Joylynn M. Jossel's The Root of All Evil is a sexy, drama-filled, roller coaster of a ride about a woman's pursuit of the perfect man to provide all her needs.

THE ALMIGHTY $. SOME PEOPLE PRAY FOR IT.
SOME PEOPLE PRAY TO IT.

Thirty-four-year-old Klarke Taylor has two children, a pile of bills and creditors who won't leave her alone. And she's had just about enough. So Klarke and her confidants, Breezy and Jeva, resort to devising a shady plan to snag her a man who will make all her monetary dreams come true.

Reo Laroque, is a bestselling author and is right where he always dreamed of being in life. He has it all, including women who come out in droves for this high-ticketed bachelor. But all Reo wants is a virtuous woman to claim as his own. Now Klarke has him in her sights and he soon becomes entangled in a twisted pursuit or love, lust and the almighty dollar.

He's worried she won't stay. She's worried she will.

The last place city girl Cecily Kennedy expected to end up was a cattle ranch. But she needs a job-and refuge from her abusive soon-to-be-ex-husband.

If only her new boss, Austin Wells, would make it clear whether he hates her or wants her. His gaze makes her feel things she hasn't in years. Though getting over her ex by getting under her grumpy boss isn't worth the potential fallout.

Austin's a gruff, no-nonsense rancher who's seriously regretting letting his head cook hire her own help. As far as he's concerned, Cecily won't be sticking around for long. Nobody ever stays. And the wedding ring indent still on her finger makes her more trouble than she's worth.

When Cecily's past catches up with her, Austin discovers that she's already placed a branding iron on his heart. He wants her to stay. But first he needs to keep her safe . . .

Spouses Without Benefits - how can you move on without moving out?

Freya and Joe’s marriage has fizzled its way to the end, but for financial reasons, and to support their daughter in her final year of school, they decide they need to keep living together for six months.

They know it won’t be easy, but for Joe at least, it provides creative rewards: a struggling sitcom writer, he has found his new project. Why not write about his own situation? And the network loves it.

There is just one problem - Freya doesn’t know.

Can Freya and Joe navigate the six months together and might they find out something new about their relationship?

A refreshingly modern fairy tale and instant New York Times bestseller that Love Hypothesis author Ali Hazelwood hails as "an uplifting, feel-good, romantic read."

After a wild bet, gourmet grilled-cheese sandwich, and cuddle with a baby goat, Alexis Montgomery has had her world turned upside down. The cause: Daniel Grant, a ridiculously hot carpenter who’s ten years younger than her and as casual as they come—the complete opposite of sophisticated city-girl Alexis. And yet their chemistry is undeniable.

While her ultra-wealthy parents want her to carry on the family legacy of world-renowned surgeons, Alexis doesn’t need glory or fame. She’s fine with being a “mere” ER doctor. And every minute she spends with Daniel and the tight-knit town where he lives, she’s discovering just what’s really important. Yet letting their relationship become anything more than a short-term fling would mean turning her back on her family and giving up the opportunity to help thousands of people.

Bringing Daniel into her world is impossible, and yet she can’t just give up the joy she’s found with him either. With so many differences between them, how can Alexis possibly choose between her world and his?

’n Afgelegde professor in Durban, KwaZulu-Natal, dink terug en probeer sin maak van sy verlede.

Hy leef met ’n vrou in sy herinnering – Mied. Deur die oënskynlike diefstal van sy geel Volkswagen Kewer met sy hond Os-Moses agterin, ontmoet hy ’n Afrikaanssprekende Zoeloe-meisie, Mandie. Hy word Mandie, haar Ma Nxasana en ’n gestremde kind na wie Ma Nxasana omsien, Gumanam, se vertroueling. Intussen word hy lastig geval deur oproepe van ene John wat ’n MA wil doen oor eko-literatuur en mineurskrywers.

Is mos Oos is ’n surrealistiese, byna absurde roman, ’n verhaal van verandering wat ontvou in die spel van name en die vervloeiing van uiterstes: hede/verlede, man/vrou, leuen/waarheid, lewe/dood.