Martin Cruz Smith's "masterful" ("USA TODAY") and "irresistible" ("People") "New York Times" bestseller and "Washington Post" notable book of the year: Arkady Renko must connect the dots among a Russian journalist's mysterious death, corrupt politicians, murderous gangsters, and brazen bureaucrats.
Arkady Renko, one of the iconic investigators of contemporary fiction, has survived the cultural journey from the Soviet Union to the New Russia, only to find the nation as obsessed with secrecy and brutality as was the old Communist dictatorship. In "Tatiana," the melancholy hero unravels a mystery as complex and dangerous as modern Russia itself.
The reporter Tatiana Petrovna falls to her death from a sixth-floor window in Moscow the same week that a mob billionaire is shot and buried with the trappings due a lord. The trail leads to Kaliningrad, a Cold War "secret city" that is separated by hundreds of miles from the rest of Russia. The more Arkady delves into Tatiana's past, the more she leads him into a surreal world of wandering sand dunes, abandoned children, and a notebook written in the personal code of a dead translator. Finally, in a lethal race to uncover what the translator knew, Renko makes a startling discovery that draws him still deeper into Tatiana's past--and, paradoxically, into Russia's future, where bulletproof cars, poets, corruption of the Baltic Fleet, and a butcher for hire combine to give Kaliningrad the "distinction" of having the highest crime rate in Russia.
More than a mystery, "Tatiana" is Martin Cruz Smith's most ambitious and politically daring novel since "Gorky Park." It is a story rich in character, black humor, and romance, with an insight that is the hallmark of a writer "The" "New York Times" has called "endlessly entertaining and deeply serious... not merely] our best writer of suspense, but of one of our best writers, period."

HarperCollins is proud to present its new range of best-loved, essential classics.

'Sherlock Holmes was transformed when he was hot upon such a scent as this. Men who had only known the quiet thinker and logician of Baker Street would have failed to recognize him. His face flushed and darkened. His brows were drawn into two hard black lines, while his eyes shone out from beneath them with a steely glitter.'

Set against the foggy, mysterious backdrops of London and the English countryside, these are the first twelve stories ever published to feature the infamous Detective Sherlock Holmes and his side kick Doctor Watson. They first appeared as stories in the Strand Magazine and feature some of his most famous and enjoyable cases, including 'A Scandal in Bohemia', 'The Adventure of the Blue Carbuncle' and 'The Red-headed League'.

Detective Patrik Hedström and Erica Falck are back, in an irresistible Scandi crime thriller for fans of Jo Nesbo and Lars Kepler.

As a heavy mist rolls into the Swedish coastal town of Fjällbacka, shocking violence shakes the small community to its core. Rolf Stenklo, a famous photographer, is found murdered in his gallery. Two days later, a brutal tragedy on a private island leaves the prestigious Bauer family devastated.

With his boss acting strangely, Detective Patrik Hedström is left to lead the investigation. Tensions rise threatening cracks in the team of officers at Tanumshede police station and pressure mounts as the press demand answers.

In pursuit of inspiration for her next true-crime book, Patrik's wife Erica Falck leaves behind their three children and travels to Stockholm to research the unsolved decades-old murder of a figure from Rolf's past. As Erica searches for the truth, she realizes that her mystery is connected to Patrik's case. These threads from the past are woven into the present and old sins leave behind long shadows.

Six friends gather at a country house for a birthday weekend. They decide to play a game.

All six names go in a hat. Choose two, and imagine one murdering the other. Write it down. Type it up. Read it out.

Points are given for making the murders sound convincing.

Of course, when given such a task, it’s only natural to use what you know. Secrets. Grudges. Affairs.

But once you’ve put it in a story, that secret is out.

So with each fictional murder, someone gets a motive for a real one.

Which leads to the most important question:

When a real murder comes, will you be able to spot it in time?