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Persian Gardens and Pavilions - Reflections in History, Poetry and the Arts (Paperback)
Loot Price: R1,251
Discovery Miles 12 510
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Persian Gardens and Pavilions - Reflections in History, Poetry and the Arts (Paperback)
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From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan
and Humayun's tomb in Delhi, the pavilion has been an integral part
of Persianate gardens since its earliest appearance at the
Achaemenid garden in Pasargadae in the sixth century BC. Here,
Mohammad Gharipour places both the garden and the pavilion within
their historical, literary and artistic contexts, emphasizing the
importance of the pavilion, which has hitherto been overlooked in
the study of Iranian historical architecture. Starting with an
examination of the depictions and representations of gardens in
religious texts, Gharipour analyses how the idea of the garden
developed from the model of pre-Islamic gardens in Achaemenid and
Sassanian Persia to its mentions in the Zoroastrian text of Aban
Yasht and on to its central role as paradise in the Qur'an.
Continuing on with an exploration of gardens and pavilions in
Persian poetry, Gharipour offers in-depth analysis of their literal
and metaphorical values. It is in the poetry of major Persian poets
such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that
Gharipour finds that whilst gardens are praised for their spiritual
values, they also contain significant symbolic worth in terms of
temporal wealth and power. Persian Gardens and Pavilions then goes
onto examine the garden and the pavilion as reflected in Persian
miniature painting, sculpture and carpets, as well as accounts of
travelers to Persia. With masters such as Bizhad representing daily
life as well as the more mystical prose and poetry in, for example,
Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the
garden and the pavilion can be seen to have crucial semiotic
significance and cultural meanings. But in addition to this, they
also point to historical patterns of patronage and ownership which
were of central importance in the diplomatic and social life of the
royal courts of Persia. Gharipour thereby highlights the
metaphorical, spiritual, symbolic and religious aspects of gardens,
as well as their more materialistic and economic functions. This
book reaches back through Persia's rich history to explore the
material and psychological relationships between human beings,
pavilions and gardens, and will be a valuable resource for Art
History, Architecture and Iranian Studies.
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