This is a compelling story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm--founded by his father, the great landscape architect responsible for Central Park, New York City--it has now been brought back to life. Landscape historian Arleyn A. Levee tells a fascinating and carefully researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance. The Blue Garden skillfully interweaves the garden's design and social history, and stories of its founders and the Olmsted firm, with historical photos, original drawings and sketches, and images of the restored garden from 2015. This is a timeless and inspiring account of the devoted patrons, skilled artisans and great designers behind the creation and revival of a masterpiece, made possible by the vision of a devoted patron, and the relevance of historic preservation of gardens in the 21st century.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles. Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard. Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

The 18th-century phenomenon of the English Landscape Garden was so widespread that even today, when so much has been built over or otherwise changed, one is never far from an example throughout England. Although seemingly natural, the English Landscape Garden was generally the result of considerable contrivance, effort and design skill, the result of `the art that conceals art'. It might involve digging lakes, raising or levelling hills, and planting trees, sometimes in vast numbers. Nature was arranged and shown to best advantage. The English landscape garden took many forms, and the variety of manifestations was and remains remarkable. A great number survive, if sometimes in modified form, and can be visited and appreciated. The book is structured so as to give the background to, and motivation for, creating the landscape garden; to summarise the chronology of its development; to chart the most significant writers and theorists; and to consider the range of the many forms it took. The story of the landscape garden is complex, multi-layered and constantly changing in emphasis for such an apparently simple and straightforward construct. This book will help to uncover some of the richness that lies behind a meaningful part of the environment. The book can be regarded as a companion to the volume already published by Historic England, The English Landscape Garden in Europe.

The Royal Horticultural Society's The Rose tells the story of the world's favourite flower through 40 of the most popular and interesting species and hybrids. Arranged chronologically, The Rose brings to life the arrival of each flower in European gardens, detailing the history of the layout of rose gardens and the role that roses play in the 'language of flowers'. From the first recorded reference to a rose over 7,000 years ago, these extraordinary flowers have captivated botanists, artists, poets, perfumers and gardeners. A symbol of love and patriotism, a scent and flavour synonymous with the East, and the jewel in the crown of ornamental gardens, roses in all their forms bear a special meaning that spans centuries and crosses oceans. Extraordinary botanical illustrations and extracts from classic texts held in the Royal Horticultural society's world-famous Lindley Library, such as Redoute's Les Roses, Henry Andrew's Roses, Mary Lawrence's Selection of Roses and Victor Paquet's Choix des Plus Belles Roses, complete this authoritative celebration.

SHORTLISTED FOR THE EDWARD STANFORD PHOTOGRAPHY TRAVEL BOOK OF THE YEAR 'A fabulous, bonsai-filled book' Daily Mail The complement to the BBC2 series, Japanese Gardens: written by the nation's favourite gardener Monty Don, and beautifully produced with over 200 original photographs from Derry Moore. Traditional Japanese gardens combine aesthetics with ethics in a perfectly curated celebration of nature. A Japanese garden is the natural world made miniature: rocks represent mountains, ponds represent seas. In this personal and lyrical exploration of both the traditional and the modern aspects of Japanese gardening, Monty Don takes a look at the traditions and culture which inform some of the most beautiful gardens from all over Japan, from Kenroku-en to the Zen gardens of Tokyo and the historic beauty of Kyoto. Monty Don and Derry Moore guide us through the history and spectacular seasons of Japanese gardens, from the famous cherry blossom celebration hanami to the autumnal crimson magnificence of momijigari. Monty Don also explores the creative forms uniquely associated with Japanese gardens, from stone-masonry and ikebana to the intricate skill of bonsai. Stunningly photographed by Derry Moore, Japanese Gardens is a fascinating exploration of a unique relationship with gardens. 'An illuminating insight not only into the history and horticulture of some remarkable gardens but also into the Japanese culture and psyche' Gardens Illustrated ALSO BY MONTY DON & DERRY MOORE PARADISE GARDENS: THE WORLD'S MOST BEAUTIFUL ISLAMIC GARDENS As seen on the highly acclaimed BBC2 series, a glorious celebration of the richness of Islamic culture through some of the most beautiful gardens on earth. 'Sun-filled escapism' Country Life 'Simply breathtaking' Love it!

Why is it that in the midst of a war, one can still find gardens? In the most brutal environments, both stateside and on the battlefield, they continue to flourish. Wartime gardens are dramatic examples of what Kenneth I. Helphand calls "defiant gardens" -- gardens created in extreme social, political, economic, or cultural conditions. Illustrated with archival photos, this remarkable book examines gardens of war in the 20th century, including gardens built behind the trenches in World War I, in the Warsaw and other ghettos during World War II, and in Japanese-American internment camps, as well as gardens created by soldiers at their bases and encampments during wars in the Persian Gulf, Vietnam, and Korea. Proving that gardens are far more than peaceful respites from the outside world, "Defiant Gardens is a thought-provoking analysis of why people create natural spaces.

Nymans forms one of a group of gardens in the Sussex Weald which were created before the First World War and are still beautiful today, their owners sharing a passion for new material brought back from all over the world by intrepid plant hunters. Ludwig Messel bought Nymans in 1890 and, with his head gardener, James Comber, began extensive planting of exotics, determined to prove that many supposedly tender plants could grow outdoors in Sussex. After 1915, his son, Leonard, carried on planting and raising new hybrids. In 1954 the garden was bequeathed to the National Trust. This historic garden is undoubtedly one of our national treasures and this book pays tribute to its history and beauty.

Garden visitation has been a tourism motivator for many years and can now be enjoyed in many different forms. Private garden visiting, historical garden tourism, urban gardens, and a myriad of festivals, shows and events all allow the green-fingered enthusiast to appreciate the natural world. This book traces the history of garden visitation and examines tourist motivations to visit gardens. Useful for garden managers and tourism students as well as casual readers, it also examines management and marketing of gardens for tourism purposes, before concluding with a detailed look at the form and tourism-based role of gardens in the future.

From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significance and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.

'Making a garden together, in which to live and work, through thick and thin, fair and foul, is what we like to do best. Everything else is a sideshow. Since spring 2019 Julian and I have been making a garden at Ashington Manor Farm, a garden that we think of as our last principal private escapade, but you never know . . .' Isabel and Julian Bannerman have made scores of lauded gardens for a host of famous clients, and three special, much-loved gardens of their own surrounding the houses which they have restored and lived in since they married, starting at The Ivy, Chippenham, in 1982; then Hanham Court, Bristol, in 1993; and Trematon Castle, Cornwall, in 2012. Now as they embark on a new adventure, creating a garden at their Elizabethan farmhouse in Somerset, Isabel reflects on the garden they are making and the others they have made as a couple, about the 'thousand tiny decisions about which we fight like hooting chimpanzees' and, especially, the fundamentals of what Julian, Mr B, thinks about the key things that go into making a garden for living in - a jumble of eating, drinking and sitting places, fruit cages, vegetable and cutting gardens, pelargoniums in giant pots, rose arches, tools and sheds, fences, formality and topiary, pools and meadows, and not least the importance of one's peripheral vision of how the garden joins on to the landscape.

Isabel and Julian Bannerman have been described as 'mavericks in the grand manner, touched by genius' (Min Hogg, World of Interiors) and 'the Bonnie and Clyde of garden design' (Ruth Guilding, The Bible of British Taste). Their approach to design, while rooted in history and the classical tradition, is fresh, eclectic and surprising. Designers to the highest in the land, they have made gardens for the Prince of Wales at Highgrove, Lord Rothschild at Waddesdon Manor, the Duke and Duchess of Norfolk at Arundel Castle in Sussex, John Paul Getty II at Wormsley in Buckinghamshire, the great walled garden at Houghton, home of the Marquess of Cholmondeley, and they designed the British 9/11 Memorial Garden in New York. 'Their work of grand architectural gestures, of mock ruins and oaken temples has made them famous. But it is the houses and gardens they have made for themselves that ... eclipse any of these aristocratic delights' (Mary Keen, Daily Telegraph). Their garden at Hanham Court near Bath was acclaimed by Gardens Illustrated as the top garden of 2009, ahead of Sissinghurst. When they moved from Hanham it was to the fairytale castle of Trematon overlooking Plymouth Sound, where they have created yet another magical garden. Landscape of Dreams celebrates, in the Bannerman's inimitable, evocative, humorous and highly personal style, the imaginative and practical process of designing, making and planting all of these gardens, and many more.

A showcase of Britain's most extraordinary gardens and landscapes from the twentieth century to present day. 100 20th-Century Gardens and Landscapes highlights the evolution of gardens and landscapes over the past century, tracing how these distinctive creations complemented buildings of their period. Entries in this book are grouped in chronological periods, documenting changing styles and techniques in a visual timeline. The examples chosen take the story from the Arts and Crafts garden and the garden city, through the landscapes created for mid-century housing and the new towns, to the low-maintenance gardens of the 1980s and contemporary trends for community and wildlife gardens. Designed landscapes were often integral to the conception of twentieth-century developments; the inclusion of a handful of particularly successful landscapes for memorial gardens, offices, industry, transport and parks demonstrate a changing attitude to public green space during the century and its increasing importance as private gardens have become ever smaller. Designers and architects such as Piet Oudolf, Charles Jencks, Frederick Gibberd, Geoffrey Jellicoe, Vita Sackville-West and Gertrude Jekyll are all featured, alongside more detailed essays on the history of gardens, planting styles, the importance of modern landscapes, and the career of Geoffrey Jellicoe. The text is written by architectural, landscape and garden historians including Elain Harwood, Barbara Simms and Alan Powers. Beautifully illustrated throughout with photography, illustrations and garden plans, this book is ideal for gardeners and landscape lovers alike.

Within the spatial design disciplines, research through design as a tool and practice has often been neglected. This book provides a much-needed companion to the theories, methods and processes involved in using design-based research in landscape, architecture and urban design. Aimed specifically at researchers completing PhD projects, supervisors and designers working in practice, it covers applied approaches to help you to use design research in your work. With fully illustrated examples of original international design research PhDs from a variety of programme types, such as individual, structured and practice-based, Design Research for Urban Landscapes offers PhD candidates and supervisors a clear foundational pathway.

Trees are now in the public eye as never before. The threat of tree diseases, the felling of street trees and the challenge of climate change are just some of the issues that have put trees in the media spotlight. At the same time, the trees in our parks, gardens and streets are a vital resource that can deliver environmental, social and economic benefits that make our towns and cities attractive, green and healthy places. Ever since Roman times when amenity trees were first planted in Britain, caring for those trees has required specialist skills. This is mainly because of the challenges of successfully integrating large trees into the urban environment and the risks involved in working with them, often at height and in close proximity to people, buildings and roads. But who are the people with the specialist expertise to care for our amenity trees? While professionals such as horticulturists, landscape architects, conservationists and foresters have a role to play, it is the arboriculturists who are the 'tree experts'. For centuries arboriculture was often synonymous with forestry or considered an aspect of horticulture, until it emerged in the nineteenth century as a separate discipline. There are now some 22,000 people employed in Britain's arboricultural industry, including practical tree surgeons and arborists, local authority tree officers and arboricultural consultants. This is the first book to trace the history of Britain's professional tree experts, from the Roman arborator to the modern chartered arboriculturist. It also discusses the influences from continental Europe and North America that have helped to shape British arboriculture over the centuries. The Tree Experts will have particular appeal to those interested in the natural and built environment, heritage landscapes, social history and the history of gardening.

Featuring beautiful photographs and insightful commentary this Japanese gardening book is a must-have for any gardening or zen enthusiast. At the heart of a Japanese garden is harmony with nature. More than simply a landscape of trees and flowering shrubs, a Japanese garden provides a place of serenity and rest, filled with peaceful spots that lend themselves to meditation and contemplation. Japanese Gardens celebrates and illustrates this ideal, showcasing the exquisite natural beauty of more than 20 quintessentially Japanese gardens--big and small, urban and rural, traditional and contemporary. The expert author-and-photographer team behind this book excels at capturing and explaining the essential elements and techniques that distinguish Japanese garden design from that of other countries. The featured sites reflect a cross-section of Japanese culture and history including large feudal period gardens, temple and Zen gardens and private countryside gardens. The mountain flower garden, tea garden, rock garden and bonsai garden alike are all celebrated and appreciated in this beautiful book.

Yards are not quite wild, yet rarely tamed. Across diverse residential landscapes in North America and beyond, yards are regulated by the state and markets, defined by imaginary property lines on maps, and sometimes central to privilege and exclusion. As urban life is reimagined for greater sustainability, resilience, and adaptation, Living with Yards invites readers to more fully engage with the possibilities of how we can coexist with our urban habitats. Ursula Lang uses the yard as a faceted lens through which to examine the multiple and contradictory ways people live in urban environments, and how perceptions of those environments are shaped by contemporary environmental policies and projects. Visual ethnography and narrative illustrate how inhabitants of Minneapolis live with their yards as sites of social and environmental care while also negotiating difference. Throughout, Lang's subjects engage in diverse and creative everyday practices of cultivation and property ownership, often quite distinct from the environmental policies and projects in place. The process of reimagining cities as more sustainable and equitable must include knowledge of how people live within urban spaces. By conducting in-depth visits to more than forty yards and sharing her results, Lang provokes us to think about what else these realms of daily life might become. Living with Yards chronicles the interplay between the yard as habitat and our inhabitation of it, exploring the changes and innovations a better understanding of urban living might spark.

Gardening is an age-old craft, steeped in mystique and peppered with handed-down wisdom, often derived from 'sons of the soil' who grew larger cabbages than their neighbours. This fact-drenched and beautifully illustrated insight into gardening history with enthral you with its diversity - from digging soil and keeping bees to early plant hunters and weather rhymes. A perfect gift for gardening enthusiasts!

One January morning in 1734, cloth merchant Peter Collinson hurried down to the docks at London's Custom House to collect cargo just arrived from John Bartram, his new contact in the American colonies. But it was not reels of wool or bales of cotton that awaited him, but plants and seeds...
Over the next forty years, Bartram would send hundreds of American species to England, where Collinson was one of a handful of men who would foster a national obsession and change the gardens of Britain forever, introducing lustrous evergreens, fiery autumn foliage and colourful shrubs. They were men of wealth and taste but also of knowledge and experience like Philip Miller, author of the bestselling Gardeners Dictionary," "and the""Swede Carl Linnaeus, whose standardised botanical nomenclature popularised botany as a genteel pastime for the middle-classes; and the botanist-adventurer Joseph Banks and his colleague Daniel Solander who both explored the strange flora of Tahiti and Australia on the greatest voyage of discovery of modern times, Captain Cook's "Endeavou"r.
This""is the story of these men - friends, rivals, enemies, united by a passion for plants - whose correspondence, collaborations and squabbles make for a riveting human tale which is set against the backdrop of the emerging empire, the uncharted world beyond and London as the capital of science. From the scent of the exotic blooms in Tahiti and Botany Bay to the gardens at Chelsea and Kew, and from the sounds and colours of the streets of the City to the staggering vistas of the Appalachian mountains, The Brother Gardeners""tells the story how Britain became a nation of gardeners.

"From the Hardcover edition."

For thousands of years humans have experimented with various methods of waste disposal-from burning and burying to simply packing up and moving in search of an unscathed environment. Habits of disposal are deeply ingrained in our daily lives, so casual and continual that we rarely ever stop to ponder the big-picture effects on social, spatial and ecological orders. Rethinking the ways in which we produce, collect, discard and reuse our waste, whether it's materials, spaces or places, is essential to ensure a more feasible future. Waste Matters: Adaptive Reuse for Productive Landscapes presents a series of historical and contemporary design ideas that reimagine a range of repurposed materials at diverse scales and in various contexts by exploring methods of hacking, disassembly, reassembly, recycling, adaptive reuse and preservation of the built environment. Waste Matters will inspire designers to sample and rearrange bits of artifacts from the past and present to produce culturally relevant and ecologically sensitive materials, objects, architecture and environments.

Illustrated with lush reproductions of Grant and Nixie's art and photographs of their amazing garden, "The Romance Continues" is a love story, an art-appreciation adventure and a garden tour, all wrapped up in one gorgeous volume. Nationally known artists Grant Leier and Nixie Barton are also husband and wife, parents and the creators of an astonishing and whimsical garden on Vancouver Island. Their paintings differ greatly, though both artists make extensive use of rich, luminous and vibrant colours, and both are widely admired and collected. Over their long careers, Grant and Nixie have experimented with subjects and styles, and observing the growth and change in their work is fascinating. When they moved to a rural, seven-acre property, they turned their love of colour and sense of fun onto the land, and the rambling, witty garden they created is a visual spectacle that draws thousands of delighted visitors every year.

Tracing the history of landscape park design from British gardens up through the city park designs of Frederick Law Olmsted, Ethan Carr places national park landscape architecture within a larger historical context. Despite the difficulties now confronting the parks, their continued ability to attract millions of visitors suggests that their creators succeeded in presenting a captivating vision of a once-wild America.Ethan Carr is a landscape architect and is currently working for the National Park Service. He has taught landscape architecture at the Harvard University Graduate School of Design and the University of Virginia School of Architecture.

A useful guide for anyone who has moved into a new house and needs to create a garden that will meet their needs for decades to come.

Garden Design and Planning shows you how to convert a bare patch or an existing layout into the garden of your dreams. Lavishly illustrated with photographs and drawings, it guides the reader through every stage of the process, from the initial planning to the finishing touches, offering practical advice on a variety of projects that are well within the reach of the average gardener or DIY enthusiast