of Christopher's photographs is published here, the majority for the first time. They are juxtaposed with images from the Lloyd family's earliest days at Dixter, and with photographs taken by Carol Casselden and others of the garden as it is today.

Outlandia is an off-grid artists' fieldstation, a treehouse imagined by artists London Fieldworks (Bruce Gilchrist & Jo Joelson) and designed by Malcolm Fraser Architects, situated in Glen Nevis, opposite Ben Nevis. It is performative architecture that immerses its occupants in a particular environment, provoking creative interaction between artists and the land. This book explores the relationship between place and forms of thought and creative activity, relating Outlandia and the artists there to the tradition of generative thinking and making structures that have included Goethe's Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas's writing shack in Laugharne. Based on a series of residencies and radio broadcasts produced by London Fieldworks in collaboration with Resonance 104.4fm, the Remote Performances project enabled twenty invited artists to consider and engage in transmissions, sound performances and dialogues on their artmaking strategies immersed in this specific rural environment of mountain, forest and river; flora and fauna. Some artists engaged in dialogue with people living and working in the area with a range of specialisms and experience in, for examples, forestry, mountain culture, wildlife, tourism, and local history. This book explores the ways in which being in the field impacts on artists and permeates through to the artworks they create. It considers the relationship between geography and contemporary art and artists' use of maps and fieldwork. It charts these artists' explorations of the ecological and cultural value of the natural environment, questioning our perceptions and relationships to landscape, climate and their changes. The book is an inspiring collection of ways to think differently about our relationship with the changing natural environment. The book includes essays by Jo Joelson, Francis McKee, Tracey Warr and Bruce Gilchrist, and texts, images and drawings by the artists: Bram Thomas Arn

Designs for gardens and landscapes need to contain accurate information to ensure that both the designer's intent is clear and to enable the highest quality constructions. This book contains the elements most often used when detailing surfaces, with key information on standards, guidance and construction that the practitioner must be aware of. Alongside the text are 2D and 3D images with suggestions of measurements, design considerations and materials. Key topics covered in this book are: Vehicular paving Pedestrian paving and patios Steps and ramps Margins, edges and kerbs Drainage channels. ***Please follow the Companion Website button above for access to an innovative online library of freely downloadable CAD (SketchUp format) details which link directly to those in the book. These details are available for the reader to edit, adapt and use in their own designs - and make the task of detailing for projects that little bit easier.***

Through the lens of the everyday, this book explores 'the countryside' as an inhabited and practised realm with lived rhythms and routines. It relocates the topography of everyday life from its habitually urban focus, out into the English countryside. The rural is often portrayed as existing outside of modernity, or as its passive victim. Here, the rural is recast as an active and complex site of modernity, a shift which contributes alternative ways of thinking the rural and a new perspective on the everyday. In each chapter, pieces of visual culture - including scrapbooks, art works, adverts, photographs and films - are presented as tools of analysis which articulate how aspects of the everyday might operate differently in non-metropolitan places. The book features new readings of the work of significant artists and photographers, such as Jeremy Deller and Alan Kane, Stephen Willats, Anna Fox, Andrew Cross, Tony Ray Jones and Homer Sykes, seen through this rural lens, together with analysis of visually fascinating archival materials including early Shell Guides and rarely seen scrapbooks made by the Women's Institute. Combining everyday life, rural modernity and visual cultures, this book is able to uncover new and different stories about the English countryside and contribute significantly to current thinking on everyday life, rural geographies and visual cultures.

A reference guide to historical sources for over 200 Devon gardens. It also provides an introduction for would-be garden historians on how to conduct garden research. The book is the result of an exploration of the archival resources of Devon's garden history; the objective being to provide signposts to research material for those interested in the development of Devon's gardens. Each entry begins with a brief section describing the garden's history, amplified by quotations from contemporary travellers and diarists; following the descriptive sections are listings of documents, printed sources and illustrations relating to the garden. The greater part of this material is unknown to garden historians.

This colourful guide will explain the fundamentals of growing plants, whether you are taking a Level 3 RHS, City and Guilds or Edexcel course, are a grower or gardener in the industry, or are just a keen amateur. Written in a clear and accessible style, this book covers the principles that underpin plant production, the use of growing media and crop protection, but with reference also to the same practices in the garden or allotment. With highlighted definitions, key points, and illustrated in full colour, this book will be a useful companion as you progress in the study and practice of horticulture. Complete with a companion website which includes extended horticultural information, questions and exercises to test your knowledge, syllabus cross-referencing and downloadable tutor and student support materials. Available at www.routledge.com/cw/adams

The sensing, processing, and visualizing that are currently in development within the environment boldly change the ways design and maintenance of landscapes are perceived and conceptualised. This is the first book to rationalize interactive architecture and responsive technologies through the lens of contemporary landscape architectural theory. Responsive Landscapes frames a comprehensive view of design projects using responsive technologies and their relationship to landscape and environmental space. Divided into six insightful sections, the book frames the projects through the terms; elucidate, compress, displace, connect, ambient, and modify to present and construct a pragmatic framework in which to approach the integration of responsive technologies into landscape architecture. Complete with international case studies, the book explores the various approaches taken to utilise responsive technologies in current professional practice. This will serve as a reference for professionals, and academics looking to push the boundaries of landscape projects and seek inspiration for their design proposals.