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Books > Arts & Architecture > Performing arts > Dance > General
The Foundations of Dance: An Anthology provides readers with a
carefully selected collection of articles that introduce them to
various dance forms and their respective movements. The anthology
features differentiating perspectives on ballet, jazz, and modern
dance, as well as explorations about dance as ethnography,
production, performance, legacy, and tradition. The various authors
whose writings are included within the volume approach traditional
dance subject matter from perspectives that incorporate dance as an
expression of humanity, the relationship between choreography and
elements of dance, the performing arts industry, spirituality and
dance, LGBTQ traditions in dance, and the American dance scene.
Additional readings underscore the importance of mentoring, the
role of matriarchs, and the passing on of heritage within dance
communities. Each article is supplemented with post-reading
questions to inspire critical thought and reflection. Covering
information value to individuals currently teaching or planning to
teach dance classes, The Foundations of Dance is an ideal resource
for courses in dance and the arts. It can also be used by dance
instructors who own studios and work within their communities.
From their conquest of Palestine in 1917 during World War I, until
the establishment of the State of Israel in 1948, the British
controlled the territory by mandate, representing a distinct
cultural period in Middle Eastern history. In Embodying Hebrew
Culture, author Nina S. Spiegel argues that the Jewish community of
this era created enduring social, political, religious, and
cultural forms through public events, such as festivals,
performances, and celebrations. She finds that the physical
character of this national public culture represents one of the key
innovations of Zionism - embedding the importance of the corporeal
into national Jewish life - and remains a significant feature of
contemporary Israeli culture. Spiegel analyzes four significant
events in this period that have either been unexplored or
underexplored: the beauty competitions for Queen Esther in
conjunction with the Purim carnivals in Tel Aviv from 1926 to 1929,
the first Maccabiah Games or "Jewish Olympics" in Tel Aviv in 1932,
the National Dance Competition for theatrical dance in Tel Aviv in
1937, and the Dalia Folk Dance Festivals at Kibbutz Dalia in 1944
and 1947. Drawing on a vast assortment of archives throughout
Israel, Spiegel uses an array of untapped primary sources, from
written documents to visual and oral materials, including films,
photographs, posters, and interviews. Methodologically, Spiegel
offers an original approach, integrating the fields of Israel
studies, modern Jewish history, cultural history, gender studies,
performance studies, dance theory and history, and sports studies.
In this detailed, multi-disciplinary volume, Spiegel demonstrates
the ways that political and social issues can influence a new
society and provides a dynamic framework for interpreting
present-day Israeli culture. Students and teachers of Israel
studies, performance studies, and Jewish cultural history will
appreciate Embodying Hebrew Culture.
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