Desert Paradises: Surveying the Landscapes of Dubai's Urban Model explores how designed landscapes can play a vital role in constructing a city's global image and legitimizing its socio-political hierarchy. Using the case study of Dubai, Bolleter explores how Dubai's rulers employ a paradisiacal image of greening the desert, in part, as a tool for political legitimization. Bolleter also evaluates the designed landscapes of Dubai against the principles of the United Nations and the International Federation of Landscape Architects and argues that what is happening in Dubai represents a significant discrepancy between theory and practice. This book offers a new perspective on landscape design that has until now been unexplored. It would be beneficial to academics and students of geography, landscape architecture, urban design and urban planning - particularly those with an interest in Dubai or the many cities in the region that are experiencing Dubaiification.

This first full study of Erasmus Darwin's gardening, horticulture and agriculture shows he was as keen a nature enthusiast as his grandson Charles, and demonstrates the ways in which his landscape experiences transformed his understanding of nature. Famous as the author of the Botanic Garden (1791) and grandfather of Charles Darwin (1809-1882), Erasmus Darwin (1731-1802) was a larger-than-life enlightenment natural philosopher (scientist) and writer who practised as a doctor across the English Midlands for nearly half a century. A practical gardener and horticulturist, Darwin created a botanic garden near Lichfield - which galvanised his poetry - and kept other gardens, an orchard and small "farm" in Derby. Informed by his medical practice and botanical studies, Darwin saw many parallels between animals, plants and humans which aroused hostility during the years of revolution, warfare and reaction, but helped him to write Zoonomia (1794/96) and Phytologia (1800) - his major studies of medicine, agriculture and gardening. Captivated by the changing landscapes and environments of town and country and supported by social networks such as those in Lichfield and Derby, Darwin avidly exchanged ideas about plants, animals and their diseases with family, patients, friends such as the poet Anna Seward (1742-1809), farmers, fellow doctors, huntsmen and even the local mole catcher. The is the first full study of Erasmus Darwin's gardening, horticulture and agriculture. It shows him as keen a nature enthusiast as his contemporary Rev. Gilbert White of Selbourne (1720-1793) or his grandson Charles, fascinated with everything from swarming insects and warring bees to domestic birds and dogs, pigs and livestock on his farm to fungi growing from horse dung in Derby tan yards. Ranging over his observations of plant physiology and anatomy to the use of plant "bandages" in his orchard and electrical machines to hasten seed germination to explosive studies of vegetable "brains", nerves and sensations, the book demonstrates the ways in which Erasmus Darwin's landscape and garden experiences transformed his understanding of nature. They provided him with insights into medicine and the environmental causes of diseases, the classification of plants and animals, chemistry, evolution, potential new medicines and foodstuffs and the ecological interdependency of the natural economy. Like the amorous vegetables of the Loves of the Plants (1789) which fascinated, scandalised and titillated late Georgian society, the many living creatures of Darwin's gardens and farm encountered in this book were for him real, dynamic, interacting and evolving beings who helped inspire and re-affirm his progressive social and political outlook.

The Emma Bridgewater factory in Stoke-on-Trent is a mecca for lovers of its iconic pottery; but tucked within is a walled garden bursting with nectar-rich, jazzy-toned flowers and rare-breed chickens. This is where Arthur Parkinson - gardener, florist and poultry keeper - used to work his magic. Inspired by his friend, gardener and florist Sarah Raven, and childhood hen-keeping pen pal the late Dowager Duchess of Devonshire, Parkinson's domain was one of resplendent flowers, platoon feather-legged hens, handwritten blackboards, flower arranging and wasteland foliage foraging - all carried out in one of the most unlikely places a garden could happen to exist: a working pottery.

While historical and protected landscapes have been well studied for years, the cultural significance of ordinary landscapes is now increasingly recognised. This groundbreaking book discusses how contemporary cultural landscapes can be, and are, created and recognised.

The book challenges common concepts of cultural landscapes as protected or special landscapes that include significant buildings or features. Using case studies from around the world it questions the usual measures of judgement related to cultural landscapes and instead focuses on landscapes that are created, planned or simply evolve as a result of changing human cultures, management policy and practice.

Each contribution analyses the geographical and human background of the landscape, and policies and management strategies that impact upon it, and defines the meanings of 'cultural landscape' in its particular context. Taken together they establish a new paradigm in the study of landscapes in all forms."

For centuries, the English Lake District has been renowned as an important cultural, sacred and literary landscape. It is therefore surprising that there has so far been no in-depth critical examination of the Lake District from a tourism and heritage perspective. Bringing together leading writers from a wide range of disciplines, this book explores the tourism history and heritage of the Lake District and its construction as a cultural landscape from the mid eighteenth century to the present day. It critically analyses the relationships between history, heritage, landscape, culture and policy that underlie the activities of the National Park, Cumbria Tourism and the proposals to recognise the Lake District as a UNESCO World Heritage Site. It examines all aspects of the Lake District's history and identity, brings the story up to date and looks at current issues in conservation, policy and tourism marketing. In doing so, it not only provides a unique and valuable analysis of this region, but offers insights into the history of cultural and heritage tourism in Britain and beyond.

Marta McDowell returns with a beautiful, gift-worthy account of how plants and gardening deepy inspired Frances Hodgson Burnett, author of the beloved children's classic The Secret Garden. Marta McDowell has revealed the many ways gardening has inspired some of our most cherished authors, including Beatrix Potter, Emily Dickinson, and Laura Ingalls Wilder. In her latest, she does the same with Frances Hodgson Burnett, the author of the classic children's book The Secret Garden. Unearthing The Secret Garden starts by chronicling Frances Hodgson Burnett's childhood and early life, with a focus on her growing interest in gardens and her development as a writer. McDowell also shares details of three gardens Hodgson Burnett created in Kent, Long Island, and Bermuda. A guide to the plants featured in The Secret Garden will delight gardeners. And in a unique addition, McDowell transcribes Hodgson Burnett's delightful essay, "In the Garden," which was published shortly after her death. AUTHOR: Marta McDowell lives, gardens, and writes in Chatham, New Jersey. She consults for public gardens and private clients, writes and lectures on gardening topics, and teaches landscape history and horticulture at the New York Botanical Garden, where she studied landscape design. Her particular interest is in authors and their gardens, the connection between the pen and the trowel. 150 photographs and illustrations

--fully illustrated in color addressing parks in 30 major international cites including St. Petersburg, Dublin, New York City, Gothenburg, Rio de Janeiro, Mexico City, London, Mumbai, Brisbane, Toronto, Amsterdam, Tokyo, and Barcelona, to name a few

Little-known, and hidden between skyscrapers and wide avenues, some 650 community gardens dot New York City. Set within one of the densest and most expensive real estate markets, these gardens are attended by some of the least advantaged residents of the city. Urban residents use these spaces for horticulture, recreation, social gatherings, and artistic and cultural events. They manage the gardens collectively and with relative independence from top-down control. Despite continuous threats from market forces the gardens have been able to thrive as significant community spaces since the 1970s. This book shows how, in the process of attempting to protect these highly contested spaces, residents developed as community leaders and urban activists. Taking an interdisciplinary approach to follow the political development of urban residents, the book examines how everyday spatial practices, social interactions, the production of alternative urban space, and the generation of new urban knowledge render community gardeners into important social actors in the urban scene. The book argues that with this process of production of space a new type of 'organic resident' evolves. These urbanites constantly engage with their urban environment, find ways to make the city more supportive for their collective needs, and produce the city in their own image. Community gardeners as organic residents claim their right to the city, act to materialize their vision of the city, and utilize the special potential of the locale to constitute themselves as powerful social actors on the urban scene.

Fully updated third edition of best-selling title, plus new information on SUDs and rain gardens Truly indispensible reference tool for all landscape architects working in the field, which includes the most up-to-date guidelines and legislation Concise, accessible format means the book can be used on and off site

Parametric Design for Landscape Architects provides a sequence of tutorial-based workflows for the creation and utilization of algorithmic tools calibrated toward the field of landscape architecture. Contemporary practice and projective theory in landscape architecture require the processing and design of data associated with complex systems to adequately represent composite, emergent scenarios. Aligning to both traditional and nascent processes of analysis and digital modeling, this book unpacks and decodes the characterization of algorithmic-based automation, leveraging software that is widely accessible in both academia and professional practice. Curated throughout are workflows that apply to a multiplex of computation programs that widely support the design, analysis, and production of landscapes, primarily concentrated on digital modeling tools Grasshopper and Rhinoceros. It is a much-needed, visually accessible resource to aid in more efficient understanding and creation of tools that automate and re-examine traditional calculations, analyses, drawing standards, form-finding strategies, fabrication preparations, and speculative assessments/simulation. This primer provides professionals and students with multifaceted skill-sets that, when applied in practice, expand and expedite conventional and speculative design workflows applicable to spatial design, and more specifically landscape architecture. The book includes over 200 full-colour drawings, images, and tables to illustrate and support examples throughout.

Ornamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.

Exploration of the New World offered far reaching possibilities for the acquisition of new plants and for trees, but the impact that the introduction of plants from the New World had, and still has, on the English garden is frequently forgotten. Gardens and landscapes were transformed by an influx of American roots and through the past three centuries gardens have displayed important links with the United States of America. The ancestral homes of George Washington, the residence of the American Ambassador in London, the American Museum in Britain and Bletchley Park are of cultural and political importance. Many Dollar Princesses - American heiresses - took an active part in the aristocratic role of garden creation and ex-patriots too, continue to leave a legacy of beautiful gardens. Finally, the book includes memorial gardens of honored Americans: Princess Pocahontas; Mohamet Weyonoman; John F. Kennedy; the Magna Carta Memorial built by the American Bar Association, and at Cambridge, the American Military Cemetery, dedicated to the American Armed Services. American Ancestry in the English Garden is unique in bringing together the story of the first influx of American plant species and an important collection of gardens influenced and/or created by Americans, reflecting social history and often overlooked links between Britain and the United States of America.

Aquaculture Landscapes explores the landscape architecture of farms, reefs, parks, and cities that are designed to entwine the lives of fish and humans. In the twenty-first century, aquaculture's contribution to the supply of fish for human consumption exceeds that of wild-caught fish for the first time in history. Aquaculture has emerged as the fastest growing food production sector in the world, but aquaculture has agency beyond simply converting fish to food. Aquaculture Landscapes recovers aquaculture as a practice with a deep history of constructing extraordinary landscapes. These landscapes are characterized and enriched by multispecies interdependency, performative ecologies, collaborative practices, and aesthetic experiences between humans and fish. Aquaculture Landscapes presents over thirty contemporary and historical landscapes, spanning six continents, with incisive diagrams and vivid photographs. Within this expansive scope is a focus on urban aquaculture projects by leading designers-including Turenscape, James Corner Field Operations, and SCAPE-that employ mutually beneficial strategies for fish and humans to address urban coastal resiliency, wastewater management, and other contemporary urban challenges. Michael Ezban delivers a compelling account of the coalitions of fish and humans that shape the form, function, and identity of cities, and he offers a forward-thinking theorization of landscape as the preeminent medium for the design of ichthyological urbanism in the Anthropocene. With over two hundred evocative images, including ninety original drawings by the author, Aquaculture Landscapes is a richly illustrated portrayal of aquaculture seen through the disciplinary lens of landscape architecture. As the first book devoted to this topic, Aquaculture Landscapes is an original and essential resource for landscape architects, urbanists, animal geographers, aquaculturists, and all who seek and value multispecies cohabitation of a shared public realm. Winner of the 2020 John Brinckerhoff Jackson Book Prize!

The contribution of diplomatic, military, and naval exploits in the formation of the British Empire are well recorded, but far less well-known are those of botanic gardens which, in their own unsung way, helped to underpin the Empire's commercial success and were also instrumental in furthering botanical knowledge around the world. Christian Lamb, distinguished plantswoman and garden historian, writes in her introduction "It so happens that I 'collect' botanic gardens . . . this book is a nebulous collection of a few chosen botanic gardens from the vast array available--the stars in their spheres . . . and the remarkable array of the often learned and entrepreneurial characters that created them."

Linda Rutenberg's images capture an astonishing world hidden from plain sight. By photographing public and botanical gardens at night, Rutenberg reveals a luminous landscape of plants, colours, shadows and light. Ten gardens throughout England are included, each with intimate portraits of their flowers and plants glowing in the blackness, revealing a secret nighttime world of subtle yet vibrant beauty, and illuminating the mystique of gardens. A perfect rose blooms at midnight. Leaves and flowers seem to glow in the darkness of the nocturnal world, and the peace of night affords these portraits an intimate quality. The English Garden at Night will enchant art-lovers and garden-lovers alike.

A Philosophy of Landscape Construction outlines a philosophy of values in landscape construction, demonstrating how integral structures, such as pavements and walls, constitute a key element to how people interact with and inhabit the final design. The book discusses how these structures enable, assist and care for people, negotiating between the dynamic processes of site ecosystems and the soil on which they are founded. They articulate spatial, functional, cultural and ecological meanings. Within this theoretical framework, designers will learn to recognize and insert a set of core values into the most technical design stages to reach their full potential. By offering a new perspective on landscape construction, moving away from the exclusively technical characteristics, this book allows landscape architects to realise the ideal vision for their designs. It is abundantly illustrated with examples from which designers can learn both successes and failures and will be an essential companion to any study of built landscapes.

In the era of the Anthropocene, site matters are more pressing than ever. Building on the concepts, theories, and multi-disciplinary approaches raised in the first edition, this publication strives to address the changes that have taken place over the last 15 years with new material to complement and re-position the initial volume. Reaching across design disciplines, this highly illustrated anthology assembles essays from architects, landscape architects, urban designers, planners, historians, and artists to explore ways to physically and conceptually engage site. Thoughtful discourse and empirically grounded pieces combine to provide the language and theory to contextualize the meanings of site in the built environment. The increasingly complex hybridity of constructed environments today demands new tools for thinking about and working with site. Drawing contributions from outside and within the traditional design disciplines, this edition will trace important developments in site thinking with new essays on topics such as climate change, landscape as infrastructure, shifts from global to planetary urbanization debates, and the proliferation of participatory site transformation practices. Edited by two leading practitioners and academics, Site Matters juxtaposes timeless contributions from individuals including Elizabeth Meyer, Robert Beauregard, and Robin Dripps with original new writings from Peter Marcuse, Jane Wolff, Neil Brenner, and Thaisa Way, amongst others, to recontextualize and reignite the debate around site. An ideal text for students, academics, and researchers interested in site and design theory.

Following on from the ground-breaking first edition, which received the 2014 EDRA Achievement Award, this fully updated text includes new chapters on current issues in the built environment, such as GIS and mapping, climate change, and qualitative approaches. Place attachments are powerful emotional bonds that form between people and their physical surroundings. They inform our sense of identity, create meaning in our lives, facilitate community, and influence action. Place attachments have bearing on such diverse issues as rootedness and belonging, placemaking and displacement, mobility and migration, intergroup conflict, civic engagement, social housing and urban redevelopment, natural resource management, and global climate change. In this multidisciplinary book, Manzo and Devine-Wright draw together the latest thinking by leading scholars from around the globe, including contributions from scholars such as Daniel Williams, Mindy Fullilove, Randy Hester, and David Seamon, to capture significant advancements in three main areas: theory, methods, and applications. Over the course of fifteen chapters, using a wide range of conceptual and applied methods, the authors critically review and challenge contemporary knowledge, identify significant advances, and point to areas for future research. This important volume offers the most current understandings about place attachment, a critical concept for the environmental social sciences and placemaking professions.

Through cross-disciplinary explorations of and engagements with nature as a forming part of architecture, this volume sheds light on the concepts of both nature and architecture. Nature is examined in a raw intermediary state, where it is noticeable as nature, despite, but at the same time through, man's effort at creating form. This is done by approaching nature from the perspective of architecture, understood, not only as concrete buildings, but as a fundamental human way both of being in, and relating to, the world. Man finds and forms places where life may take place. Consequently, architecture may be understood as ranging from the simple mark on the ground and primitive enclosure, to the contemporary megalopolis. Nature inheres in many aesthetic forms of expression. In architecture, however, nature emerges with a particular power and clarity, which makes architecture a raw kind of art. Even though other forms of art, as well as aesthetic phenomena outside the arts, are addressed, the analogy to architecture will be evident and important. Thus, by using the concept of 'raw' as a focal point, this book provides new approaches to architecture in a broad sense, as well as other aesthetic and artistic practices, and will be of interest to readers from different fields of the arts and humanities, spanning from philosophy and theology to history of art, architecture and music.

Beautiful, accessible, even educational public gardens offer delights for travelers all over the state who want to get close to Nature. Visitors can explore a variety of gardens: botanical, estate, lily, rose, herb, cottage, wildflower, and more.

For thousands of years humans have experimented with various methods of waste disposal-from burning and burying to simply packing up and moving in search of an unscathed environment. Habits of disposal are deeply ingrained in our daily lives, so casual and continual that we rarely ever stop to ponder the big-picture effects on social, spatial and ecological orders. Rethinking the ways in which we produce, collect, discard and reuse our waste, whether it's materials, spaces or places, is essential to ensure a more feasible future. Waste Matters: Adaptive Reuse for Productive Landscapes presents a series of historical and contemporary design ideas that reimagine a range of repurposed materials at diverse scales and in various contexts by exploring methods of hacking, disassembly, reassembly, recycling, adaptive reuse and preservation of the built environment. Waste Matters will inspire designers to sample and rearrange bits of artifacts from the past and present to produce culturally relevant and ecologically sensitive materials, objects, architecture and environments.

This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.

Waste and Urban Regeneration examines the Nanjido region of Seoul and its transformation from Nanjido Landfill to the World Cup Park, and its relation to the urban ecology within the context of the city's urban development during the late twentieth and early twenty-first centuries. The study analyses the urban ecological meanings of the site's two distinct forms by consolidating them with the Lefebvrian urban theory and relational ecological theories. This book looks at environmental transformations and their link to South Korea's political and economic changes; how Seoul City controlled waste populations, the borderline characterisations of the inhabited landfill and its community, the regeneration of the landfill into the post-landfill park and site-specific artworks which explored the conflict between the invisible presence of the landfill's garbage and its history. As one of the first accounts of a landfill and landfill-turned-park of South Korea, this study is a must-read for academics and researchers interested in waste management, ecology, landscape theory and history.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.