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Books > Fiction > General & literary fiction > General
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Old Dog
(Hardcover)
Mark Seely
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R913
R786
Discovery Miles 7 860
Save R127 (14%)
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Ships in 18 - 22 working days
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It Takes Two
(Hardcover)
Julia Baznik; Foreword by Pat A Hargis
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R608
R547
Discovery Miles 5 470
Save R61 (10%)
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Ships in 18 - 22 working days
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Night and Day / Jacob's Room
(Paperback)
Virginia Woolf; Introduction by Dorinda Guest; Notes by Dorinda Guest; Series edited by Keith Carabine
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R142
Discovery Miles 1 420
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Ships in 10 - 15 working days
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Virginia Woolf's second novel, Night and Day (1919), portrays the
gradual changes in a society, the patterns and conventions of which
are slowly disintegrating; where the representatives of the younger
generation struggle to forge their own way, for '... life has to be
faced: to be rejected; then accepted on new terms with rapture'.
Woolf begins to experiment with the novel form while demonstrating
her affection for the literature of the past. Jacob's Room (1922),
Woolf's third novel, marks the bold affirmation of her own voice
and search for a new form to express her view that 'the human soul
... orientates itself afresh every now & then. It is doing so
now. No one can see it whole therefore.' Jacob's life is presented
in subtle, delicate and tantalising glimpses, the novel's gaps and
silences are as replete with meaning as the wicker armchair
creaking in the empty room.
Like George Orwell, Franz Kafka has given his name to a world of
nightmare, but in Kafka's world, it is never completely clear just
what the nightmare is. The Trial, where the rules are hidden from
even the highest officials, and if there is any help to be had, it
will come from unexpected sources, is a chilling, blackly amusing
tale that maintains, to the very end, a relentless atmosphere of
disorientation. Superficially about bureaucracy, it is in the last
resort a description of the absurdity of 'normal' human nature.
Still more enigmatic is The Castle. Is it an allegory of a
quasi-feudal system giving way to a new freedom for the subject?
The search by a central European Jew for acceptance into a dominant
culture? A spiritual quest for grace or salvation? An individual's
struggle between his sense of independence and his need for
approval? Is it all of these things? And K? Is he opportunist,
victim, or an outsider battling against elusive authority? Finally,
in his fables, Kafka deals in dark and quirkily humorous terms with
the insoluble dilemmas of a world which offers no reassurance, and
no reliable guidance to resolving our existential and emotional
uncertainties and anxieties.
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