In Western Europe the Golden Age of Islamic metalwork in Iran was (and is) generally considered to be the earlier period, and later metalwork was collected almost by accident and has been correspondingly little studied and poorly published, though in recent decades the imbalance has been somewhat modified. The Hermitage Collection, which numbers 162 pieces is the largest collection in the world of later Iranian Islamic metalwork, from the West of Iran as far as the Punjab. The great majority of these are household utensils, and their manufacture is characteristic of the middling levels of urban societies, though in Khurasan in the late-15th and early 16th centuries brasses or bronzes inlaid with gold and silver were made for its Timurid rulers. The substantial numbers of Iranian copper-alloy astronomical instruments of this period were made by different craftsmen, for a different public, and deserve separate treatment, though not magic bowls, used in folk-medicine and divination, which are noticed in this volume. In his Introduction, Anatolii Ivanov gives a valuable directoryof museums and other institutions of the former Soviet Union with significant collections, which complement the holdings of the Hermitage and together amount to a truly substantial corpus. The latter were acquired from private collections, but the core of the collection, from the museum attached to the school of industrial drawing founded by Baron Stieglitz, came to the Hermitage in the 1920s, when this was broken up. As well as minutely detailed descriptions of each piece and analyses of their decoration, Ivanov presents a detailed critical survey of the limited documentary evidence afforded by the inscriptions many pieces bear, which is of permanent value as a basis for further scholars working on later Islamic metalwork in general.

From around 750BC to 12BC, the Celts were the most powerful people in central and northern Europe. With the expansion of the Roman Empire and the later Christianization of these lands, they were pushed to the fringes of north-western Spain, France and the British Isles. But there the mythology of these peoples held strong. The tales from Celtic myth were noted down and also absorbed into other cultures. From Roman and Christian scribes we know of characters like Morrigan the shape-shifting queen, who could change herself from a crow to a wolf, Cu Chulainn, who, mortally wounded in battle, tied himself with his own intestines to a rock so that he'd die standing up, and the Cauldron of Bran, which could restore life. Other than being fascinating in their own right, Celtic legends are of interest for the influence they had over subsequent mythologies. The story of the Holy Grail first appears in medieval romances but its antecedents can be found in the Celtic tale, the Mabinogion. Illustrated with more than 180 artworks and photographs and maps, Celtic Myths is an expertly written account of the mythological tales that both fascinate us and influence other writings.

At one time, most towns of any size had somewhere a small foundry that would undertake small casting jobs, often more out of interest and good neighbourliness than for commercial gain. Regrettably, those days are no more and the model engineer in many areas must either adapt commercially available castings or send away to a specialist foundry that will undertake small jobs, often at some expense and with some delay. The alternative is to make your own patterns and castings, which is in fact much easier than you may think. The Backyard Foundry covers basic principles, materials and techniques, pattern making, moulding boxes, cores and core-boxes, electric, gas and coke furnaces, and includes step-by-step procedures with examples of locomotive cylinders and wheels. Sources of specialised materials and even the design of an outdoor furnace suitable for small-scale commercial work are given. Each stage and subject is covered in detail so that even the inexperienced can undertake casting with confidence. Although the book is written primarily for the model engineer, anyone wishing to make mouldings or castings will profit from its pages.