THE INSTANTLY ICONIC NO. 1 BESTSELLER 'Devotees of Midsomer Murders and Agatha Christie's Miss Marple stories will feel most at home here' Guardian 'I've been waiting for a novel with vicars, rude old ladies, murder and sausage dogs... et voila!' Dawn French 'Cosy crime with a cutting edge' Telegraph 'Whodunnit fans can give praise and rejoice' Ian Rankin 'Charming and funny' Observer Even better than I knew it would be' India Knight 'Quintessentially English' Sunday Express 'An absolute joy' Adam Kay ''Wry, tongue-in cheek and whimsical' Daily Mail 'Glorious' Robert Webb 'Beautifully written, charming, funny, intelligent and mordant too' Sunday Times 'Pitch perfect' Philip Pullman 'A cunning whodunnit' Daily Express Canon Daniel Clement is Rector of Champton, where he lives alongside his widowed mother - opinionated, fearless, ever-so-slightly annoying Audrey - and his two dachshunds, Cosmo and Hilda. When Daniel announces a plan to install a lavatory in the church, the parish is suddenly (and unexpectedly) divided: as lines are drawn, long-buried secrets come dangerously close to destroying the apparent calm of the village. And then Anthony Bowness - cousin to Bernard de Floures, patron of Champton - is found dead at the back of the church. As the police moves in and the bodies start piling up, Daniel is the only one who can try and keep his community together... and catch a killer.

"In Elly Griffiths's second novel starring Ruth Galloway, the forensic anthropologist, now expecting a child, undertakes a battle of wits with a deadly nemesis . . . Her inner strength as she battles social stigma and the hormonal fluctuations of pregnancy wonderfully complement the starkly wild Norfolk coast of England where Griffiths's novels are set."--"USA Today"
It's only been a few months since forensic archeologist Ruth Galloway found herself entangled in a missing-child case, barely escaping with her life. But when constructions workers demolishing a large old mansion to make way for a new development uncover the bones of a child beneath a doorway--minus its skull--Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?
When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn more deeply into the case. But as spring turns into summer, it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.
"Delightfully twisted . . . Griffiths is a talented writer and, like its predecessor "The Crossing Places," "The Janus Stone" exhibits her skill at character development and her ability to create a chilling and entirely believable story"--"Richmond Times-Dispatch"

Ironworker Wayne Colson has come to the real estate office where his wife, Carmen, works at the worst possible time: while Ojibway Indian hit man Armand Degas and loose cannon Richie Nix are there to shake down Carmen's boss. Unable to help himself, Wayne steps into harm's way . . . and sends the two malefactors out the door bleeding. Now the shooter-for-hire and his ex-con partner are after the Colsons and there's little the state police and local law enforcement can do about it. The best the feds can offer is the Witness Security Program. So it's coming down to just Wayne and Carmen--and ultimately to Carmen herself--to deal with two rough-trade misfits with murder on their minds.