Waarheen vlug jy as huis nie meer huis is nie?

Na jare se afpersing, agterdogtigheid en alkoholmisbruik, slaan Emma se man, Gert, haar byna in die hospitaal in. By hom kan sy nie verder bly nie, dit sal haar lewe kos. Sy vlug vanuit hulle klein myndorpie in Mpumalanga met nie veel meer as die klere aan haar rug nie. Maar waarheen en wat gemaak sonder geld, 'n werk, of familie wat haar kan ondersteun? So kies Emma koers Kaap toe, en bid vir die beste.

Die tog suid is angstig en eensaam, en uiteindelik gee haar motor die gees naby Stilbaai. Nes dit lyk of haar gebede op dowe ore val, kom 'n plaaslike boer, Dewald, tot haar redding. Noodgedwonge nooi hy haar om by hom op die plaas te bly terwyl sy wag vir die kar se herstel. Maar iets skort op Dewald se werf; die plaas boer agteruit, die olyfboorde is oorgroei, en die foto's van hom as gelukkige jonggetroude staan nog die huis vol. Dewald is te jonk om 'n wewenaar te wees, maar dis sy lot in die lewe.

Vir hom bring Emma se aankoms nuwe lig, vir haar kan hy die heenkome wees wat sy nog altyd gesoek het. Maar as hulle die liefde wat tussen hulle ontstaan wil kans gee, gaan albei eers moet vrede maak met die verlede. Want Gert het nog nie vir Emma laat gaan nie, en oudvriendin Julia wil vir Dewald hê, en sal doen wat sy moet om hierdie onverwagse inkommer uit die weg te ruim.

Vlug van gister is 'n hartroerende verhaal van tweede kanse en oorbegin wat lesers weer sal laat glo in ware liefde.

In die somer van 1838 vertrek die Voortrekkerleier Piet Retief en sowat 100 man na die Zoeloekoning Dingaan om oor grond vir die trekkers te onderhandel. In die laer by Doornkop wag sy vrou Magdalena op hulle terugkeer. Die afloop van hierdie sending na Dingaan is wyd opgeteken as die Slag van Bloedrivier.

Byna 180 jaar later is Hanna op soek na wat ook al Magdalena nagelaat het. Vroeg in hierdie soektog loop Hanna haar vas in ’n plaasmoord waarvoor sy nie antwoorde het nie. Bitter min is bekend oor Magdalena en haar lewe ná 1838, buiten haar brief in 1841 aan haar skoonfamilie. In Pietermaritzburg staan haar huisie vandag nog, nou ’n klerewinkel.

Kort voor haar dood in 1854 besoek ’n handelaar haar in Potchefstroom en staan in sy boek ’n paragraaf aan haar af.

Al wat ons het, is vandag en elke mens vertel ’n storie anders. Van ver af is niks soos dit vir ons lyk nie.

“Bloedlelie is ’n merkwaardige en belangrike roman uit die pen van ’n vaardige, gesoute skrywer. Verskriklike en weersinwekkende gebeure sowel as hedendaagse politieke kompleksiteite en strydpunte word met ’n seker hand uitgebeeld. Tegelykertyd is hierdie roman die verhaal van Magdalena Retief, die grootliks onbesonge vrou van Pieter Mauritz Retief.” - Helene de Kock

Vir Hilda is veeartsenykunde 'n ongemaklike roeping, 'n pynlike passie, 'n tweesnydende swaard. Daar’s die hondekosadvertensie-stertswaaidae, waarop sy met algehele sekerheid weet dat sy 'n positiewe verskil maak. Daar’s egter ook die swart hond dae, die dae wanneer die reuk van bloed en mis en modder soos 'n vel aan haar bly kleef en sy katvoet oor haar skouer bly loer vir die dood wat in haar hande skuil. Moes sy nie maar eerder by prentjies teken gebly het en haar diereliefde op 'n spul troeteldiere uitgestort het nie? Wat sou haar oupa – of haar ma! – van sulke ruggraatlose ambisieloosheid se? As sy nie 'n veearts kan wees nie, wie is sy dan? In Ilse van Staden se meesleurende romandebuut word vrae rondom passie en plig; toewyding en perfeksionisme; idealisme en ontgogeling binne die raamwerk van 'n jong veeaarts se opleiding en toetrede tot die praktyk op onvergeetlike wyse ontbloot.

Every morning, Sybil Van Antwerp sits down to write letters – to her brother, to her best friend, to the president of the university who will not allow her to attend a class she desperately wants to take, to her favourite authors to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Because at seventy-three, Sybil has used her correspondence – witty and wise – to make sense of the world. But beyond the page, she has spent the last thirty years keeping the people who love her at arms’ length... Until letters from someone in her past force her to examine one of the most painful periods of her life.

Now, Sybil must send the letter she has been writing for all these years - and find forgiveness within herself in order to move on.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.

With gorgeous prose, European glamour, and an expansive wanderlust, Christine Mangan's The Continental Affair is a fast-paced, Agatha Christie-esque caper packed full of romance and suspense.

Meet Henri and Louise. Two strangers, traveling alone, on the train from Belgrade to Istanbul. Except this isn't the first time they have met.

It's the 1960s and Louise is running. From her past in England, from the owners of the money she has stolen — and from Henri, the person who has been sent to collect it. Across the Continent — from Granada to Paris, from Belgrade to Istanbul — Henri follows, desperate to leave behind his own troubles. The memories of his past life as a gendarme in Algeria that keep resurfacing. His inability to reconcile the growing responsibilities of his current criminal path with this former self.

But Henri soon realizes that Louise is no ordinary mark. As the train hurtles toward its final destination, Henri and Louise must decide what the future will hold — and whether it involves one another.

The first story collection from Kate Atkinson in twenty years, Normal Rules Don't Apply is a dazzling array of eleven interconnected tales from the bestselling author of Shrines of Gaiety and Life After Life

In this first full collection since Not the End of the World, we meet a queen who makes a bargain she cannot keep; a secretary who watches over the life she has just left; a man whose luck changes when a horse speaks to him.

With clockwork intricacy, inventiveness and sharp social observation, Kate Atkinson conjures a feast for the imagination, a constantly changing multiverse in which nothing is quite as it seems.

Author and actor Milton Schorr's second novel, A Man Of The Road, tells the story of Little Mikey, a young boy from the mythical West Coast town of Freeburg, who must one day set out on an epic cross-country hitch-hiking journey to Africa’s greatest city: Goldtown.

On his dangerous way he encounters characters from all sections of South African society, and from each he learns an aspect of what it is to truly be free, to live life as ‘A Man Of The Road.’

"Falling in love with him was the easiest thing I've ever done. It happened instantly. Completely. Irrevocably. Marrying him was a dream come true. Staying married to him is the fight of my life. Love transforms. Ours is both a refuge from the storm and the most violent of tempests. Two damaged souls entwined as one. We have bared our deepest, ugliest secrets to one another. Gideon is the mirror that reflects all my flaws...and all the beauty I couldn't see. He has given me everything. Now, I must prove I can be the rock, the shelter for him that he is for me. Together, we could stand against those who work so viciously to come between us. But our greatest battle may lie within the very vows that give us strength.

Committing to love was only the beginning. Fighting for it will either set us free...or break us apart."

Heartbreakingly and seductively poignant, One With You is the breathlessly awaited finale to the Crossfire saga, the searing love story that has captivated millions of readers worldwide.

The spellbinding new novel from the Women’s Prize-winning author of An American Marriage.

Vernice and Annie are 'cradle friends', born days apart in Honeysuckle, Louisiana, both destined never to know their mothers. The girls are inseparable, bound by a friendship far deeper than sisterhood. But this is the American south in the 1950s. Black girls like Vernice and Annie have to fight for every opportunity they can, and neither one can build the future they hope for in Honeysuckle.

Gradually, inevitably, the girls drift apart. Vernice pursues her education; Annie is lured by the promise of a heady first love affair and a growing obsession with finding her mother. But her search pulls her even further into a world of danger that soon leaves her oldest friend battling to save her.

Tayari Jones returns with an exuberant, richly told story about mothers, daughters, and a lifelong friendship that is as dangerous as it is unbreakable.

You wouldn’t know it was there, the unnumbered house behind the iron-grille gate, just below the craggy rocks of Northcliff ridge. To the untrained eye the rambling property might seem neglected, with its tangle of trees and untamed indigenous bush. But there is purpose here, and a peaceful, subterranean, focus on all that withers and dies.

Five strangers – a model, a former nun, a couple in crisis, and an offender newly released from prison – have come here, to this place, to discover an end to life as they’ve known it. Placing their trust in their hosts, the Mortician and Mustafa, the five open their minds and bodies to an alternative experience. Not all of them will survive – or at least not in the way they imagined – but all of them will be shown the limits of their living.

The Institute for Creative Dying is vivid and visceral, unique in its bold and imaginative exploration of mortality and the interconnectedness of all forms of being.

New York playwright Melina Green has never seen her work on stage. In a man’s world, only through a lie can she get the recognition she yearns for.

But Melina is not the first woman in her family to discover this.

Her ancestor Emilia Bassano, mistress to one of Elizabeth I’s most valued noblemen, was no stranger to being silenced.

She decided to do something about it. Her daring act of deception has consequences that will reverberate down the centuries.

Yet to change a world can mean terrible sacrifices – your name, your family’s future, and your legacy.

These two women will never meet. But together can they rewrite history?

What a lovely home I found myself plummeting toward. . .

Not for the first time – in fact, for the 343rd time – Jill 'Doll' Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others.

For powerful oil tycoon K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it… isn't it?

As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals – alive and dead – materialise, birds swarm the dying man's room, and associates from decades past show up, all clamouring for a reckoning.

In this electric novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question: who else could we be but exactly who we are?

Ná die verbrokkeling van sy verhouding vestig die kunstenaar Niek Steyn hom in Kaapstad. Wanneer een van Marthinus Scheepers se varke in Niek se tuin beland, raak hulle bevriend.

Charelle Koopman, Niek se loseerder, verdwyn eendag, en 'n welaf kunstenaar maak 'n verdagte aanbod op Niek se huis. Op Stellenbosch skryf 'n vrou met 'n haaslip 'n monografie oor die kuns van die Olivier-broers, en word op 'n dag ooggetuie van 'n moord.

Kort hierna nader 'n holwangkêrel haar met 'n vreemde voorstel.

Finding your way is never a simple journey…

Alice sees the best in people. She also sees the worst. She sees a thousand different emotions and knows exactly what everyone around her is feeling. Every. Single. Day.

But it’s the dark thoughts. The sadness. The rage. These are the things she can’t get out of her head. The things that overwhelm her.

Where will the journey to find herself begin?

For 21 years, Heather works tirelessly to keep her son’s killer safe in prison. She works patiently and with love to rehabilitate him and to give him hope and a reason to live so that he can ultimately be released and come home to her.

On this singular journey, she loses everything: Her husband, son, grandchildren, job, friends, family, home and her social and financial standing. How quickly everyone denounces her and accuses her of desecrating her own son’s memory, but she is not deterred, not even when she finds the one true love of her life that is so deep and terrifying to her that she has to turn it away before it destroys her mission to rehabilitate Smith, and to bring her son home.

Of All Things We Need Hope is a story of hope, forgiveness, love and patience and of restorative versus retributive justice and it is a story of the long, slow burn of one mother’s love, that transcends all else.

Chris Coltrane is a successful businessman, and an alcoholic whose life has collided – sometimes disastrously – with many people. A failed intervention by his company’s board led Chris to storm off and find solace in Dimitri T’s, a neat but struggling little cocktail bar in the Cape Town suburb of Oaksworth.

Julie Ross, the owner of Dimitri T’s, is doing her damnedest to crawl out from under her father’s problematic legacy. She gambles her last hope on a Christmas lunch special and happy hour trying to rake in some money before the rent becomes due in a week, and she is left without a business.

Through the soundtrack of songs played on the jukebox, the intertwined backstories of Julie and six of her broken bar room heroes are revealed before the night ends unexpectedly, changing their lives forever.

Late one night on a Yorkshire farm, a man is brutally bludgeoned with a solid gold bar.

A plucky young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic columnist, and a radical anarchist movement. She solves the mystery, but her viral longread expose raises more questions than it answers.

Universality is a twisty, slippery descent into the rhetoric of truth and power. Through a voyeuristic lens, it focuses on words: what we say, how we say it, and what we really mean. The follow-up novel to Natasha Brown's Assembly is a compellingly nasty celebration of the spectacular force of language. It dares you to look away.

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town.

As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.

Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist with a powerful and important story to tell.

Gina knows hardly anything about her father apart from the fact that he was once engaged to Koringa, a crocodile tamer, and that he is buried in an unmarked grave. In between shifts at a call centre, with Doubt always looking over her shoulder, she works on a novel about him, ultimately drawing back the curtain on a complex, sad but also funny and enchanting life.

A story about love, family, fear and the banishing of fear: a celebration of strong women and a defence of a ‘nervous’ man.

Lily hasn't always had it easy, but that's never stopped her from working hard for the life she wants. She's come a long way from the small town in Maine where she grew up - she graduated from college, moved to Boston, and started her own business. So when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily's life suddenly seems almost too good to be true.

Ryle is assertive, stubborn, maybe even a little arrogant. He's also sensitive, brilliant, and has a total soft spot for Lily, but Ryle's complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his "no dating" rule, she can't help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan - her first love and a link to the past she left behind.

He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened.

With this bold and deeply personal novel, It Ends With Us is a heart-wrenching story and an unforgettable tale of love that comes at the ultimate price.

Named as no.1 in the 100 Best Books of the 21st Century by the New York Times.

From one of Italy’s most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime.

The story of Elena and Lila begins in the 1950s in a poor but vibrant neighbourhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else, as their friendship, beautifully and meticulously rendered, becomes a not always perfect shelter from hardship.

Ferrante has created a memorable portrait of two women, but My Brilliant Friend is also the story of a nation.

Through the lives of Elena and Lila, Ferrante gives her readers the story of a city and a country undergoing momentous change.

In 2020, tien jaar nadat Sabine uit die Laeveld weggesteier het, keer sy terug om nog net een maal weer hulle familieplaas Donkerhoek te sien en ’n neersitplek te soek vir die bondel wat sy al so lank saamdra.

Sy het egter nie ’n telefoonnommer vir die nuwe eienaar nie en Google Maps weet nie van so ’n plek nie.

In tien jaar het die aarde hierlangs geswig voor grondeise en armoede en die media berig van ’n onbekende virus wat reeds dood op die planeet begin saai het.

Dertig jaar gelede is Johan Botha lewenslank tronk toe gestuur vir die moord op drie tienermeisies. Terminaal siek en pas vrygelaat, vra hy misdaadjoernalis Ami Prinsloo om hom te help om sy onskuld te bewys.

Hoe kan sy nee sê? Dis ’n uitstekende storie. En as ’n voormalige swemkampioen met geraamtes in haar eie kas, weet sy hoe dit voel om als te verloor. Om te sukkel om mense in die oë te kyk. Hoe dit voel as iemand na aan jou vermoor word en te weet dat die skuldige nog op vrye voet is . . .

A story of wealth, power and attraction – and the truth behind two of America’s wealthiest men – from billion-copy bestselling author Danielle Steel.

When talented journalist Charlotte Ramsey is tasked with profiling the lives of two of America’s richest men, she discovers more than boardroom battles.

John Williams, a widowed shipping magnate, hides his sociopathic tendencies beneath a veneer of charm and wealth. His latest conquest, a young woman drawn into his dangerous web aboard his luxury yacht on the sun-drenched shores of St Bart’s, might just be his undoing.

Ben Sharpe’s empire was built from nothing but raw intelligence and ambition. His unexpected warmth and sincerity catch Charlotte off guard, igniting a bond neither anticipated but both yearn to explore.

As Charlotte delves deeper, guided by surprising allies and her own relentless determination, she will uncover the sinister truth. With lives entangled and reputations at stake, the ultimate revelation threatens to shake the foundations of fame and fortune.

Clementine Khoza is a hard person: hard to know, hard to love, hard to fight. As a little girl, her grandfather put a stick and a shield in her hands and taught her the ancient stick-fighting art of her Zulu ancestors. The hard way. And right now she is in a hard place, searching for Drew, her young son – kidnapped and drawn into the heart of a vicious gang conflict.

Ex-army and ex-cop, Clementine has tracked Drew’s phone to Welcome Shade – a sprawling retirement estate that has fallen into disrepair to become a gang-infested war-zone. With nothing but a talent for violence, a drone piloted by a skinny Afrikaans street kid as her eye-in-the-sky, and a huge dog with ptsd who tried to kill her and then, somehow, became her sidekick, she’ll wield stick and shield, machete and shotgun, and wade through a sea of bodies to find her son.

But the gangs are only part of the problem. Dark, twisted things stalk the estate: nightmare creatures, elite military snipers working as mercenaries and a sword-wielding man on a white horse who has made her and Drew part of his agenda. And then there are the memories and visions of her ancestors, and her own very special hallucination whom she nicknames ‘Glitch’.

It’s going to be a hard day.