An exciting investigative roleplaying game exploring the supernatural and esoteric mysteries in early 20th century Britain.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Ingrid Way has practised Earth Magic or White Witchcraft for many years, and has been initiated into many traditions of the craft, particularly Wicca and Earth Magic. Ingrid and her former partner Kevin Carlyon formed the Covenant of Earth Magic in the 1980s, which based it philosophies and practise on the worship and respect for the universal forces of nature. This book is the result of many years practical experience, some may find it contradictory in the sense that it is entitled "Earth Magic for the Solitary Practitioner", yet the book is loosely based on Pagan and Wiccan theory. It is written with the Solitary Pagan in mind, therefore does not include a lot of group or Coven workings.

African shamanism teaches that nature is magical, and magic is natural. After being rescued from a life-threatening encounter with lions in the Timbavati game region by a sangoma known as the 'Lion Queen', Linda Tucker embarks on a journey into the mysteries of the most sacred animal on the African continent: the legendary White Lion. It is a mystical journey into the knowledge and ceremonies of Old Africa, in which humans and lions are able to cross the species barrier - in accordance with the most guarded secrets of Ancient Egypt and humankind's greatest riddle, the sphinx. It is also a real living journey. Scientists in our day have established that humankind's most significant evolutionary leap occurred as a result of our ancestors' interaction with great cats. The White Lion is a generic rarity of Panthera leo, and occurred in one region only on earth: Timbavati. Today White Lions form the centre of the notorious 'canned' trophy hunting industry - hand reared captive lions, shot in enclosures for gross money. By contrast, shamans believe that killing a lion-sun god is the ultimate sacrilege. How the human species treats such precious symbols of God in nature may determine how nature treats the human species.