Pride and Prejudice, which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, Pride and Prejudice has proved one of the most enduringly popular novels in the English language.

A riveting, provocative and unforgettable story of community, family and identity.

The Sharaf family is the picture of success. They arrived in America as refugees with nothing more than the clothes on their backs. And now, after years of hard work, they live in the most exclusive neighbourhood, their growing family attending the most prestigious schools. Zorah, the eldest daughter, is the apple of her father's eye.

But when Zorah dies in an unthinkable tragedy, the family is thrust into the court of public opinion. There is talk that the Sharafs' happy household was anything but, and soon the veneer of the model immigrant family starts to crumble.

Those who knew her best - and those who never met her - all have an opinion on who Zorah really was, and what really happened to her . . .

CHOSEN AS A 2026 MUST-READ BOOK BY THE GUARDIAN, SUNDAY TIMES, STYLIST, SUNDAY INDEPENDENT, NEW ARAB AND BBC CULTURE

A poignant and heartfelt novel about family ties, family lies and the truths we withhold to protect the ones we love.

When Sika is invited to a lavish family party in Accra, she jumps at the chance. Her life might be in London – with a high-powered job, demanding boss and intense friendships – but she's itching to get to know her cousins, aunts and uncles, and explore the country her mother left just after Sika was born.

The holiday is better than she could have imagined, especially when handsome, charismatic Danso steps onto the scene. But on the night of the big party, as her happiness soars, Sika discovers a dark secret that will change everything – for everyone – forever.

For Kahlil Gibran, re-telling the story of Jesus had been the ambition of a life time. He had known it from childhood, when as a poor boy in the Middle-East, he'd been taught by a priest reading the bible with him. Now, in his maturity - and a successful writer in the USA - he wanted tell the story as no one had told it before. With 'Jesus, the Son of Man', (1928) he did just that; set alongside Matthew, Mark, Luke and John, here is 'The Gospel according to Gibran.' Gibran's approach is to allow the reader to see Jesus through the eyes of a large and disparate group of people. Some of these characters will be familiar: amongst others, we hear from Peter; Mary his mother; Luke; Pontius Pilate, Thomas and Mary Magdalene. But many other characters are new, created by Gibran, including a Jerusalem cobbler, an old Greek shepherd - and the mother of Judas. 'My son was a good man and upright,' she tells us. 'He was tender and kind to me, and he loved his kin and his countrymen.' What connects these people is the fact that they all have an opinion about Jesus; though no two opinions are the same. 'The Galilean was a conjuror, and a deceiver,' says a young priest. But then a woman caught in adultery experienced him in a different way. 'When Jesus didn't judge me, I became a woman without a tainted memory, and I was free and my head was no longer bowed.' Not all the women like him, however. A widow in Cana, whose son is a follower, remains furious: 'That man is evil! For what good man would separate a son from his mother?' While a lawyer has mixed feelings: 'I admired him more as a man than as a leader. He preached something beyond my liking; perhaps beyond my reason.' A philosopher is in awe, however: 'His senses were continually made new; and the world to him was always a new world.' With each fresh voice, a different aspect of Jesus' character is explored; and a different reaction named. Gibran concludes by reminding us that all the characters and attitudes presented in the story live on in the world today, with nothing different now from then. The Logician is clear in his distrust: 'Behold a man disorderly, against all order; a mendicant opposed to all possessions; a drunkard who would only make merry with rogues and castaways.' But for Gibran himself, whose Lebanese roots placed him close to the original steps of the Galilean, Jesus is worth rather more; and is present still: 'But Master, Sky-heart, knight of our fairer dream, You do still tread this way. No bows nor spears shall stray your steps; You walk through all our arrows. You smile down upon us, And though you are the youngest of us all, You father us all. Poet, Singer, Great Heart! May our God bless your name.'

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

In Klara and The Sun, Kazuo Ishiguro looks at our rapidly changing world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. James Joyce's astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery. Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.

In 1930s British India, a humble servant learns the art of chaturanga, the ancient Eastern ancestor of chess. His natural talent soon catches the attention of the maharaja, who introduces him to the Western version of the game. Brought to England as the prince's pawn, Malik becomes a chess legend, winning the world championship and humiliating the British colonialists. His skills as a refined strategist eventually drag him into a strange game of warfare with far-reaching consequences.

Bykans dertig jaar was die verteller veldwagter in Namibie. Hy het ’n obsessie gehad met die wilde, ongetemde Afrika waar ’n mens ongebonde kan lewe. Maar intussen het die wildernisse waarin hy geswerf het, begin verander. As safarigids was hy deel van hierdie verandering. Hy het wilde plekke help toeganklik maak vir mense. Saam met daardie mense het stropers gekom. In Plunderwoestyn word vertel oor die stryd teen stropers in Namibie en is gebaseer op Christiaan Bakkes se lewe.

"I didn't just happen upon this room; I dreamed of the pale green walls before I arrived."

Attempting to rise above the secrets of her past, Bolanle, a university graduate, marries Baba Segi, who promises her everything in exchange for agreeing to become his fourth wife. Thus she enters into a polygamous world filled with expensive clothes, a generous monthly allowance . . . and three Segi wives who disapprove of the newest, youngest, most educated addition to the family. There's Iya Femi, a fiery vixen with a taste for money; Iya Tope, a shy woman whose kindness is eclipsed by terror; and Iya Segi, the first, most lethal, and merciless of them all.

Bolanle quickly becomes Baba Segi's prized possession . . . until her very presence unlocks a secret that the other wives have long since guarded, and unleashing it could change life as they know it.

Rebekkah Keller was ’n tiener toe haar pa oorlede is. Om aan die knaende verdriet te ontsnap begin sy lengte ná lengte vryslag in die skoolwembad te swem. Meer as twintig jaar later woon Rebekkah steeds in Bloemfontein. Sy is geskei van haar man en sy werk voltyds by ’n prokureursfirma. Sy swem nooit meer nie. Een oggend stuur Rebekkah se beste vriendin vir haar ’n nuusberig wat die mat onder haar voete uitruk. Die verlede spoel soos ’n fratsgolf oor haar.

An intriguing and complex family story. I was hooked from the first sentence.’ – Nozizwe Cynthia Jele, author of The Ones with Purpose

What is the cost of giving a gift? What is the cost of receiving one?

At eleven years old, Julian Flint prefers to remain invisible, safe inside the architecture of adults provided by his mother, his uncle and his aunt. But when his mother, Emma, a celebrated sculptor, takes them all on a family holiday to a hotel by the sea, he meets the captivating and irreverent Clare and everything he thought he knew begins to shift – setting off a chain of events that will determine each of their fates.

From the award-winning author of The Dream House and The White Room comes Craig Higginson’s most gripping and nuanced novel to date. Moving from the lush beaches of uMhlanga Rocks to the stark midwinter wastes of Johannesburg and the rich and strange coral reefs of Mauritius, this masterfully plotted novel explores the fault-lines between loyalty and betrayal, innocence and accountability, blindness and perception, entrapment and flight. The Book of Gifts dives into the deepest and most hazardous reaches of human consciousness in order to catch the brightest fish.

The mesmerising new novel from the author of Intimacies that asks who we are to the people we love.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young – young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately.

Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.

Mike and Denise Williams had a tight knit, seemingly unbreakable bond with childhood friends, Brian and Kathy Winchester. The two couples were devout, hardworking Baptists who lived perfect, quintessentially Southern lives. Their friendship seemed ironclad. That is, until December 16, 2000, when Denise’s husband Mike disappeared while hunting on Lake Seminole.

After no body was found, everyone assumed that Mike had drowned in a tragic accident, his body eaten by alligators. But things took an unexpected turn when, within five years of Mike’s disappearance, Brian Winchester divorced his wife and married Denise. Their surprising romance set tongues talking. People began wondering how long they had been a couple, and whether they had anything to do with Mike’s death. It took another twelve years for the truth to come out—and when it did, it was unimaginable.

Now, the full, “richly atmospheric, deeply researched, and terrifying true crime” (Betsy Bonner, author of Round Lake) tale is revealed as never before. Through tenacious research and clear-eyed prose, Guilty Creatures probes the psychology of a couple who killed and explores how it feels to live for eighteen years with murder on the soul.

The contents of each traveller's heart is a mystery known only to themselves

Trundling through the scenic countryside of Kyoto and Osaka is the Hankyu line, a burgundy-coloured electric train that has been carrying its commuters to their destinations for decades.

Over the course of a single journey in springtime, and the return journey six months later just as the leaves begin to fall:

- a young man meets the woman who happens to take out the last copy of the library book he was about to borrow;
- an angry wedding guest dresses in a white gown to upstage the bride;
- a university student leaves home for the first time;
- a twenty-something finally grows the courage to walk away from an abusive partner
- a widow learns independence, as she and her granddaughter discuss their new dog.

As the seasons and the landscapes change, passengers jostle and connect, as this timeless train carries each one forward towards the person they intend to become.

Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s space shuttle program. Suddenly, Joan burns to be one of the few people to go to space.

Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, who are kind and easygoing even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warmhearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane.

As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe.

Then, in December of 1984, on mission STS-LR9, it all changes in an instant.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

What are we given, and what do we have to take for ourselves?

It is the 1990s. Growing up in Zanzibar, three very different young people - Karim, Fauzia and Badar - are coming of age, and dreaming of great possibilities in their young nation. But for Badar, an uneducated servant boy who has never known his parents, it seems as if all doors are closed.

Brought into a lowly position in a great house in Dar es Salaam, Badar finds the first true home of his life - and the friendship of Karim, the young man of the house. Even when a shattering false accusation sees Badar sent away, Karim and Fauzia refuse to turn away from their friend.

But as the three of them take their first steps in love, infatuation, work and parenthood, their bond is tested - and Karim is tempted into a betrayal that will change all of their lives forever.

Sweet Medicine takes place in Harare at the height of Zimbabwe’s economic woes in 2008.

Tsitsi, a young woman, raised by her strict, devout Catholic mother, believes that hard work, prayer and an education will ensure a prosperous and happy future. She does well at her mission boarding school, and goes on to obtain a scholarship to attend university, but the change in the economic situation in Zimbabwe destroys the old system where hard work and a degree guaranteed a good life. Out of university, Tsitsi finds herself in a position much lower than she had set her sights on, working as a clerk in the office of the local politician, Zvobgo. With a salary that barely provides her a means to survive, she finds herself increasingly compromising her Christian values to negotiate ways to get ahead.

Sweet Medicine is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: Tradition and modernity; feminism and patriarchy; spiritual and political freedoms and responsibilities; poverty and desperation; and wealth and abundance.

Bored with the routine of normal labour & fed up with its wages, tough-yet-decent Jim turns his back on work & embraces the life of a wide boy. From the pubs & clubs of a lost West End to the gang warfare of the race-course & dog-track, Jim ducks & dives & lives his life on the edge, until he is finally forced to make a life-changing decision.

The life story of Winnie Mandela remains one of the great dramas of our times, an ongoing tale of triumphs and tragedies that is still unfolding. In the Cry of Winnie Mandela, a highly acclaimed novel first released in 2003, Njabulo S. Ndebele focuses on four women at a specific period in the history of southern Africa who have spent time waiting for their men to return. Their ordinary, 'private' stories are anchored to the more powerful public stories of Penelope, of ancient Greek mythology, who waited eighteen years while her husband Odysseus was away, and Winnie Mandela, who waited for twenty-seven years. The women question themselves and each other about why they waited and what this waiting did to them, leading to a series of extraordinary and haunting 'conversations' with one another as well as with Penelope and Winnie.