Translated by Constance Garnett with an introduction by Anthony Briggs. Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out. The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire. In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

With an Introduction and Notes by Keith Wren. University of Kent at Canterbury. One of the most celebrated and popular historical romances ever written, The Three Musketeers tells the story of the early adventures of the young Gascon gentleman, D'Artagnan and his three friends from the regiment of the King's Musketeers - Athos, Porthos and Aramis. Under the watchful eye of their patron M. de Treville, the four defend the honour of the regiment against the guards of Cardinal Richelieu, and the honour of the queen against the machinations of the Cardinal himself as the power struggles of seventeenth century France are vividly played out in the background. But their most dangerous encounter is with the Cardinal's spy, Milady, one of literature's most memorable female villains, and Alexandre Dumas employs all his fast-paced narrative skills to bring this enthralling novel to a breathtakingly gripping and dramatic conclusion. Our edition uses the William Barrow translation first published by Bruce and Wylde (London,1846)

Jacob Hochstetler is a peace-loving Amish settler on the Pennsylvania frontier when Native American warriors, goaded on by the hostilities of the French and Indian War, attack his family one September night in 1757. Taken captive by the warriors and grieving for the family members just killed, Jacob finds his beliefs about love and nonresistance severely tested.

Jacob endures a hard winter as a prisoner in an Indian longhouse. Meanwhile, some members of his congregation the first Amish settlement in America move away for fear of further attacks.

Based on actual events, Jacob's Choice describes how one man's commitment to pacifism leads to a season of captivity, a complicated romance, an unrelenting search for missing family members, and an astounding act of forgiveness and reconciliation.

A Combat Officer and a Dog Find Each Other in the Shadows of Trauma and Addiction

Dog is a haunting and unflinching exploration of PTSD, addiction, and redemption, told through the eyes of an Israeli officer returning from Gaza. Haunted by trauma, he spirals into heroin addiction, finding himself among Tel Aviv's community of misfit junkies-until a stray dog unexpectedly enters his life. What follows is a raw, immersive journey through psychological anguish, fleeting hope, and the search for meaning in the wreckage of war.

Beyond its deeply personal narrative, Dog offers a profound examination of PTSD's mechanisms-how extreme stress, moral injury, and the experience of combat rewire the brain, making a return to civilian life nearly impossible. With sharp social critique and emotional depth, the novel sheds light on the invisible wounds of war and those who carry them.