Dit is byna vier dekades ná Toorberg. Met ’n onverwagte trein kom Magistraat Imker Goedeman (wat destyds as jong man die afarmmagistraat van Toorberg, Abraham van der Ligt, in die gange van Bellville se landdroshof raakgeloop het) aan op Gebeente, ’n klein dorpie op die Vergete Grootpad noord van Sutherland. Die omgewing is geruk deur ’n opspraakwekkende plaasmoord, maar ’n nog komplekser saak moet ondersoek word: die diefstal van die melkweg...

Ons is hier in die buurt van onwaarskynlikhede en eindelik word die ganse regstelsel uitgedaag.

Historie, mite en allegorie word sjarmant verweef in dié meeleurende, fassinerende roman, en eindelik voer Etienne van Heerden sy kenmerkende magiese realisme die verste in sy hele oeuvre.

’n Nuwe lewe wag op hom

In 1939 bars die oorlogbom in Europa. Drie miljoen kinders word uit London ontruim na veiliger gebiede. Een van hulle is die sesjarige Charles Smith, op pad na ’n onbekende tante van sy pa in ’n klein dorpie in Skotland. By aunty Grace wag ’n nuwe lewe op hom.

Aan die anderkant van Europa ruk die Duitse Sesde Leër op teen Rusland. Tussen die manskappe is die vurige majoor Oswald von Stein, Hildegard se stiefseun. Voor hulle wag die Russiese winter, Stalingrad en die krygsgevangenekampe van Siberië. 90 000 word gevange geneem, net sesduisend oorleef.

Charles en Oswald beleef teenoorgestelde kante van die oorlog. Beide bevind hulself egter op pad na ’n plaas in Afrika waar hul paaie sal kruis met dié van Seretse Khama en Mentje de Vries.

A young woman is murdered in her flat and a tiny red diamond in the shape of a five-pointed star is found behind her eyelid. Detective Harry Hole is assigned to the case, alongside his long-time adversary Tom Waaler, and initially wants no part in it.

But Harry is already on his final warning and has little alternative but to drag himself out of his alcoholic stupor when it becomes apparent that Oslo has a serial killer on its hands.

Patriarg Tjaart van der Walt se verlede haal sy kleindogters in ná sy dood toe ’n gas onverwags by sy kleindogter, Lenore van der Walt, se bruilof opdaag. Die bewaringstatus van Bateleur Reservaat en Khulula Renosterskuiling word daardeur bedreig. Die gas wil met ’n mynbaas saamspan om ’n steenkoolmyn in die Laeveld te vestig.

Sikloon Dineo tref die reservaat langs die Mosambiek-grens en derduisende klimaatvlugtelinge word blootgestel aan mensehandel en ontvoerings. Die toenemende stel van slagysters vir bosslaghuisvleis lei ook tot ernstige vergrype teen diere.

Die drie Van der Walt-niggies – Lenore, Tarien en Bella – word meegesleur in die gety van ontheemding en dierevergrype. Ook op geestelike vlak is daar ’n vervreemding tussen die niggies en hul Skepper wanneer seer uit die verlede hul inhaal en hul binne-vrede moet vind om weer tuis by God te voel.

Romanse en nuwe vriendskappe te midde van natuurrampe en aanvalle deur insypelaars word ’n toevlug toe ’n bonkige huursoldaat en die Olifantbekoorder van die Laeveld tot die niggies se lewens toetree.

In the Namibian harbour town of Lüdertiz, a liminal space where desert meets ocean, a terrible history is made intimate and personal when filmmaker Henry van Wyk must confront a childhood tragedy that has moulded his life.

Having returned to his birthplace in an attempt to get his career back on track, Henry struggles to complete a documentary he is working on. He whiles away his mornings swimming in a nearby tidal pool on Shark Island, and finds himself increasingly drawn to the small town and its romantic possibilities. But the tranquil land hides a bloody history: Shark Island was once the site of a concentration camp, and a law firm is suing the German government for their role in the genocide of Namibia’s indigenous people.

When Henry begins to interview the survivors’ descendants, their testimonies compel him to search the desert for a mass grave.

At the Edge of the Desert is a meditation on loss, isolation and love, which asks us to consider the implications of telling someone else’s story.

Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father to accept on her behalf.

Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate her appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.

A married couple joins a week-long wilderness expedition to help them reconnect in this heartfelt companion novel to the viral TikTok sensation Out on a Limb.

High school sweethearts Sarah and Caleb Linwood have always been a sure thing. For the past seventeen years, they have had each other’s backs through all of life’s ups and downs. But Sarah has begun to wonder... who is she without her other half?

When she decides to take on a fundraiser in memory of her late mother, Sarah wants nothing more than to prove that she doesn’t need Caleb’s help to succeed. But the event fails and Caleb uninvitedly steps in to save the day.

The rift that follows unearths a decade of grievances and doubts. Are they truly the same people they were when they got married at nineteen? Are they supposed to be?

Desperate to save what they know they once had, Sarah and Caleb join a grueling, week-long hiking trip intended to guide couples through rough patches. Can they fight their way out of the woods in order to find their way back to their roots?

A captivating tale of family bonds and unexpected chances, threaded with the thrilling magic of time travel.

Widowed at thirty-five, Josephine Reynolds wishes she could disappear, but her concerned sister convinces her to buy their ancestral home, a Craftsman bungalow in disrepair and foreclosure. It's a welcome distraction, and Josephine can't believe her luck when she finds the home's original door in a salvage yard.

When she installs the door and steps through it, Josephine is transported into 1927, where she meets her great-grandmother Alma, a vivacious and daring woman running an illegal speakeasy in the bungalow's basement. Immersed in the vibrant Jazz Age, Josephine forms a profound bond with Alma, only to discover upon her return to the present that history has been altered. Alma's life was tragically cut short in a speakeasy raid just a week after their fateful meeting.

Josephine has a chilling revelation--her own existence is unraveling/vanishing--and she must race against time to rewrite history. Josephine is desperate to not only save Alma but save her own future in a time-bending journey where past and present intertwine in a desperate battle for survival.

Hoe Sara Koordom op Rooiduin in die verre Noord-Kaap aangeland het, is ’n raaisel. Sy het gekom soos die woestynwind – een dag was sy daar, en niemand weet van waar nie. En hoekom sy op Rooiduin bly, is selfs ’n groter raaisel.

Dis nie lank nie of die hele dorp merk op watter raakvatter Sara is. Tot meneer Thüneman van die Algemene Handelaar het gevra of sy twee keer ’n week die pos kan kom uitsorteer. En vir klein Kuikentjie Boskat is sy soos ’n eie ma.

Sara voel veral tuis by ouma Spriet en oom Alles, wat met die helm gebore is. En by ant Korreltjie, wat haar geleidelik leer van patrone uitlê en rokkies maak.

Maar die bedreiging wat Piet Boskat inhou, roep die spoke van Sara se verlede op. Kan sy vir haar ’n weg ooptrap om vry te kom van die gevare van die hede én van die verlede? En terselfdertyd die mense beskerm vir wie sy so lief geword het?

’n Aangrypende, meelewende roman deur die skrywer van die hoog aangeskrewe debuut Die kinders van Spookwerwe.

Twee inspirerende topverkoper-romans in een omnibus

Ter wille van Talita: Die Van den Heevers hou hulle eenkant, maar beland onder die soeklig wanneer Theuns van den Heever nie wil hê sy dogters moet aan ’n Kersspel deelneem nie.

Haar ma se kind​: Dania Pietersen is Dora en Jonnie se susterskind wat by hulle bly. Sy is ’n modelkind en volgende jaar is Dania sestien en Dora en Jonnie kan dit nie meer ontken nie: Dania hoort nie by hulle nie – sy is haar ma se kind.

All I saw was Humanity is a compilation of short stories that depicts everyday human realities and details the experiences of various characters.

It speaks to their challenges and struggles, thoughts, feelings and aspirations, failures and internal conflict. It paints different pictures from children grappling with the divorce of their parents, young adults attempting to navigate adulthood amid trauma, to the complexities of dealing with loss and disappointment.

The stories are enlightening about battles often fought in private and how human perspectives over the same matter can often be different. The stories aim to incite an understanding of the vast and various backgrounds people come from and encourage compassion in everyday life as we are often unaware of what that background is.

Love, friendship and secrets revealed as the sun beats down on dazzling blue Cornish seas . . .

It's set to be a perfect day - until the chauffeur is asked to keep driving the bride around the church. This wedding definitely isn't going as planned.

Lottie is a guest at the wedding when she sees Max. No kiss has ever matched the last one they shared fifteen years ago. They were on the brink of a beautiful love story, until a shocking event tore them apart. Now here he is, still ridiculously good-looking, teasing Lottie in the old way - and that overwhelming electric attraction is back. But Max is way out of bounds.

Freya owes Cameron everything. But she doesn't love him. Which is a shame, because they're about to be married.

Ruby has been the perfect wife. When she discovers the truth about her husband, her response is reckless and delicious. But after that, nothing will ever be the same again.

Dis 'n roman oor die aftakeling wat vrou- en ma-wees op gees en lyf kerf.

Daar is 'n ongewone, ontgogelde blik op swangerskap, ontdaan van blosende skoonheid, vreedsame afwagting en innige vervulling; eerder gekenmerk deur vrees, angstigheid en ongemak. Die bloedige slagveld van geboorte word ontstellend verwoord en daarna die allesoorheersende liefde vir die babas. Maar ook die onmoontlike gyselaarsituasie van 'n ongelukkige huwelik: “Om 'n ma te wees is onmenslik moeilik as jou gees gevlug het uit jou lyf.”

Dis ook die verhaal van die mooi vriendskap tussen 'n ma en stiefma. Kylie en Katrin word mekaar se weemoed.

From best-selling Brazilian novelist Patrícia Melo comes a genre-defying tale of women in the Amazon and their reckoning with brutal oppression―by turns poetic, humorous, dark, and inspiring.

The Simple Art of Killing a Woman vividly conjures the epidemic of femicide in Brazil, the power women can hold in the face of overwhelming male violence, the resilience of community despite state-sponsored degradation, and the potential of the jungle to save us all.

To escape her newly aggressive lover, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about the rampant attacks on the region’s women, which have grown so commonplace that the cases quickly fill her large notebook. What she finds in the jungle is not only persistent racism, patriarchy, and deforestation, but a deep longing for answers to her enigmatic past. Through the ritual use of ayahuasca, she meets a chorus of Icamiabas, warrior women bent on vengeance―and gradually, she recovers the details of her own mother’s early death.

The Simple Art of Killing a Woman resists categorization: it is a series of prose poems lamenting the real-life women murdered by so many men in Brazil; a personal search for history, truth, and belonging; and a modern, exacting, and sometimes fantastical take on very old problems that, despite our better selves, dog us the world over.

In 1900 reis die Britse dokter Oliver Glenville na Deelfontein in die Karoo om by ’n Britse veldhospitaal vir offisiere aan te sluit. Daar beland beseerde Britse soldate én Boerekrygers op sy operasietafel.

Klara Grootboom, ’n skoonmaker, rig ’n versoek aan hom wat teen sy beginsels indruis, maar dis asof sy hom in ’n vangnet van haar eie het.

Meer as ’n honderd jaar later skep ’n opkomende Kaapse kunstenaar ’n uitstalling uit Deelfontein se gegewens en ontdek ’n onverwagse familieband . . .

Three couples, one night. And the life that follows...

Eva looked out the attic window of their charming guest house and watched the sun rise. She thought she might be sick. Splayed on the lawn below was Frank, apparently out cold. Her husband snored in the bed behind her. She loved Shay, of course she did, but right now the only person she wanted to think about was Conor. She didn't want to think about Bea or Lizzie or what Lizzie might have got up to with Shay.

Frank's 48th birthday had given the three couples an excuse for a much needed night away from children, nagging bills and ailing parents. The drink flowed, life in Dublin with all its stress felt a long way away. When Frank proposed they swap partners, it felt deliciously, irresistibly reckless. One night. No obligations. No expectations. All the women had to do was text a man of their choice.

The only rule? No falling in love.

It was a night that some of them couldn't remember. And others couldn't forget.

Twee gewilde Weskus-romans in een.

Haar naam is Ragel:
Die verhaal van ’n jong ma wat haar seuntjie se dood moet leer verwerk. Sy ontmoet ’n ma wat net soos sy nie kan ophou treur nie. Saam leer die twee vroue geleidelik wat die sin van lyding is en hoe God in Jesus kan troos.

Marta:
Terwyl die 17-jarige Marta se pa in haar arms sterf, vra hy haar om na haar ma om te sien. Haar geloof verval in roetinewerk, en sy neem haar kort-kort voor om haar lewe beter in te rig, maar dit gebeur nie.

An important rumination on youth in modern-day South Africa, this haunting debut novel tells the story of two extraordinary young women who have grown up black in white suburbs and must now struggle to find their identities.

The rich and pampered Ofilwe has taken her privileged lifestyle for granted, and must confront her swiftly dwindling sense of culture when her soulless world falls apart. Meanwhile, the hip and sassy Fiks is an ambitious go-getter desperate to leave her vicious past behind for the glossy sophistication of city life, but finds Johannesburg to be more complicated and unforgiving than she expected.

These two stories artfully come together to illustrate the weight of history upon a new generation in South Africa.

The captivating new novel from the internationally-bestselling author of The Dictionary of Lost Words.

'Your job is to bind the books, not read them.'

When the men of Oxford University Press leave for the Western Front, Peggy, her twin sister Maude and their friends in the bookbindery must shoulder the burden at home. As Peggy moves between her narrowboat full of memories and the demands of the Press, her dreams of studying feel ever more remote. She must know her place, fold her pages and never stop to savour the precious words in front of her.

From volunteer nurses to refugees fleeing the horrors of occupation, the war brings women together from all walks of life, and with them some difficult choices for Peggy. New friends and lovers offer new opportunities, but they also make new demands - and Peggy must write her own story.

She’s a high-fashion realtor; he’s a low-maintenance mechanic. What on earth could they have in common?

Dressed in designer labels and cruising around town in her red Mercedes, workaholic realtor Harper Wilson presents the picture of success in charming Maple Falls. But Harper’s carefully cultivated image is resting on a shaky foundation. With a sudden drought in sales, she’s starting to see her professional dreams—along with her posh lifestyle—slipping away.

Car trouble brings her to mechanic Rusty Jenkins, and their unlikely friendship is taken to the next level when the laid-back Rusty allows her to give him a makeover for a charity bachelor auction. Harper soon discovers that beneath the town mechanic’s wild beard and grease-stained clothing lies a true Southern gentleman—someone with a kind heart and dreams of his own. Their chemistry is undeniable, but as they get closer, past fears and relationships start to creep in, reminding them of just how much is at stake when carefully constructed facades fall apart.

Maybe their worlds aren’t so separate after all. And maybe covering up who you really are keeps you from discovering what was always meant to be.

A moving, compelling and uplifting story of following your dreams against the odds from the world’s favourite storyteller, Danielle Steel.

Iris Cooper grew up dirt poor in Texas. Her mother left when she was a baby, leaving her to be raised by her rodeo cowboy dad, who was too interested in beer, whisky and women to be a good father to her or to provide what she needed. On top of her innocent beauty, Iris had a rare gift: she had the voice of an angel. After singing in downtrodden bars across the state from the age of twelve, and then many years on the road with different bands suffering at the hands of greedy managers with no scruples, she finally gets a lucky break when she meets Boy, another talented singer, in Jackson Hole. Together they make their way to New York where Iris’s talent is recognized and nurtured by one of the top agents in the business.

A star is born and Iris finally gets the success she deserves. But then tragedy strikes, and through it Iris discovers another kind of love.

Waar lê die lyn tussen inwoner en inkommer?

“Ek, Plakker Prinsloo, weet nie of ek nou al gereed is om vir die eerste keer saam met Bennie Afrikaner uit te ry Kom toe nie. Ek was nog nooit ’n reisiger nie, dit is nou as jy nie my en Ma se ewige getrek voor Pa se misdaadrekord uit reis kan noem nie.”

Inkommers is ’n eietydse verhaal, ’n kroniek van die Afrikaners – die familie, nie die volk nie – wat al van die Groot Trek se dae af wydsbeen oor die vuil Vaal in die Vredefortkoepel boer. Is dit moontlik dat net gebore Kommers in die Kom hoort? Hoe gemaak met inkommers wat tot dusver nie juis welkom was nie? ’n Mens moet versigtig wees vir vreemdelinge. Die Afrikaners is hoeka aan die min word en hulle wil hulle omgewing tot ’n erfenisgebied verklaar kry. Dan is die liefde ook nog aan die uitsterf.

Iemand moet daarop reageer, rebelleer selfs, maar rebelleer die ware rebel vir iets of teen iets?

From internationally bestselling author John Boyne, a challenging and visceral narrative that asks the question: can one cataclysmic moment turn someone into a monster?

On the face of it, Freya lives a gilded existence, dancing solely to her own tune. She has all the trappings of wealth and privilege, a responsible job as a surgeon specialising in skin grafts, a beautiful flat in a sought-after development, and a flash car. But it wasn’t always like this. Hers is a life founded on darkness.

Did what happened to Freya as a child one fateful summer influence the adult she would become – or was she always destined to be that person? Was she born with cruelty in her heart or did something force it into being?

In Fire, John Boyne takes the reader on a chilling, uncomfortable but utterly compelling psychological journey to the epicentre of the human condition, asking the age-old question: nurture – or nature?

Verbly julle in die hoop is die tweede boek in die drieluik met die temas geloof, hoop en liefde wat verbeeld word deur die lewensverhaal van Andreas Beyers. Ons eerste ontmoeting met ’n jong Andreas is in Geloof soos ’n mosterdsaadjie, en hier vind ons hom waar hy terug delf in die verlede.

Dit is Vrydag 20 Maart 2020: Die huis waar Andreas die afgelope vyf jaar gewoon het, is opgepak. Die volgende dag vertrek hy saam met sy kinders na ’n aftreeoord in die Strand waar hy die laaste jare van sy lewe sal slyt. Hoewel Covid-19 inperkings aan die orde van die dag is, weet die meeste SuidAfrikaners, asook Andreas en die ander mense op die plattelandse dorpie glad nie wat op hulle wag nie.

Verbly julle in die hoop sal harte aanraak en twyfelaars nuwe moed gee. Jesus se volgelinge hoop nie omdat hulle wens dat dit eendag beter met hulle sal gaan nie; hulle leef in blydskap omdat hul wense reeds vervul is. Dit moes Andreas Beyers eers leer voordat hy blywende geluk kon vind.

THE WHITE LOTUS meets BELOW DECK in this astute social satire exploring privilege, immigration and gender – with a touch of espionage. Hope You Are Satisfied welcomes you to Dubai as you've never seen it before...

1990. Twenty-five-year-old Riya works for Discover Arabia, a tour guide company in the far-flung outpost of Dubai. In the months leading up to the first Gulf War, the city's iconic skyline and global reputation are just a gleam in developers' eyes. For Riya, it's a desert purgatory that spreads out between her family back home in India and her unknown future.

As political tensions run high, international arms dealers, American soldiers, CIA consultants, corrupt bosses and wayward vacationers all compete for Discover Arabia's attention. Meanwhile, Riya and her colleagues begin to plan their exit strategies.

Will a favour from Dubai's most notorious fixer offer Riya the chance to fulfil her financial obligations and escape to the United States?