The productive garden at Lord Rothschild's private house, Eythrope in Buckinghamshire, is legendary in the garden world for the excellence of the gardening and as a haven for traditional techniques that might otherwise be lost. Under the leadership of the renowned head gardener, Sue Dickinson, now retired, and the current head gardener, Suzie Hanson, this garden works on a scale that is now rare, producing, year-round, all the fruit, vegetables and flowers for a country house where entertaining still happens on a grand scale and where everything is done to the highest standards. Paradise and Plenty opens a window on a garden that has, until now, been kept intensely private, and on a world beyond most gardeners' dreams. But in this book everything shown is useful as well as beautiful. Gregory Long points out in his introduction that as more and more people turn to growing their own, books are needed that show the techniques of dedicated cultivation, as well as the results. Many of the techniques used at Eythrope are old and tried, but have fallen out of use almost everywhere else. Others have been adopted more recently, as careful trials have proved their worth. If you want techniques for preparing soil, growing herbs, pruning apple trees, training roses, planting bulbs in pots or propagating many different plants, or which are the best tried and tested tomatoes, snowdrops or chrysanthemums to plant, you'll find out here. In the words of the author herself, 'This book has to be how as well as wow.'

Explore the riches of London's historic gardens as well as the city's most exciting contemporary gardens and meet the people who tend them. Uncover a world of intrepid guerrilla gardeners and vibrant community initiatives, of soothing therapeutic gardens, and roof gardens that thrive high above street level. There's coverage of London's world-famous RHS flower shows too, as well as its ever-popular Open Garden Squares Weekend, and a hand-picked selection of remarkable private gardens that open for the National Gardens Scheme.

In the heart of London, beside the Thames not far from the site of the world famous flower show, there is another magical garden. It has been there for over three hundred years and is now the calmest corner, and the most valuable four acres of freehold, in fashionable SW3. It has been the scene of some of the most important developments in the history of horticulture, medicine and twentieth-century agriculture. This book tells its fascinating story.

Between 1715 and 1750, a group of politicans and poets, farmers and businessmen, heiresses and landowners began to experiment with the phenomenon that was to become the English landscape garden. Arguably the greatest British art form ever invented, these gardens were built to charm and delight, to shock and inspire all who visited. That these gardens - including Castle Howard, Stowe, Painshill and Rousham - are still so popular with visitors today is a testament to the innovation and passion of this extraordinary group of eccentrics and visionaries. The Arcadian Friends takes a highly engaging perspective on the politics and culture of England during the Enlightenment. At the same time it will be required reading for the legions of fans of the great gardens of England. Tim Richardson introduces us to a period of poltical and personal intrigue, where fantastic biblical landscapes competed for space with temples to sexual freedom; and where the installation of a water feature was a political act. The Arcadian Friends tells the story of a collection of fascinating characters whose influence changed the landscape of Britain for ever.

Foreword by Alan Titchmarsh For more than 45 years Hugh Johnson has written Trad's Diary, delighting in recording his observations of his own garden, as well as many others, and of the wider natural world. Free to turn his attention to whatever is happening in that season, or simply something that piques his interest, his subjects are as diverse as the sounds of water, forest walks, the names of roses, the taste for shade he shares with Handel, the colours of autumn, the smell of rain, the private garden discovered within Beijing's Forbidden City or the first crocuses of spring. Month by month, Hugh shares with the reader through his easy, evocative writing an eclectic mix of thoughtful, topical and whimsical insights that will delight not only gardeners but anyone with an interest in nature in all its costumes.

The 18th-century phenomenon of the English Landscape Garden was so widespread that even today, when so much has been built over or otherwise changed, one is never far from an example throughout England. Although seemingly natural, the English Landscape Garden was generally the result of considerable contrivance, effort and design skill, the result of `the art that conceals art'. It might involve digging lakes, raising or levelling hills, and planting trees, sometimes in vast numbers. Nature was arranged and shown to best advantage. The English landscape garden took many forms, and the variety of manifestations was and remains remarkable. A great number survive, if sometimes in modified form, and can be visited and appreciated. The book is structured so as to give the background to, and motivation for, creating the landscape garden; to summarise the chronology of its development; to chart the most significant writers and theorists; and to consider the range of the many forms it took. The story of the landscape garden is complex, multi-layered and constantly changing in emphasis for such an apparently simple and straightforward construct. This book will help to uncover some of the richness that lies behind a meaningful part of the environment. The book can be regarded as a companion to the volume already published by Historic England, The English Landscape Garden in Europe.

The Royal Horticultural Society's The Rose tells the story of the world's favourite flower through 40 of the most popular and interesting species and hybrids. Arranged chronologically, The Rose brings to life the arrival of each flower in European gardens, detailing the history of the layout of rose gardens and the role that roses play in the 'language of flowers'. From the first recorded reference to a rose over 7,000 years ago, these extraordinary flowers have captivated botanists, artists, poets, perfumers and gardeners. A symbol of love and patriotism, a scent and flavour synonymous with the East, and the jewel in the crown of ornamental gardens, roses in all their forms bear a special meaning that spans centuries and crosses oceans. Extraordinary botanical illustrations and extracts from classic texts held in the Royal Horticultural society's world-famous Lindley Library, such as Redoute's Les Roses, Henry Andrew's Roses, Mary Lawrence's Selection of Roses and Victor Paquet's Choix des Plus Belles Roses, complete this authoritative celebration.

From 1946 to 1957, Vita Sackville-West, the poet, bestselling author of All Passion Spent and maker of Sissinghurst, wrote a weekly column in the Observer describing her life at Sissinghurst, showing her to be one of the most visionary horticulturalists of the twentieth-century. With wonderful additions by Sarah Raven, Vita Sackville-West's Sissinghurst draws on this extraordinary archive, revealing Vita's most loved flowers, as well as offering practical advice for gardeners. Often funny and completely accessibly written with colour and originality, it also describes details of the trials and tribulations of crafting a place of beauty and elegance. Sissinghurst has gone on to become one of the most visited and inspirational gardens in the world and this marvellous book, illustrated with drawings and original photographs throughout, shows us how it was created and how gardeners everywhere can use some of the ideas from both Sarah Raven and Vita Sackville-West.

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

In the past two years Frederik Meijer and his curator Joe Becherer have assembled a significant private collection of large outdoor sculpture, which is available for public viewing at the Frederik Meijer Gardens in Grand Rapids. This beautiful book presents more than 100 color illustrations, with details of many of the sculptures within the collection.

Recognized by both the art world and the general public, this garden has a diverse landscape of artwork from sculptors such as Rodin, Fredericks, Haring, di Suvero, Moore, Maillol, Hepworth, Dine, Haring, and others. Using more well known materials such as bronze and stainless steel as well as unusual materials like industrial porcelain, the artists provide the garden with many exciting visuals that the book will allow readers to bring home.

A brief history describes the development of the sculpture park. Biographies of the artists whose art grace this private collection are included, which serves to broaden the viewer's understanding of the pieces. Attention is given both to the artists' development of their craft and to the part each sculpture plays in the garden as a whole.

This is a compelling story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm--founded by his father, the great landscape architect responsible for Central Park, New York City--it has now been brought back to life. Landscape historian Arleyn A. Levee tells a fascinating and carefully researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance. The Blue Garden skillfully interweaves the garden's design and social history, and stories of its founders and the Olmsted firm, with historical photos, original drawings and sketches, and images of the restored garden from 2015. This is a timeless and inspiring account of the devoted patrons, skilled artisans and great designers behind the creation and revival of a masterpiece, made possible by the vision of a devoted patron, and the relevance of historic preservation of gardens in the 21st century.

Spectacular gardens are viewed from the perspective of a snail in Virginia Woolf's 'Kew Gardens' and from that of a sheltered teenage girl in Katherine Mansfield's 'The Garden Party'. The family of Doris Lessing's 'Flavours of Exile' haul succulent vegetables and fruits from the rich African soil, and Colette in 'Bygone Spring' luxuriates in extravagantly blooming flowers. Children discover their own peculiar paradises in Sandra Cisneros's 'The Monkey Garden' and Italo Calvino's 'The Enchanted Garden', while adult gardeners find things that move and haunt them in William Maxwell's 'The French Scarecrow' and Jamaica Kincaid's 'The Garden I Have in Mind'. Gardens of the mind round out the anthology: the beautiful but fatal garden of Nathaniel Hawthorne's 'Rappaccini's Daughter', the crystal buds of J. G. Ballard's 'The Garden of Time', ravenous orchids in John Collier's 'Green Thoughts', and Aoko Matsuda's 'Planting', in which a young woman plants each day whatever she has been given - roses and violets, buttons and broken cups, love and fear and sorrow. An entrancing book for everyone who loves gardens and the beauty of nature.

In Gardens To Inspire, Keith Kirsten introduces 25 notable South African gardens, chosen for the ‘wow’ factor that sets them apart.

Great gardens are not simply an accumulation of plants. They are planned and nurtured over years, even decades, and they reflect the personality or intention of their creators. The selected gardens range from classic-traditional to quirky-eclectic to those that strive to meet the challenge of being environmentally sustainable. Some are grand estates, others are more modest, some are open to the public, others are not readily accessible. But whether they are private or public, big or small, exotic or indigenous, this book reveals something of the story behind each garden, introducing the owners or custodians and discussing the plants and landscaping that makes each one special.

Many of the featured gardens have been years in the making, others are more recent creations, but gardens are never static; man and nature are always reshaping them, and this book presents a moment in the life of each of these inspirational gardens.

Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles. Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard. Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

Korean gardens strive to be in harmony with nature and to encourage the quiet contemplation of the natural world. They are intentionally humble in their conception and very different from Japanese and Chinese gardens. Korean gardens deserve to be more widely appreciated in the West as a separate, distinctive, venerable and continuing garden tradition, capable of wide appeal if better known. This book introduces, describes and explains traditional Korean gardens to Western readers. It contains more than one hundred photos and maps and details of 20 notable gardens.

A journey through the most unlikely of gardens: the oases of peace people create in the midst of war In this millennium, we have become war weary. From Afghanistan to Iraq, from Ukraine to South Sudan and Syria, from Kashmir to the West Bank, conflict is as contagious and poisonous as Japanese knotweed. Living through it are people just like us with ordinary jobs, ordinary pressures and ordinary lives. Against a new landscape of horror and violence it is up to them to maintain a modicum of normality and colour. For some, gardening is the way to achieve this. Working in the world's most dangerous war zones, freelance war correspondent and photographer Lally Snow has often chanced across a very moving sight, a testimony to the triumph of the human spirit in adversity, a celebration of hope and beauty: a war garden. In Kabul, the royal gardens are tended by a centenarian gardener, though the king is long gone; in Camp Bastion, bored soldiers improvise tiny gardens to give themselves a moment's peace; on both sides of the dividing line in Jerusalem families tend groves of olives and raise beautiful plants from the unforgiving, disputed landscape; in Ukraine, families tend their gardens in the middle of a surreal, frozen war. War Gardens is a surprising, tragic and beautiful journey through the darkest places of the modern world, revealing the ways people make time and space for themselves and for nature even in the middle of destruction. Illustrated with Lally Snow's own award-winning photography, this is a book to treasure.

The Sunday Times Gardening Book of the Year 2019 In Scent Magic, a book which is at once romantic and extremely practical, plantswoman, designer and garden-maker extraordinaire Isabel Bannerman immerses the reader in the luscious smells of the fragrant garden through a warmly written account of her year's gardening; and combines this with an encyclopaedic reference work of the best aromatic plants to grow throughout the seasons. Whether evoking the freshly baked sponge smell emanating from wisteria, describing 'Stanwell Perpetual' as "the kind of rose that would taste of apricot and raspberries swirled together", or championing the magic of the Himalayan cowslip, "scented profoundly and deliciously like the dark vault of a Damascus spice merchant'" the glorious poetry of her descriptions is here joined with personal memories and a lifetime's experience of gardening and plant cultivation.

The rich legacy of the Arts and Crafts Movement has been enthusiastically hailed by historians, architects, and designers. Most known for its influence on architecture and art, the movement also played an important role in the garden world by defining the garden as a harmonious component of the home. In Gardens of the Arts and Crafts Movement, Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during the Arts and Crafts Movement. Tankard presents a selection of houses and gardens from the era, with an emphasis on the diversity of designers who helped forge a special approach to garden design. Illustrated with nearly 300 illustrations and photographs and packed with examples from Europe and North America, this is an essential resource for designers and gardeners interested in the era.

The Tropical Hothouse describes over 50 tropical plants, telling the intriguing stories of their origins and compelling features. Sourced exclusively from the archives at the Royal Botanic Gardens, Kew, each accompanying illustration presses out of the page, transforming your book into a work of art. The Tropical Hothouse contains a botanical paradise, where tropical trees are festooned with vines, orchids and bromeliads, lurid blossoms perfume the air, and leafy ferns and palms jostle for the light. From exotic-looking potted orchids and motley assortments of succulents, to luxuriant, leafy greenery, house plants and terraria are more popular than ever as additions to stylish interiors. This beautifully presented and fascinating collection includes perennial favourites and unusual specimens, transporting this world of extraordinary plants into your hands and home.

The Times Best Gardening Books of 2022 Ornamental plants are the cornerstone of our gardens and we are spoiled for choice with literally tens of thousands of hardy beauties from which to select. But we take them absolutely for granted, not for a moment realising that every plant has a fascinating tale to tell. Wild Edens sets the record straight. With global coverage, each of the nine richly illustrated chapters explores a plant biodiversity hotspot. The reader is transported on a visually stunning and fascinating voyage of discovery which reveals our garden favourites - as well as some species that should be more widely cultivated - in their natural habitats, from daffodils from Andalusia and tulips from the Tien Shan, to monkey puzzles from Chile and rhododendrons from the Himalayas, lilies from Japan and proteas from South Africa. Because the authors have been to the hotspots, each chapter opens with their personal reflections on the landscape and spirit of place, and closes with their selection of prime locations. In between, the informative yet approachable text tells of the plants' 'forgotten stories'. Of the landscapes which are their home, the adventures of how and when they were discovered and by whom, the reasons why they were collected, their impact on garden fashions and trends, etc. Wild Edens brings another dimension of interest and understanding to plants and gardens, as well as being a premium armchair traveller's guide to the natural world of garden plants.

Nymans forms one of a group of gardens in the Sussex Weald which were created before the First World War and are still beautiful today, their owners sharing a passion for new material brought back from all over the world by intrepid plant hunters. Ludwig Messel bought Nymans in 1890 and, with his head gardener, James Comber, began extensive planting of exotics, determined to prove that many supposedly tender plants could grow outdoors in Sussex. After 1915, his son, Leonard, carried on planting and raising new hybrids. In 1954 the garden was bequeathed to the National Trust. This historic garden is undoubtedly one of our national treasures and this book pays tribute to its history and beauty.

Garden visitation has been a tourism motivator for many years and can now be enjoyed in many different forms. Private garden visiting, historical garden tourism, urban gardens, and a myriad of festivals, shows and events all allow the green-fingered enthusiast to appreciate the natural world. This book traces the history of garden visitation and examines tourist motivations to visit gardens. Useful for garden managers and tourism students as well as casual readers, it also examines management and marketing of gardens for tourism purposes, before concluding with a detailed look at the form and tourism-based role of gardens in the future.

Kitchen gardens are a long-standing Amish tradition, characterised by their eclectic mix of vegetables, fruit, herbs, and colourful flowers. Planned by the women of the household, they are used not only to feed their families but as an artistic outlet. This book explores the family gardens as a portrait of the women who design, tend, and harvest them. Colour photographs of more than 18 gardens capture their trademark mix of orderliness and ornamentation: marigolds tucked among the melons, cockscombs with the cabbage, and a whimsically painted chair, iron gate, or old balustrade. Included are 32 family recipes straight from the garden: hot-pepper jam, fried green tomatoes, sweet dill pickles, sauerkraut for a crowd, corn fritters, and creamed celery. Like the resourceful women who tend them, each garden has its own personality and beauty.