As Imogen Zula Nyoni, aka Genie, lies in a coma in hospital after a long illness, her family and friends struggle to come to terms with her impending death.

Genie has gifts that transcend time and space, and this is her story. It is also the story of her forebears – Baines Tikiti, who, because of his wanderlust, changed his name and ended up walking into the Indian Ocean; his son, Livingstone Stanley Tikiti, who, during the war, took as his nom de guerre Golide Gumede and who became obsessed with flight; and Golide’s wife, Elizabeth Nyoni, a country-and-western singer self-styled after Dolly Parton, blonde wig and all.

With the lightest of touches, and with an overlay of magical-realist beauty, this novel sketches, through the lives of a few families and the fate of a single patch of ground, decades of national history – from colonial occupation to the freedom struggle, to the devastation wrought by the sojas, the hi virus, and The Man Himself. By turns mysterious and magical, but always honest, The Theory Of Flight dwells not on what was lost and what went wrong in a nation’s history, but on the personal triumphs and why they matter.

This is the story of one lost poem, two great rivers, and three remarkable lives – all connected by a single drop of water.

In the ruins of Nineveh, that ancient city of Mesopotamia, there lies hidden in the sand fragments of a long-forgotten poem, the Epic of Gilgamesh.

In Victorian London, an extraordinary child is born at the edge of the dirt-black Thames. When his brilliant memory earns him a spot as an apprentice at a printing press, the world opens up far beyond the slums and across the seas.

In 2014 Turkey, Narin, a Yazidi girl living by the River Tigris, waits to be baptised. The ceremony is cruelly interrupted, and soon she and her grandmother must journey across war-torn lands in the hope of reaching the sacred valley of their people.

In 2018 London, broken-hearted Zaleekhah, a hydrologist, moves to a houseboat on the Thames to escape the wreckage of her marriage – until an unexpected connection to her homeland changes everything.

A dazzling feat of storytelling from one of the greatest writers of our time that spans centuries, continents and cultures, entwined by rivers, rains, and waterdrops.

Years ago, Nora Bridge walked out on her marriage and left her daughters behind. She has since become a famous radio talk-show host and newspaper columnist beloved for her moral advice. Her youngest daughter, Ruby, is a struggling comedienne who uses her famous mother as fuel for her bitter, cynical humour.

When the tabloids unearth a scandalous secret from Nora’s past, their estrangement suddenly becomes dramatic. Nora is injured in an accident and a glossy magazine offers Ruby a fortune to write a tell-all about her mother. Under false pretences, Ruby returns home to take care of the woman she hasn’t spoken to for almost a decade.

Nora insists they retreat to Summer Island, to the lovely old house on the water where Ruby grew up, a place filled with childhood memories of love and joy and belonging. There Ruby is also reunited with her first love and his brother. Once, the three of them had been best friends, inseparable. Until the summer that Nora had left and everyone’s hearts had been broken . . . .

From the worldwide bestselling author of The Four Winds, The Nightingale and Firefly Lane (a Number One series on Netflix),The Women is a story of devastating loss and epic love.

It would be the journey of a lifetime . . .

'Women can be heroes, too'. When twenty-year-old nursing student, Frances "Frankie" McGrath, hears these unexpected words, it is a revelation. Raised on California's idyllic Coronado Island and sheltered by her conservative parents, she has always prided herself on doing the right thing, being a good girl. But in 1965 the world is changing, and she suddenly imagines a different path for her life. When her brother ships out to serve in Vietnam, she impulsively joins the Army Nurses Corps and follows his path.

As green and inexperienced as the young men sent to Vietnam to fight, Frankie is overwhelmed by the chaos and destruction of war, as well as the unexpected trauma of coming home to a changed America. Frankie will also discover the true value of female friendship and the heartbreak that love can cause.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father's death, he's medicating himself to sleep and struggling to manage his relationships with two very different women - his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude - a period of desire, despair and possibility - a chance to find out how much one life might hold inside itself without breaking.

WINNER OF THE PULITZER PRIZE FOR FICTION 2017 WINNER OF THE ARTHUR C. CLARKE AWARD 2017 LONGLISTED FOR THE MAN BOOKER PRIZE 2017 NATIONAL BOOK AWARD WINNER 2016 AMAZON.COM #1 BOOK OF THE YEAR 2016 #1 NEW YORK TIMES BESTSELLER AND A NEW YORK TIMES BOOK OF THE YEAR 'Whitehead is on a roll: the reviews have been sublime' Guardian 'Luminous, furious, wildly inventive' Observer 'Hands down one of the best, if not the best, book I've read this year' Stylist 'Dazzling' New York Review of Books Praised by Barack Obama and an Oprah Book Club Pick, The Underground Railroad by Colson Whitehead won the National Book Award 2016 and the Pulitzer Prize for Fiction 2017. Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North. In Whitehead's razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman's ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

The remarkable new novel from the author of the multimillion-selling international sensation The Midnight Library

'What looks like magic is simply a part of life we don’t understand yet . . .'

When retired Maths teacher Grace Winters is left a run-down house on a Mediterranean island by a long-lost friend, curiosity gets the better of her. She arrives in Ibiza with a one-way ticket, no guidebook and no plan.

Among the rugged hills and golden beaches Grace searches for answers about her friend’s life, and how it ended. What she uncovers is stranger than she could have dreamed. But to dive into this impossible truth, Grace must first come to terms with her past.

Filled with wonder and wild adventure, this is a story of hope and the lifechanging power of a new beginning.

One of the BBC's '100 Novels That Shaped Our World' The bestselling American classic of youthful rebellion and coming of age on the streets, adapted into an award-winning film by Francis Ford Coppola The Greasers and the rich-kid Socs are at war on the Tulsa streets. Ponyboy, a fourteen-year-old brawler, chainsmoker and dreamer, is a fiercely loyal greaser. But a single, murderous catastrophe is to wrench him from his old life and overturn everything he thinks he knows. The Outsiders was an audacious debut written when S. E. Hinton was only seventeen, laying bare the hopes and terrors between teenage bravado in a world of drive-ins, drag races and switchblades. Confronting America with a new breed of anti-hero from the wrong side of the class divide, The Outsiders is a young adult novel of enduring power. It was made into a film in 1983 starring Patrick Swayze, Rob Lowe and Tom Cruise. With an introduction by Jodi Picoult 'Gritty, emotional and very authentic' Jodi Picoult 'The Outsiders is a teenage epic' Francis Ford Coppola

WINNER OF THE MAN BOOKER PRIZE 2008 Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he will never be able to gain access to that world. As Balram broods over his situation, he realizes that there is only one way he can become part of this glamorous new India - by murdering his master. The White Tiger presents a raw and unromanticised India, both thrilling and shocking - from the desperate, almost lawless villages along the Ganges, to the booming Wild South of Bangalore and its technology and outsourcing centres. The first-person confession of a murderer, The White Tiger is as compelling for its subject matter as for the voice of its narrator - amoral, cynical, unrepentant, yet deeply endearing.

Twenty-six years is a long time not to be alive.

Since the accident that ruined her life, Catherine has lived on autopilot, going through the motions of work and motherhood without being fully present. Trying to fill the gap, her adult daughter, Julia, is looking for love in all the wrong places, and wreaking havoc on the lives that she touches along the way.

Just what will it take to shock Catherine back into life?

It is 2003 – ten years since Spud Milton’s class of 93 matriculated and the boys went their separate ways. Despite their seemingly unbreakable bond, the Crazy 8 – Rambo, Mad Dog, Vern, Fatty, Garth Garlic, Boggo, Simon and Spud – have not kept in touch. Or at least, not as far as Spud knows. When he receives an invitation from the school to attend the 10 Year Reunion weekend, Spud is determined to avoid the event at all costs, but he hasn’t reckoned with the bombardment of intrusive messages and threatening phone calls from his former dorm mates. No one is going to bend his arm, not this time; he is immune to peer pressure and wise to Rambo’s devious manipulation techniques. Spud has moved on. And, anyway, he has enough to worry about on the home front.

At 28 Spud is stuck in a one-third life crisis. Reflecting on a decade of spectacular non-achievement, at a point where he’s coming to realise that his glittering stage career might have stalled before it’s even begun, casts him into deep gloom. For the former scholarship kid, the prospect of once again having to measure up to his blue-blooded school friends – and be found wanting – has him riddled with anxiety. Not only that. Spud still doesn’t have a serious girlfriend, which has seen him resort to a questionable international bathsexting relationship with an old flame. Not to mention that circumstances have forced him to move back in with his parents and his senile grandmother, Wombat, whose walks never end where they began.

After a wildly unsuccessful fishing trip with his father, as well as a return to his old way of figuring things out – writing in his diary – to his own surprise, Spud finds his reunion resistance crumbling. Curiosity and courage win the day. It’s just a weekend, after all … what could possibly go wrong?

Anthony Wistern is wealthy beyond imagination. Fragrant wife, gaggle of photogenic children, French chateau, Cotswold manor, plethora of mistresses, penchant for cutting moral corners, tick tick tick tick tick tick.

Unfortunately for him, he’s also dead. Suddenly poised to inherit his fortune, each member of the family falls under suspicion.

And that’s when everything comes crashing down…

Ellie Kent longs to belong

Abandoned as a child and raised in the bleak confines of an asylum, Ellie is taken into service as a governess by a family bound for the distant colony of South Africa. But before reaching their destination, she is abandoned once more – cast adrift in a land as vast as it is unforgiving.

Left with no choice but to join a caravan of settlers, Ellie finds herself in the company of a questionable trader, a mysterious opera singer, and a young Afrikaner, Gysbert de Boer, tasked with delivering her safely to an uncertain future. As war brews on the horizon and the settlers struggle for survival in a land that offers little mercy, Ellie must carve out a home – or be lost to the wilderness forever.

A sweeping frontier fable, The Immortalites is a masterfully crafted tale of survival, sacrifice, and the search for belonging.

There’s a hierarchy to fame – from the Real Celebs who sell their skills as actors and singers, to the Professionally Pretty (the garnish to any occasion), the Hashtag Hustlers, who range from influencers to the social media savvy, to the Hopeless Hangers-On. Everyone has their place in the ecosystem, and knowing your place in that hierarchy is half the fame game won.

For three young women in Joburg, the new age of internet celebrity presents them with obstacles, opportunities, opulence and a chance at fame, fortune and fierce fashion.

LIN
Through sheer ambition and force of will, Lin has rebranded her entire existence. She’s shrugged off her past to fully embrace a new identity: Linfluencer, the high-end influencer whose Outfits Of The Day are obsessively followed by every budding fashionista with a blossoming social media addiction.

LEBO
Then there’s Lebo, who has only ever known a life of fame – real fame – as the former child prodigy behind TV phenomenon Sedi Star. Everyone grew up watching her every move, but now, as she’s grown up, the work, roles and offers have evaporated. But her penchant for scandal, controversy and social media squabbles have kept her in the headlines.

MBALI
And finally there’s South Africa’s reigning Queen of Gossip: Mbali. The entertainment site she runs with an iron fist is known for breaking the hottest news – and the odd celebrity career. With the Hashtag Hustle threatening her media empire, how will she continue to keep her readers enthralled?

As Lin, Lebo and Mbali jostle to take their places in the fame hierarchy, their ambitions, aspirations and agendas collide. Their wins and woes not only affect one another, but can mean that they either individually rise or collectively crumble. Will Lin’s past threaten her future? Will Lebo’s (self-)sabotage prevent her return to the top? Will Mbali’s reign as the Queen of Gossip continue – or reach a dead end? The choices they make can balance or break their entire ecosystem.

On New Year's Eve in 1987, lightning kills Nate's and Danny's mother. To deal with the loss and make sense of a world seemingly governed by chance, their distant and eccentric father creates the Nicotine Gospel.

"According to him, an eight by five cardboard box containing somewhere near twenty machine-made cigarettes would tell you all you needed to know about a man."

The boys throw themselves into the lessons to be close to their dad, but as nate grows up and begins to understand how strange the family gospel (and their father) truly is, he starts to worry. While Nate excels at school and finds ways to escape their father's neglect and the increasingly ramshackle house in Durban, Danny seems to revel in courting danger and death.

Decades later, upon learning of their father's death, Nate and Danny, long estranged, decide to drive from Durban to Cape Town to attend the funeral. On the journey, they must confront each other and their troubled past to find a way forward.

Nothing derails a family holiday like your dad revealing he has a favourite child.

Alex, Nancy and Eva Fisher. Three grown-up sisters; each wonderful and imperfect in their own individual ways. And loved equally by their parents, Vivienne and Patrick.

Or so they thought.

Right up to the moment when, during a family party, Patrick inadvertently lets slip that he has a favourite. While they try to gloss over it, this sets in motion the unravelling of everything the sisters thought they knew. As their past is re-written, secrets and lies are uncovered, and the Fisher clan implodes in a way they could never have dreamed possible.

But will it take falling apart to bring them closer together?

From the New York Times bestselling author of Amazing Grace Adams comes a witty, tender portrait of a family’s highs and lows over the years, examining how all siblings are equal – but some are more equal than others.

A food story to binge. A ghost story to devour. A love story to savour.

When dead-end dishwasher Kostya discovers the ability to summon spirits through the food he cooks, he embarks on a journey to open a New York City restaurant that serves closure – something he's craved for as long as he can remember.

There are just three problems:

1. Kostya has some ghosts of his own.

2. His advancing menu of spirit cuisine is threatening the stability of the Afterlife itself.

3. He's falling in love with Maura, a party psychic with her own secret connection to the Afterlife – who also happens to be the one person who knows he must be stopped.

A bittersweet cocktail of humour and heart, Aftertaste is an imaginative odyssey through food and love, life and death: the things that sustain us, connect us, transport us, and remind us who we are.

Drawing on the true history of ‘Farini’s Friendly Zulus’, a group of men who were taken to Britain and then to America as performing curiosities, the novel opens in 1885 in wintry New York City.

The protagonist, Mpiyezintombi, simply called Em-Pee by the English-speakers, loses more than his name in this far-off foreign country; he is seen as little more than a freak-show act – though he is not kept in a cage like the beautiful Dinka Princess, with her gold-painted papier-mâché crown and fur cape. For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions.

And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.

In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.

WINNER OF THE 2025 PULITZER PRIZE FOR FICTION

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he flees to nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.

So begins a dangerous and transcendent journey along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise. And together, the unlikely pair embark on the most life-changing odyssey of them all . . .

They knew they were changing history.
They didn’t know they would change each other.

Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.

Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed.

But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.

The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.

* * WINNER OF THE BOOKER PRIZE 2024 * *

Life on our planet as you've never seen it before

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.

Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.

The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?

'He left you some money.'

Mickey felt her mouth drop open. The first half of that sentence had rung clear and true. The second half had not. Her father was one to take, not give.

After he left them for his new family, Mickey resolved never to think of her father again. She's fine without him; yes, she drinks, but only sometimes and, really, she can’t not.

But with only $181 to her name, she’s not above attending some mandated therapy to access her inheritance. She’ll kneel at the Kleenex alter and soon be bingeing Bridgerton with a bottle of Russian Standard, five million dollars richer.

Arlo has more issues than most of her clients. Being a therapist has not prepared her for grief. She adored her father – his laughter, his charm, the smell of his cologne. She thought he adored her, too, but now he’s given his inheritance to a daughter no one knows, and Arlo is at a loss.

Two sisters are unknowingly thrown together for the first time.

It’s crazy, it's unethical.

It's perfect.

It’s autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer, Lucy Barton, who lives nearby in a house next to the sea. Together, Lucy and Bob talk about their lives, their hopes and regrets, and what might have been.

Lucy, meanwhile, befriends one of Crosby’s longest inhabitants, Olive Kitteridge, now living in a retirement community on the edge of town. They spend afternoons together in Olive’s apartment, telling each other stories. Stories about people they have known – “unrecorded lives,” Olive calls them – reanimating them, and, in the process, imbuing their lives with meaning.

Brimming with empathy and pathos, TELL ME EVERYTHING is Elizabeth Strout operating at the height of her powers, illuminating the ways in which our relationships keep us afloat. As Lucy says, “Love comes in so many different forms, but it is always love.”

Having firmly established the characters of Sherlock Holmes and Dr Watson in the novels A Study in Scarlet and The Sign of the Four, Sir Arthur Conan Doyle was retained by The Strand Magazine to contribute a series of twelve short stories, which began with 'A Scandal in Bohemia' in 1891 and were published monthly for the next year. The stories, in which the master sleuth receives a stream of clients presenting him with baffling and bizarre mysteries in his consulting room at 221B Baker Street, were instantly popular and by the time of the publication of the final story, 'The Copper Beeches', they had become the mainstay of the magazine. They included such classic tales as 'The Five Orange Pips' and 'The Adventure of the Speckled Band', and were gathered together in a collection known as The Adventures of Sherlock Holmes, representing some of the finest detective stories ever written.

Tomorrow - if morning comes, if the storm stops raging - Cora will register the name of her son. Or perhaps, and this is her real concern, she'll formalise who he will become.

It is 1987, and in the aftermath of a great storm, Cora sets out with her nine-year-old daughter to register the birth of her son. Her husband intends for her to follow a long-standing family tradition and call the baby after him. But when faced with the decision, Cora hesitates. Going against his wishes is a risk that will have consequences, but is it right for her child to inherit his name from generations of domineering men? The choice she makes in this moment will shape the course of their lives.

Seven years later, her son is Bear, a name chosen by his sister, and one that will prove as cataclysmic as the storm from which it emerged. Or he is Julian, the name his mother set her heart on, believing it will enable him to become his own person. Or he is Gordon, named after his father and raised in his cruel image - but is there still a chance to break the mould?

Powerfully moving and full of hope, this is the story of three names, three versions of a life, and the infinite possibilities that a single decision can spark. It is the story of one family, and love's endless capacity to endure, no matter what fate has in store.