The extraordinary, powerful second novel from the Booker prizewinning author of Shuggie Bain, Young Mungo is both a vivid portrayal of working-class life and the deeply moving story of the dangerous first love of two young men: Mungo and James.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city, and Mungo must work hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.

But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, with two strange men behind whose drunken banter lie murky pasts, he needs to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.

Imbuing the everyday world of its characters with rich lyricism, Douglas Stuart’s Young Mungo is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.

Making sure the end of the world never happens again – that is Enver Eleven’s task. A spy for the Historical Agency, Enver is based in Johannesburg, the only city to survive – thanks to its mining tunnels – when a supernova hit.

In Enver’s Joburg, time-travelling agents jump between the past and future, searching for an elusive enemy plotting against the Agency. Enver’s mission starts off on shaky ground: when his mentor Shanumi Six disappears, Enver must prove that he is no double agent, an allegation as frightening as a white skin in a world where it has become vanishingly rare.

But if you could go back and change the past, would the future turn out the way you want it to? Imraan Coovadia’s dazzlingly original A Spy In Time is an extraordinary tale for extraordinary times.

Huis Madeliefie word deur die staat se vlak 5-inperking in die gesig gestaar. Hans besef teen dié virus groei geen kruid nie, maar die drakoniese reëls van die tehuis se interne bevelsraad kry nie vatplek by Hans en kie nie.

Voorts is Hans oor die hoof gesien as leier van dié raad. Altoon Ahlers, befaamde akteur van weleer, neem die leisels.

Hans se plan om die inwoners met die verbode vrug se sap aan sy kant te kry, boemerang sleg. Hy sal Ahlers op ’n ander manier moet onttroon . . .

WINNER OF THE DINAANE DEBUT FICTION AWARD 2020.

The novel is set over a hundred years ago, and chronicles a tale of migrancy very different to what we have come to expect in African literature. It incorporates myth and ritual, and the stories of extraordinary, ordinary women.

What Scatterlings illustrates is that it is possible to write what you know without limiting yourself to your own actual, physical, lived experience.

Wanneer die lewe jou omwentel is die wéét binne-in jou.

Vir Mel is haar eie melkweg skitterend. Sy het wat sy wil hê, sy is wie sy wil wees. Sy maak die reëls en sy dra nie maskers nie, want sy is in beheer. Maar skielik maak ’n veel groter ster haar verskyning: Isabella, ʼn ongevraagde toevoeging tot die gesin. En boonop besef Mel dat haar beroepskeuse as mediese suster ʼn ode was aan haar oorlede ma. Susterwees was dalk haar ma se passie, maar is dit regtig hare? Mel maak gereed om uit haar einste, skitterende melkweg te verskiet. Dit is ʼn waagstuk, iets wat só nie haar ding is nie. Die ontdekkingsreis vat haar na ʼn wêreld wat sy nog altyd vermy het, tussen mense wat nie haar dam se ganse is nie.

By die flats van Belhar kom sy tot die besef dat die dam dalk nie hare is nie, maar dat sy tog, teen haar verwagting, inpas by die ganse. Sy ontmoet ’n jeugwerker met tatoes en ʼn skaatsplank wat baanbrekerswerk onder die jeug doen. Sy leer Llewellyn, haar stiefsuster se grootste aanhanger, beter ken en wys hom sy is nie so upstairs soos hy gedink het nie. Mel ontdek haarself en ʼn wêreld buite haar eie reëls.

Moet sy kies tussen wie sy was en wie sy kan wees? Of is daar plek vir Mel die skateboarder, die biker en die kelner in haar melkweg?

Welcome to the Kennedy household:

There’s Lila who wrote a bestseller about keeping your marriage alive. Now divorced, she watches her ex play happy families with another woman.

There’s Bill – her stepdad – who moved in after Lila’s mum died. He’s kind, old-fashioned and loves lentils just a little too much.

Celie, Lila’s eldest, hates school. Hates it so much she’s stopped going. Her mother’s fine with that – because she doesn’t know yet.

Violet is nine and sings age-inappropriate rap songs, laughs at fart jokes and Lila dearly hopes she’ll never, ever change.

Lastly, there’s Truant the dog. He’s just taken a bite out of the American actor who’s suddenly landed on the Kennedy’s doorstep.

This is Gene – Lila’s estranged father, and no one’s idea of a role model. He walked out on Lila and her mum years ago – and wherever he goes domestic discord follows.

Because Gene’s presence changes things in unexpected ways. Soon the girls discover a kindred spirit in a man always chasing life’s joys. Bill even loosens up. And Lila finds herself, astonishingly, dating.

Something is happening to the Kennedy household – but what is it?

And will it break, or save, their family?

Leilah meets Frankie, and the two misfits become the closest of friends at their new school – until secrets, betrayal, and sexuality drive them apart…

It’s 1997, three years after the official end of Apartheid in South Africa. Two girls from very different backgrounds, Leilah, who is mixed race, and Frankie, who is white, are drawn together when they start at a new school, one that remains racially divided despite the country’s new laws. Their friendship deepens and intensifies before suddenly falling apart when each tells the other a secret. The girls must grapple with young womanhood alone, leaving Leila with only her troubled family to fall back on.

Glass Tower is a powerful, beautiful story of two young people on a journey of sexual hurt and personal discovery which asks questions of who we are and why we love, set against a new and confusing social order.

An epic novel set against the backdrop of the 1980s space shuttle program and the extraordinary lengths we go to live and love beyond our limits.

In the summer of 1980, astrophysics professor Joan Goodwin begins training to be an astronaut at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilots Hank Redmond and John Griffin; mission specialist Lydia Danes; warm-hearted Donna Fitzgerald; and Vanessa Ford, the magnetic and mysterious aeronautical engineer. As the new astronauts prepare for their first flights, Joan finds a passion and a love she never imagined and begins to question everything she believes about her place in the observable universe.

Then, in December of 1984, on mission STS-LR9, everything changes in an instant.

Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

Hans loop op 90 nié met ’n loopring nie. Sy orige kinders maneuvreer hom vanuit hul tuistes oorsee uit sy lekker ou huis en in Huis Madeliefie in, maar Hans skop nog kliphard, en gou lei hy ’n ouetehuisopstand teen die onhoudbaar drakoniese matrone. Dis daggakoekies, ontkleedansers en vet sports net waar jy kyk in hierdie hoogs komiese roman oor oudword op eie terme.

The breathtaking new novel about the boundaries between worlds and individuals, from the internationally bestselling author of 1Q84.

When a young man’s girlfriend mysteriously vanishes, he sets his heart on finding the imaginary city where her true self lives. His search will lead him to take a job in a remote library with mysteries of its own.

When he finally makes it to the walled city, a shadowless place of horned beasts and willow trees, he finds his beloved working in a different library – a dream library. But she has no memory of their life together in the other world and, as the lines between reality and fantasy start to blur, he must decide what he’s willing to lose.

A love story, a quest, an ode to books and to the libraries that house them, The City and Its Uncertain Walls is a parable for these strange times.

Dit is byna vier dekades ná Toorberg. Met ’n onverwagte trein kom Magistraat Imker Goedeman (wat destyds as jong man die afarmmagistraat van Toorberg, Abraham van der Ligt, in die gange van Bellville se landdroshof raakgeloop het) aan op Gebeente, ’n klein dorpie op die Vergete Grootpad noord van Sutherland. Die omgewing is geruk deur ’n opspraakwekkende plaasmoord, maar ’n nog komplekser saak moet ondersoek word: die diefstal van die melkweg...

Ons is hier in die buurt van onwaarskynlikhede en eindelik word die ganse regstelsel uitgedaag.

Historie, mite en allegorie word sjarmant verweef in dié meeleurende, fassinerende roman, en eindelik voer Etienne van Heerden sy kenmerkende magiese realisme die verste in sy hele oeuvre.

Berdine se ma en ouma kom saam tot die gevolgtrekking dat hulle hul eie drome deur Berdine, hul dogter en kleindogter wou uitleef. Berdine word groot met die idee dat sy gebore is om ander tevrede te stel. Sy beland in ’n verhouding waar sy ten spyte van haar professionele rol as dokter tuis onderdanig moet wees en deur haar lewensmaat gemanipuleer word.

Ná jare van sielkundige teistering begin sy besef dat dit nie die soort lewe is waaroor sy gedroom het nie. Haar ma en ouma Bertha sit koppe bymekaar om Berdine terug te lok na die goeie waardes waarmee hulle haar wou opvoed. Die geleentheid kom gouer as wat hulle beplan het. Daar wag nie net vreugdevolle weersiens nie, maar ook verrassings wat haar lewe drasties verander en haar voor moeilike keuses stel.

Berdine is onseker, maar sy kry helderheid nadat haar ouma haar die waarheid oor haar grootouma en dié se niggie Emma vertel – en die eintlike lewe wat ouma Breggie haar gee.

Patriarg Tjaart van der Walt se verlede haal sy kleindogters in ná sy dood toe ’n gas onverwags by sy kleindogter, Lenore van der Walt, se bruilof opdaag. Die bewaringstatus van Bateleur Reservaat en Khulula Renosterskuiling word daardeur bedreig. Die gas wil met ’n mynbaas saamspan om ’n steenkoolmyn in die Laeveld te vestig.

Sikloon Dineo tref die reservaat langs die Mosambiek-grens en derduisende klimaatvlugtelinge word blootgestel aan mensehandel en ontvoerings. Die toenemende stel van slagysters vir bosslaghuisvleis lei ook tot ernstige vergrype teen diere.

Die drie Van der Walt-niggies – Lenore, Tarien en Bella – word meegesleur in die gety van ontheemding en dierevergrype. Ook op geestelike vlak is daar ’n vervreemding tussen die niggies en hul Skepper wanneer seer uit die verlede hul inhaal en hul binne-vrede moet vind om weer tuis by God te voel.

Romanse en nuwe vriendskappe te midde van natuurrampe en aanvalle deur insypelaars word ’n toevlug toe ’n bonkige huursoldaat en die Olifantbekoorder van die Laeveld tot die niggies se lewens toetree.

’n Nuwe lewe wag op hom

In 1939 bars die oorlogbom in Europa. Drie miljoen kinders word uit London ontruim na veiliger gebiede. Een van hulle is die sesjarige Charles Smith, op pad na ’n onbekende tante van sy pa in ’n klein dorpie in Skotland. By aunty Grace wag ’n nuwe lewe op hom.

Aan die anderkant van Europa ruk die Duitse Sesde Leër op teen Rusland. Tussen die manskappe is die vurige majoor Oswald von Stein, Hildegard se stiefseun. Voor hulle wag die Russiese winter, Stalingrad en die krygsgevangenekampe van Siberië. 90 000 word gevange geneem, net sesduisend oorleef.

Charles en Oswald beleef teenoorgestelde kante van die oorlog. Beide bevind hulself egter op pad na ’n plaas in Afrika waar hul paaie sal kruis met dié van Seretse Khama en Mentje de Vries.

A young woman is murdered in her flat and a tiny red diamond in the shape of a five-pointed star is found behind her eyelid. Detective Harry Hole is assigned to the case, alongside his long-time adversary Tom Waaler, and initially wants no part in it.

But Harry is already on his final warning and has little alternative but to drag himself out of his alcoholic stupor when it becomes apparent that Oslo has a serial killer on its hands.

Inspired by true events, a thrilling Depression-era novel from the author of The Librarian of Burned Books about a woman’s quest to uncover a mystery surrounding a local librarian and the Boxcar Library—a converted mining train that brought books to isolated rural towns in Montana.

When Works Progress Administration (WPA) editor Millie Lang finds herself on the wrong end of a potential political scandal, she’s shipped off to Montana to work on the state’s American Guide Series—travel books intended to put the nation’s destitute writers to work.

Millie arrives to an eclectic staff claiming their missed deadlines are due to sabotage, possibly from the state’s powerful Copper Kings who don’t want their long and bloody history with union organizers aired for the rest of the country to read. But Millie begins to suspect that the answer might instead lie with the town’s mysterious librarian, Alice Monroe.

More than a decade earlier, Alice Monroe created the Boxcar Library in order to deliver books to isolated mining towns where men longed for entertainment and connection. Alice thought she found the perfect librarian to staff the train car in Colette Durand, a miner’s daughter with a shotgun and too many secrets behind her eyes.

Now, no one in Missoula will tell Millie why both Alice and Colette went out on the inaugural journey of the Boxcar Library, but only Alice returned.

The three women’s stories dramatically converge in the search to uncover what someone is so desperately trying to hide: what happened to Colette Durand.

Inspired by the fascinating, true history of Missoula’s Boxcar Library, the novel blends the story of the strong, courageous women who survived and thrived in the rough and rowdy West with that of the power of standing together to fight for workers’ lives. And through it all shines the capacity of books to provide connection and light to those who need it most.

Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father to accept on her behalf.

Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate her appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.

Hoe Sara Koordom op Rooiduin in die verre Noord-Kaap aangeland het, is ’n raaisel. Sy het gekom soos die woestynwind – een dag was sy daar, en niemand weet van waar nie. En hoekom sy op Rooiduin bly, is selfs ’n groter raaisel.

Dis nie lank nie of die hele dorp merk op watter raakvatter Sara is. Tot meneer Thüneman van die Algemene Handelaar het gevra of sy twee keer ’n week die pos kan kom uitsorteer. En vir klein Kuikentjie Boskat is sy soos ’n eie ma.

Sara voel veral tuis by ouma Spriet en oom Alles, wat met die helm gebore is. En by ant Korreltjie, wat haar geleidelik leer van patrone uitlê en rokkies maak.

Maar die bedreiging wat Piet Boskat inhou, roep die spoke van Sara se verlede op. Kan sy vir haar ’n weg ooptrap om vry te kom van die gevare van die hede én van die verlede? En terselfdertyd die mense beskerm vir wie sy so lief geword het?

’n Aangrypende, meelewende roman deur die skrywer van die hoog aangeskrewe debuut Die kinders van Spookwerwe.

Twee inspirerende topverkoper-romans in een omnibus

Ter wille van Talita: Die Van den Heevers hou hulle eenkant, maar beland onder die soeklig wanneer Theuns van den Heever nie wil hê sy dogters moet aan ’n Kersspel deelneem nie.

Haar ma se kind​: Dania Pietersen is Dora en Jonnie se susterskind wat by hulle bly. Sy is ’n modelkind en volgende jaar is Dania sestien en Dora en Jonnie kan dit nie meer ontken nie: Dania hoort nie by hulle nie – sy is haar ma se kind.

All I saw was Humanity is a compilation of short stories that depicts everyday human realities and details the experiences of various characters.

It speaks to their challenges and struggles, thoughts, feelings and aspirations, failures and internal conflict. It paints different pictures from children grappling with the divorce of their parents, young adults attempting to navigate adulthood amid trauma, to the complexities of dealing with loss and disappointment.

The stories are enlightening about battles often fought in private and how human perspectives over the same matter can often be different. The stories aim to incite an understanding of the vast and various backgrounds people come from and encourage compassion in everyday life as we are often unaware of what that background is.

Dis 'n roman oor die aftakeling wat vrou- en ma-wees op gees en lyf kerf.

Daar is 'n ongewone, ontgogelde blik op swangerskap, ontdaan van blosende skoonheid, vreedsame afwagting en innige vervulling; eerder gekenmerk deur vrees, angstigheid en ongemak. Die bloedige slagveld van geboorte word ontstellend verwoord en daarna die allesoorheersende liefde vir die babas. Maar ook die onmoontlike gyselaarsituasie van 'n ongelukkige huwelik: “Om 'n ma te wees is onmenslik moeilik as jou gees gevlug het uit jou lyf.”

Dis ook die verhaal van die mooi vriendskap tussen 'n ma en stiefma. Kylie en Katrin word mekaar se weemoed.

In 1900 reis die Britse dokter Oliver Glenville na Deelfontein in die Karoo om by ’n Britse veldhospitaal vir offisiere aan te sluit. Daar beland beseerde Britse soldate én Boerekrygers op sy operasietafel.

Klara Grootboom, ’n skoonmaker, rig ’n versoek aan hom wat teen sy beginsels indruis, maar dis asof sy hom in ’n vangnet van haar eie het.

Meer as ’n honderd jaar later skep ’n opkomende Kaapse kunstenaar ’n uitstalling uit Deelfontein se gegewens en ontdek ’n onverwagse familieband . . .

Black women are labelled as strong; their tears often seen as indulgent, their suffering expected to have an imminent expiration date.

In Michelle Kekana’s ambitious debut, three modern South African women find themselves brought to breaking point as they navigate the complexities of life, love and mental health.

Utterly engrossing from the first page, The Fragile Mental Health of Strong Women is a bold exploration of what it means to be ‘strong’.

Twee gewilde Weskus-romans in een.

Haar naam is Ragel:
Die verhaal van ’n jong ma wat haar seuntjie se dood moet leer verwerk. Sy ontmoet ’n ma wat net soos sy nie kan ophou treur nie. Saam leer die twee vroue geleidelik wat die sin van lyding is en hoe God in Jesus kan troos.

Marta:
Terwyl die 17-jarige Marta se pa in haar arms sterf, vra hy haar om na haar ma om te sien. Haar geloof verval in roetinewerk, en sy neem haar kort-kort voor om haar lewe beter in te rig, maar dit gebeur nie.

Three couples, one night. And the life that follows...

Eva looked out the attic window of their charming guest house and watched the sun rise. She thought she might be sick. Splayed on the lawn below was Frank, apparently out cold. Her husband snored in the bed behind her. She loved Shay, of course she did, but right now the only person she wanted to think about was Conor. She didn't want to think about Bea or Lizzie or what Lizzie might have got up to with Shay.

Frank's 48th birthday had given the three couples an excuse for a much needed night away from children, nagging bills and ailing parents. The drink flowed, life in Dublin with all its stress felt a long way away. When Frank proposed they swap partners, it felt deliciously, irresistibly reckless. One night. No obligations. No expectations. All the women had to do was text a man of their choice.

The only rule? No falling in love.

It was a night that some of them couldn't remember. And others couldn't forget.