"In Elly Griffiths's second novel starring Ruth Galloway, the forensic anthropologist, now expecting a child, undertakes a battle of wits with a deadly nemesis . . . Her inner strength as she battles social stigma and the hormonal fluctuations of pregnancy wonderfully complement the starkly wild Norfolk coast of England where Griffiths's novels are set."--"USA Today"
It's only been a few months since forensic archeologist Ruth Galloway found herself entangled in a missing-child case, barely escaping with her life. But when constructions workers demolishing a large old mansion to make way for a new development uncover the bones of a child beneath a doorway--minus its skull--Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?
When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn more deeply into the case. But as spring turns into summer, it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.
"Delightfully twisted . . . Griffiths is a talented writer and, like its predecessor "The Crossing Places," "The Janus Stone" exhibits her skill at character development and her ability to create a chilling and entirely believable story"--"Richmond Times-Dispatch"

Sometimes, you can be your own worst enemy…

Rhiannon Lewis thought she finally had it all: thanks to the pandemic she’s had to keep a much lower profile but has found happiness with her fiancé Rafael and his family. For once, she is surrounded by people who love her for who she is (or who they think she is).

After over 800 days without murdering anyone, the woman formerly known as the Sweetpea Killer thinks she might have finally turned over a new leaf.

That is until her soon-to-be sister-in-law has a run in with her abusive ex, and Rhiannon rediscovers her taste for revenge. This time, with a loving family in tow, the stakes are much higher. Wedded bliss and life as a normal person are finally within Rhiannon's reach, but you can never keep a good serial killer down.

Can you?

In Document #4 of the Edgar-nominated series detailing an outrageously funny family of detectives, former wild child and private investigator Izzy Spellman finally agrees to take over the family business. But the transition won't be a smooth one...
First among her priorities as head of Spellman Investigations is to dig up some dirt on the competition, slippery ex-cop Rick Harkey--a task she may enjoy a little too much. Next, faced with a baffling missing-persons case at the home of an aging millionaire, Izzy hires an actor friend, Len, to infiltrate the mansion as an undercover butler--a role "he "may enjoy a little much.
Meanwhile, Izzy is being blackmailed by her mother (photographic evidence of Prom Night 1994) to commit to regular blind dates with promising professionals--an arrangement that doesn't thrill Connor, an Irish bartender on the brink of becoming Ex-boyfriend #12.
At Spellman headquarters, it's business as unusual. Doorknobs and light fixtures are disappearing every day, Mom's been spotted crying in the pantry, and a series of increasingly demanding Spellman Rules (Rule #27: No Speaking Today) can't quite hold the family together. Izzy also has to decipher weekly "phone calls from the edge" from her octogenarian lawyer, Morty, as well as Detective Henry Stone's mysterious interest in rekindling their relationsh . . . well, whatever it was.
Just when it looks like things can't go more haywire, little sister Rae's internship researching pro bono legal cases leads the youngest Spellman to launch a grassroots campaign that could spring an innocent man from jail--or land Rae in it.
"The Spellmans Strike Again "is hands down the most hilarious, thrilling, and moving book in this bestselling, award-nominated series. And it proves beyond a reasonable doubt that Isabel Spellman, no matter how much she matures, will never be able to follow Rule #1: Act Normal.