The stunning new novel from the Booker Prize-winning, Sunday Times-bestselling author of SHUGGIE BAIN and YOUNG MUNGO. An Oprah Book Club pick.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry home to the island of Harris to find that not much has changed except for him. In the windswept croft where he grew up, Cal resumes his old life, caught between the two poles of his childhood: his father John, a sheep farmer, weaver, and pillar of their local Presbyterian church, and his Glaswegian grandmother Ella, who has kept a faltering peace with her son-in-law for decades.

While Cal wonders if any lonely men might be found on the barren hillsides of home, John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As the seasons pass, everything is poised to change as the threads holding together the fragile community become increasingly entangled.

John of John is the heartbreaking story of a young man’s return home and how the bonds of family life are torn by the weight of expectation. It confirms Douglas Stuart as one of the great British writers at work today.

This is the story of one lost poem, two great rivers, and three remarkable lives – all connected by a single drop of water.

In the ruins of Nineveh, that ancient city of Mesopotamia, there lies hidden in the sand fragments of a long-forgotten poem, the Epic of Gilgamesh.

In Victorian London, an extraordinary child is born at the edge of the dirt-black Thames. When his brilliant memory earns him a spot as an apprentice at a printing press, the world opens up far beyond the slums and across the seas.

In 2014 Turkey, Narin, a Yazidi girl living by the River Tigris, waits to be baptised. The ceremony is cruelly interrupted, and soon she and her grandmother must journey across war-torn lands in the hope of reaching the sacred valley of their people.

In 2018 London, broken-hearted Zaleekhah, a hydrologist, moves to a houseboat on the Thames to escape the wreckage of her marriage – until an unexpected connection to her homeland changes everything.

A dazzling feat of storytelling from one of the greatest writers of our time that spans centuries, continents and cultures, entwined by rivers, rains, and waterdrops.

Living on Chiloé, a beautiful remote island off the coast of Chile, might sound like paradise. For nineteen-year-old Maya, it's the only way she can stay alive.

Abandoned by her parents as a baby and raised by her grandparents in California, Maya was always a troubled child. But when her beloved grandfather dies, she spirals and runs away to Las Vegas. When she's sucked into the city's drug trade, she is almost lost forever. Found by her grandmother, Maya is sent to Chiloé with two requests: to not contact anyone she once knew, and to reflect on where everything had gone wrong.

Bored by the island's monotony, Maya begins to write down her story; but in Chiloé there are more remnants of her own history than she anticipated. What secrets does the island hold? And can she ever move on from the pain of her past?

Originally published in 2011.

Die moord-en-roofspeurder Adriaan Kruger verhuis saam met sy nuwe vrou na Overberg, ’n dorpie in die Suid-Kaap. Daar ontdek hy gou onheil is nie beperk tot die grootstad nie. Die egpaar is nog besig om hul voete te vind toe hy skielik gekonfronteer word met ’n
raaiselagtige verdwyning, ’n dorpenaar wat sterf weens vergifting, en ’n ou, onopgeloste saak wat lyk asof dit met die twee onlangse sake verband hou.

Drie misdade, wat oënskynlik geen raakpunte het nie – maar los jy één op, so vermoed Adriaan, word die ander los drade ook vasgeknoop . . .

Helga Roets is dalk aan die verkeerde kant van 80, maar jy kan haar steeds deur ’n ring trek, elke dag van die week. Sy woon nou al amper vyf jaar by Silwerhare Aftreeoord in Pretoria, en hoewel die aanpassing swaar was, voel haar blyplekkie deesdae soos huis. Sy het darem nog haar motortjie waarmee sy gereeld winkel toe ry.

Soms besoek sy vriendinne of gaan sit by ’n koffiewinkel om die mense om haar te bekyk.

Dit kom dus as ’n groot skok wanneer die oogarts makulêre degenerasie in albei haar oë diagnoseer. En vandeesweek is hoeka so ’n bedrywige week: twee begrafnisse, en Saterdag ’n troue in die Paarl.

Ten spyte van haar kinders se teenkanting, glip Helga Dinsdag suutjies uit by die aftreeoord, bagasie gepak, reg om haar reisavontuur te begin. Maar wie wag onder die lamppaal? Niemand anders nie as Stefaans de Wet, so ewe van plan om haar op haar tog te vergesel – net omdat sy nie mooi kan sién nie.

LEONARD AND HUNGRY PAUL is the story of two friends who ordinarily would remain uncelebrated. It finds a value and specialness in them that is not immediately apparent and prompts the idea that maybe we could learn from the people that we overlook in life. Leonard and Hungry Paul change the world differently to the rest of us: we try and change it by effort and force; they change it by discovering the small things they can do well and offering them to others.

Drawing on the true history of ‘Farini’s Friendly Zulus’, a group of men who were taken to Britain and then to America as performing curiosities, the novel opens in 1885 in wintry New York City.

The protagonist, Mpiyezintombi, simply called Em-Pee by the English-speakers, loses more than his name in this far-off foreign country; he is seen as little more than a freak-show act – though he is not kept in a cage like the beautiful Dinka Princess, with her gold-painted papier-mâché crown and fur cape. For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions.

And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.

In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.

Kolisile, ’n jong Xhosa uit die Transkei, kyk na die sukkelende mielies op sy pa se lappie grond en besef dat die bestaansboerdery van sy bawu en dié se bawu voor hom nie langer volhoubaar is nie. Hy besluit om stad toe te gaan waar hy geld kan verdien wat hy weer in hulle boerderytjie sal kan inploeg. Met die belofte dat hy sal terugkom én sy verlore broer Mfazwe, wat jare gelede in die stad weggeraak het, sal saambring, vertrek Kolisile vol moed en geesdrif – net om deur die harde werklikheid van die stad ontgogel, getemper en uiteindelik geknak te word.

Op die Johannesburgse myne beleef Kolisile die armoede en uitsigloosheid van plakkersdorpe, ervaar hy die rassisme en uitbuiting van die apartheidsbestel aan eie lyf, word hy vir die eerste keer met werklike haat vir die ander gekonfronteer en sien hy die aantrekkingskrag van misdaad, leuns en drankmisbruik as ontsnaproete uit die byna ondraaglike werklikheid vanuit sy broer Mfazwe se perspektief. Wanneer hy uiteindelik weer sy weg na die Transkei toe vind, is dit – soos wat sy pa gevrees en voorspel het – as ’n liggaamlik én geestelik gewonde mens.

Sometimes, enough is enough…

Debbie Mullen is losing it. For years, she has compiled all her best advice into her column, Dear Debbie, where the wives of New England come for sympathy and neighbourly advice. Through her work, Debbie has heard from countless women who are ignored, belittled, or even abused by their husbands. And Debbie does her best to guide them in the right direction.

Or at least, she did.

These days, Debbie's life seems to be spiralling out of control. She just lost her job. Something strange is happening with her teenage daughters. And her husband is keeping secrets, according to the tracking app she installed on his phone. Now, Debbie's done being the bigger person. She's done being reasonable and practical. It's time to take her own advice.

And now it's time for payback against all the people in her life who deserve it the most.

Showcasing African Gothic at its finest, this hypnotic novel tangles together classic texts of madness and female rebellion alongside elements of the jingoistic novels of Victorian adventurer H. Rider Haggard. The result is an extraordinary reinvention of colonial and patriarchal perspectives.

The unnamed narrator spins a web back through a century of colonial possession – political, spiritual and mental – to imagine the stories of conquest and captivity, control and disruption, from the perspective of the women and men ‘half-broken’ by the stigmas attached to race and mental illness. Equally ‘half-broken’ are those dehumanised by their insane greed for dominion and treasure.

With trademark compassion and complexity, Siphiwe Gloria Ndlovu balances the humanity of her characters against the cruelty of empire, making for a spellbinding and literally haunting account of love and magic.

Jacki de Wet is verslaaf aan die internet en sosiale media. Van Facebook, Instagram, X en TikTok weet sy genoeg om gevaarlik te wees. Sy en Pulani vorm ’n formidabele span en hou Die Boekhoek aan die gang. Miskien moes iemand vir Gary, Jacki se baas en verloofde, gewaarsku het toe hy ’n affair met Sally Smith wou begin. “Ebony and Ivory” laat nie met hulle mors nie.

Om van Gary se skelmpie ontslae te raak, is maklik genoeg, maar wat doen sy met die verraad en die woede? Nou sit Jacki sonder iemand om haar ’n bietjie vas te hou, sonder werk en sonder ’n huis. In Tamatiestraat.

Toe die musikant Giovanni Ignacio Mancini sy verskyning maak, verwar hy haar verder. Hy is soos die mooie Vivaldi-musiek wat hy op sy Stradivarius-viool speel – soms guitig of baldadig, soms strelend, smeulend, altyd sensueel. En dan is daar Sebastian, die wonderkind, wat eintlik maar net ’n seuntjie is met ’n groot hartseer.

Jacki sing falsetto, sy weet nie waar sy inpas nie. Sy wil ’n sushi-en-sjampanje-lewe hê, maar die wasabi brand en gee haar sooibrand … en eintlik is sy net ’n vis-en-tjips-meisie.

The Polygamist weaves a tale of four women whose lives become intertwined when they all fall for wealthy banking magnate Jonasi.

Seemingly indomitable, and oozing money, power and sex appeal, Jonasi is about to complicate all their lives forever.

Gloria has a learning disability. She's nineteen, and there's nothing to do except wander the local parks, look for friendship and keep out of trouble - or go round Jack's.

Jack needs Gloria's company, but he's unpredictable and angry at the world. After an act of violence, their friendship has to end. Now Gloria's on her own. But when she hears Jack's out of prison, her whole world is turned upside-down.

Heart-breaking and beautiful, Gloria Don't Speak is an insightful portrait of a woman dealing with vulnerability, violence - and the desire for connection.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.

Family is everything, even when it falls apart.

There is a heatwave across Europe. Goose and his three sisters gather at the family's house by Lake Orta in Piedmont, Italy. Their father, a famous artist, has recently remarried a much younger woman and decamped to Italy to finish his masterpiece. Now he is dead and there is no sign of a painting.

Although the siblings have always been close, as they search for answers over that summer, the things they learn - about themselves, their father and their new stepmother - will drive them apart before they can come to any kind of understanding of what their father's legacy truly is.

Extraordinarily compelling, at heart this is a novel about sibling relationships and those hairline cracks that can appear within a family: what what happens when they splinter, and what it would take to mend them.

The stunning new novel from the Booker Prize-winning, Sunday Times-bestselling author of SHUGGIE BAIN and YOUNG MUNGO. An Oprah Book Club pick.

Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry home to the island of Harris to find that not much has changed except for him. In the windswept croft where he grew up, Cal resumes his old life, caught between the two poles of his childhood: his father John, a sheep farmer, weaver, and pillar of their local Presbyterian church, and his Glaswegian grandmother Ella, who has kept a faltering peace with her son-in-law for decades.

While Cal wonders if any lonely men might be found on the barren hillsides of home, John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As the seasons pass, everything is poised to change as the threads holding together the fragile community become increasingly entangled.

John of John is the heartbreaking story of a young man’s return home and how the bonds of family life are torn by the weight of expectation. It confirms Douglas Stuart as one of the great British writers at work today.

A sharply-witted and tender portrait of a young girl's quiet rebellion and her refusal to be broken.

Set in 1960s Bradford, The Mercy Step follows Mercy, a precocious young child facing a world far too big for her small body. She lives with her Windrush-generation parents in a crowded household where her mother's attention is stretched between church and family, and her father's temper is something to be endured or avoided.

Feeling like an outsider within her own home, Mercy retreats into books and the companionship of her beloved doll, Dolly, while learning early how to navigate the flaws and failings of the adults around her. Yet Mercy is nothing if not resilient. Armed with humour, style and fierce imagination, she quietly begins to plot her escape from a traumatic childhood.

A raw and deeply affecting novel of childhood, family and survival in 1960s Britain.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.