A BookRiot Best Book of 2020 Shortlisted for the LA Times Book Prize 2021 'Shocking, twisted and brilliant. For fans of Shari Lapena, Liz Nugent and Gillian Flynn. Excellent.' Will Dean 'The pacing is fantastic; you can't stop reading' Karin Slaughter, Good Housekeeping ______________ All it takes to unravel a life ... is one home truth. Marin used to have it all. A gorgeous husband, a great job, a growing family. Until her world fell apart the day her young son disappeared... A year later, the search has gone cold. With her sanity ebbing, Marin hires a private investigator to pick up where the police left off. But instead of finding Sebastian, she learns that her husband is having an affair. Furious, Marin sparks back to life. She's lost her son; she's not about to lose her husband. This enemy has a face, which means it's a problem Marin can fix. Permanently. 'You don't just read this book; you inhale it' Mary Kubica 'A dark and dazzling treat for crime fiction fans' Mark Edwards 'Outstanding... Simply fantastic' Alex Lake

From the author of Looker comes this razor-sharp suspense about two librarians whose lives become dangerously intertwined.

No one knows Margo's real name. Her colleagues and patrons at a small-town public library only know her middle-aged normalcy, congeniality and charm. They have no reason to suspect that she is, in fact, a former nurse with a trail of countless premature deaths in her wake. She has turned a new page, so to speak, and the library is her sanctuary, a place to quell old urges.

That is, at least, until Patricia, a recent graduate and failed novelist, joins the library staff. Patricia quickly notices Margo's subtly sinister edge and watches her carefully. When a patron's death in the library bathroom offers a hint of Margo's mysterious past, Patricia can't resist digging deeper - even as this new fixation becomes all-consuming.

Taut and compelling, How Can I Help You explores the dark side of human nature and the dangerous pull of artistic obsession.

"In Elly Griffiths's second novel starring Ruth Galloway, the forensic anthropologist, now expecting a child, undertakes a battle of wits with a deadly nemesis . . . Her inner strength as she battles social stigma and the hormonal fluctuations of pregnancy wonderfully complement the starkly wild Norfolk coast of England where Griffiths's novels are set."--"USA Today"
It's only been a few months since forensic archeologist Ruth Galloway found herself entangled in a missing-child case, barely escaping with her life. But when constructions workers demolishing a large old mansion to make way for a new development uncover the bones of a child beneath a doorway--minus its skull--Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?
When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn more deeply into the case. But as spring turns into summer, it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.
"Delightfully twisted . . . Griffiths is a talented writer and, like its predecessor "The Crossing Places," "The Janus Stone" exhibits her skill at character development and her ability to create a chilling and entirely believable story"--"Richmond Times-Dispatch"

It's a cold, snowy December in the upstate New York town of Millers Kill, and newly ordained Clare Fergusson is on thin ice as the first female priest of its small Episcopal church. The ancient regime running the parish covertly demands that she prove herself as a leader. However, her blunt manner, honed by years as an army pilot, is meeting with a chilly reception from some members of her congregation and Chief of Police Russ Van Alystyne, in particular, doesn't know what to make of her, or how to address "a lady priest" for that matter.
The last thing she needs is trouble, but that is exactly what she finds. When a newborn baby is abandoned on the church stairs and a young mother is brutally murdered, Clare has to pick her way through the secrets and silence that shadow that town like the ever-present Adirondack mountains. As the days dwindle down and the attraction between the avowed priest and the married police chief grows, Clare will need all her faith, tenacity, and courage to stand fast against a killer's icy heart.
"In the Bleak Midwinter" is one of the most outstanding Malice Domestic winners the contest has seen. The compelling atmosphere-the kind of very cold and snowy winter that is typical of upstate New York-will make you reach for another sweater. The characters are fully and believably drawn and you will feel like they are your old friends and find yourself rooting for them every step of the way.

A passenger train hurtling through the night. An unwed teenage mother headed to Moscow to seek a new life. A cruel-hearted soldier looking furtively, forcibly, for sex. An infant disappearing without a trace.
So begins Martin Cruz Smith's masterful "Three Stations," a suspenseful, intricately constructed novel featuring Investigator Arkady Renko. For the last three decades, beginning with the trailblazing "Gorky Park," Renko (and Smith) have captivated readers with detective tales set in Russia. Renko is the ironic, brilliantly observant cop who finds solutions to heinous crimes when other lawmen refuse to even acknowledge that crimes have occurred. He uses his biting humor and intuitive leaps to fight not only wrongdoers but the corrupt state apparatus as well.
In "Three Stations," Renko's skills are put to their most severe test. Though he has been technically suspended from the prosecutor's office for once again turning up unpleasant truths, he strives to solve a last case: the death of an elegant young woman whose body is found in a construction trailer on the perimeter of Moscow's main rail hub. It looks like a simple drug overdose to everyone--except to Renko, whose examination of the crime scene turns up some inexplicable clues, most notably an invitation to Russia's premier charity ball, the billionaires' Nijinksy Fair. Thus a sordid death becomes interwoven with the lifestyles of Moscow's rich and famous, many of whom are clinging to their cash in the face of Putin's crackdown on the very oligarchs who placed him in power.
Renko uncovers a web of death, money, madness and a kidnapping that threatens the woman he is coming to love and the lives of children he is desperate to protect. In "Three Stations," Smith produces a complex and haunting vision of an emergent Russia's secret underclass of street urchins, greedy thugs and a bureaucracy still paralyzed by power and fear.
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Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos. Nearly every member of the party stands to reap some sort of benefit from Sir Osmond's death, but Santa Klaus, the one person who seems to have every opportunity to fire the shot, has no apparent motive. Various members of the family have their private suspicions about the identity of the murderer, and the Chief Constable of Haulmshire, who begins his investigations by saying that he knows the family too well and that is his difficulty, wishes before long that he understood them better. In the midst of mistrust, suspicion and hatred, it emerges that there was not one Santa Klaus, but two. The Santa Klaus Murder is a classic country-house mystery that is now being made available to readers for the first time since its original publication in 1936.