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Books > Fiction > General & literary fiction
I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo. Sylvia Plath's groundbreaking semi-autobiographical novel offers an intimate, honest and often wrenching glimpse into mental illness. The Bell Jar broke the boundaries between fiction and reality and helped cement Sylvia Plath's place as an enduring feminist icon. Celebrated for its darkly humorous, razor sharp portrait of 1950s society, it continues to resonate with readers today as testament to the universal human struggle to claim one's rightful place in the world. A special illustrated edition - the second book in our collection of illustrated Faber classics.
Aan die einde 1986 kom die Grensoorlog vir Wim Gewers en sy makkers tot 'n einde. 'n Laaste operasie in Angola eindig egter rampsoedig en Wim bevind hom terug in die Nuwe Suid-Afrika, in diens van die Suid-Afrikaanse Polisie, as 'n speurder. Die laaste gebeure in Angola kom spook egter by Wim en sy makkers. Die Amerikaners se honger na olie lei tot moord en kaptein Wim Gewers moet die saak ondersoek. Die Amerikaners soek wraak en dit ontaard spoedig in 'n kat-en-muis speletjie wat in Suid-Afrika, Namibië, Londen en New York afspeel. Die boek is nie net spanningsvol nie, maar vertel ook van Wim se vurige verhouding met die olie slagoffer se beste vriendin, Mienke. Piet van forensies en die aanvallige blondine, Mercia, verskaf genoeg vermaak, sodat jy met al die spanning, moord, misdaad en passie, eenvoudig nie die boek kan neersit nie.
Momo, ’n klein, verflenterde dogtertjie, woon aan die rand van ’n groot stad in die ruïne van ’n amfiteater. Sy besit niks buiten dit wat sy vind of wat sy van ander ontvang nie, maar sy het ’n buitengewone gawe: Sy luister werklik na ander en gee vir hulle tyd. Een dag ruk die gruwelike grys menere met hulle loodgrys aktetasse en sigare in die groot stad op en begin om die kosbare tyd van die mense te steel. Momo is die enigste een wat die donker mag van die tyddiewe kan beteuel.
Die Slaghuis van Cas Wepener speel byna uitsluitlik in ’n enkele
huis in ’n fiktiewe plattelandse dorpie in die Noordkaap af, met
verhaalgebeure wat oor vier dekades strek. Hier woon Marietta en
haar man, Karel, in 1997. Karel is ’n afgetrede oudbrigadier in die
Suid-Afrikaanse polisiediens, verantwoordelik vir die dood van
duisende sg. “terroriste” in die Vlakplaas-debakel.
From the author of the Goodreads Choice Award winner The Spanish Love Deception, the eagerly anticipated follow-up featuring Rosie Graham and Lucas Martín, who are forced to share a New York apartment. Rosie Graham has a problem. A few, actually. She just quit her well paid job to focus on her secret career as a romance writer. She hasn’t told her family and now has terrible writer’s block. Then, the ceiling of her New York apartment literally crumbles on her. Luckily she has her best friend Lina’s spare key while she’s out of town. But Rosie doesn’t know that Lina has already lent her apartment to her cousin Lucas, who Rosie has been stalking—for lack of a better word—on Instagram for the last few months. Lucas seems intent on coming to her rescue like a Spanish knight in shining armor. Only this one strolls around the place in a towel, has a distracting grin, and an irresistible accent. Oh, and he cooks. Lucas offers to let Rosie stay with him, at least until she can find some affordable temporary housing. And then he proposes an outrageous experiment to bring back her literary muse and meet her deadline: He’ll take her on a series of experimental dates meant to jump-start her romantic inspiration. Rosie has nothing to lose. Her silly, online crush is totally under control—but Lucas’s time in New York has an expiration date, and six weeks may not be enough, for either her or her deadline.
THE #1 SUNDAY TIMES BESTSELLER 'I loved this book' RICHARD OSMAN 'Funny, sharp, dark and twisted' JOJO MOYES 'Chilling, but also laugh-out-loud funny. Another corker' SUNDAY TELEGRAPH They say you can't choose your family. But you can kill them. Meet Grace Bernard. Daughter, sister, serial killer... Grace has lost everything. And she will stop at nothing to get revenge. ------------------------------ 'Funny and furious and strangely uplifting. Grace is a bitter and beguiling anti-hero with a keen eye for social analysis - even in her most grisly deeds, you never stop rooting for her' PANDORA SYKES 'Deliciously addictive...brilliantly executed' i PAPER 'Addictive... Grace Bernard is one of the most intriguing and bewitching protagonists I've read in years' EMMA GANNON 'A funny, compulsive read about family dysfunction and the media's obsession with murder' SUNDAY TIMES STYLE 'You'll be gripped... Grace's emotional detachment throughout will give you chills' Rated 5 stars by COSMOPOLITAN 'Hilarious and dark' ELLE 'Ironic twists and caustic commentary on everything from liberal guilt to the consumerist con that is "selfcare" sharpen this debut novel' OBSERVER 'Brilliantly tongue-in-cheek stuff from the Vogue columnist' IRISH INDEPENDENT 'Witty, waspish satire of a murderer with no regrets' GRAZIA 'Original, funny, unique and such a refreshing read' PRIMA 'A deliciously dark debut novel' RED 'One very entertaining read' WOMAN'S WAY How To Kill Your Family was number 1 in the Sunday Times paperback chart on 26/04/2022
After Tova Sullivan's husband died, she began working the night cleaner shift at the Sowell Bay Aquarium. Ever since her eighteen-year-old son, Erik, mysteriously vanished on a boat over thirty years ago keeping busy has helped her cope. One night she meets Marcellus, a giant Pacific octopus living at the aquarium who sees everything, but wouldn't dream of lifting one of his eight arms for his human captors – until he forms a remarkable friendship with Tova. Ever the detective, Marcellus deduces what happened the night Tova's son disappeared. And now Marcellus must use every trick his old body can muster to unearth the truth for her before it's too late... Shelby Van Pelt's debut novel is a reminder that sometimes taking a hard look at the past can help uncover a future that once felt impossible.
Hierdie verhaal is vol van avontuur, misterie en romanse. Dit is 'n lekkerleesboek wat die leser se aandag tot die einde behou. Toe 'n vreemde man onverwags op Rietkuil as plaasbestuurder begin werk, is dit die begin van 'n reeks onverklaarbare gebeure. Waar Rietkuil eens op ’n tyd die rustigheid self was, bring die nuweling op die werf ’n vlaag van misdade met hom saam en selfs harte bly in die slag. Dan sien Tant Annie een spookagtige aand die vreemde man met 'n groot, donker bondel in sy arms haastig in die donker skaduwees verdwyn. Wie is hierdie man? Wat is sy regte naam? Waar kom hy vandaan? Wat steek hy weg? Met Man uit die vreemde prikkel Kas van den Bergh die leser se nuuskierigheid met volgehoue vernuf, sodat die boek nie neergesit kan word voordat die ware identiteit van die vreemdeling bekend is en al sy geheime onthul is nie.
The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent on cracking her case, inspired by a true story. "There are two things that I can simply not tolerate: feminists and margarine." Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, "The Konkatsu Killer", Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan.
Kom hier dat ek jou soen is 'n roman oor Mona - as kind, as 24-jarige, en as 35-jarige. 'n Verhaal oor waarom ons word wie ons is, geskryf met humor en skaamtelose eerlikheid. Oor ouers en kinders. Oor stukkende mense en hoe hulle ook ander mense onbedoeld verwond. Oor waar verantwoordelikheid eindig en skuld begin. Oor geheime en eensaamheid. Oor siekte en stilbly. Oor die gevare van sterk wees. Oor vergeet en nie kan vergeet nie. Oor jouself durf red. En natuurlik ook oor die liefde. Omdat dit al is wat ons het, of byna.
The follow-up to the #1 New York Times bestseller, The Mister, a passionate and thrilling love story from E L James, author of the phenomenal bestselling Fifty Shades Trilogy. Alessia regards her husband through heavy-lidded eyes. "You’ll have to fight for him". Her mother’s words from their call this morning ring through her head. And fight, she will. Using every available weapon she has. She loves him. She knows this. She wants him. And she wants him to want her. Maxim Trevelyan, reluctant Earl of Trevethick, has pursued the woman he loves to the wilds of Albania. Having fought for and won her, he now has to wed her, at the sharp end of a shotgun. But can a reformed rake like Maxim ever make a good husband ― or will his own notorious reputation and the scandalous secrets of his aristocratic family destroy his newfound happiness? Alessia Demachi has defied and outwitted kidnappers and traffickers, and won the heart of the man she loves, but can she make this marriage work? Confronted by Maxim’s lurid past, his forbidding family, and the looks and whispers of London’s elite, will she ever be seen as Maxim’s countess ― or will she always be his former cleaner? From the majestic mountains of Albania, through the rural idyll of the English countryside, to the shady glamour of contemporary London, The Missus is a spellbinding journey of love, longing, acceptance, and redemption.
Now in my thirties, a mum, and wife, I don’t have time to worry about whether I’m doing life right. The reality is that I know, as a matter of fact, that my one and only precious life is moving at a pace that makes me a little uncomfortable, to be honest. And if I want to do something grand and brag-worthy, I better do it before 5 pm because daycare is strict about pickup time. Whether you believe you need to keep up with the Kardashians or keep up with Baker’s day and Karen at school, this book is here for women who need a subtle reminder that they are doing just fine and that shit happens to everyone—even Karen.
Disclaimer: This book is not: In fact, it is a collection of stories inspired by women and how we all come together and appear to live picture-perfect lives. It’s a slight unveiling of the truth behind the perfect red lips and the limited-edition designer handbags.
Twee broers en hulle vrouens gaan een aand eet in ’n deftige restaurant: Paul Lohman, mislukte onderwyser en sy slim vrou Claire, saam met Serge Lohman, kandidaat vir die premierskap in die opkomende verkiesing, en sy vrou Babette. Teen die agtergrond van die bediening van keurige geregte en tipiese restaurantpraatjies ontvou ’n ontstellende verhaal.
Wat Frederik de Jager se verhale uniek maak, is die feit dat dit om mense sentreer, dat dit fyngetekende portretstudies is. Of dit nou Jan Rabie, die enigste dogtertjie op ’n seunskoolbus, Mal Marina die klawerkoningin is of die seun op die speelgrond wat so stip kon kyk, of sy laerskoolvriend die aksieheld, dis karakters waarmee elke leser kan vereenselwig. Soms is die onderwerp die skrywer self, die skaam seun wat Sartre se selfbewustheid as bewustheid verstaan, die een wat weier om die klavierspelende sissie te wees. Die skryfwerk is dus tydloos en universeel. De Jager het ’n fyn oog en ’n slag met die woord. Soos Dana Snyman kan hy ’n emotiewe snaar raaktokkel en nostalgie opwek. De Jager is egter eerder prosaïs as volksverteller. Hierdie verhale is raak woordprente wat die uitsonderlikheid van gewone mense vasvang, met deernis, humor en ’n skeut hartseer - Op een na het al hierdie stukke verskyn in die tydskrif Vrouekeur van 2015 tot met die sluiting daarvan in 2020, as aflewerings in die rubriek “Mense onderweg”. Die laaste, langer stuk was ook in Vrouekeur, maar as alleenstaande artikel.
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