With more than 1,000 images and descriptive texts, this is the ultimate celebration of the world's most gorgeous gardens This internationally bestselling inspirational resource for garden-lovers and designers is now reissued with a gorgeous new cover - bringing the book's winning blend of authority and visual appeal to a new audience. The Gardener's Garden spans seven centuries to spotlight more than 250 of the globe's finest permanent gardens by leading garden designers, horticulturalists, and landscape architects, as chosen by an international team of experts. Gardens of all types and style from across the globe, from the grandeur of Versailles to a private sanctuary in Marrakech, have been brought to life through more than 1,000 sumptuous photographs and detailed descriptive texts by leading garden writers. This is both a valuable resource for those seeking inspiration on garden design and planting and the ideal gift for garden-lovers everywhere.

How does an individual garden relate to the larger landscape? How does it connect to the natural and cultural environment? Does it evoke a sense of place? In Spirit of Place, Bill Noble helps gardeners answer these questions by sharing how they influenced the creation of his garden in Vermont. He explores the history of New England gardens and how they were shaped by a rugged landscape, harsh climate, and European ideas about design and plantsmanship. Throughout, Noble reveals that a garden is never created in a vacuum, but is rather the outcome of an individual's personal vision combined with historical and cultural forces. Sumptuously illustrated, this thoughtful look at the process of garden-making will inspire home gardeners everywhere to leverage the history and site of their own landscape to create a truly spirited place.

Most gardens have shady spots, but some gardens have a real shade ‘problem’. Whether it is caused by large or overhanging trees, tall buildings, or just being on the ‘wrong side of the street’, fi nding the best plants for a shady area can be challenging, particularly if the rest of your garden basks in sunshine all year round. Shade plants are not necessarily tropical, although many tropical plants thrive in shade. Some delicate leafy plants will scorch and burn in hot sun, some plants like shady conditions but not damp soil, while others grow happily in damp, boggy ground that receives minimum sunlight. Gardening in the Shade examines the different types of shade and the effect it has on plant growth.

It presents solutions to common problems such as feeding, watering and mulching shade plants, and how to deal with exacerbating factors such as wind, frost and soil type. Popular shade plants, like clivias, bromeliads, fuchsias and ferns are given special features, and a directory of species lists plants under headings like ground covers, tropical-looking perennials, and succulents.

Gardeners are inherently curious. They make note of a plant label in a botanical garden and then go home to learn more. They pick up fallen blossoms to examine them closer. They spend hours reading plant catalogues. But they are often unable to accurately name or describe their discoveries. A Botanist's Vocabulary gives gardeners and naturalists a better understanding of what they see and a way to categorize and organize the natural world in which they are so intimately involved. Through concise definitions and detailed black and white illustrations, it defines 1300 words commonly used by botanists, naturalists, and gardeners to describe plants. The terms include simple concepts like petal and sepal, some that apply only to a particular group of plants or to entire ecosystems, and others that are only visible under a microscope. The simple and accessible language and highly detailed black and white illustrations make this the perfect guide for anyone looking for a deeper appreciation of the wonderful world of plants.

The perfect companion to Merrell's bestselling Dream Homes and More Dream Homes, Dream Gardens is a stylish sourcebook of 100 modern and contemporary gardens from around the world. Now available in paperback for the first time, this critically acclaimed volume presents an array of wonderful locations and garden-design ideas, from small, sophisticated, minimalist city gardens to large, richly planted gardens in breathtaking rural locations. Each garden is beautifully photographed to show all its key features and essential details, while concise descriptions explore the aims and achievements of some of today's most influential garden designers. With full captions identifying the plants depicted, Dream Gardens is a valuable source of information and inspiration.

After publishing Scent Magic, an acclaimed memoir of plants, gardens and scent, Isabel Bannerman couldn't leave the subject alone. 'I came across the star-nosed mole, an adorable and preposterous creature with a highly specialized sensory-motor organ, while writing about the riches of the soil kingdom ... and, somewhat mole-like ... as I was trying to write about the impossibility of writing effectively about smell, I began to nose around for great writers' solutions to this problem. How and how much have writers considered the lilies of the field and how they smell. I began grazing on literature and gathering in my stores of quotes.' In reviews of Scent Magic, Isabel was lauded for 'putting into words what so much escapes language. With a wonderful range of reference and allusion, it's nothing less than poetry... (Evening Standard)'. And in this anthology, with her beautifully written linking passages bringing carefully chosen quotations together with her dramatic, powerful and mysterious plant images, she evokes the scented garden through poetry and prose spanning millennia, from Ovid to Proust, Milton to George Eliot, and Emily Dickinson to Alice Oswald.

The forgotten garden that inspired Charles Darwin becomes the modern-day setting for an exploration of memory, family, and the legacy of genius. Darwin's childhood garden at The Mount in Shrewsbury was the site of some of the great scientist's earliest experiments. It was where, under the tutelage of his green-fingered mother and sisters, and the house's knowledgeable gardeners, he first examined the reproductive life of flowers, collected birds' eggs, and began to note down the ideas that would lead to his groundbreaking theory of evolution. In The Ghost in the Garden, Jude Piesse uncovers the lost histories that inspired Darwin's work and how his legacy, and the legacies of those around him, live on today.

Conceptual Landscapes explores the dilemma faced in the early moments of design thinking through a gradient of work in landscape and environmental design media by both emerging and well-established designers and educators of landscape architecture. It questions where and, more importantly, how the process of design starts. The book deconstructs the steps of conceptualizing design in order to reignite pedagogical discussions about timing and design fundamentals, and to reveal how the spark of an idea happens - from a range of unique perspectives. Through a careful arrangement of visual essays that integrate analogue, digital and mixed-media works and processes, the book highlights differences between diverse techniques and triggers debate between design, representation, technology and creative culture in the field. Taken together, the book's visual investigation of the conceptual design process serves as a learning tool for aspiring designers and seasoned professionals alike. By situating student work alongside that of experienced teachers and landscape architects, the book also demystifies outdated notions of individual genius and sheds new light on the nearly universally messy process of discovery, bridged across years and diverse creative vocabularies in the conceptual design process. Lavishly illustrated with over 210 full colour images, this book is a must-read for students and instructors in landscape architecture.

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

Produced under the auspices of the Chicago Botanic Garden, this major international reference work contains more than 600 entries on a wide range of topics. Coverage includes important people in the history of gardening and landscaping throughout the ages; specific sites, both historical and existing; surveys of types and styles of gardens; gardening movements; traditions of specific geographic regions; and materials and techniques.
Extensive illustration makes use of photographs (both color and black-and white) as well as dozens of line drawings detailing plans, techniques, and tools. Comprehensive in scope, this will be an indispensable reference for teachers and students of garden history, landscape architecture, and archaeology, as well as for professional and amateur gardeners.

In 1872 the most famous cultural critic in Britain moved into a dilapidated cottage in the heart of England's Lake District and swapped his pen for a billhook. John Ruskin's arrival in a landscape already steeped in agricultural history began an evolution that led to the extraordinary gardens that grace Brantwood today. In this beautifully illustrated and comprehensive guide, eminent botanist and horticultural expert David Ingram traces the history of the gardens and explores the contribution of successive garden visionaries that have blessed Brantwood from Ruskin to the present day.

Aquaculture Landscapes explores the landscape architecture of farms, reefs, parks, and cities that are designed to entwine the lives of fish and humans. In the twenty-first century, aquaculture's contribution to the supply of fish for human consumption exceeds that of wild-caught fish for the first time in history. Aquaculture has emerged as the fastest growing food production sector in the world, but aquaculture has agency beyond simply converting fish to food. Aquaculture Landscapes recovers aquaculture as a practice with a deep history of constructing extraordinary landscapes. These landscapes are characterized and enriched by multispecies interdependency, performative ecologies, collaborative practices, and aesthetic experiences between humans and fish. Aquaculture Landscapes presents over thirty contemporary and historical landscapes, spanning six continents, with incisive diagrams and vivid photographs. Within this expansive scope is a focus on urban aquaculture projects by leading designers-including Turenscape, James Corner Field Operations, and SCAPE-that employ mutually beneficial strategies for fish and humans to address urban coastal resiliency, wastewater management, and other contemporary urban challenges. Michael Ezban delivers a compelling account of the coalitions of fish and humans that shape the form, function, and identity of cities, and he offers a forward-thinking theorization of landscape as the preeminent medium for the design of ichthyological urbanism in the Anthropocene. With over two hundred evocative images, including ninety original drawings by the author, Aquaculture Landscapes is a richly illustrated portrayal of aquaculture seen through the disciplinary lens of landscape architecture. As the first book devoted to this topic, Aquaculture Landscapes is an original and essential resource for landscape architects, urbanists, animal geographers, aquaculturists, and all who seek and value multispecies cohabitation of a shared public realm. Winner of the 2020 John Brinckerhoff Jackson Book Prize!

The National Trust looks after many of Britain's most important and beloved buildings - its sheds. They lurk in the shadow of grand country houses; they brave the elements on the tops of cliffs; they have inspired famous writers and housed everything from beehives to birdwatchers. These beautiful, inspiring and eccentric structures are as individual as their owners. A Victorian coastal shed in Cornwall is where the Reverend Hawker went to write verse, and smoke opium. It's also the smallest building cared for by the National Trust. George Bernard Shaw's shed could be rotated throughout the day to make the most of the sun, while sculptor Barbara Hepworth used hers for napping in. Rather than a place in which to create, many of these sheds are the creation. Alongside the literary writing dens and horticultural hideaways there are also floating sheds, coastguards' sheds, artists' studios, summer houses, beach huts, camping pods, bothies, teahouses, follies and much more.

Reframes ecology as an integrative notion that includes history, culture, society and materiality, in addition to technology, within contemporary ecological housing programs Argues that, when viewed through the lens of landscape, social and political implications of ecological housing offer important lessons for the future Gathers a wide range of contributions from the USA, Denmark, Sweden, the Netherlands, Belgium, Switzerland, Germany, Mongolia, Hungary and India Includes over 130 black and white illustrations.

Desert Paradises: Surveying the Landscapes of Dubai's Urban Model explores how designed landscapes can play a vital role in constructing a city's global image and legitimizing its socio-political hierarchy. Using the case study of Dubai, Bolleter explores how Dubai's rulers employ a paradisiacal image of greening the desert, in part, as a tool for political legitimization. Bolleter also evaluates the designed landscapes of Dubai against the principles of the United Nations and the International Federation of Landscape Architects and argues that what is happening in Dubai represents a significant discrepancy between theory and practice. This book offers a new perspective on landscape design that has until now been unexplored. It would be beneficial to academics and students of geography, landscape architecture, urban design and urban planning - particularly those with an interest in Dubai or the many cities in the region that are experiencing Dubaiification.

'Wonderful. A manifesto of horticultural delight' Literary Review 'Beautiful. Perfect for literary garden lovers' Good Housekeeping 'Rich and unusual, a book to treasure. Few recent gardening books come anywhere close to its style, intelligence and depth' Observer 'The two central activities in my life - alongside writing - have been reading and gardening.' Penelope Lively has always been a keen gardener. This book is partly a memoir of her own life in gardens: the large garden at home in Cairo where she spent most of her childhood, her grandmother's garden in a sloping Somerset field, then two successive Oxfordshire gardens of her own, and the smaller urban garden in the North London home she lives in today. It is also a wise, engaging and far-ranging exploration of gardens in literature, from Paradise Lost to Alice in Wonderland, and of writers and their gardens, from Virginia Woolf to Philip Larkin. 'Exquisite and original' Daily Telegraph 'A gentle survey of the garden's place in Western culture, which morphs into a personal meditation on time, memory and a life well lived' i 'Scholarly bedtime reading' The Times, Books of the Year

This pioneering study tells the story of the emergence of rural workers' gardens during a period of unprecedented economic and social change in the most dynamic and prosperous region of Scotland. Much criticised as weed-infested, badly cultivated and disfigured by the dung heap before the cottage door, eighteenth-century cottage gardens produced only the most basic food crops. But the paradox is that Scottish professional gardeners at this time were highly prized and sought after all over the world. And by the eve of the First World War Scottish cottage gardeners were raising flowers, fruit and a wide range of vegetables, and celebrating their successes at innumerable flower shows. This book delves into the lives of farm servants, labourers, weavers, miners and other workers living in the countryside, to discover not only what vegetables, fruit and flowers they grew, and how they did it, but also how poverty, insecurity and long and arduous working days shaped their gardens. Workers' cottage gardens were also expected to comply with the needs of landowners, farmers and employers and with their expectations of the industrious cottager. But not all the gardens were muddy cabbage and potato patches and not all the gardeners were ignorant or unenthusiastic. The book also tells the stories of the keen gardeners who revelled in their pretty plots, raised prize exhibits for village shows and, in a few cases, found gardening to be a stepping-stone to scientific exploration.

Teaching Landscape: The Studio Experience gathers a range of expert contributions from across the world to collect best-practice examples of teaching landscape architecture studios. This is the companion volume to The Routledge Handbook of Teaching Landscape in the two-part set initiated by the European Council of Landscape Architecture Schools (ECLAS). Design and planning studio as a form of teaching lies at the core of landscape architecture education. They can simulate a professional situation and promote the development of creative solutions based on gaining an understanding of a specific project site or planning area; address existing challenges in urban and rural landscapes; and often involve interaction with real stakeholders, such as municipality representatives, residents or activist groups. In this way, studio-based planning and design teaching brings students closer to everyday practice, helping to prepare them to create real-world, problem-solving designs. This book provides fully illustrated examples of studios from over twenty different schools of landscape architecture worldwide. With over 250 full colour images, it is an essential resource for instructors and academics across the landscape discipline, for the continuously evolving process of discussing and generating improved teaching modes in landscape architecture.

Moss, stone, trees, and sand arranged in striking or natural-looking compositions: the tradition of establishing and refining the landscape has been the work of Japanese gardeners and designers for centuries. In Japanese Gardens and Landscapes, 1650-1950 Wybe Kuitert presents a richly illustrated survey of the gardens and the people who commissioned, created, and used them and chronicles the modernization of traditional aesthetics in the context of economic, political, and environmental transformation. Kuitert begins in the Edo period (1603-1868), when feudal lords recreated the landscape of the countryside as private space. During this same period, and following Chinese literary models, scholars and men of letters viewed the countryside itself, without any contrivance, as the ideal space in which to meet with friends and have a cup of tea. Stewards of inns, teahouses, and temples, on the other hand, followed increasingly cliched garden designs prescribed in popular, mass-produced pattern books. Over the course of the late nineteenth and early twentieth centuries, the newly wealthy captains of industry in Tokyo adopted the aesthetic of the feudal lords, finding great appeal in naturalistic landscapes and deciduous forests. Confronted with modernization and the West, tradition inevitably took on different meanings. Westerners, seeking to understand Japanese garden culture, found their answers in the pattern-book cliches, while in Japan, private landscapes became public and were designed in environmentally supportable ways, all sponsored by the government. An ancient, esoteric, and elite art extended its reach to every quarter of society, most notably with the extensive rebuilding that occurred in the aftermath of the Tokyo earthquake of 1923 and the end of World War II. In the wake of destruction came a new model for sustainable public parks and a heightened awareness of ecological issues, rooted above all in the natural landscape of Japan. Featuring more than 180 color photographs and reproductions, Japanese Gardens and Landscapes, 1650-1950 illustrates a history of changes and continuities across a span of three centuries and makes an eloquent case for the lessons to be learned from the Japanese tradition as we face the challenges of a rapidly changing human habitat.

The Agius Evolution Garden at Kew Gardens opened in the summer of 2019. Designed by Richard Wilford, with interpretation by Sharon Willoughby, the Evolution Garden is arranged according to the latest classification of plants, based on DNA analysis. This book explains the design process, the science behind the garden and lists the plants used to show the plant Tree of Life.

Spectacular gardens are viewed from the perspective of a snail in Virginia Woolf's 'Kew Gardens' and from that of a sheltered teenage girl in Katherine Mansfield's 'The Garden Party'. The family of Doris Lessing's 'Flavours of Exile' haul succulent vegetables and fruits from the rich African soil, and Colette in 'Bygone Spring' luxuriates in extravagantly blooming flowers. Children discover their own peculiar paradises in Sandra Cisneros's 'The Monkey Garden' and Italo Calvino's 'The Enchanted Garden', while adult gardeners find things that move and haunt them in William Maxwell's 'The French Scarecrow' and Jamaica Kincaid's 'The Garden I Have in Mind'. Gardens of the mind round out the anthology: the beautiful but fatal garden of Nathaniel Hawthorne's 'Rappaccini's Daughter', the crystal buds of J. G. Ballard's 'The Garden of Time', ravenous orchids in John Collier's 'Green Thoughts', and Aoko Matsuda's 'Planting', in which a young woman plants each day whatever she has been given - roses and violets, buttons and broken cups, love and fear and sorrow. An entrancing book for everyone who loves gardens and the beauty of nature.

Ornamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.

Daringly innovative when it opened in 1848, the Palm House in Kew Gardens remains one of the most beautiful glass buildings in the world today.

Seemingly weightless, vast and yet light, the Palm House floats free from architectural convention, at once monumental and ethereal. From a distance, the crowns of the palms within are silhouetted in the central dome; close to, banana leaves thrust themselves against the glass. To enter it is to enter a tropical fantasy. The body is assaulted by heat, light and the smell of damp vegetation.

In Palace of Palms, Kate Teltscher tells the extraordinary story of its creation and of the Victorians’ obsession with the palms that filled it. It is a story of breathtaking ambition, of scientific discovery and, crucially, of the remarkable men whose vision it was. The Palm House was commissioned by the charismatic first Director of Kew, Sir William Hooker, designed by the audacious Irish engineer, Richard Turner, and managed by Kew’s forthright curator, John Smith, who battled with boilers and floods to ensure the survival of the rare and wondrous plants it housed.

When Page Dickey moved away from her celebrated garden at Duck Hill, she left a landscape she had spent thirty-four years making, nurturing, and loving. She found her next chapter in southern Connecticut, on 17 acres of rolling fields and woodland around a former Methodist church. In Uprooted, celebrated garden writer Page Dickey reflects on this transition and on what it means for a gardener to start again. In these pages, fol low her journey: searching for a new home, discovering the ins and outs of the landscape surround ing her new garden, establishing the garden, and learning how to be a different kind of gardener. The sur prise at the heart of the book? Although Dickey was sad to leave her beloved garden, she found herself thrilled to begin a new garden in a wilder, larger landscape. Written with humour and elegance, Uprooted is an endearing story about transitions - and the satisfaction and joy that new horizons can bring.