Experiential Landscape offers new ways of looking at the relationship between people and the outdoor open spaces they use in their everyday lives. The book takes a holistic view of the relationship between humans and their environment, integrating experiential and spatial dimensions of the outdoors, and exploring the theory and application of environmental design disciplines, most notably landscape architecture and urban design. The book explores specific settings in which an experiential approach has been applied, setting out a vocabulary and methods of application, and offers new readings of experiential characteristics in site analysis and design. Offering readers a range of accessible mapping tools and details of what participative approaches mean in practice, this is a new, innovative and practical methodology. The book provides an invaluable resource for students, academics and practitioners and anyone seeking reflective but practical guidance on how to approach outdoor place-making or the analysis and design of everyday outdoor places.

An illustrated map and guide to the Cotswolds' most beautiful spots, A Cotswold Garden Companion covers everything from Jacobean gems and classics of the English landscape movement to some of the finest contemporary gardens around today. Readers will meet royal gardeners, car-park gardeners, plant hunters and inveterate collectors, as well as discovering all manner of horticultural highlights, from national collections of walnuts, foxgloves and flowering cherries, to the strawberry beds that inspired William Morris's fabric designs - not to mention a sprinkling of garden shops and plant nurseries just too good to miss. Presented in an attractive slip case, A Cotswold Garden Companion is clear and easy to use and appealing to art lovers and garden lovers alike.

Tom Hart Dyke has a bit of a thing about plants. You might call it an obsession. You might call him certifiable, in fact. But it's a truth universally acknowledged that a single man in possession of a large ramshackle country estate and an obsession with plant collecting could want for only one thing - in Tom's case it's a walled garden containing examples of plants collected from every corner of the globe. Tom's infectious enthusiasm for anything with chlorophyll in it and the hugely ambitious World Garden project he has undertaken at his family home, Lullingstone Castle, in Kent have been documented in a 12-part television series for BBC 2. The first six parts ("Save Lullingstone Castle") were shown in spring 2006, and the second six episodes ("Return to Lullingstone Castle") in spring 2007 to coincide with hardback publication.Tom's attempts to set up the World Garden aren't exactly straightforward. You might imagine, for example, that the easiest way to start preparing the ground inside the walled Elizabethan garden which he transforms into the main part of the world garden would be to enlist the help of a few people and a lot of hard digging. Well not for Tom, who enlists instead two large pigs, who do indeed do a great job of turning over the earth and fertilising it with great organic manure. But the problem is that they keep escaping into the Hart Dyke family burial plot next door where they start digging up Tom's ancestors..."The World Garden" is created to bring together a truly amazing collection of plants from every continent and so to show the global origins of the plants we all grow in our gardens. It's already establishing itself as a tourist attraction of some note as well as an educational resource. This is a book for all those who bought Tim Smit's "Lost Gardens of Heligan". It's stuffed full of fascinating botanical information as well as the story of Tom's hapless struggle to overcome huge logistical nightmares. It's a riveting, hilarious story of English eccentricity in full bloom.

Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women's studies and cultural geography.

Following the popular BBC series, this book is the comprehensive guide to one of Europe's largest and most ambitious gardening projects, the magnificent RHS Bridgewater. RHS Garden Bridgewater has a rich history, deeply entrenched personal connections with the local community and now a dazzling and exciting future, all of which is brought to life in this sumptuous book. Set on the site of the former Worsley New Hall stately home in Manchester, bordering the Bridgewater canal, the Bridgewater garden is one of the most exciting public garden projects undertaken anywhere in the world in recent years. Guided by a masterplan from the renowned landscape architect Tom Stuart-Smith, it is a showpiece of horticultural excellence with a rich array of attractions, from walled gardens and Chinese streamside features to aromatic kitchen gardens and verdant wooded areas, all placed at the heart of the community. RHS Garden Bridgewater charts the glory years of royal visits to the site, the decline and fall into disrepair and the subsequent restoration and development of the gardens into what they are today. Chronicling personal memories from the people who shaped the gardens, the book is beautifully illustrated and provides a complete insight into how a garden was and will once again become an integral and inspirational part of the community.

This book provides an empirical analysis of the concept of play as a form of spatial practice in urban public spaces. The introduced City-Play-Framework (CPF) is a practical urban analysis tool that allows urban designers, landscape architects and researchers to develop a shared awareness when opening up this window of possibility for adventure. Two case studies substantiate and illustrate the development process and testing of the framework in Canberra, Australia, and Potsdam, Germany. The appropriation of public spaces that transcend boundaries can facilitate an intrinsic connection between people and their immediate environment, towards a more joyful ontological state of human existence in which imagination, co-creation and a sense of agency are key elements of the design approach. The framework presents an alternative understanding of public spaces and public life, reflecting on theory and its implications for practice in a post-pandemic world in dense urban centres. A bridge between theory and practice, this book explores possibilities on what future design ought to be when openness and ambiguity are consciously integrated parts of practice and process. The book presents a valuable discussion on public space and play for academic audiences across a wide range of disciplines such as landscape architecture, urban design, planning, architecture and urban sociology, which is informative for future practice.

A tour of some of the UK's most beguiling gardens in the counties of Kent, Sussex and Surrey, the counties that exemplify 'the garden of England'. In these three counties a wealth of history and horticulture has combined with geography in the shape of rolling landscapes, wooded valleys and meandering waterways, to provide an attractive and fascinating collection. They are in villages and towns, as well as in deep countryside, and all are privately owned. Some have been in the possession of the same family for many generations, while others have recently been transformed by new owners. Some open for the National Garden Scheme, while others are open privately and in some cases for just the occasional day for charity. The stunning gardens explored in this visually rich guide include: Arundel Castle, Denmans, Gravetye Manor, Munstead Wood and Sussex Prairie Garden. The book also includes a gazetteer of other important gardens in the area with location advice, to enable readers to plan a more elaborate tour of this fertile garden area. Filled with stunning, specially commissioned photographs by Clive Boursnell, Secret Gardens of the South East is a unique guide that opens the gates to the most intriguing gardens in this part of England.

Outdoor Interiors showcases the most beautiful garden designs in the world. Author Juliet Roberts highlights five styles - 'traditional', 'contemporary', 'playful', 'everyday' and 'minimal' - and gives plenty of tips for achieving the same style in your garden across different categories (dining, sitting, lounge, cooking and swimming). The result is a stylish coffee table book full of inspiration.

What was a "garden" in medieval and early modern British culture and how was it imagined? How did it change as Europe opened up to the wider world from the 16th century onwards? In a series of fresh approaches to these questions, the contributors offer chapters that identify and discuss newly-discovered pre-modern garden spaces in archaeology and archival sources, recognize a gendered language of the garden in fictional descriptions ("fictional" here being taken to mean any written text, regardless of its purpose), and offer new analysis of the uses to which gardens - real and imagined - might be put. Chapters investigate the definitions, forms and functions of physical gardens; explore how the material space of the garden was gendered as a secluded space for women, and as a place of recreation; examine the centrality of garden imagery in medieval Christian culture; and trace the development of garden motifs in the literary and artistic imagination to convey the sense of enclosure, transformation and release. The book uniquely underlines the current environmental "turn" in the humanities, and increasingly recognizes the value of exploring human interaction with the landscapes of the past as a route to health and well-being in the present.

The story of how Francis Pryor created a haven for people, plants and wildlife in a remote corner of the fens. A Fenland Garden is the story of the creation of a garden in a complex and fragile English landscape - the Fens of southern Lincolnshire - by a writer who has a very particular relationship with landscape and the soil, thanks to his distinguished career as an archaeologist and discoverer of some of England's earliest field systems. It describes the imagining, planning and building of a garden in an unfamiliar and sometimes hostile place, and the challenges, setbacks and joys these processes entail. This is a narrative of the making of a garden, but it is also about reclaiming a patch of ground for nature and wildlife - of repairing the damage done to a small slice of Fenland landscape by decades of intensive farming. A Fenland Garden is informed by the empirical wisdom of a practising gardener (and archaeologist) and by his deep understanding of the soil, landscape and weather of the region; Francis's account of the development of the garden is counterpointed by fascinating nuggets of Fenland lore and history, as well as by vignettes of the plantsman's trials and tribulations as he works an exceptionally demanding plot of land. Above all, this is the story of bringing something beautiful into being; of embedding a garden in the local landscape; and thereby of deepening and broadening the idea of home.

Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.

Provides a complete, easily replicated design process that sees the designer-as-author, the landscape-as-text, and the participant, user-as-reader. It is also unique in the foundation it sets for learning design, the application of that foundation to doing landscape, architectural or interior design, and the call for landscape architectural design to explicitly address a greater inclusion of people, those left to live with what is designed. Illustrated with locations and landmarks in Canada and the United States. A few are from England, France, Germany, Czechoslovakia, and Italy. They are of readily recognizable features such as walkways, paths, street scenes, and landmarks. Questions and thought-provoking situations provide instructors with discussion points and reader with self-reflective triggers that illuminate their taken-for-granted world.

The garden is an oasis, a pocket of nature in our busy modern lives, full of plants, animals, insects - and a fair bit of magic. Folk Tales from the Garden follows the seasons through a year of stories, garden lore and legends. Explore the changing face of nature just outside your front door, from the tale of the Creator painting her birds and the merits of kissing an old toad, to pixies sleeping in the tulips, and an unusually large turnip.

Traces the evolution of Renaissance philosophy and aesthetics, architecture, horticulture and social attitudes as reflected in the villas and gardens of the Medici family. Allowing the reader to see an alternative way to see the development of the Renaissance. This book shows the evolution of the Medici villas, from defensive farms through humanist retreats to princely palaces, charts the rise of a family from humble farmers to European royalty enabling students to see how a family could rise through the classes in early modern Italy. The Medici spearheaded the movement to rediscover the classical world; in so doing they promoted the humanist philosophy of living in harmony with nature, evolved a new ideal of villa life and created the template for Renaissance architecture. Offering students and readers alike, a clear example of how the classical world influences the Renaissance world.

Forget tired rows of carnations interspersed with a few clumped impatiens: these stunning "New Tech" layouts redefine what a garden can be! Award-winning designer Paul Cooper presents the best contemporary garden designs from all around the world. From the innovative to the controversial, this unique collection features kinetic, portable, and radical gardens that defy convention. Using distressed concrete, stainless steel, elastic netting, and other man-made materials interspersed with lush plantings, these distinctive plans provide unexpected visuals and rich textures that challenge perceived notions of landscape design. More than 140 color photographs and numerous garden plans make this an ideal sourcebook for professional landscapers and adventurous home gardeners alike.

In the era of the Anthropocene, site matters are more pressing than ever. Building on the concepts, theories, and multi-disciplinary approaches raised in the first edition, this publication strives to address the changes that have taken place over the last 15 years with new material to complement and re-position the initial volume. Reaching across design disciplines, this highly illustrated anthology assembles essays from architects, landscape architects, urban designers, planners, historians, and artists to explore ways to physically and conceptually engage site. Thoughtful discourse and empirically grounded pieces combine to provide the language and theory to contextualize the meanings of site in the built environment. The increasingly complex hybridity of constructed environments today demands new tools for thinking about and working with site. Drawing contributions from outside and within the traditional design disciplines, this edition will trace important developments in site thinking with new essays on topics such as climate change, landscape as infrastructure, shifts from global to planetary urbanization debates, and the proliferation of participatory site transformation practices. Edited by two leading practitioners and academics, Site Matters juxtaposes timeless contributions from individuals including Elizabeth Meyer, Robert Beauregard, and Robin Dripps with original new writings from Peter Marcuse, Jane Wolff, Neil Brenner, and Thaisa Way, amongst others, to recontextualize and reignite the debate around site. An ideal text for students, academics, and researchers interested in site and design theory.

Biophilic Connections and Environmental Encounters in the Urban Age takes a multi-disciplinary approach, drawing on the authors' wide range of experience, to provide a greater understanding of the different dimensions of environmental engagement. It considers the ways that we interact with our environments, presenting a comprehensive account of how people negotiate and use the urban landscape. Set within current debates concerning urban futures, societal issues, sustainable cities, health and well-being, the book explores our innate need for contact with the natural world through biophilic design thinking to expand our knowledge base and promote a wider understanding of the importance of these interactions on our collective well-being. It responds to questions such as, what are the urban qualities that support our well-being? As an urbanised society what are the environmental determinants that promote healthy and satisfying lifestyles? Beginning with an overview of concepts relating to biophilia and environmental engagement, it moves through current theory and practice, different pathways and their characteristics, before presenting real world examples and applications through illustrated case studies in the UK, USA and across Europe. With a particular focus on the experience of individuals, the book is essential reading for students, researchers, and practitioners of architecture, landscape architecture, urban planning, design and health sciences, interested in the future of our cities and the importance of green spaces.

The re-creation of the great garden at Hatfield House has been one of the most exciting and closely observed garden enterprises of the last thirty years. Now, at last, it is recorded and displayed in this revelatory book. Sue Snell has been photographing there for years, and with the help of the dowager Marchioness she now presents the fruit of her labours in a book that will excite and amaze all who have an interest in one of Britain's greatest gardens - now once again worthy of its great architectural, botanical and historical heritage. There will be an exhibition of Sue Snell's work at the Museum of Garden History to coincide with publication.

Spanning from the Washington, DC, Metro Area to the Eastern Shore of the Chesapeake Bay, this fascinating tour of 15 gardens by well-known designers illuminates the sophisticated yet inviting landscape style of the Capital region. Hidden from the public, they are tucked into tiny urban backyards, set into suburban enclaves, or preside over open views: A waterfront garden of natives that draws local wildlife; a refined townhouse terrace with crisp paving; a sprawling property with plants massed to create year-round colour and sculptural effect. In addition to a plan and plant list, each project includes a description of the owners' goals and the principles behind the design. Every garden responds to the demands of the site, climate, and clients' needs. Together they share the light-handed information about design and ecological intelligence that modern gardeners will appreciate.

Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.

This book examines three landmark utopian visions central to 20th century landscape architectural, planning, and architectural theory. The period between the 1890s and the 1940s was a fertile time for utopian thinking. Significant geographic shifts of large populations; radically altered relations between capital and labor; rapid technological developments; large investments in transportation and energy infrastructure; and repetitive economic disruptions motivated many individuals to wholly reimagine society - including the connections between social relations and the built environment. Landscape and Utopia examines the role of landscapes in the political imaginations of the Garden City, the Radiant City, and Broadacre City. Each project uses landscapes to propose a reconstruction of the relationships between land, labor, and capital but - while the projects are well-known - the role played by landscapes has been largely left unexamined. Similarly, the radical anti-capitalism that underpinned each project has similarly been, for the most part, left out of contemporary discussions. This book sets these projects within a historical and philosophical context and opens a discussion on the role of landscapes in society today. This book will be a must-read for instructors, students, and researchers of the history and theory of landscape architecture, planning, and architecture as well as utopian studies, cultural and social history, and environmental theory.

Following on from the ground-breaking first edition, which received the 2014 EDRA Achievement Award, this fully updated text includes new chapters on current issues in the built environment, such as GIS and mapping, climate change, and qualitative approaches. Place attachments are powerful emotional bonds that form between people and their physical surroundings. They inform our sense of identity, create meaning in our lives, facilitate community, and influence action. Place attachments have bearing on such diverse issues as rootedness and belonging, placemaking and displacement, mobility and migration, intergroup conflict, civic engagement, social housing and urban redevelopment, natural resource management, and global climate change. In this multidisciplinary book, Manzo and Devine-Wright draw together the latest thinking by leading scholars from around the globe, including contributions from scholars such as Daniel Williams, Mindy Fullilove, Randy Hester, and David Seamon, to capture significant advancements in three main areas: theory, methods, and applications. Over the course of fifteen chapters, using a wide range of conceptual and applied methods, the authors critically review and challenge contemporary knowledge, identify significant advances, and point to areas for future research. This important volume offers the most current understandings about place attachment, a critical concept for the environmental social sciences and placemaking professions.

The 'Garden of England', 'The High Weald', these are phrases that describe a 70-year-old Area of Outstanding National Beauty in Southern England. Among these dramatic landscapes and ancient woodlands stand many castles, mansions and cottages, ringed with orchards, meadows, drifting flowers and horticultural exotica. Featured gardens range from grand landscapes to works of glorious eccentricity, Arts and Crafts green rooms to postage stamp-sized plots of ingenuity. Wilderness weaves into floral genius, while native and exotic species stand side-by-side - all within the unique climate of the English garden. Including chapters on English Parks, Arts and Crafts Gardens and Woodland Gardens, Where the Wildness Pleases - The English Garden Celebrated pays homage to English horticultural excellence and tells the gripping stories behind some of our most breath-taking landscapes. This book also features a handy Who's Who of designers, gardeners, plant hunters and nurserymen, and a brief guide to English playing greens - cricket, bowling, croquet and tennis. This is a welcome guide for anyone interested in visiting this astonishingly beautiful part of the country, or those thinking of buying a plot.

This book goes where few have gone before, into 14 very different gardens belonging to residents of New York City. These private worlds are the work of 10 major landscape designers, who brilliantly balance visual pleasure with ecological sustainability in challenging urban settings. Design historian Lisa Zeiger tells lively stories about the designers and their plants, bringing to their work her eye for historical precedent and contemporary aesthetics. Readers will appreciate their individual ways of highlighting plant life with architectural structures, natural stone and repurposed woods, old and custom vessels, and carefully curated furniture. Although the gardens are high-end by definition, they are all respites in which nature transcends luxury. They answer to the lives of plants, and to the residents' desire for private outdoor space that enhances quiet time and social life.